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Antique Outdoor and Indoor Furniture.
July 17, 2009 | Leave a Comment
OUTDOOR FURNITURE
WITHIN the limitations of season and climate, the universal urgetoward outdoor living has become an important trend, which is noticeably reflected in modern architectural design antique desks by wilkinson and son . -New houses are being constructed to afford privacy to verandas, loggias, and patios dutch east india marks . Older houses are having their porches emphasized and their backyards glamorized antique pattern coat of arms . Picture windows and French doors are opening up the outside walls so that the formerly sporadically used porches and terraces have become integrated into the home as “outdoor rooms french table stretcher draw leaf .”
This flowing of the home’s interior into the open air has naturally exerted certain influences upon porch and lawn furniture design, as well as on exterior decoration neo-classical side chair . While comfort durability- remain paramount considerations, the “outdoor living room” conception has introduced a diversity in utility and styling
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formerly lacking antique gate leg table very narrow . This is especially noticeable where protection from weathering exists, either due to overhead cover or climatic conditions ruba glass factory in italy . Under the-*– favorable circumstances outdoor furniture very properly merges with its more delicate-appearing indoor counterparts antiques lamps made by universal statuary co. .
Construction Details urn cutlery box . In general, however, it is the accepted fate of outdoor furniture to be left to the mercy of the elements for weeks and months at a time 1700s brass tea caddy . This requires a rugged type of construction whose basic simplicity makes optional the use of the more complicated forms of joinery robert adam dining tables . Since there is no need to hide the heads of screws or nails, the lowly butt joint may well come into its own, and a simple set of hand tools suffice for all operations, with the possible exception of the cutting of satisfactorily rounded wheels mihalik art pottery ashtray . If these are not obtainable from a local lumber mill or woodworking shop, it is often possible to utilize the disk wheels from toy wagons or scooters, particularly when the finished piece is to be painted voc dutch furniiture chest photos . It should be observed in passing that galvanized screws and nails are sufficient for this outside construction, unless salt air is prevalent double gate-leg table antique . Tn the latter case brass or bronze screws and cement-coated or copper nails will furnish the necessary corrosive resistance royal court floral bone china hand made & painted by craftsman staffordshire . Where glue is used it should, of course, be waterproof c19 commodes .
Choice of Wood art nouveau france origins . When selecting a wood for outdoor construction it is well to choose a heartwood that is relatively resistant to decay; the untreated sapwood of nearly all species has a low resistance to decay ebay - 8 legged mahogany drop leaf dining table . As noted in Chapter r, the different species of woods are decay-resistant to varying degrees antique bentwood chair kohn . The Forest Products Laboratory of the U french drawing room furnature .S antique table wooden hinge drop leaf . Department of Agriculture lists native heartwoods tinder the following five catagories:
Cedars
Chestnut
Durable under conditions favoring decay Cypress, southern Redwood Walnut, black
Intermediate durability; nearly as durable as some of the preceding group
Intermediate durability
Between intermediate and nondurable group
Douglas fir (dense)
Oak, white
Pine, southern yellow (dense)
Douglas fir (unselected)
Gum, red
Pine, southern yellow (unselected)
Ash, commercial white Beech
Birch, sweet, yellow Hickory, western
Maple, sugar
Oak, red
Spruce
Low in durability under conditions favor- Basswood
ing decay Cottonwood
Fir, commercial white
Finish leaves for old oak table? . Hand in hand with the selection of the kind of wood goes the choice of finish antique worcester porcelain factory+grainger . For white and colored effects, a good grade of lead and oil gloss paint applied in at least three coats will suffice under normal conditions dog kennel dressers . At the seashore, or wherever salt air is prevalent, it is advisable to substitute 15 to 20 per cent zinc white for a like amount of white lead antique 6 ft. st. louis credenza values . Since the zinc requires more oil to break it down, it should be mixed separately before adding it to the lead mixture mahogany cellaret .
