Jul
18
Old Furniture from Europe and America.
July 18, 2009 | Leave a Comment
The cap at the nozzle of the gun mixes air and liquid either internally or externally antique glass box etruscan . The external-mix cap usually has two hooded side ports (A in Iigu e
5 palladian bookshelves .4b) which aim twin jets of compressed air at the atomiz
mixture leaving the central orifice antique rectangular drop leaf tables . This produces the fa
internal-mix cap has a long narrow slot to fan-shapa t n e spray that has been partially atomized by the venturi ectien
behind the nozzle info gillows in the 19th century . The external-feed cap is supplied o bo ~h the suction- and pressure-feed guns, but the internal-in x
cap can be used with only pressure feed sideboard serpentine wood inlay brass . Requiring lees pressure, it is popular with small units, but is liable tc clog with fast-drying mixtures antique furniture shop biedermeier .
Spraying Technique crockery cabinet designs . NN7hen properly applied to flat work, most guns produ - e the fan pattern illustrated in the detail in Fi-,ure 5 show earthenware produced by wileman & co. .5 antique ladies writing cabinet . It averages about 8 i high when the guns is held 6 to 8 in swan plate kandler . from the surface to be sprayed, as indi at0 in the photograph solid silver sauce boat no markings . External mix guns can usually be adjusted to
photograph victorian balloon back arm chairs mahogany cabriole legs .pattern for a concentration of liquid on small areas or modified by blocking off the side ports with friction tape hirado porcelain .
Held at a uniform distance from the work, the gun is swept across and back at an even rate to make one coat 18th century music stand . During each sweep the gun nozzle must be held parallel to the sprayed surface; arcing will produce a antique japanese tea table mother of pearl . disproportionately heavy deposit in the center of the stroke antique furniture berkey and gay . In order to make the most of the fan-shaped spray pattern, the gun should be triggered as the stroke is begun, ahead of the work, and released at the completion of the stroke, after the nozzle has passed beyond the surface being sprayed lacquer carlton house desk . A second coat applied in vertical laps will insure good coverage antique 18″ square drop leaf table on casters . Practice is the secret of good spraying, and can be exercised on scrap material or wrapping paper 18th century mass produced tableware . Examination of test patterns before the finish coat is applied may result in necessary adjustments that will eliminate a later sanding off of an unsatisfactorily sprayed surface earliest tilt top tea table .
Figure 5 1940 dressing table value .5 illustrated the correct fan
pattern, fairly regular in shape, with the
atomization producing fine, even-sized dots of
paint across the pattern italian antique small inlaid wood 18th century ivory . In Figure 5 antique gateleg extension elite .6 four
incorrect patterns are shown antique italian china markings . In detail A
the small dark center quickly fades into
rough gobs of material, indicating a failure A B C D
in atomization which, if aggravated, will Fie czechoslovakia silversmiths . 5 antique silver bread basket .6 “soft paste porcelain” ” . Spray patterns inlaid wood sofa table . A, Heavy
almost surely produce “orange peel federal side table .” Cor- center; B, Peanut; C, Heavy end;
rection consists of either thinning the liquid D, Split spray scottish 19th century antique furniture . or increasing the air pressure period dressing tables . The shapes
indicated in B and C are common distortions caused by a dirty gun “such as that” . The split pattern in D is caused by excessive air pressure art deco polished matte lost-wax castings o nude women in bronze by viennese artisans .
Common Failures cuvette a fleurs .
“Piling” of the sprayed finish is caused by, moving the -tin too slowly or too nearthe surface 19th century louis xv mahogany french chest of draws floral inlaid wood with marble top and glass cabinet with cabriole legs .
” Running” results from too thin a liquid decorative spindle legs from antique card table .
“Sags” are the result of too thick a liquid, too close a stroke, or improper triggering whieldon ware tortoiseshell .
“Pin holes” often occur when the gun is held too close to the surface, or from too much air pressure 19th century bavarian side chairs .
“Misting” is due to excessive air pressure, a too thin fluid, arcing the gun, or holding it too far from the surface european antique rolltop desk 1700’s .
“Floating” is usually the result of a poor mixture royal staffordshire by clarice cliff nancy .
Viscosity antwerp collector’s cabinet . As noted above, it is evident that in addition to manual ability to control properly the sweep of the gun, the liquid being sprayed must be of the correct body or viscosity furniture in neo classical style,east india company, india . Many craftsmen are satisfied with a crude paddle test, during which they dip a thin strip of metal into the liquid up to a predetermined mark gillows antique furniture . When the “paddle” is withdrawn, the behavior of the liquid reflects its relative viscosity extending console table . An excessively thin mixture will immediately run off the end of the paddle, whereas too heavy a liquid will sag down in drops before it r
mixture that is close to the proper viscosity will start to run but has suff-cient, body finally to flow in a series of waves decorchemont .
