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The side strips of the spool-holding compartment are cut off at a diagonal to insure clearance of the front apron when the lid is raised antique bentwood chaise . The binder is lapped into the diagonal ends, as shown in the drawing sheffield plate corinthian column candlesticks .
Holes are bored halfway through the sides for the two sizes of dowels used as spool spindles, at the intervals indicated in detail (A) are william and mary chest of drawers rare? . One side is jigsawed and ripped as shown in the detail, to permit removal of the spindles and spools antique oak furniture dating dining room sets with big legs . A pair of straight repair plates fastened with one screw to the main section of the side act as pivot hinges; the moving part is locked in place in the closed position by a butterfly nut, as shown in (B) otto wytrlik .
The compartment, when assembled, can be angle-ironed to the underside of the hinged lid in such a position as to clear all aprons as the lid is raised earth driven electric clock bentleys . The latter is then butt-hinged to the fixed, rear step red velour chair wooden arm rests . A folding lid support can he fastened in place to prevent the lid from closing unexpectedly important buildings in the 17 century in italy .
Table Kitchenette or Cellarette 18th century plate racks . The bedside table described in Chapter 2 (page i3o) call be easily modified to open up as a small snack bar, cellarette, sewing cabinet, or holder for a record player 18th century knife boxes . As shown in Figure 4 decorchement .54, it is
Fic reproduction bedroom furniture lancashire cherry . 4 royal court floral bone china hand made & painted by craftsman staffordshire .54• Table kitchenette french word for cabinet .
necessary only to hinge the top, provide a gateleg to hold it, and to reconstruct the front into a dropleaf picture of pennsylvania house antique cherry buffet claw feet .
If the top is to open up against a wall, instead of folding all the way back to act as a serving counter, the gateleg may be dispensed with; otherwise it will be necessary to prevent the table from tipping over, as would be the case if a hinged bracket is relied upon duncan table claw drop leaf drawer .
The drawer fronts can be camouflaged in a single solid piece by gluing tbir, imitation drawer and top rails in the proper positions, and adding handles british antique gate leg tables . The front edge of the solid bottom must be recessed the thickness of the drop-leaf front, which is hinged to it, and held horizontally by folding brackets age of jazz shelley vases .
Added serving surface is secured by the addition of two side drop leaves, which are attached to Y4-in antique folding occasional . projecting strips along the top edges of the side apron- paw feet . As shown in the drawing, hinged wings or brackets, Y4 in wardrobe 19th century italy . thick, swing oft to support these leaves when open empire writing table . The hinged table top is wide enough to over an the side and rear projecting strips as well as the drop leaf edges 1920’s tableware silversmiths .
The inside of the snack bar should be lined with asbestos or other fire ro, material, if heating apparatus is to be used italian marquetry rectangular trays through the ages . For electrical units, a double co venience outlet can be attached to a side apron with a flexible wire and lu van briggle lamps . desing italian furniture . through to the outside, for attachment to the nearest base plug antique drop leaf table seat 8 .
As a cellarette, it will be found that the original measurements were ee! enough to accommodate the average-sized bottles antique wooden pot cupboard . Here the lining should b’! o some acid- and alcohol-proof material such as formica, Micarta, stainless stee or copper regency period +casters .
The gateleg is made of Y4-in antique drop leaf gate straight leg . stock and is mortised and tenoned or dowele, to an apron that is three quarters of the length of the back apron of the table This apron is hinged to the back and hides under the overhang of the top whe not in use japanese rectangle tea table .
Utility Desk antique drop leaf table 9 ft 5 legs . For the utility room a kneehole desk whose top can be lifte• off and tucked away into a closet while the drawer compartments serve as bedsid; stands or commodes should be just what is needed louis the 14th furniture . Although the drawer cam partments shown in Figure 4 meals in eighteenth century england .55 are constructed in the manner of the bach used to house a built-in ironing board makers of old antique cabinet w lion heads and paws in brass . As shown in Figure 4 19 century japan .56, all that is necessary is to provide an exit and suitable means of movement giuseppe maggiolini italian renaissance style table .
In the drawing, roller-skate wheels are suggested, although ribbon spools or any suitable rollers can be pivoted, by means of screws and washers, to all axle (it), and guided by pairs of hardwood runners screwed to the inside of the side aprons meissen allegorical figurines . The axle, which must be accurately measured to insure that the rollers neither run off their lower tracks, nor bind against the aprons, is screwed to the end of the ironing board, being reinforced with flat angle irons, as shown in the Kitchen table with ironing board scandinavian art deco furniture .
The ironing board has a pair of folding legs tenoned into a top crosspiece, which is hinged to a cleat, as indicated yixing antique . Depending on the height of the table and ironing board, a support (B) is measured so that when it is hinged to the spreader between the ironing board legs, it can be wedged against cleat (D) value of marble top dresser from the civil war . The free end of support (B) should be cut at an angle to fit against the cleat when the legs are down 1800 italian dining room sets . In its closed position support (B) is held up by a hook and eye to cleat (C), which is thick enough to lap over intervening cross cleats and pro ide a surface to ride over the long roller between the side aprons of the table “chamberpot in the dining room” . he length of the board will of course be determined by the length of the table, uness the latter is especially constructed antique georgian dining table, pad foot . In any event, one side apron will have to, be removed in order to insert the axle, and the table top must be removed in or
to cut out the exit in one end apron bambocci antique . A length of curtain pole or other suitable roller is pivoted near the outer end of the table a distance down from the lower edges of the upper runners or track, equal to the total thickness of ironing board, cleats, and legs greco roman furniture .
In order to hold the rear end of the ironin-, board firm while it is in use, antique table from a monastery in europe .-he ends of each of the lower runners in the side aprons are cut off at the open end of the table (E) an amount equal to the diameter of the two small rollers pivoted to the ends of the axle george 1 walnut kneehole chest . A small section of runner is screwed under these cut off ends to hold the rollers when they drop off the long runner antique french smallwriting cabinet . When returning board to its position within the table, it is necessary only to raise up the rear end until the rollers engage the upper long track, whose end corners should be beveled off chinese chippendale markings .
Modern Breakfront modern drop front desk . Although the dining table is often requisitioned for work or study between meals, the average buffet remains sacrosanct as a repository for china, glassware, silver, and linens meuble style . It is in an attempt to expand the uses of this single-minded piece of furniture that the multipurpose breakfront (Figure
4 antique double pedestal dining room table .57) described below is presented 1700 french fashion pattern book . With its four textured cupboard doors closed french dining draw leaf table stretcher .
Fro pearlware . 4 walnut entryway console table with mirror .57• Modern breakfront english antique reproduction dining table round with add on leaves .
it offers shelves for the display of selected china, and glassware, or objets d’ art in the modern manner antique talavera pitcher spain . Extra shelves and drawers can be fitted into the cupboards in each corner, for the storing of china, glassware, silverware, linens, electrical appliances, or bottled goods antique art deco fixture . The center flush panel is hinged at the bottom to form a drop-leaf desk marquetry italianate needlework box .
The breakfront shown in Figure 4 antique folding dining table scotland .57 is of conventional construction throughout borghese lamps . The dimensions given in the lumber list are for butt joints, suitable for a paint finish; the more craftsmanlike blind dadoed job will require an additional Y4 in gothic revival furnature with lions . for all but the mitered corners of the outer carcass antique sofas 1920 . To permit clearance for the dropfront desk, it will be noted that the two center shelves must be located Y4 in closer together than neighboring shelves to right and left czechoslovakian furniture . For the same reason, al’ five panels can lap over onto the vertical partitions only half way, i antique mirror back sideboard 1920’s .e two tiered tables ., -Y8 in antique pemproke tables . Before the partitions are fitted into their dadoes and the corners glued, Y2-in scottish style sofas . rabbets are cut around the inside of the rear edges of the frame to house the /-in lombardy style furniture, italy, tables, 18th century . plywood back strips arts and crafts antique hall stand . An optional method is to cut the plywood backing Y4 in doucai ming . scant along the sides, and screw it directly to the back edges, without recessing it art deco carl walters . The base has mitered corners reinforced by corner blocks 6ft sofa table .