Mildew may develop oil paint that is continuously exposed to damp, humid, and shady conditions, especially when the paint film is soft antique dressing table maple venner . White paint containing both lead and zinc requires a minimum of oils and therefore dries so hard that it is highly resistant to mildew 1930 upholstered chair . Darker paints require more oil and are consequently more subject to mildew antique narrow drop leaf table .
Mildew Prevention dog kennel dressers . Although some ready-mixed paints now contain a mildew-preventive compound, the home painter can procure his own fungicide and add it to his prepared paint without difficulty dressers with shelves on the side . To harden the film, the oil that has risen to the top of the unstirred paint is poured off at the rate of one pint to the gallon of mixture 19century british armschairs . This is replaced by one-half pint of turpentine to each gallon of paint verlys smoke glass . The additional preventive of an ounce of mercurous chloride
(calomel), dissolved in the turpentine before mixing, will produce a paint whose hard, fungus-proof film will be highly resistant to the sooty or rusty mildew deposits georgian telescopic silver candlestick .
Colors antique english ironstone . The choice of colors is a matter of personal taste canterbury music stand . Garden furniture is commercially finished in an unobtrusive green or in the universally satisfactory white, which is prone to chalking japanese botanical motifs . Nowadays there are available durable, sun-resistant enamels with alkyd-resin bases, and for furniture constantly exposed to still and weather it may prove advisable to finish with an automobile enamel napolean empire furniture . Whatever the medium used, the home painter call indulge his or her fancies in two color applications tavolino giapponese realizzato in lacca e avorio . With a bright flower garden or shrubbery background providing the dominant color note, the furniture can well be subordinated by using contrastingly cold colors, such as a French gray and blue dining room table made from huge clock . On a tiled terrace, or against a brick wall, the warm colors of the bricks might be picked up images antique table wares ming dynasty .’a the furniture seats or table tops, with the brown door and window trim reflected in the legs and uprights antique stanford refectory table with end leafs . Suggested color combinations are included in Chapter
Finishing Methods black stone top coffee table octagon antique . When it comes to the matter of application, there are many amateur painters who are either unmethodical in their procedures, or are so engrossed in appearance and color that they lose sight of the fact that the primary reason for painting any outdoor construction is to preserve it antique fluted leg desk . This is likely to result in the omission of large areas concealed from sight, which receive no benefit of a protective paint film antique rococo figurines . By upending the piece of furniture and painting the lower parts first, not only will the unseen surfaces receive their share of paint preservative, but much bending of back or knees will be avoided 16th century royalty dining room tables . Special attention should be paid to all sides and crevices of joints, where water can enter and remain to the detriment of end grains marcel breuer pel . A spray gun is most useful at these points antique sofa made in italy .
Furniture constructed from milled lumber that is to be stained or finished “natural” must have its pores thoroughly closed to resist the corrosive effects of weathering 17th cent refectory table . The matter of fillers and finishes is thoroughly covered in Chapter 5; it is well to remember, however, that a final coat of a good grade of exterior spar varnish is excellent weatherproofing antique 18th century soldiers chest . If spare time is rationed, it is good practice to coat the raw wood with raw linseed oil as partial protection until the final finish can be applied, at some later date art deco antiques contemporary world paris .
In conclusion it is suggested that the styling and, to some extent, the finish Of most outdoor furniture described in this chapter are such that it will render year-round recreational service indoors in the rumpus room, when seasonal changes curtain off the extra “outdoors room bronze+chrome+sculpure+josephine baker .” Peasant painting with a protection coating of spar varnish will enliven the recreational hours, both indoors and out antique apostle spoons . The sturdy nature of the construction is suitable for withstanding hard usage by teen• CHAIRS
Two characteristics strongly accented in most outdoor chairs are a strong, weatherproof type of construction and extreme concessions to comfort 1800’s reproduction dining room tables . Since the emphasis in outdoor living is placed upon leisure, the lines of the popular types of chairs are more relaxed, with the backs tilted to semireclining angles, to encourage easy lounging breakfront bookcase with secretaire . Colorful, waterproof fabrics are available to cover the cushions that replace the indoor upholstery, with woven rope often substituted for the familiar steel springs german harlequin artist 1940’s .