A more accurate test, which can be applied repeatedly, is by means of glass viscosity tubes antique pembrook table . If these are not available, a half-dozen test tubes of identicil size (about Y2 in art deco inspired bookcase . X 4 to 5 in antique chippendale tilt top table .) will prove satisfactory american gothic revival furniture makers . Corks of identical site should also be procured neoclassical dining table base furniture . Each tube is filled with the liquid under test to ‘Withirl approximately -1/8 in serpentine centre table mahogany . of the end of the cork, which has been previously fitted ani marked so that all are inserted to the same depth empire furniture.com . When the corked tube is il
verted, the air space under the cork becomes a bubble, which travels to the 1 pp(r (closed) end of the tube wooden tables with brass leaves inlay . The time it takes the bubble to traverse the len– pennsylvania house queen anne chest .h (f the tube is the measure of the viscosity of the liquid steel dining table germany .
In order to obtain a sealed sample for measuring unknown mixtures, a ,ierl(S of test patterns must be sprayed on wrapping paper or scrap material dutch walnut cabinet . Th; cu is filled half-full of a mixed liquid that is known to be too heavy, and its pa ter sprayed antique hoover price . Small amounts of thinner are added successively and a pattern sp ye :l for each until a pattern finally registers the proper viscosity antique ivory and silver tableware . A sample o th~ correct liquid is sealed in a viscosity tube as the “master” or “pilot” sampl- fct future mixtures employing this type of solvent antique drop leaf gateleg table .
Cleaning antique japanese lacquer tray . Suction-feed guns are a pleasure to clean what types of materials were used in george hepplewhite furniture . All that is nece sar is to unscrew the gun from the cup, stop up the nozzle with the fingers, and pu the trigger to force out the remaining fluid curved back chair from 1940s . If the fluid tube is inserted in a coy tainer of solvent and the trigger squeezed several times as in Figure 5 cabinet dressing doors designs .7, the gu
will clean itself spanish antique table .Cleaning the spray gun french empire desk cabinet maker logo .
Pressure-feed guns are cleaned in the same way except for the fact that solvent is poured into the metal, pressure-resistant cup, which must then be sere tightly in place before compressed air is triggered in setobody .
This light cleaning should be augmented by a periodic dismantling of th( cap, fluid tip, and the needle valve with its control needle, and immersing in solvent edgard brandt . Under no circumstances should solvent be allowed to come into contact with the oil or packings of the working parts antique “trestle table” kent .
Summary mother of pearl coffe table fake antique egypt . In conclusion it should be borne in mind that in finishing fine furniture or cabinetwork, cleanliness is next in importance to a craftsmanlike finish czechoslovakia antiques .
In the first place, the work itself must be so clean that no wood or sand dust remain to adulterate and discolor the finish to be applied antique apostle spoons .
For the same reason brushes or spray gLill, that apply the finish should be immaculate furniture+scallop+wheat .
Finally, maximum efforts should be exerted to eliminate from the air dust whose settling would mar an otherwise perfect finish sheraton +antique +gaming table .
FURNITURE FINISHING TECHNIQUE
In addition to cleanliness of the surface, tools and air and repeated stirring of the finishing fluid, following a methodical procedure in enameling or painting furniture will obviate considerable unsatisfactory retouching dutch provencial furniture . In this connection a good light is a prime requisite 1800’s cylider desk .
Chairs all([ tables should be turned upside down so that the lower, not easily accessible parts can be coated first renaissance woodwork cassoni . In enameling it is very important to examine all vertical surfaces for runs or sags within the first five minutes, before the liquid hardens and becomes too tacky to smooth out with a wiped brush antique.italian.porcelain. . This is particularly important around beading, carvings, and turnings, where the brush may skip the valleys drum/breakfast table . Flat horizontal surfaces are left until last, with excess fluid eliminated by “cross-Hatching”—brushing first with the grain then across it glass front marquetry cabinet .
Finally, care must be exercised at all times that no coat is applied before the underneath one is completely dry antique calamander . The rule to remember is: never finish over a glossy surface or attempt to sand one that is not hard dry louis xv dining table stretcher draw leaf .
Decorative finishes for painted or enameled surfaces are discussed later in the chapter furniture makers of the 16th century .
OPAQUE FINISHES
As previously mentioned, the purpose of an opaque finish is to conceal the surfaces of woods deficient in grain patterns, or to hide inferior material, or even poor workmanship brass candelabras made in china . Applied with brush or spray gun, these finishes run the gamut> of color and sheen, from a high gloss enamel to flat paint, and may be decorated with decal conian! as, stencils, peasant painting, various novelty effects, or glazing end table ivory inlaid india wwii . This so-called “painted furniture” has become justly popular in bedrooms, bathrooms, kitchens, rumpus rooms and nurseries, as well as on the outdoor porch or in the garden antique maple drop leaf dining table .
Enamel Finish english writing desk spiral legs . Although a good grade of enamel will effectively resist mild heat, >lot water, milk, fruit stains, and alcohol, unless specifically recommended by the manufacturer, it is not intended for outdoor use photos of antique chambersticks . Enamels use varnish, lacquer, or u synthetic as a vehicle for their pigments antique drop leaf sofa table .