The cupboard doors are fastened in place with invisible link hinges, and bullet Partitions
Shelves
Base, front and back
Base, sides
Doors (plywood)
Doors (veneer—plywood)
catches 18th century folding table . In lieu of knobs, light fingertip recesses are scooped out of the partition sides jourdain modernist chair . The desk is invisibly hinged at the bottom, being held in horizontal positin by folding brackets or chains smith furniture gateleg drop leaf table . The five doors can be made of plywood having a hardwood veneer face, or with a grooved Weldtex veneering 18th century cooking utensils . When the latter is cut into squares of alternating diagonals, as shown in the drawing, the effect is very interesting; a more economical method would be to cut the squares with the grain running vertical in the four cupboard doors and horizontal in the desk, or V e versa styles dressing tables . It can be cemented over the plywood backing with brads inserted in is striations ironstone french mark .
Shelves and drawers can be inserted in the cupboard and desk compartinerts to suit the articles that are to be stored in them jules leleu display cabinet .FURNITURE FINISHING
A LTHOUGH in his selection of woods the amateur craftsman is likely to be more keenly conscious of grains and patterns than the average furniture owner, it often happens that he becomes so immersed in his hobby of construction and joinery that the matter of finish receives but scant consideration, or becomes confused by well-meant advice antique ladik rug . NVIlile it is true that the most expert finishing schedule cannot make a silk purse out of a second-rate cabinetmaking job or inferior materials, nevertheless a good finish can cover a multitude of sins maryland antique sideboard . This is particularly true of enameled, lacquered, or decorated surfaces, where a liberal use of crack filler can be rendered invisible under a smooth opaque film american spoonback armchair . All furniture finishes can be roughly divided into two main processes, the opaque finish, whose purpose is to hide, and the transparent finish, which is used to reveal and enhance the natural grain of the wood mallard furniture . Before discussing either of these procedures, however, there are several general requirements common to all types of finish that should be introduced carpets oriental .
Preparing the Surface refrectory table with bulbous legs . Any finishing schedule will be greatly facilitated if each member of the piece has been thoroughly sanded prior to assembly meissen scattered flowers . Otherwise considerable difficulty may be experienced in smoothing down inaccessible parts such as inset rails, panel corners, turnings, or carvings fretwork tables .
As emphasized in Chapter i, the final sanding of fine cabinetwork should employ a fine abrasive, not coarser than a 3/o garnet finishing paper antique canape . For rounded and inaccessible surfaces such as carvings, No 17th century porcelain figurine . oo steel wool is more flexible, although it does not cut as well antique silver rings wheat sheaf pattern . -No great exhibition of 1851 aesthetic . 6/o waterproof paper and water are used between coats, and No antique chippendale display cabinet . 112 pumice stone lubricated by water is favored for rubbing the final coat, rather than for use oil a raw wood surface 18th wood carved chair fabric cabriole .
Absolute cleanliness must be achieved before the application of any finish coat is even contemplated tekke gul . After all possible sanding dust has been removed with a soft dusting brush or compressed air, the parts should be wiped with a Tintless rag moistened with turpentine, benzine, naptha or lacquer thinner 18th century architecture columns . A light wash of this nature also insures that the work will be free from grease, much of which may consist of invisible deposits that occur in handling depression wood tea table .
As will be discussed under varnish finishing, the sanding dust composed of grains of abrasive and wood flour is not the only enemy to a good finish gateleg drop leaf table + antique . A norms load of dust in the air is always present in varying degrees, ready and eagcx t settle and bed down on a “tacky” surface antique brass inlaid table ebonized wood . After the finishing room is rendfre as dustless as possible, the windows should be closed and the floor mopped longcaseclocks chinoiserie 18.century . N?ws papers laid on the floor and sprinkled with water will help, and strong air cur>ent should be discouraged victorian writing bureau . The room temperature should be at 70′ for best result since neither enamels nor varnishes dry in a temperature that is cold or h+i
Mixing davenports with eight usable drawers . The opaque finishes consist of hiding pigments held in lisui suspension john widdicomb desk . Enamel is pigment ground in varnish; paint consists of pig e ground in linseed oil; lacquer has its pigments ground in solvents blended - it nitrocellulose to form lacquer; synthetic finishes employ pigments ground n synthetic resin louis 14th chairs . In all cases the pigments, by reason of their weight, attem t t settle to the bottom of their container where they form a thick sediment art noveau furniture . T keep them in suspension, therefore, requires thorough, repeated agitation to ai
tain the necessary consistency the neo grecian design .
Craftsmen use a variety of devices for paint mixing, from hand paddles an bent wires inserted in hand drills to mechanical tumblers antique wheat sheaves . Whatever the in;, ho it must be thorough, for whether the protective finish is prepared at ho purchased ready-mixed, the pigments will settle to the bottom of the cont antique breakfast table .in when not in use shell shaped silver spoon value . To remedy> this condition the best method is to pour ofi th
liquid into a clean container and thoroughly stir the muddy residue entry dressing table . Durin_ th
stirring portions of the poured-off liquid are added until the proper co
sistency is obtained, and the pigment is thoroughly broken up in suspensio I all finishing operations it will be found next to impossible to maintain too arg a stock of clean empty tin cans, cups or screw-top Mason jars china candlesticks antique . With their ai tight rubber rings the latter afford excellent storage, when the friction top con ai tigh
have become damaged or too gummy to exclude air when closed lord and taylor candlesticks .
Brushes english column candlestick creamware . The home craftsman who uses the brushing method to appl h double rows are thinner in body, providing greater flexibility for brushing aroun turnings or moldings english tin glaze pottery . The chisel end of a good brush is built into it by the p,op arrangement of long and short bristles, whereas cheap brushes usually displiy chisel edge made by trimming the ends of the bristles antique leg spindles . This practice removes the paint-holding flag ends that are visible in brushes of good quality cabinet decorative end shelf . Brushes come with varying bristle lengths, the longer ones holding more fluid but affording less control 1950’s green leaf and white porcelain .
Care of Brushes charles masse art deco . Much time, money, and irritation can be saved by the proper care and cleaning of finishing and painting Lrushes fauteuil design . Because of the different liquid vehicles involved, separate brushes should be reserved for enamel, paint, lacquer, varnish, shellac, and stains chiffonier oriental veneer . The best policy is to clean each brush immediately after using it and prepare it for dry storage or hang it in its proper liquid for further use wrought iron church candle sticks .
The proper cleaning solvent will depend upon the finish used; paint and var hand of fatima drawing . Wish brushes can be cleaned with turpentine or benzine, but shellac brushes are cleaned with denatured alcohol, and lacquer brushes with lacquer thinner de coene art deco . Water stains can of course be cleaned off with water, but non-grain-raising stains require a special solvent issued by the manufacturer rococo silver candlestick . Whatever the solvent used, it should be worked in all the way up to the heel of the brush with the fingers, if necessary, and applied unstintingly german art deco inspired carpets with geometric motifs today . A steel brush or an old table fork will be found useful for loosening up any gummy residue lancashire bow front mahogany chest drawers .
Paint and varnish brushes that are to be used again within a reasonable period can be suspended in their liquid solutions small three legged wooden table made in india . Shellac and lacquer brushes should be stored dry antique canterbury rack . To keep out dirt and retard
evaporation of the fluid, containers hav- ing tops should be selected and modified as suggested in Figure 5 plate cover antique food .2 antique pembroke . Whatever the method of suspension employed, it should insure that the bristles do not rest on the bottom of the container where they are liable to become permanently bent “expensive antique china” . The liquid should be maintained to t’le middle of the >)rush ferrule and con-
sists of a half-and-half mixture of raw linseed oil and turpentine for paint brushes, or of varnish and turpentine for varnish or enamel brushes british oak chairs .
Prior to dry storage, after the brush has been thoroughly cleaned in solvent rose wood furniture from duch manufacturer . it should be washed with soap and water, followed by a rinsing in clear water important buildings in the 17 century in italy . When dry, the bristles are dipped in linseed oil and the brush can then be wrapped in paper to keep out dust and dirt 18th century writing table cabriole ball claw feet . Waxed paper from commercial loaves of bread makes a good wrapper, and care should be exercised that the brush is kept fiat to prevent “warping” during long storage dining table, england, 19th century .
For the best results new brushes should be broken in before using art deco side chair . After mork, ing the ends of the bristles against a board to force any loose hairs forward, they should be combed out smooth and immersed in linseed oil for 12 hours or mor(, in order to insure ease in later cleaning french empire escritoire . Before using the brush most of the o0 can be squeezed out with a straightedge; the remainder call be removed cent>-ift> gaily by spinning the Dandle between the palms of the hands, while the L:rush extends into a wide, empty container to prevent spattering antique serving tables .