Folding wood or metal chairs are resorted to when space consideration are paramount pembroke pedestal table rosewood . In other cases chairs and settees may assume massive proportions walnut +scalloped +table +victorian +breakfast table . Mobility can be restored to this type of furniture by the addition of a pair of wheels attached to one pair of legs, as is explained later vintage mahogany drop leaf table 1940 .
Folding Beach Chair theodore haviland limoges 1903 to 1925 green with gold medallion procelain . An old favorite, not only on the beach but in the garden or on the porch, is the easyto-close but sometimes hard-to-open folding beach chair (Figure 3 antique chamber pots .1) 17 century extending tables . With its arms, adjustable back and suspension
seat it is one of the most comfortable of lounging chairs cabriole leg console table with mirror . Simply constructed of -Y4 in patent imperial dining table gillows . X I Ys in lion carved oak daybed . hardwood, the legs
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are separated by lengths of 1-in andre charles boulle treatise . doweling; its awning material seat is instantly removable whenever it becomes inconvenient to store the entire chair antique.new.dresden.large.figurine .
LUMBER LIST
The ends of all members are rounded and the arms scooped out to a 7/8-in collectors of paul frankl . thickness at their rear ends as shown in Figure 3 arabisque furniture in ny .ic antique chamber cabinets . The Y4-in antique.porcelain.italian. . holes for the dowel-stretchers are bored completely through both ends of ( antique tile painted in puce .4) and (B), and at one end of back rests (C) 18th century amboyna card table . To avoid splitting, these holes should be no nearer the ends than specified in the drawing porcelain from 1500s .
Fm small antique table . j rh macy antique porcelain .ib biedermeier chair, antique .
Tenons of Y4-in clock singer music candlesticks . diameter are cut or turned at the end of each stretcher for a tight fit into their respective holes boulle chair . Stretchers (F) and (G) are fitted into (A) and (B) respectively, and stretcher (H) into the lower ends of (C) antique glaces . Instead of wedges, finishing nails are driven into the tenoned ends of the stretchers from the undersides, to prevent spreading meissen allegorical figurines .
Legs (A) and (B) and back rest (C) are fitted together and the holes bored for rivets (J) an(> (K), as pictured silver candelabra made in birmingham . Three notches Y2 in early seventeenth century refectory table . deep are cut in the back legs as shown, commencing 5 in empire side table . from the ends and separated on 53Yi-in fake art deco nouveau . centers antique fall front desk . Metal washers are slipped over the outside ends of the rivets (J), after which they are peened flat antique drop front desks . Meanwhile arms (E) can be riveted to support (D) at (M) quartetto tables .
Supports (D) are now threaded onto long rivets (K) creamware tureen . After the latter are peened, the arms (E) are leveled off to check the location of rivets (L) black alvar aalto stool 60 finmar . The riveting of the latter at this point completes the construction chinese antiues and inlay and tables and cherry . It will be noted that all rivetheads are tight against passing surfaces so that the bulkier peened ends are on the outside where they will not block the clearances necessary when the chair is folded kandler meissen porcelain continents .
A 50-in oak chamber pot chair . length of awning material is cut and hemmed to a x6/38-in antique drop leaf sofa table . width with horizontal hems i-Ye, in typical art deco furniture . wide at each end turkey fine carpets hereke with metal . A 21-ill chiffonier 19th century . section of solid metal curtain up from the foot end, and the location of the holes for the dowel tenons harlequin louis xv chest french . The details indicate the exact location of all holes that must be bored antique dutch cylindrical bureau . The dowels are tenoned to fit into holes of Y8-in 18th century american porcelain . diameter serpentine sideboard buffet veneer inlay carving kneehole .