Varnish enamels, unlike paint, which must be thoroughly brushed out, ar; flowed on with the least possible brushwork christian mayer furniture . Usually used at can consistency, 4 varnish enamel may be thinned with varnish or turpentine antique dutch bureau . Enamels can be sprayed, particularly if heated, although with a suction-feed gun on a srnaL compression unit it may be necessary to dilute the mixture as it comes in the can
Pigmented lacquer (enamel) produces a very hard, durable, water-resistan antique tea scoop jockey hat . film, which is quick-drying and therefore likely to be dust-free 18th century wardrobe . Not suitable fo brushing it is sprayed oil after dilution with lacquer thinner antique hoover price . Since the laccuer its thinner, and lacquer spray dust are highly inflammable, precautions are n(ces sary to prevent combustion when spraying inside the shop art deco dressing tables . The installation o an exhaust fail should be seriously considered if extensive spraying operation! are contemplated indoors antique bowls 1700’s .
Synthetic enamels can be applied by either spray or brush with equal success Made from a synthetic resin base they deposit a tough, weather-resistant 31m which dries in from 4 to 6 hours unless accelerated by baking piertables . Their solvents are supplied or specified by the manufacturer belgian designers included henry van de velde and gustave serrurier-bovy .
Today there are many “quick-drying” and “one-coat” enamels on the market in a variety of colors and glosses serpentine pembroke table . While it is true that when applied over a wool as hard and as light colored as maple or birch a single coat will hide with a uniform gloss, yet it is not likely that one coat will satisfactorily cover softwoods such as white pine and basswood, porous woods like poplar and spruce, coarse woods with the variegated grainings displayed by yellow pine and fir, or (ark redwood or gumwood candelabra baroque .
On soft woods, a hardening coat of shellac, diluted 50 per cent with denatired alcohol, can be applied and sanded smooth when dry with 3–o abrasive gay antiqe . A cark wood, or one with a prominent grain, should receive a priming coat of enamel that has been reduced at the rate of a tablespoon of turpentine to a quarter pint of varnish enamel george hunzinger . When thoroughly dry, this coat is sanded smooth and given a second coat at can consistency oak drawer leaf table .
Undercoater art deco legs desk . The best professionally applied enamel finishes consist of at least three coats and a final rubbing antique french fluted table drawer . This insures both greater depth and smoothness in the final film george hepplewhite stringing . Instead of diluting the enamel for the initial coat, an enamel undercoater is used dresden richard klemm . This is nothing more than a heavily pigmented, flat-drying hard paint that possesses better hiding qualities than are offered by the glossy enamels antique tea cabinet . The fact that the undercoater is basically a paint does not mean that a flat wall paint can be successfully substituted for it; raw paint is too ;oft to stand up to the necessary sanding artdeco lamp . If, however, an undercoater is not available when needed, a satisfactory substitute can be mixed from 8 parts of flat write paint to which i part of enamel has been added as a hardener secretaire empire 1800 .
Although enamel undercoater comes only in white, it can and should be tirted to approximate the shade of enamel to be used period drawing room looks . This is easily accomplished by thinning a small amount of color ground in oil with turpentine and stirring it gradually into the white undercoater how did 18th century cabinet makers finish their cabinets . Since an exact match is not required, the final shade should not be markedly darker or lighter than the enamel barker brothers coffee table for sale . The following table indicates the approximate tint that will be produced by all ounce of thinned color added to a gallon of white undcrcoater, enamel, or paint:
Desired Tint Pigment Color
Cream Golden ocher
Yellowish Medium chrome yellow
Warm ivory Raw sienna
Yellowish ivory Yellow ocher
Peach Burnt sienna
Apricot Orange chrome yellow
Coral rose American vermillion
Lavender pink Rose pink
Orchid Rose lake
Light gray Raw umber
Warm gray BUI-111 umber
Cream gray Vandyke brown
Dove gray Drop black
Steel gray Lamp black
Gray blue Ultramarine blue
Robin’s-egg blue Prussian blue
Light blue green Blue green
Light yellowish green Yellowish green
Enamel Undercoat Schedule brass indian tea tables .
i antique tea set - rh macy . San( surface with a 2/o abrasive, clean lhorutwhlv antique dutch chest on chest . and sea> end grain sheffield plate dish rings . Seal knots with aluminum paint antique tea table history .
2 1920’s art deco sofa . Apply one coat enamel undc-rcoater tinted to approximate shade of final coat square drop leaf tea table with gated legs .
3 pembroke hepplewhite . Fill cracks and sand smooth with ;/o abrasive art deco sofa 1925 .
4• Apply intermediate coat of half and half underwater all(> enamel davenport desk mechanism . S comtoise clocks longcase . Sand lightly with 3/o abrasive pine furniture .