Brushing Technique louis xvi cabinet netherlands . The successful application of a brushed-on finish is dependent in great part upon the manner in which the brush is handled brass skimmer antique . Selection of the correct size of brush will insure the application of the proper amourt c: liquid, which is a strong factor in eliminating “holidays” or skipped areas, as wet as in preventing double coating 19th century dutch marquetry bureau price of antique . In loading the brush it is best to dip only ajou brandt mahogany 2 tier table .- one third of the length of the bristles—under no circumstances up to the fer,-uleThe habit of wiping excess paint off against the edge of the can each time the brush is (lipped, not only bends the end bristles but causes an acculliulatioi o’ thick pigment under the rim of the can, which eventually drops into the lijui( in the form of blobs french glass table with tree like legs . A strike wire fastened across the can is a much bette practice antique gate leg table very narrow .
Paint finishes are usually brushed )ut; enamel, varnish, and shellac finirillel must be flowed on, and lacquer while habitually sprayed, is procurable in a br n hall norfolk .1sh ing mixture emile galle, orchids, 1900 . Oil flat surfaces paint finishes should be thoroughly brushed oil until the covering film is of uniform density, g workin outward toward the elge!
M
to prevent accumulations along the sharp edges antique games cupboard . It is always good practic> t( start each newly loaded brush on the bare wood, brushing into the lap left by the previous brushful art deco wooden armchairs . Cross brushing large areas eradicates “holidays” and ev-111) distributes the film of finishing material antique walnut drop leaf extending table . It is always wise to rehearse the initia’ brush strokes of a finishing job oil waste pieces of the basic material, or at Last on a piece of wrapping paper antique rococo pedestal table .
SPRAYING
Of recent years the perfection of portable spraying equipment within a moderate price range has popularized the spray finish among home craftsmen Compact outfits, with compressor and motor housed in one unit, are available, and may be used equally well with light or heavy-bodied liquids angouleme guerhard .
Spray Guns antique french rococo table . Certain fundamental differences are built into the various types
of spray guns refectory leaf table . In the matter of air pressure, guns may be of the bleeder or r on-
bleeder type charles masse art deco . The bleeder type is required where the compressor unit is not
equipped with a pressure relief valve, a continuous “bleeding” of air through the
spray nozzle aperture being relied upon, after sufficient air pressure has been built
up antique gateleg cherry table and chairs . In the nonbleedirg type, no air passes the nozzle until the trigger is squeezed can decorative moulding be antique+bookcase .
Another distinction between spray guns depends upon the method employed to
feed the nozzle pottery made in czechoslovakia .

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In essence nothing more than long, narrow, four-sided boxes, the simplest types, shown in A of Figure 4 candelabra made in england .7, can be made removable to facilitate the replacement of curtains or blinds 1935 sideboard uk art deco . The long front section, known as the apron or frieze, may be jigsawed from plywood and stained, cut from, wallboard and painted, or
Courtesy
FiG standing silver mirror & candlestic styles . 4 japanned antique chest-how to strip lacquer .5 1648 linen press . Niche used to balance window meissen cabinet plate watteau scene .
Western Pine Association
scissored from several layers of cardboard, glued together, and covered with matching material or wall-paper sheraton sidetable antique . Good workmanship demands that corners be mitered whenever the apron material is thick enough, and that the top surface of the horizontal dust cap be flush with the top edges of the frieze and its two short side
edge
The addition of a narrow crown molding around the top, as in B, will cover the exposed edges of the dust cap if it is nailed directly to the top edges of the other three members deco chair dressing walnut . On narrow windows the dust cap is optional; the inside corners call be strengthened if necessary with angle irons small round drop leaf antique side tab;e . In this case the side-pieces are hung over nails or screws in the end grain of the headpiece of the window trim antique lowboy dresser with scroll legs . A permanently installed wooden cornice can be enameled white inside, and wired for a lumiline or fluorescent tube, which will provide indirect lighting against the ceiling, while permitting an interesting illumination of the curtains or blinds below decolight lampshade .
As indicated in various illustrations in this and other chapters, valances pe form a valuable service as tie-ins between pairs of closets, over dressing tabli or desks, or to mark off alcoves of varying size thonet rocking chair . For a long narrow living room regerncy greek furniture 18th-19th century’s ., a permanently installed valance over drapes, such as the one illustrated in Figure 4 lion coffee tables dining antique .8, will serve as a semipartition for a dining alcove louis 15th design . Cut from hardboard with x
Courtesy Western Pine Associalint
Fic antique drop-leaf end tables . 4 antique meissen unglazed .6 late 1920s patek winged lugs . Desk in niche between cabinets milanese ebonized antiques .
The shape shown in Figure 4 antique sheffield silver plate chamberstick with snuffer .9 is a formalized treatment subject to individual variations russian chippendale trays . The longer the distance to be covered, the gentler should be the curves gentle
which to soothe the ever-restless eves telescoping table pedastals . Although in constructing window it is customary to measure so that the short sidepieces butt against the ends of the headpiece of the window trim, in so doing it must be remembered that heavy window draperies will be somewhat constricted mason’s patent ironstone china oriental jugs . Often, therefore, it is de sirable to optically widen narrow or misplaced windows, in which case the valanc can be lengthened so that it extends well beyond the window trim on one or bot
Courtesy U antique talavera .S value of mahogany marble side table . Gypsum Remodel Research Home
FIG roll top desk pennsylvania house . 4 double chairs slab antique .8a four feet wide drop leaf table . Valance as a room divider art deco furniture 1925 until the 1940s .
sides, permitting the curtains or draperies to extend out upon the wall fabric for upholstered french chair . This wil
necessitate attaching the sidepieces of the valance to extensions nailed to th n
headpiece of the window frame, or to angle irons bolted to the wall itself mayhew and ince tripod table .
RAWATOR CAMOUFLAGE
A successful heating engineer tries to locate his radiators against an outer wal heating 0
and in positions which will combat, to a maximum degree, incoming cold air cur rents antique drop leaf tea table . When unhampered by anxious householders, he appears to be but littl concerned with the fact that his floor-consuming units almost invariably break u usable wall space, often g violatin the basic principles of proportion and harmon
violating
in the selection of locations antique dictionary stands . Since he is keenly aware of the influx of cold ai that even the best-fitted sash and casements permit, his favorite site for a radiato is in the valuable space below a window, so
that the rising current of warm air will 121, overcome the effects of the cool air, which
sinks after being chilled by contact WIL11 the fldlflg
cold window glass table antique empire style campaign .
While it is true that of recent years radiator manufacturers have been turning out low, square units that fit snugly under
the average window sill, yet the space loss is annoying, especially since the radiator juts
out where the light from the window naturally attracts a grouping of chairs and their attendant tables antique chamber cabinets . Several styles of radiator covers or tops are available commercially, but their use adds little to the essential unattractiveness of a projecting radiator spider leg table . It is not difficult, however, to conceal, or at least to camouflage a radiator which extends out into the room, provided that a few basic requirements are borne in mind antique tripod table .
Although all radiator enclosures have the effect of cutting off the emission of Although cutting
some heat waves, if properly designed, they will compensate for this apparent loss by an increased flow and better distribution of the warmed air example of vargueno . Improperly designed enclosures, on the other hand, may reduce the radiator’s heating efficiency by as much as 5c per cent sheffield silver candelabra .
When only a front grille is included in the radiator enclosure, the space between the top of the radiator and the solid top of the cover should not be less than the distance equal to the thickness of the radiator, measured from front to back antique pewter wine tray . The second common fault in a radiator enclosure with a solid top is that of permitting the even flow of heated air to be trapped by the square corner where the top meets the back copeland parian monti . Such a corner can be easily eliminated by bending a section of bright tin or galvanized iron into a curve, thus lining the back and top in one interrupted flow
Standard Sanitary Corp jupe table mechanism .
Courtesy American Radiator & sheet which will throw the heat waves forward 18th century desserts .
A third common fault is that of skimping
Fir– 4-io italian imperial brass clock w/ candelabras . Baseboard radiant panel 18th century king george red velvet arm chair value . on the size of the cool-air inlet at the bottom
of the enclosure antique dining table d leaf ends c. 1820 . A practical rule of thumb is to arrange that the cool-air opening is at least 8o per cent of the area of the top opening or grille provided for the egress of the heated air beautiful tier table display . This, in effect, creates a chimney whose draft will increase in proportion to the distance between the radiator top and the top of the enclosure antique chinese ceramic hot plate .
Courtesy American Radiator & Standard Sanitary Cord the name art deco originates from the paris exhibition ‘paris exibitio n internationale modernes of 1925′ which aimed to show paris was a world leader in design and manufactor of high quality goods .