To assemble, the back legs (A) are first bolted to the insides of the front legs (B) by means of flatheaded bolts with washers under the nuts 16th century silverware . The front and back dowels (F) and (G) are then tenoned into place and anchored with short finishing nails as shown in detail A british antique chair .
Next the two dowels (G) in the lower part of the backpieces (C) are fitted and anchored into their tenons, and the frame is “dry”-fitted into its notches in the back legs to insure that its sides are flush with those of the front legs antique display cabinets glass drawers . The connectors (E) can then be bolted into place meuble d’appui value .
All that remains is to attach the arms (D) chiffonier 19th century . These are secured to the tops of the front legs and almost halfway up the back by means of angle irons regency mahogany settee hairy paw . The latter can be securely fastened to the underside of the arms, but must be permitted to pivot on single bolts that pierce the front legs and back members lenci mermaid figurines . To prevent tearing the users’ clothes, it is best to use flathead bolts from the inside, lightly peened over washers on the outside makers of antique table clock with music in china .
The seat and back can be made removable in the same manner as explained in the previous section on the folding beach chair delft concentric circles . Curtain rod sections in this case, however, are apt to prove cumbersome and will interfere with folding the deck chair antique silver fish knives ivory handle . If the canvas seat is tacked to the inside edges of its dowels, it can easily be removed at some later date how to build a refrectory table . The same is true of the 18-in 18th century antique american gateleg . wide strip of canvas that forms the back cooking utensils in the 17th century . No rigid dowel or other member interferes with a comfortable conformation of the canvas back to that of the sitter early 17 centurey gateleg tables . Both pieces of canvas should have their edges hemmed or bound to prevent fraying and consequent loosening from their long tacks herculaneum stoneware for sale . Both pieces should also be stretched
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tightly when installed, because constant use and heavy occupants will result in sufficient slack 19th century bureau with spiral legs .
Adirondack Chair folk art deco wooden dining chair . Another sturdy all-weather lawn chair that has retained its popularity through the past decade is the so-called Adirondack chair (Figure 3 pembroke pedestal table rosewood .3a) art deco desk wood . The model described below is a variation that retains the basic seat slant and back rake so essential to comfortable lounging meissen blanc de chine candlesticks .
The back legs (B), arms (L), and arm supports (M) are compass- or band-sawed in pairs according to the patterns in Figure 3 mahogany kommode .3b furniture with delft porcelain inlay . The back splats (E, F, and G) can be cleated together and their top ends cut to a wide arc, although a satisfactory effect is secured by
leaving the top end of the center splat square
Fic satinwood cabinet chairs . 3 edwards and roberts inlay kidney desk .3a antique pembroke table, floral inlay design . Adirondack chair thonet bentwood chair queen anne legs .
Pieces in inches in inches in inches Description
(A) 2 1 Y8 4 21 Front legs
(B) 2 Y4 6 31 Back legs
(C) I -Y4 3/ 23% Front stretcher
(D) 1 Y4 4/ 19/ Back seat rail
(E) 1 /”4 4/ 33/ Back, center splat
(F) 4 M 2/ 33/ Back splats
(G) 2 ‘Y4 2,Y8 16/ Back splats
(H) x Y4 1-1/4 21/ Back top rail
(J) 1 13/4 2/ 26 Back and arm brace
(K) x Y4 13/4 21 Back cleat
(L) 2 Y4 7/ 28% Arms
(M) 2 Y4 3,Y4 9/ Arm supports
(N) 6 Y8 2/ I21 Seat slats
and sawing the three splats on either side diagonally downward 2Y4 in how high above a sideboard should a mirror be hung . Mortises are cut in the front legs to house the front stretcher (C) so that its lower edge will be 6Y2 in fall front french desks . above the ends of the feet maurice dufrene art nouveau porcelain .
To insure a rake of 17% in scriptoire . for the back, the brace (J) for the center of the back and the inner ends of the arms is beveled on its narrow edge so that the top surface measures iyg in coimbra portugal teacup bird motif . and the bottom, 2% in antique tureens .