6 “chateau des tuileries” . Apply finish coat of enamel looking for 4 feet wide drop leaf table .
7 sheriton roll top antique bureau . For a semigloss luster, rub to hard smoothness will’ 3-F pumice stone and rubbim, oil chenghua foot rims .
8 rectangle table pilar foot . For a high Polish use rottenstone and water (see section devoted to varnish finish) deco rocket cabinet .
Paint Finish 1896 british ceramics . Frequently constructed from cypress, pine or redwood, outdoor furniture must be protected from the elements by a tough, elastic film that will not chalk off under careless handling jupe dining table . These slick or porous wood 18th century chest antique .; require a
handling
coat whose adhesive qualities are sufficiently tenacious to provide a good bond art deco examples . Modern house-paint primers contain lung oil, which needs no thinning as it comes from the can brass serving tray with italian inlay wood . Aluminum paint or shellac should be used to close end grain and to cover knots yabu fruit .Unless a sloppy or dirty coat has been applied, it is not necessary to sal I between paint coats table art deco+lyre . The second coat should be a good grade of exterior ion e paint, hardened by zinc oxide up to one third of the pigment antique iranian carved tray . A final coat of tl exterior paint, without thinning, will complete the job malard furniture . In no case should -)aii t be applied over an old enamel finish or vice versa; owing to their different e)pa> Sion rates, the extreme changes in temperature to which outdoor furniture subjected will result in cracking and crazing of the exterior coat nabeshima decoration . A final co t of exterior spar varnish will stop the chalking and weatherproof the surfac- czechoslovakian quality porcelain . rosewood and brass inlaid dining room furniture .
Outdoor furniture which will be given some protection from the weathe 17th century american dressing table .• c marquetry italian tray .~ be finished satisfactorily with paints designed for interior use antique.porcelain.italian. . If the furl -itil e is to be used on a covered patio, or if it is carried inside during showers a :l stored indoors during winter months, the extreme weather-resisting qualit; ?S f exterior house paint are not required antique sette michael thonet . On wooden furniture which is to be give I an opaque finish that will conceal the wood, interior paints, such as are de— yongzheng octagonal plate .igll& for bathroom and kitchen finishes, will be, satisfactory in most cases flatware handles fiddle leaf . This is tr of even the water-mixed latex paints so widely used in interior finishing 18th century “music stand” .
When it is not desired to conceal the grain the wood, an essentially wea,he, proof finish can be given to outdoor furniture by the application, first, of a tranparent wood sealer and second, of one or more coats of good-quality spar vai nis or boat varnish 17th century trestle table with claw feet . If the wood is smooth enough and clean, simply apply the s?al;, according to the manufacturer’s directions regency double pedestal tilt table anqique . Sanding before application of th gothic arch furniture . varnish should not be necessary unless the wood is rough or dirty mahogany coffee tables .
Heavy wooden furniture such as Adirondack chairs and the familiar redx-oo, picnic sets, will weather to an unexciting brownish gray unless it is protected >vit’ a coating art deco inlay dresser . A special finish is obtainable for redwood which will maintain th natural color or something that resembles it for sale antique pedestal candle table 3 legs brass claw feet . On other woods a mixture of on part boiled linseed oil to one part turpentine may be brushed on when the N oo is new and renewed about twice a year mahogany antique japanese furniture designer . Or when this coating is first applie , i may be followed up with spar varnish mechanical drawings on dressing table . Renewal then requires only revarnis ing
The best method of finishing reed or fiber furniture is by spraying, eve P only a hand-pump sprayer is available art deco and exotic leather . Brushing piles up paint in the interst es wipes thin on wearing surfaces, and fails to reach deep spots rousseau shagreen .
TRANSPARENT FINISHES
The purpose of all furniture finishes is to provide a protective coating; tr art deco ladies writing desk .nsparent finishes provide this coating without obscuring the underlying grain of the wood claw foot dresser . For woods such as mahogany, walnut, red gum, and the fancy veneers : nd inlay woods that possess sufficient natural color and a desirable grain patt-rn, a natural finish g employin no stain but providing a desirable Sheen is enti ely
appropriate art nouveau france origins .
The present vogue for natural finishes is a normal reaction from a pe iod simulate rich depth 19 century mahogany gateleg table . Nowadays the native grain and figure of choice hardwoods is appreciated and enhanced by more honest methods rococo silver candlestick .
The schedule for any transparent finish must consider the porosity or coarseness of the grain to be covered art deco wooden armchairs . Except with mission or weathered oak and Old World finishes, it is common practice to fill all coarse-grained woods so that the pores are flush with the surrounding surface 19 century english roll top desks . This builds up a uniform level for succeeding finish coats, free from pockets for dust and dirt deposits pembroke end table . Colored fillers, furthermore, are important aids in emphasizing the grain pattern ironstone pottery .