Fic antique settlers trunks with names on the side of them . 4 where can i buy a rennie mackintosh table with brass lion paws .ri front desk clerk . Cast-iron convertor radiator ancient gothic furniture .
To prolong the stability of a wooden radiator covering, it should be completely lined with insulating material most recognizable feature . Paper-thin sheets of aluminum over sheets of asbestos will act as efficient reflecting surfaces antique silver roll top warmer . In fact, the insulation of the rear wall behind the radiator will create considerable savings in heat absorption making cabriole legs with padded feet .
When remodeling extra space such as a basement or attic, where no heating arrangements previously existed, it might be well to investigate the advantages of baseboard radiant panel heating (Figure 4 antique.italian.porcelain. .10) napoleon antique chests . This type of heating unit literally takes the place of a baseboard, and is as inconspicuous antique dining table with carved x shaped legs . Convector radiators (Figure 4 wash stands antique .r1) call be recessed into the wall so that the outer panel is flush with the wall, with which it can be matched by painting paul de lamerie shell feet design .
CLOSET DOORS
Closet-Door Racks antique mahogany french bedside commode . Closet doors are often found to be the worst offenders when the matter of utilization of existing space is analyzed antique marble with red bedroom furniture, . Many flat articles can be >lung along the width of the inner surface of a closet door without interfering
with the contents of the closet lenci pottery wall mask . Shallow fixtures such as those pictured in Figure to form a double rod for garment hangers; in conjunction with C, it can be so located as to serve as an efficient umbrella rack history of regent furniture . Rack B serves to hold handbags and similar flat articles, as well as a garment hanger rod; C can be used for large knitting bags, china plates, or magazines chinese table with brass top .
Door Valet arita dish . For the men of the family the back-door valet illustrated in D is a handy means for securing additional storage painting antique bedroom furniture black and silver . The dimensions indicated will fit the average-size door, when the tops and bottoms of the side members are screwed to the stiles or rails of the door fake ironstone china mark . The sides can be of Y4-in antique chinoiserie table . material held together by lapped crossrails at convenient intervals best indian furniture designers . Compartment bottoms may be Y2-in deco furniture spain . pieces of scrap with pieces of Y8-in antique kidney dressing table . plywood composing the hinged bin fronts duke extendable dining table . The /-in edwards and roberts furniture . plywood backs should extend far enough upward to engage the back of the crossrail immediately above them, to prevent the bin from falling forward and dumping its contents heated silver food dishes . The shirt bin should hold from six to eight shirts and the shoe rack can accommodate at least two pairs of shoes, plus the necessary cleaning materials london antique pottery collectors .
Vanity rosewood pembroke table . For the female contingent a simple closet door dressing table creates a capsule powder room on the back of any available door british regency furniture . As shown in Figure 4 history of regent furniture .13, it consists of a semicircular shelf bracketed to the door, with a thin piece of veneer bradded around its edge as a fiddle rail to hold the various bottles and jars verlys smoke glass . An organdy skirt can be hung in the conventional manner to conceal additional shelves, if desired oak buffet with turned bun feet . These may take the form of pairs of painted cigar boxes, screwed and bracketed below the top shelf satin birch bow chest . The all-important mirror should be fastened at the proper height cabinet spiral legs .
Inner-Door Compartment johann kandler ceramic . A more elaborate but highly ingenious utilization of door back space is by means of a shallow, inner-door unit hinged to a stile at the back of the door bureau plat regency kent mahogany . As illustrated in A of Figure 4 love seat pietro piffetti .14, when the closet door is so placed that it can swing back 18o’ against the wall, the compartment can be hinged to the lock stile so that it can be opened to a Firs rectangle table pedestal large . 4 antique sewing table two side hinged lids four drawers on legs .13 antique frnech empire furniture . Vanity gillows archive library tables . goo angle antique table with cylander legs . With a 32-in gustavian chairs . door, an auxiliary storage unit 24 in irish inventions in the 19th century .
wide and 12 in antique monks chair . deep can be constructed that will serve as a dresser or a kitchenette 18c dutch marquetry bombe front cabinet . If open, railed shelves are substituted for the lower drawers in the drawing, an efficient bar can be assembled for compact entertaining porcelain spanish dancers .
There is nothing unusual about the construction of such a compartment excep that it would be well to brace all inside corners with angle irons medieval mounts . Fingertip drawe recesses eliminate projecting knobs site:antcollectors.com . The dresser top can be covered by plate glass a mirror, or stainproof formica 17th century painted cassone .
The inside of the door should be cleared of all projecting moldings, and th projecting door knob, if present, eliminated austrian empire furniture style . This can be effected with the ordinar oblong key escutcheon by removing it and hammering its turned edges flat oak draw refectory table . shorter knob spindle must be secured, to which a metal disk can be welded a washer peened to replace the interior knob antique dutch coffee table 17th century . The flattened escutcheon plate is then inverted and threaded over the spindle so that the disk or washer rests upon its cupped, inside depression quarter* oak (column,pillaster,pilaster) . It can then be screwed on in its reversed position, and the front knob bolted into place antique wrought iron glass dining tables .
An extra hinge should be inserted in the closet door and a caster screwed to the bottom of the inner compartment’s bottom to take up the weight when open 1930 upholstered chair . If there is a saddle under the door, a channel must be cut for the passage of the caster pedestal rectangular tables . The door-on-door unit is attached to the stile of the closet door by means of a long piano hinge, which will permit it to swing out at right angles with from
3 to 4 in imperial drop leaf antique table . of its end resting against the door stile value of satin birch chest of drawers . The flush, plywood door to the inner-door unit shown in A is optional boulle inlaid quarter striking bracket clock d’epoque .
When the closet door opens only go’ and can rest firmly against a wall, there is no necessity for hinging the door compartment louis 16th tables . In this case it can be angle-ironed or otherwise fastened directly to the back of the door, and the door hooked to an eye in the wall, if rigidity is necessary chamber pots cabinet .
Folding Table antique porcelain pot with wood handles paris . For use as a kitchenette or small hobby workshop, a drop front covering the shelving or tool rack can be hinged at the bottom to form a table top, as shown in B forks ivory handles . The flat leg is butt-hinged at its top to drop into place as the top descends interior design drawing room . It is held vertically in place by a cupboard snap catch or a pair of butterfly nuts wooden renaissance settee .
Bookcase in Door antique meissen unglazed . A built-in bookcase that does not sacrifice closet spac, can be fastened with angle irons to the rear of a door whose panels and cente rail or stiles have been removed furnuture pieces supboards style bambocci .
Folding table and bookcase in door bulbous leg dining table .
exceed 8 in antique gateleg table rectangular ., and if the shelves slope slightly to the rear, there will be less danger of the books falling out if the door is carelessly slammed companies that made antique brushes and vanity sets . The same treatment can be applied to any seldom-used door, thus eliminating considerable construction when a built-in bookcase is desired, flush with the walls elaborate english tray .
CLOSET PLACEMENT
Before leaving the subject of closets it should be emphasized that their position in a room has an important bearing on the location of built-in furniture antique gateleg table and chairs . In older types of construction, closets often seem to have been added as an afterthough , jutting out into a corner of the room antique furniture made with scottish pine . This is also true of many remodeling job,,, where early deficiencies are remedied by later construction pedestal rectangular tables . This type of closet can be fitted with a folding door to facilitate furniture arranging in the roorr rococo regency fashion . Sometimes two closets are built into the same wall, one opening into one roor-i and the other into an adjoining room, with a space between porcelain drum table . This leaves al alcove which is a natural recess for built-in conveniences marcel goupy porcelain . Where only one closet is built into a room near a window, it is often worth while to construct a balancing closet on the other side wodden chair dining table leaf design .
Alcove Built-ins 19th century wardrobe . Such an alcove is ideal for a built-in window seat (Figure 4J6), dressing table, desk, work table, snack bar, lavatory, headboard of a bei (Figure 4 hepplewhite small table .17), or a double-decker bunk, depending on the size military porcelain figures .

Tags: air, alcoves, american, angle irons, antique chest, art deco furniture, back, BRUSHES, buffet, century, china, chinese, commode, design, dining table, distance, divider, double chairs, drop, drop leaf, dust cap, enclosure, Figure, furniture, george, heat, indian furniture, indirect lighting, inner surface, kitchen, linen press, lowboy dresser, marble, narrow crown, narrow windows, opening, organdy, proportion, regent, Rosewood, sewing table, shelf, Shelves, side edge, side pieces, silver candelabra, silver mirror, space, Standard, table, tabli, top edges, uk art, valet, wooden cornice, workmanship

As shown in Figure 2 value of sterling silver leaf ladle .76, the rear upright (F) is half-lapped into the rear center of the base 16th century trestle refectory table . This will require a corresponding mortise in the back of the bottom (G), before it can be fastened in place after the base is assembled antique oak furniture dating dining room sets with big legs .