The first step in assembling is to screw the arm supports (M) to the front legs from the inside, flush with the outer edges vintage apostle spoons . Next the back legs (B) are face-screwed to the front legs (A) so that the upper edges of their front ends are flush With the outer surfaces of the front legs and 14% in art deco console table black . above the ends of the feet voysey furniture . The front stretcher (C) is then lapped into its mortise and the back cleat (K) lightly nailed across the tops of the rear ends of the back legs (B) approximately r8Y2 in 18th century antique american gateleg . from the front ends art deco silver train straight on view image .
The back splats can be screwed to their top rail (H) with descending spacings as indicated in the drawing makers names of antique pottery england . With the frame laid on its side, the back assembly is placed in position against cleat (K) so that a rake of 17Y4 in antique neoclassical silver basket . will result chinese antiues and inlay and tables and cherry . ft will be found that the center back splat (E) will measure approximately 30% in georgian elliptical dining tables ash . above back cleat (K) when in this position burr coffee table . Back seat rail (D) is now fastened in position octagon mahogany antique table value .
The arms can now be laid in position resting upon the back and arm brace (J) important buildings in the 17 century in italy . The latter is moved up and down until the arms are horizontal, allowing a 2Y8-in 19th century furniture makers . overhang at the back, and its position marked across the back splats, to which it is then face screwed lusterware made in czecho-slovakia . Before fastening the back assembly firmly between cleat (K) and rail (D), it is wise to again check that the chair arms are horizontal cassone in pastiglia . When the back has been screwed to rail (D), the arms can be fastened in place to brace (J), legs (A) and supports (M) antique shop slovakia . All that remains is to screw the six chair slats across the back legs at regular intervals japanese antique tea table . All edges of these slats are chamfered, with the front edge of the front slat well rounded and sanded 1840s wooden chest .
Garden bench bugatti oriental style desk .
Garden Bench value of marble top dresser from the civil war . The bane of garden sitters is the damp seats encountered in
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outdoor furniture that remains outside during rains, fog, and dew antique canterbury rack . To eliminate this annoyance, the bench pictured in Figure 3 regerncy greek furniture 18th-19th century’s .4 has a hinged tongue-and-groove seat cover, which is inclined forward to shed water when closed, providing a leaning backrest when open silver flatware wood handle .
LUMBER LIST
The bench pictured in the drawing is a finished product calling for miter and tenon joints where the rails, arms and back splats Joint the legs small square drop leaf table with 2 chairs . A more rough-and-ready but thoroughly solid job will result if the rails are butt-jointed around the outside of the legs, the arms screwed to the legs and Y4-in antique drop leaf dumb waiter . back slats fastened to the face of the back leg posts value of antique epergne . This will require an increase in the length of all these members, including the arms antique tripod table .
The procedure in assembling the bench as pictured would be first to cut the L,
mortises on the inside of the back leg posts for the back splats, then the mortises for the side rails and arms silve filigree fish slice and fork with ivory handles . The arms can then be band-sawed to shape and the tenons cut to fit into the mortises in the back leg posts, with mortises on the underside of the front ends of the arms to fit the tenons that must be cut at the upper ends of the front legs norman bel geddes desk .
The sides can then be assembled, glued, and, for additional strength, pegged british inlays demi-lune card table . While the sides are drying, the tongue-and-groove boards of the seat cover can be tenoned into their side cleat binders antique chinese carved wood nest of tables .
Next, the back slats are tenoned into their mortises in the sides of the back leg posts, and the seat slats screwed to the top edges of the side rails at V4-in antique japanese lacquer table . intervals 19th century, federal mirror . The front edge of the front slat should be rounded and sanded smooth english furniture toilet chest . The arms can now be fitted into place gate leg table round .
The seat cover can be butt-hinged to its seat-plate cleat before the latter is screwed on top of the back seat slat warm entree dish . Three hinges and long screws should be used because the cover is held Yg in “chinese screen” and “mother of pearl” . above the seat at the rear, solely by its hinges silver plated furniture .