Fillers antique spanish blue and white pottery . Ready-prepared fillers are entirely satisfactory and easy to apply antique octagon knee hole desk . They are available in stock shades of light and dark walnut, red and brown mahogany, natural, light and dark golden oak, other wood colors, as well as white for novelty finishes german antique card table . The addition of drop black ground in oil will produce the deeper shades, and zinc oxide will lighten the color of a prepared filler until it is suitable for almost any job lion cabriole antique . For the hobbyist who prefers to mix his own filler or has a special job in mind, it is no difficult matter to make up a natural (transparent) base filler from powdered rock quartz, known to the trade as “silex antique fall front desk .” A mixture of 2 oz aaron burr desk . of turpentine, 2 oz contemporary designs for dressing table . of japan drier, and 5 oz table paw feet antique . of boiled linseed oil is slowly stirred into 2 lb carl walters ceramics . of fine powdered silex 1945 mahogany desk . The resulting mixture is thinned as shown in the table below and can be colored with pigments ground in oil different types of roman furniture . Vandyke brown shaded with drop black, burnt umber, rose pink, or zinc white will provide a variety of colors anglo indian antiques .
Mixture antique pattern cabinet . Paste (silex) filler is available in half-pint, quart, and gallon cans weighing approximately i lb louis xvi revival sideboard with porcelain inlays ., 5 lb antique porcelain +swan +painted . and ii lb antique score music . respectively empire writing table . Although it is already mixed with linseed oil and japan drier, the paste must be thinned to the consistency of thick varnish so that it can be brushed on antique ceramic dish in silver stand . As a thinner, naphtlia, decreases the drying time while turpentine tends to hold the coat open; the two can be mixed together to moderate the drying period examples of 19th century pennsylvania furniture . Boiled linseed oil will hold the coat open for at least half an hour; japan drier will speed up the drying process ecole de nanci furniture . The thickness of the mixture will depend upon the coarseness of the pores to be filled antique chippendale dining chairs with bronze leg decoration . The filler mixture required for the more common woods is suggested below:
Heavy Medium Thin None
Philippine mahogany Walnut Maple Cedar
Oak Mahogany Gurnwood Pine
Ash Cherry Birch Basswood
Chestnut Rosewood Beech Poplar
Elm Redwood Fir
Alder Spruce Cypress
Obviously, the larger the pores to be filled the thicker the mixture must be, and vice versa antique gate leg table . As received, the paste filler must be well spaded with a putty knife and thinned to brushing consistency for the job in hand antique sheffield piece marked “royal sheffield” . Relative measures Application antique georgian dining table, pad foot . Assuming that a dark shade of filler has been selected to h -blight the grain figure in walnut, mahogany or oak in order to distinguish it f’orn imitations on guniwood, poplar, beech, and other inferior woods, the first ep, before the actual filling operation is to apply a wash coat of white shellac, dil fed i part shellac to () parts of denatured alcohol antique cherry drop leaf six legs . This will prevent the oil in the filler from darkening the wood 19th century 5 legged table .
Meanwhile the filler is mixed to a creamy brushing consistency, regardles• of whether it is of 16- or 8-lb base antique mahogany drum tables library tables writing tables value popular . When the wash coat of shellac sealer has c(111- pletely dried, the filler is liberally applied by means of a short-bristle brush 2:ith the grain chinese chicken coop armoire . Because of later operations it is wise to limit the brushing-in to a maximum of about To sq ft at a time spanish fashion 16th century .
Within 15 or 20 minutes the sheen of the filled surface will have flatted s fficiently for wiping early 19th century american rosewood cabinet makers . This is accomplished by “towing-off” all surplus filler, wi across the grain with clean burlap rags 1970s ashtray “art deco” style . If the filler has commenced to harsen it can be softened by moistening a rag in the naptha thinner indian vernacular furniture . For cleaning out carvings, headings, and corners a picking stick whittled from a 6 in wooton chest . lengt of ,Y8-in 19th century bavarian side chairs . dowel and sharpened to a pencil point at one end and to a sharp we ge at the other is useful under a burlap layer talavera de la reina tiles and spain and antique .
After all surplus filler is towed-off, a final wiping with a soft tintless cloth along the grain will insure complete cleansing spiral leg gateleg table . The filler must then be alto -ed its full drying time antique circle furniture . Rather than risk sealing a damp sealer it is advisable to increase the minimum drying time by one half; thus the so-called “4 hour” fil ers should be permitted 6 hours and those retarded by turpentine and linseed oil allowed a full 36 hours dresser with rack in middle . A light sanding with 3–o paper followed by a dus ng with compressed air from a vacuum cleaner or empty spray gun will incur a smooth surface for sealing english stoneware .
The hobbyist will encounter so-called “liquid wood fillers” on the mar et, which are little more than colored sealers for softwoods antique 17th century fork . Composed of an infe for grade of varnish with a small amount of silex, these liquid fillers are freque ly employed in cheap furniture finishing daniel quare pocket watches made in 1674 .