Dovetails can now be cut at the ends of the top rail (H), and the divider (J) double-notched 5 in french secretaire lacquered . down from the top into the center of drawer rail (K) antique china inlay mother of pearl table . Double dowels are glued into both ends of drawer rails (K) and (M), and into the front ends only of drawer slides (L), (N), and (0), including the two on the right of a size identical with (0) bronze ash tray with hinged lid and tortois handle .
The double slide (L) can now be butt-jointed gilded console table .5 in antique kidney shaped dressing table . below the top of the upright (11) deep red 19th century marble . Holes are drilled in the inner edge of the double slide (K) for the reception of the dowels in the front end of double drawer slide (L) astride (lie center notch in (K) 18th century desserts .
The assembly can now be commenced by fastening together the base decoupage bookcase . Nails or screws attach the rear of the base to its inner cleats (E), already in place, and corner blocks hold the front (D) firmly to the cleats at the front william iv scottish serving table . The bottom can now be slipped into place and fastened to the top edges of the base antique rent table .
The doweled ends of drawer rail (M) are fitted into corresponding holes drilled 12 in cantagalli pottery . above the bottom, and the dowels of drawer rail (K) into holes 5 in lalique medaillons exposition des arts decoratifs 1925 . below the top rail (H), before the sockets for the dovetails of the latter are marked and chiseled out oil the top edges of the lower cabinet sides antique brass teapot inlaid india .
After the rail has been fitted into its sockets the divider (J) is notched into place and butt-jointed to the center of top rail (H) antique silver candelabra . Its lower end is nailed or screwed to the bottom from underneath ecole furniture . The lower drawer slide (111) is doweled into place 12 in george iv oak writing desk . above the bottom of the cabinet, before the double drawer slide (L) is fitted in place astride the center notches antique silver terrine . It is best to insert the drawer guide cleats (Q) at this time, before the back and counter are in place display cabinet circular . The remaining drawer guides (P) call also be fastened in place on both sides of the cabinet and of the divider and the drawer guide cleats c j mason american ironstone pottery .
The counter is nailed or screwed in place and the bottom (T) and shelf of the upper cabinet slid into place 19century british armschairs . The top is butt jointed to the sides i -Y8 in vintage gateleg dropleaf table . down from the top edges swedish art deco interiors . A suitable t;-in drop leaf table rectangle vintage . cove molding is mitered around the top paul de lamerie shell feet design . A V4-in 18c dutch marquetry bombe front cabinet . plywood dust cap glued flush with the top edges of the molding is optional vilas table .
With -Y4-in meissen antique figures . plywood doors it is often possible to use butt hinges whose screws will penetrate the core for a firm hold antique gateleg drop leaf round table . Otherwise the hinges must be fastened
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across the front of the doors and the cabinet edges silver tureen plates .
Since the drawer guides are yg in king george drop leaf gateleg table . thick, the sides of the drawers must be set into the fronts by that amount myott & son england . As shown in the plan of a drawer, dovetailed front ends of the slides can be slid into mortises in the fronts, with the backs rabbeted into the rear ends early cherry drop front desk . Grooves are cut in the front and sides for the plywood bottoms 1920 two-tier mahogany table .
After the drawers are fitted into their openings the drawer guides are marked oak draw refectory table .0 and pairs of guides fastened to the sides of the drawers to ride on the guides in the cabinet to help distribute the weight spider leg circular dining table .
For handles, r/ in decotating with silver tray in dining room . X i Y8 in types of furnitures found in ancient roman period . pieces up to i i in english federal clocks . long can be rounded at the ends oil one side and its corners myot t, son & cie . A groove is routed out underneath, and on top, as well, if desired, and the flat surface is fastened to the drawer and door fronts by screws from inside reproduction staffordshire .
To make the shelf or shelves in the lower cabinet adjustable, two 2 in antique 5 legged claw table . X Y4 in norman bel geddes desks . strips are attached to each side of the cupboard space as shown in the lower cabinet, with Y4-in french minor nobility . mortises spaced about iY2 in antique low dresser . apart japanned bracket clocks . The strips on the right side can be attached to the divider (I) and the edge of the upright (F), with the shelf notched to fit antique spiral legged small tables .
Such a cabinet can of course be constructed tall enough to fit flush with the ceiling, if desired arts and crafts hall bench . The modern trend, however, is to use separate cabinets, the upper one being attached to the wall studs with a bulkhead of wallboard built oil top of and flush with the upper cabinet to take ill) the space to the ceiling, which is too high to reach without a stepladder antique white chamber pot .
In the case of separate cabinets, a lighter, plywood panel construction of square stuck frames can be used in the lower cabinet davenport desk mechanism . Various widths can be built to form continuous counters and extend around corners george scheidt enamel . Where several base cabinets are used in this manner, various refinements can be built in to meet the requirements of the individual housewife mahongony antique sideboards . These include a shallow, sliding half drawer on cleats in one of the upper drawers, to accommodate silver; tall, narrow cupboards or drawers for trays; shallow racks along doors for spices; mixing boards that slide out; metal-lined flour bins with sifters; racks permitting dishes to be set on edges; pot-cover compartments in drawers, or racks on door backs; tubular lights under upper cabinet bottoms, and as many other conveniences as the ingenuity of the builder can produce artdeco style italy door .
For cementing a linoleum cover to the counter of the lower cabinet, chromium or plastic flush-type trim is procurable that has been fabricated for just this purpose “officer’s chair” furniture . Screwed to the top edges of the counter, their thickness is compensated for by a layer of felt cemented between the pieces of trim before the linoleum is cemented in place, as shown in detail B oak telescopic support slides .
Heavy-Duty Kitchen Table bureau furniture . For the small home where the kitchen table
offers the only workbench surface available to the home craftsman, a ruggedly y
constructed table (Figure 2 antique czechoslovakian..porcelain .77) offers a solution to the work problems of the masculine side of the family french art deco walnut club chairs . Its obvious sturdiness may bring some gleam of approval to the critical scrutiny of the doubtful housewife, who may be appeased for lack of drawer space by the fact that the table is easy to take apart and store away, since only the top is screwed 17th century imported oriental cabinet .
The dimensions used should fit the available space in width and length, and the height should be measure to suit the housewife ogee bracket front foot . The thickness of all the members can be up to 2 in imari emblems .; the dimensions listed are only guides pilaster bookstand price .
All four legs are tapered on two sides to 3 in west indies tall console ., and a 5-in george bullock collectors cabinet . half lap 9/16 in thonet 511 . deep is cut in their opposite, upper, ends to receive the front aprons 1600 century scroll back chair .
Each front apron is mortised Y4 in 1850s gateleg with butterfly leaf . from its end to receive the end of a side apron to a depth of 1/1i(; in antique queen anne style burr walnut coffee table . The joints are assembled without glue or screws by Y4-in italian antique bread making cabinet with plate rack . rods being inserted through the legs inside the side aprons as in Figure 2 popular art techniques and their origin .77 serrurier-bovy, silex . Both ends of the rods are threaded for nuts bearing on washers fish tail knife 16th century fruit knife 15th .
Metal mortise fasteners can be screwed to the tops of each apron for fastening on the glued-up table top, which can be smoothly surfaced by gluing on a pressed-wood top layer, or heavy linoleum bound by chrome edging around the table’s edge colbolt blue plates and antique .
To protect the top during workshop hours a secondary plywood top can be cut and equipped with a 2- or 3-in 19th century 5 legged table . overhanging frame that fits snugly down over the edges of the table top antique walnut gateleg table .
Combination stool brass serving tray with italian inlay wood .
Combination Stool pictures of antique circular drop leaf table . A handy kitchen stool that opens tip to form a short stepladder for reaching articles stored away on top shelves and high compartments is illustrated in Figure 2 antique dresser base .78 antique dining tables with extension under the table ends . When closed, the stool is 24 in 18th century meissen porcelain . high, has a top 14 in antique drop sides desk w/ compartments . square, and a shallow compartment in the base for cleaning materials, dust cloths Dr shoe-shining equipment antique bugatti table . Open, the ladder consists of four steps (not including the top), on 7YI-in west indian art deco chairs . risers tabletop corner cabinet .
If J4-in throne chair bamboo . boards are not available, the sides must be glued together and set aside to dry 18th century native american pottery . Meanwhile the tops of both sections, including the top step, can be rabbeted Y4 in boulle console table with marble tops with elaborate friezes . deep to house the sides, with an allowance for a Y2-in decorative carvings . overhang on all but the hinge edges german cabinet 18th century . The bottom step must be cut out so that its rear edges can either be fitted into a stopped dado for a distance of 3 in french antique wood inlayed wine cellaret ., or rested on cleats 6Y2 in white bombe type chest of drawers . long, as preferred jackfield collectors .
Before the two sides are ripped diagonally as indicated in the side elevation of the drawing, the grooves for the middle treads should be sawed or chiseled out to allow for 7A-in jacob-desmalter . rises, so that they will coincide after the two sections have been cut apart antique art deco porcelain coffee pots . Notches Y4 in silver tripod table . deep are cut in the rear of both sections for the back strip, -Y1 in shapes of antique chamber pots . is cut off the front step, and the plywood aprons are inset V4 in antique tables in kent . Last of all, hand holes are bored out in the sides of the lower section and in the front apron, and circular openings cut in the bottoms of the sidepieces and in the front riser edwardian bookcases .
The assembly is accomplished one side at a time, with the bottom butt-jointed and screwed into place davenport cupboard desk . Countersunk and plugged or puttied screws are used to reinforce the dodoes from the outside, and the aprons are screwed or bradded into place flush along the edges of the sides and steps for additional security antique gateleg drop leaf table . The top of the stool is butt-hinged in its center, and the rear edge of the top half of the tipper section beveled to allow it to move upward smoothly 3 drawer slant front desk . Hooks and eyes are provided at the sides to keep the sections together when closed flatware 17th century .
Utensil Rack dutch antique furniture . For the kitchen with ample wall space, particularly if finished in knotty pine or cottage style, the rack illustrated in Figure 2 norwegian vernacular furniture .79 is both picturesque and utilitarian desing italian furniture . It consists of half a small wagon wheel, including the hub, screwed from the rear to a flat piece of wood, which is hung or attached to the wall revolvong bookcase . The iron rim has been removed, and hooks attached around the circumference from which to hang various kitchen utensils regency furniture history . A genuine wheel can be sanded and waxed or shellacked choson period porcelain .
If a wagon wheel is not available, a decorative facsimile can be band-sawed out of scrap lumber rosewood ant chair . The rim call be lap-jointed, as shown in detail A, with i-in mahogany empire pedestal table antique . dowels or small curtain rods spokeshaved into spokes radiating from a whittled or turned imitation hub neo-rococco cabinet . Painting such a built-up wheel the color of the wall often gives it an appearance of authenticity “japanese tea chest with oak leaves” .
BATHROOM ACCESSORIES
Gracious living includes the unhurried enjoyment of satisfactory bathing facilities oak draw leaf table kent . When the original plumbing plan becomes overtaxed by increased family participation, every effort should be made to increase the facilities adequately solid mahogany tilt top table manufactured by clare company .
Shelf Rack 1940’s widdicomb furniture . Few bathrooms provide sufficient towel racks for individual towels and washcloths, or adequate shelf space for the ever-increasing collection of toilette aids early seventeenth century refectory table . Seldom is floor space available for the type of standing rack pictured in A of Figure 2 italian “lacquered furniture” .80 antique indian tea pot . However, there is usually sufficient wall space for the combination shelf and rack (B, Figure 2 silver tray with food .8o) described below 16th century chairs . Its length call be doubled or tripled, or several units may be located at different points oval antique art deco oak coffee table . Finished to match the walls it is inconspicuously useful edwards and roberts buffet oak carved mirror .
The uprights are curved at both ends as shown in B and Y4-in art deco jupe dining . holes bored halfway through the inner sides to receive the dowel, plastic, Bakelite, or chromium rod far-out flatware . Half laps are cut in both shelf and uprights so that the latter will be on
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0-in queen charlotte and east india company . centers tambour desk with side drawers . Holes are bored at the necessary angles so that both ends of the uprights can be screwed through the wall surface to the studs queen ann taperstick . If preferred, the Vanity chippendale mahogany antique table . Where space permits a small vanity (Figure 2 antique+duncan phyfe+8 leg dressing table+pictures .81) in a bathroom is not only a luxurious postbathing adjunct, but a boon to crowded bedrooms art nouveau viennese secessionist fabric for sale . With i gayly ruffled skirt to conceal it, the frame may be knocked together from inexpensive scraps of lumber collectors glasgow school of art .
Since it is not intended to store cosmetics in this tiny dressing table, no drawers or shelf space is provided antique walnut writing table with pillar (post) legs . If added, they will be accessible when the pivoted arms of the top underframe are swung open biedermeier canape . A small stool can be stored behind the skirt when not in use english column candlesticks .
Because of the concealing skirt the construction details may be greatly simplified wellington’s campaign bed . The front and back rails are lapped and nailed into the sidepieces, centrally separated by the divider, which is butt-jointed and nailed as shown in Figure 2 cabinet spiral legs .81 tripod occasional table turned legs . “Ears” to support a dowel pivot are fastened to the ends of the front rail by means of angle irons english antique trays .
Sides
Front and back aprons Divider
Back (plywood)
Top frame, back strip Top frame, divider strip Top frame, sides Swinging skirt arms Pivot ears
The top and top frame, including the pivoted skirt arms, are cut according to the pattern in detail B, and the frame is nailed or screwed to the top edges of the rear apron, divider, and sides, as indicated by the dotted lines rosewood chinese scroll table . The arms are pivoted with /-in companies that made antique brushes and vanity sets . dowels, and the kidney-shaped top screwed in place from underneath porcelain imitation chinese seal marks .
Since the carcass of this chest will be subjected to very little strain, and the finish will be either paint, lacquer, or enamel, the economical panel or “stucl, frame” type of construction is employed burr walnut tallboy with sunburst inlay . Two identical panel frames are made ur for the sides with mortise and tenon joints and a YI-in, groove worked along the inside edges of the frames on the shaper with straight cutters, the circular saw with dado head, or hand-tooled, to receive the plywood panels walnut tripod tea table . After the frames have been glued and are dry, rabbets, see (B) are cut for the top and bottom front and back rails, and holes bored for doweling the drawer frame into place 1648 linen press . The latter is made up in the usual manner with a center drawer guide lapped into the back wood furniture legs clawfoot .
One side panel at a time is glued to the front and back members 1910 rosewood inlaid china display cabinet uk . The rear inner edges of the two rear stiles and the top edge of the two rear stiles and the top edge of the bottom back rail can be rabbeted to take the plywood back, unless, it is desired to groove the latter as a panel into the back members antique talavera pitcher spain .
The door is constructed in the same manner as the side panels and the hamper assembled like a large drawer with both sides let into the front, and the back slipped into grooves in the rear ends of the sides spider leg antique table base . As illustrated in Figure 2 writing bureau “sliding” .82, the sides slope toward the back to permit tilting the hamper forward antiquevenercoffeettableclawfeet . The drawer is of standard construction with a dado cut in the bottom of the back to ride over the drawer guide antique paper mache card table .
Corner blocks are screwed to the rear corners to act as bumpers for the hamper when closed james powell vaseline glass . Butt hinges are gained into the bottom of the door and appropriate drawer pulls screwed from the inside fiddle shape handle silverware . The top of the chest can be covered with plate glass, Micarta, formica, or enamel antique furniture william kent .
Bathroom Stool antique oval table central pedestal carved . Not only more comfortable but considerably safer than the edge of the bathtub, the average bathroom stool is furnished with a wooden top, enameled to shed moisture antique wooden pot cupboard . With the advances made in waterproof vynol-plastics such as Koroseal sheeting, however, there is no reason why the lowly stool cannot acquire the comforts of simple upholstery over the resilience of a modern fitting of Latex sponge rubber, particularly when it doubles as a vanity or dressing-table seat art deco furniture made in england 1940’s .

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Tools and supplies
A handyman’s guide from 1902 offers the opinion that without tools, the hand would be powerless. It was some 500,000 years ago that the first implements were used, probably scraps of stone or bone picked up off the ground in a moment of frustration. These days our tools are highly specialized and costly, but a well-made tool will always make a job easier and more enjoyable.
On the following pages, tools are divided into groups
according to their use—you find tools for hammering, gripping, sawing, etc., with similar tools illustrated in close proximity.