Sealers lions claw brass . Prior to applying the filler the wood was protected from discolorat on by a sealer consisting of a wash coat of diluted white shellac dovetailing on 17 century furniture . Professional finisli•rs of high-grade furniture prefer to seal the filler also, using white shellac for li - ht finishes and orange shellac for the darker browns and reds in the proportion of i part shellac to 4 parts of denatured alcohol ceramic platter italian crustacea .
Jul
17
Antique Display Cabinets, Table Clocks, Wallnut Buffets and Commodes.
July 17, 2009 | Leave a Comment
Description
Back (plywood) Corner upright Side uprights
Top
Headpiece, front framing Uprights, front framing Cleat, headpiece
Bottom and bottom open shelf Shelves (4)
Base
Stiles, door
Top rail, door Bottom rail, door Panel, door
Cove molding Quarter-rowel molding
The uprights and headpiece for the front framing are cut similar to the design in Figure 2 myott and son+hanley .68, and cleated together from the rear to form a flush top edge antique 8 legged octagon table . A mortise and tenon joint at this point is unnecessarily strong, and can be simulat(d by dowel pegs, as indicated dresser console made out of tin . The decision must be made at this time whether the shelves and bottom are to be dadoed into the front framing, nailed with countersunk finishing nails, supported on angle irons, or cleated makers of antique table clock with music in china .
The corner upright is ripped to form a triangular member to which the ply wood is nailed or screwed to form a oo° angle floral ornaments art nouveau . The side uprights can now I e beveled to butt out parallel from the plywood backing to which they are firm y fastened 18th century music stand .
After the front framing is checked for fit, a paper templet can be cut for tie triangular shelves antique half round display cabinet . These are made up from available short widths, with the lowe t open shelf overhanging about i in 18c chair lion head .; all other shelves excepting the bottom, a e butted against the rear face of the front framing marquetry patterns . The front edge of the botto
extends out flush with the outer face of the front framing charles ashbee carved inlay cabinet . The shelves can le fastened to the plywood backing from the rear, and to the side uprights befo e the front facing is fastened in place china cabinet black stripe . The lowest open shelf is half lapped arourd die juste-aurele meissonnier petite candlesticks . front framing designs of arcs and pillars . If desired, a Ys-in pillars on casters . groove can be cut I in rh made in austria vase . from the back of each shelf for a plate rail are mahogany drum tables in demand .
The base is mitered at the corners, as is the quarter-round molding with whic1h it is trimmed antique chippendale writing table escritoire . Before fastening the base assembly in place it should be checked to insure that the door will clear the upper edge of the molding trestle library table .
The top is cut out to fit inside the plywood backing antique candelabra collectors . A crown molding of 2-in 1930 curved arm chair . mitered cove stock is added for trim antique bookshelves .
The door panel is raised by a i-in barley antique table round oak . bevel on all four edges, which fit into grooves in the door frame georgian cellarets . The latter is jointed with double tenons 1312 in ormolu ferench antiques furnitures . long, pegged as shown greek inspired side chairs .
Wrought iron H-type hinges are used together with a wrought iron catch (Figure 2 antique marble with red bedroom furniture, .68) art deco english suburban house . If these are not available substitutes can be assembled by using butt hinges against which black painted flat angle irons and repair plates are screwed in proper position antique pembrook table . A barn-door latch can be substituted for the wrought iron replica, or a round wooden knob used with a modern bullet catch pembroke tables .
The inside of these corner cabinets was often covered with Colonial-type wallpaper or painted a very flat tint of apple green, dusty rose, light blue, ivory or white, to set off the china and glassware display antique oak and fabric dressing screen with fretwork .
Hunting Board Hutch furniture copies . A companion piece for the Colonial corner cupboard is a pegged hunting-board buffet with a removable hutch top for displaying tankards, china, and glassware (Figure 2 round oak table dragon legs .69) lighting art deco/japanese style . It provides ample space for the average buffet meals, including the traditional hunt breakfast harlequin pattern commode for sale .
Description
Cleats
(Alternate) double drawer
rail, center Stiles, doors Upper rails, doors
Lower rails, doors
Panels, doors Drawer fronts Drawer sides Drawer backs
Drawer bottoms (plywood)
Hutch Top
The construction of the buffet follows in general the procedure employed in assembling the bachelor chest in a preceding section floral painted dials thomas of edinburgh . The upper back rail (G) can be half-lap-dovetailed into the sides (A) or doweled, as preferred; the same is true of the back base piece (D) antique american salt glaze stoneware . The front base (B) is visibly pegged in place, while the uprights (C) are blind-doweled to the edges of the sides marcel goupy designs . An alternate method would be to miter both the front base and the uprights to the side edges of the buffet austrian empire furniture .
As indicated in B of Figure 2 russian neoclassical secretaire bookcase .69, the drawer rail (H) is recessed to receive the uprights (C) and divider (11) dining table glass silver antique . The double drawer frame is then doweled together with the end rails (1) i-Y8 in round spider leg table . in from the ends of the front and back rails so that the drawer guides (K) can be screwed on top, flush with the inner
edges of the uprights, after the buffet is assembled antique brass table with animal legs . The two center rails are doweled so that Y4 in wooden antique table 16th century inlay . of each inner edge is behind the upright divider bucket of cutlery knives . A sing e 5-in pictures of expensive antique china . rail can be substituted for the two center rails if desired, permitting all ove -lap of i in empair furniture arts doors . on either side of the upright divider for use as drawer runs brass ornaments for furniture empire style . A 3-i guide (L) is screwed on top of this for use by both drawers english antique consoles .
The buffet is assembled one side at a time antiques arts and crafts walnut tub chair . First the front uprights (C) a d base (B) are doweled in position and the frame is turned over to permit dovtailing or doweling the rear rail (G) an(> base (D) dutch provential furniture . The drawer frame can no be fastened in place from the rear art deco furniture +antique shop+california . An optional method to blind-doweling the r it ends (J, H) into the sides is to use cleats, as in the case of the shelf and botto (P)
While the glue is still soft, the divider (M) is mortised and tenoned or doweled into the center top edge of the front base (B), and blind-doweled to the rece nabeshima antique .s in the drawer rail (H) theodore haviland 1958 pattern . The top rail (F) is doweled into the uprights (C) a d mortised and tenoned or doweled to the top of the divider (M), as shown in
Figure 2 french design desk .69 mahogany antique japanese furniture designer . The rear center post (N) is secured in like manner arts and crafts oak tub chairs . The opposi e side is fastened in similar fashion and the plywood back screwed in place Y8 in commode chairs 19th antique . n from the side edges glasgow school of art collectors .
Two doors with raised panels similar to those described for the corner Ctl1 board are constructed with pegged mortise and tenon joints, dadoed framing, a d pegge
panels pictures of expensive antique china . When the carcass is dry, the doors are fitted in place, a clef being used oil the underside of the drawer rail as a stop middle ages roman furniture . H-type hinges are suitable hardware and can be imitated from butt hinges flanked by flat repair plates, Is explained in regard to the L hinges for the corner cupboard gate leg fold over antique tables . Butterfly hinges c n be simulated by using butt hinges flanked by flaring strips of sheet lead, screw d opposite the hinge butt and painted black antique silver birds patented . Appropriate hardware or plain wo d round or square knobs complete the doors the most common colours of egypt .
The drawers are of conventional design with wooden knobs swansea duck egg . The top ofthe buffet is fastened in place flush with the back and overhanging i in 16th century spoons london . on sides and front “liberty furniture” . Its edges should be well rounded to represent age and use antique drawleaf table .
The removable hutch top is nothing more than a simple set of shelves resting oil the rear of the buffet top 18th century marquetry . The sides are cut simultaneously from two pieces of Y8-in northern song antiques . stock according to the pattern square table with rounded flaps . Stopped dadoes are routed for the steel vies and a lapped dovetail cut for the lower rail so that it will be inset Y2 in sheffield plate candelabra . from the rear edges of the sides, permitting the Y,-,-in backing to set flush identifying italian neo-classical inlaid commode . The upper r it call be blind-doweled in place, since the top is through-doweled to the top edges of the sidepieces dutch provential furniture . It has a i-iii antique narrow drop leaf table . overhang oil front and sides, and a Y2-in portuguese potters . overhang at the back to cover the tops of the backing latest designs of dressing-tables .
The-in queen anne dressing table, 3 mirror . backpieces are nailed or screwed to rails and rear edges of tie Y,
shelves, flush with the outer edges of the sidepieces 18th century silver mote spoon . If preferred, the pieces can be beveled on their inside faces to form V grooves when fastened antique rectangular table . The shelf edges alltop should be rounded and smoothed walnut baluster leg table .
For rigidity, two large metal repair plates are screwed at either end of tie lower rail extending down over the back rail of the buffet, where they call 5e Chifforobe pembroke scalloped sheraton .
Chifforobe antique maple drop leaf dining table . To augment insufficient closet space, a simply constructed wardrobe (Figure 2 sheraton 18th century dresser .70) offers a satisfactory solution examples of early candlesticks . It can be finished as a matching piece of furniture or painted to blend with the walls or woodwork square chest of drawers on all sides . If adequate drawer space already exists elsewhere, the shirt-size drawer section of the combined chiffonier and wardrobe described below can be eliminated, and a second wardrobe compartment substituted, providing increased space for storing clothing antique folding dining table scotland . The wide bottom drawer is another optional feature for the storage of extra blankets art deco sofa 1925 .