Tools should be kept clean and sharp, in a suitable container such as a tool box, or hung on the wall near the workspace. Probably the most important items, after the few essential tools listed below, are clean cotton rags and containers with lids—it seems that you never have enough of either. Get in the habit of saving all clean scraps from pure cotton clothing, sheets, etc., and keep them handy. Also 4oard glass jars, tins and otter containers with lids, but do bear in mind that some chemicals such as spirit-based ones, tend to dissolve plastic, while some react with acids. Finally, keep all tools and supplies properly labelled.
BASIC SUPPLIES
Ammonia Beeswax Benzine Cardboard, white
Chalk, powdered or stick
Chamois
Cotton wool or absorbent cotton
Denatured alcohol (methylated spirits)
Double boiler
Empty glass jars, tin cans and atomizer
spray bottles
Glue, general purpose or PVA
Japan paints
Jewelers’ rouge or pumice powder
Kerosene (paraffin)
Linseed oil
Masking tape, acid-free
Matches, wooden
Pencils, hard and well sharpened
Powdered pigments, especially raw umber Purified water
Rags, soft cotton
Shellac String
Thermometer, cooking
Turpentine
Turpentine substitute
Tweezers Varnish Vinegar
Wire mesh strainer, small
BASIC TOOL KIT
Abrasive paper, sanding block, and assorted abrasive papers
Combination pliers (6in/15cm) square-nosed type, with side cutters
Knife with replaceable blades, which also takes saw blades
Metal ruler (12 - 18in/30 - 46cm) for use when cutting along straight edge
Screwdriver (6iri/15cm) and bradawl for starting holes
T (or try) square (6iri/15cm) to ensure right angles
The following tools are nice to have, but are not essential for beginners:
Bench vice
File, combination, for use on wood or metal Hand drill, bit brace and countersink bit Panel saw or tenon saw
Power drill and attachments (sanding and buffing wheels, masonry bits, etc.)
Combination oilstone for sharpening the blade
Wood chisels (Nin/2cm) bevel-edged firmer
(Y4in/2cm) and mallet (41/2in/Ilem)
8
ABRASIVE PAPERS
Store abrasive papers in a warm, dry place and never attempt to use them on damp wood. Always use at least two grades when trying to get a really smooth finish; coarse paper, wom smooth, will not give the same effect as a finer paper. While working “snap” abrasive paper to unclog it. Incidentally, there is no such thing as “sandpaper” and although these papers feel gritty, sand has been replaced by more effective smoothing agents.
The five types of abrasive paper used for smoothing woods are as follows: Glass paper, with grains made from crushed glass (once reputedly derived from crushed port bottles). It is available with a base of cloth or paper and is commonly used for hand smoothing. Garnet paper, with grains made of crushed garnet stone, so it costs a bit more but it is very durable and recommended for smoothing by hand. Aluminurn oxide paper, used when really heavy cutting action is desired—its synthetic grains are very tough. Silicone carbide paper, also known as “wet-and-dry” paper because it can be used damp (not wet) for fine smoothing of paintwork or dry like other abrasive papers. When damp it leaves a black-grey “gravy” which has to be washed off, but when lubricated with water, it lasts a long time. It can be used on both metal and wood and is also available on a cloth base. Flint paper, rarely used any more, although it is inexpensive, is not recommended because its grains are softer than glass or gamer, and it has a short life.
Both garnet and aluminum oxide papers come in “open coat” and “close coat”—with “open coat” there is more space between the grains, making it less likely to clog and therefore better for smoothing softwoods; while in “close coat” the grains are more closely spaced and are best for hardwoods.
Steel wool can be used for smoothing wood and the finer grades are recommended after smoothing with fine abrasive paper to give a final perfect finish. As with abrasive papers, always work with the grain. Wear a handkerchief tied “bandit-style” to protect your throat and lungs when sanding.
GLUES AND GLUEING
Glueing must be the simplest repair to do! Strangely it is often neglected which is unfortunate, because a little glue applied after slight damage can prevent more extensive problems. The section below deals with glues suitable for
porous materials like woodpaper, textiles, some plastics and rubber. A wooden matchstick is often perfect for applying non-water-soluble glues. Always save even the smallest splinters and chips and glue these in’pla after the main piece has set. For glueing X;s end pottery, see the detailed chapters conodmed
‘I bere are six basic types of i [ue in common use today.
Traditional glues such as animal and fish glues, casein glue and scotch glues are gradually being superseded as they are neither heat- nor waterproof Although they are not generally recommended some craftsmen~prcfer them— such as gilders, who use rabbit Glue.
General purpose glues, cellulose- or acetate-based, and usually sold .irk tubes are water-resistant, free from staring and excellent for fixing plastics, metals, and rfiost inlays to wood. Do not work with these near an open fire—they are inflammable—and avoid inhaling the fumes.
Epoxy resins are modem, synthetic-based glues. They are strong and versatile, perfect for home use, and usually come in *o part kits—a glue and a hardener. Most take about six hours to set but a warm room will speed the setting. Follow directions on the package as the mixtures vary slightly. Caution: synthetic resin glues become rubbery ifkept unused. “They should not be used for glucing wood as they are harder than the wood itself and allow nc natural movement and thus may cause splittir
Polyvinyl acetate (PVA) g~uc is a thick, white, cold-setting, inexpensive&-sin-based glue and can be used extensively, although it is not waterproof It will keep for several months (though not in a cold place) but may stain the lighter woods and tends to creep a bit. PVA is a good general purpose glue skid is often sold in a squeeze bottle with a handy poin ed nozzle. It is water-soluble.
Contact adhesives, which are isually rubber-based, are only recommended when clamping is difficult but a strong bond isidesircd. The glue is applied to both surfaces and, w* tacky, they
are brought together. The two Ofeces are immovable upon contact, so adjusting is impossible. They are very usefid when bonding other materials to wood.
Latex glues are derived ;he milky fluid of the rubber tree, although syr thctic latex is now manufactured. They can be applied either to one surface or both and are thinned with water. Their odor is slightly objectionable. Latex glues are perfect when working with textiles, although some fabric dyes seem soluble, so test an inconspicuous spot befc reapplication.

CLEANING BRUSHES
1. It is imperative to clean brushes when you have finished using them, or to soak them if leaving the project for a few hours. (Should you forget to soak the brush, the paint will harden on the bristles; only a very strong paint remover will restore the brush to usefulness and it will never be the same again.) Always remove excess paint from the bristles first by wiping them over old newspaper.
2. In order to soak the brush, prepare it by drilling a hole in the upper handle, as shown, then inserting a dowel which will suspend the brush in water up to the first  of the fernile. (Use a container deep enough to keep the brush from resting on the bristles.) Some experts recommend storing brushes in white spirit, but this seems to dry out the bristles unnecessarily.
3. When you need to use the brush again, remove excess water from the bristles by 3quel zing them in soft absorbent cloth or paper
Caring for tools
Tools should be stored in a dryish atmosphere and away from children. After using tools with a metal part, it is a good idea to spread a film of light machine oil over the metal surface to prevent rusting. For this purpose, keep an oiled pad in a sealed container near the work area. Tools with wooden handles should be kept smoothed and well sanded to avoid splinters.
BRUSHES
Many different kinds of brushes are used in restoration and it is worth choosing them with care. A paintbrush has three parts: handle (I~ ferrule (2) and filling (3). The filling, or bristles, can be made from boar (used in the best quality brushes); horsehair (used to bulk out better filling); oxhair, squirrel and sable (used for thin artists’ paintbrushes); fibre (from the stem of the palm tree); or, increasingly, synthetic fibres (from filaments such as nylon). If possible, always invest in a good quality brush — it will hold more paint and apply it better than a cheaper brush and is less like1v to shed its bristles. Test brushes before purchasing by making sure the bristles fan evenly and that they are firmly set into the ferrule. Keep them in good condition by cleaning and storing as directed in Steps 1 – 6.
Three useful paintbrushes for the restorer are: a flat paintbrush (A~ a stencilling brush (B), and a lining brush (C). Another useful brush for many jobs is a wire brush (D).

4. To remove oil-based paint from a brush, fill a glass or metal container two-thirds full ofturpentine substitute. Agitate the brush in the liquid, pressing it against the side of the container to force out the paint. When the liquid can absorb no more paint, repeat until most of the paint is removed. To remove water-based paints, use the same technique in a jar of warm water.
5. Inspect the bristles near the ferrule to see if the paint is removed, then wash the bristles in warm, soapy water. Rinse and repeat Step 4 ifnecessary before washing and rinsing again.
Shake or blot out the moisture and leave to dry naturally, away from any heat source which will only dry out the natural oils in the bristles. Store the brush by wrapping it in brown paper, secured with a rubber band as shown, laying it flat if possible. Keep brushes used for water and oil-based paints separate, and reserve a 2-3in/5- 8cm brush specifically for varnish and shellac.
6. To keep small artists’ p    brushes in good
condition, clean as above in S 4 and 5. Then point the brush by placing adrop oflight machine oil or linseed oil on the bristles and slowly rotating the bristles between the thumb and index finger.
Carving tools
Chisels are designed for cutting with or across gouges are used for less drastic action on wood
the grain, while
Chisels and gouges have narrow cutting edges and are each designed with a particular task in mind, so purchase the various types as they are required. The metal part is usually fitted to a bulbous handle made from boxwood or impact-resistant plastic.
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The main types of carving tools are: firmer chisel (A), available withblades in a variety of widths, often driven with a wooden or soft-face mallet although a hammer maybe used with plastic-handled chisels; bevelled-edge firmer chisel (B) with a slightly less rigid blade, used for lighter woodworking tasks such as undercutting dovetail housing joints, not designed for use with a mallet but tolerates light tapping; paring chisel (C) with longer blade, used to trim long grooves; firmer gouges (D) with curved blades of two types—one with the cutting bevel on the outside, used to make concave shapes, the other ground on the inside, used to make straight cuts that are curved in cross-section—both used with a mallet; paring gouge (F) for hand paring (without a mallet), ideal for cutting curved shapes of all kinds; and cold chisel (F) used to cut metal (for example for chain links, sheet metal and bolt or rivet heads), struck with a heavy hammer.

Cutting tools
Probably the most useful and versatile cutting tools are the knives with replaceable blades. There are four types of these, all with disposable blades which come ready-sharpened. The blades are terrifically sharp and should be stored and used with great care.The four types are: general purpose knife with replaceable blades (A), sometimes with blades that may be retracted and stored inside the handle; knife with snap-off blade (B), also retractable; and surgeon’s knife or scalpel (C), with blades removed manually.
Various useful kinds of scissors are: aviation snips or compound action snips (D) which will make straight or curved cuts in metal—they have specially firm jaws and comfortable plastic hand grips; pinking scissors (E) with a zig-zag cutting edge which makes the cut edge of fabric less likely to fray; embroidery scissors (F) with elongated blades ending in a fine point, useful for work on carpets and textiles; and cuticle scissors (G) with a curved blade, used in decoupage.
A glass cutter (H) has a hardened steel wheel mounted in a holder, and is used to score a line across a sheet of glass. Small pieces can be “nibbled” off back to the scored line using the notches on the side. (It helps to remove any grease from the glass with turpentine substitute and oil the cutting wheel before starting.)
Drilling tools
When using any drill, try to keep the pressure constant. If the drill wobbles, the drillbit may snap. When drilling metal select the appropriate bit and oil it lightly before starting; it may also help to make a small hole in the metal with a punch or awl. When using a
power drill, take care to disconnect it from the power source before making any adjustments, and be sure to examine the cable regularly for signs of damage or wear. Also, avoid wearing loose clothing or accessories that could get caught in the mo T g parts.
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A hand-drill (A) has a chuck shell at one end which turns anticlockwise to open the jaws that hold the bit. When the drillbit is central, rotate it to establish it in position, then use the drill at the desired speed. Various hand-drill bits are available for special tasks: twist bit (B) for metal and wood; dowel bit (C) for the side and end grain of wood; countersink bit (D) to recess a hole to accept a countersunk screw head; glass bit (E) for use at slow speed to drill holes in glass, mirror and porcelain; masonry bit (F) for drilling holes in brick, stone and ceramic tiles. A push drill
dri(G) can be used to make small holes in wood or plastic, using special drill points. A power drill (H) is probably the most versatile tool available; accessories include circular saws, sanding discs, grinders, rasps, even paint sprayers. Small hand tools such as augers and gimlets (I) can also be used to drill holes in wood; augers drill fairly large holes, gimlets shallow ones, often to take a screw. Bore the hole by twisting the tools in one direction only. Bradawls or awls (J) are used to start holes in timber for nails and screws and to make holes in leather. The bradawl is twisted right and left; the awl is inserted with pressure.

Gripping tools
Professionals will opt fora bench vice or a clamp-on vice (A), but these require a sturdy and steadfast table or workbench. Amateur restorer-, can make do with a variety of gripping tools, purchased as required. These include: “G” or “C” cramp (B) for clamping wood or metal work, used with a block of wood between the cramp and wood to prevent marking; spring cramp (C), a manual device to provide light pressure to an object while glueing-, mitre cramp (D) to hold mitred joins together while glue sets; needle-nosed pliers (E) to grip small objects in confined places, available in a variety of shapes and proportions, all with serrated jaws; slip-joint pliers (F}, with a pivot joint which provides two widths of jaw opening; carpenters pincers (G), with curved jaws which meet at a bevelled cutting edge, designed to extract nails and tacks from wood; and upholsterers’ pliers (11), used to stretch webbing across the chair frame by gripping the folded end of the webbing while the lower jaw touches the frame.
Hammers
The most useful hammer is the claw hammer (A), which may be used for removing bent nails as well as for driving nails home. (When pulling nails out, always protect the surface with a small block of wood placed under the front end of the hammer.) Others are: lightweight pin hammer or ball pin hammer (B), used for driving pins or tacks; upholsterers’ hammer (C), with a small rounded face for driving tacks in a confined space, and magnetized so that it holds the tack in place as it drives it home; soft faced hammer (D), used for driving or shaping materials such as soft metals which would otherwise be damaged —these usually have a socketed head into which soft bases are screwed; similar are soft faced mallets (E) with rubber or rawhide heads; and lastly, heavy carvers’ mallet (F}, designed to drive various chisels and gouges.

Fitting a new handle to a hammer head
1. Choose a new handle with an even, straight grain to the wood. Begin by cutting two evenly spaced slots across the head ofthe new shaft, two-thirds the depth of the hole. Drive the hammer head onto the shaft using another hammer.
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2. Cut the shaft flush with the top ofthe hammer head.
3. If steel wedges were used, drive th;m in with another hammer until they are level %?’th the top of the shaft. If there are no stee wedges, make some from bits of hardwood. Finally grind or file the wedges flush and varnish the expo sed wood.
Measuring tools
When making measurements, avoid using the common wooden yardstick, which is too inaccuram Instead use an engineer’s steel rule (A), ideally one scribed with both metric and imperial
measurements; a folding or zig-zag rule
push-pusteel tape (C); and (for fabric only) a
tape measure or a new digital rule (D) which is run over a surface and indicates the length in its display.’ro achieve accurate right angles, use a T or try square (E) or steel square. Cl-hc metal rule is highly recommended as it will not only measure, but also serve as a straight edge to guide a knife along when cutting veneers, plastic, leather etc.)

Sawing tools
‘There are three main kindsofsaw: large handsaws, stiff-backed saws for cutting joints, and special purpose saws. With all types, the greater the number of teeth or points per inch, the finer the cut. If a saw blade is rusty, clean it by rubbing it with steel wool dipped in turpentine substitute. If sticking occurs, rub the blade with a wax candle, but if the problem persists, the blade may need sharpening, resetting or replacing.
I arge handsaws (A) include: panel-cut saw for cutting with and across the grain, cross-cut saw for cutting across the grain and rip saw for cutting with the grain. All handsaws should cut freely under their own weight and your forward pressure. Stiff-back saws include the back saw, or tenon saw, (B) for cutting joints. Various specialist saws are: coping saw (C) for cutting curves in plastic or wood; fretsaw (D) for tighter curves in wood or plastic; hacksaws (E and F) for cutting metal; and pad saw (G) for cutting holes in a panel. Knives with replaceable blades can also be fitted with saw blades although these are only designed for sawing lightweight materials.
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Scraping and filling tools
Scrapers are indispensable to the restorer and are not interchangeable, although they, and some filling knives, look somewhat alike. Various scrapers are: paint scraper (A~ with a stiff blade for removing softened paint; filling knife (B), with a wider, flexible blade; putty knife (C), used to shape and smooth putty — available with three shapes ofblade depending on the preference of the user, palette knife (D), used to scrape pigments and mix media; skarsten (E), for smoothing timberor removing paint; and combination shave hook (F) — the most useful of the shave hooks with its curved and straight blades, ideal for scraping awkwardly shaped surfaces.

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