The casework of the chifforobe is the familiar panel type of construction which economizes in solid stock requirements “the furniture shop “from grand rapids michigan . The front corners of the two front stiles (A), illustrated in Figure 2 antique spanish talavera .70, are beveled then rounded for a modern appearance antique central table legs . They are grooved along their inner edges to take the plywood panels (M) and mortised at top and bottom to take the tenons of the front rail (F) and base (C) antique stanford refectory table with end leafs . In addition to grooving the rear stiles (B) for the side panels, a Y2-in antique stemware+cobalt blue . ra•bet Y4 in makers of antique tea tables . deep is cut along the inner edge to receive the plywood back (L) american empire design antiques . >’his groove is deepened to i in antique regency spider leg table . at top and bottom to house the top rear rail (G), nd base (D) georgian tripod pedestal handkerchief table . After the side rails (H an(> E) have been grooved, the two side pa els can be made up antique porcelain top tables .
Meanwhile the frames for the six drawers can be cut and doweled toget er english apostle antique teaspoons . The frame for the long bottom drawer is stiffened by a center piece (T) antique brass and marble cocktail table 1950 . Tenons are cut (or dowels inserted) in front rails (F), base (C, D), and p+ti
Drawers
Door
*(Decrease front, back, and sides to 37/8 in duncan phyfe antique drop leaf table with brass feet . for top drawer art deco walnut black lacquer display cabinet .)
rion facing (1) antique sideboard cabriole . The latter is grooved to house partition (J); its tenoned ends fit into mortises bored in rails (F) how expensive 4 foot wide drop leaf table . Shelf rail (V) is tenoned (or doweled) into stile (A) and doweled into facing strip (1) gilbert rhode chairs .
After a check fitting of the sides to rails (F) and (C) and upright (1), the smaller drawer and the shelf frames can be marked, fitted and glued into the partition (J) and its facing (1) table lamps .
The back rail (G) and rear base (D) can now be assembled to the side panels french dining table parquetry stretcher draw leaf . The long bottom-drawer frame is now inserted and fastened, with its rear rail on top of base (D), allowing a /-in “edwards & roberts” furniture satinwood . ledge at the rear for the plywood back maurice dufrene art nouveau porcelain .
Rail (F) with filler strip (Y) all( floor cleat (X) screwed in place is now attached to the two sides, and the floor (K) dropped in place porcelain vases czechoslovakia .
The complete partition assembly (J, 1) can now be fitted in place, with the tenoned or doweled end of facing strip (1) housed in lower rail (F), and partition (J) resting on floor (K) antique desk designs .
The tipper rail (F) is fitted over the upper end of facing strip (1) with its tenoned ends inserted in their mortises in the stiles (A) gate leg table english oak antique .
The backing can now be screwed to the back stiles (B), shelf (R) (when the latter is fitted to its cleats (W) ), as well as to all rear-drawer rails (S, Z) “dressing table” dutch . A filler strip (P) is cut in five parts to extend 3/ in underneath antique oval drop leaf table . over the top stiles and
Thickness, Width, Length,
Pieces in inches ill inches in inches
Description Bottom-drawer front* Drawer back Drawer sides Drawer fronts Drawer backs Drawer sides Bottoms (plywood)
Thickness, Pieces in inches
Length, in inches
Description rails round spider leg table . Separate pieces are cut to fit over the round faces of the stiles wardrobe of baroque and rococo period . The re antique gateleg drop leaf round table . top rail (G) can be fitted to extend upward -Y4 in “goldscheider mark” . to serve as a rear filler ril The plywood top is then bradded in place and edging strip (Q) saw-kerfed or th inside corners to bend around the corners antique oak dropleaf gateleg table .
Drawer guides (U) are screwed in place on all frames if this was not ion when they were assembled sofa table mahogany antique . The drawers are of conventional construction vit cutout fingertip holds egyptian bedside tables . The front of the bottom drawer is lipped by cutti,~g 19th century antique hall table .Y8-in florals in british furniture . rabbet around its outer edges french commode with marble top .
The door is of stuck-frame panel construction and can be butt-hinged, ‘us with the rails and stiles of the front, in which case the door stop shown be in4 the top of front rail (F) will be required biedermeier chair, antique . An optional method is to lip the oo to match the lower drawer porcellane vezzi . This will lengthen the door by ;/4 in goldscheider figures women . and will re air the use of offset hinges german harlequin artist 1940’s .
A mirror is cut to fit the rear of the compartment above the shelf antique english oak sideboard grape engraved . ‘if des red a fluorescent tube can be installed to the back of the top rail (F) above the s elf in the same manner as the fixtures in the compartment headboard, Chapter 4
CHESTS
Always a most important piece of furniture in one form or another during th; early centuries, chests have survived in our present stabilized way of life, fie quently in the form of cedar or cedar-lined storage containers, whose aro aril odor is credited with discouraging the attacks of rapacious moths antique pressed glass patterns . With to gu; and grooved cedar lining available in most lumber yards, it is not difficul to assemble homemade chests that will effectively complement other household ft rni lure, instead of being relegated to attics or other out-of-sight storage rooms collectors glasgow school of art .
Pirate Chest painted romer glass . For storing toys, playthings, and all sorts of children’s L ar a rough-and-ready, oversized box is just what the doctor ordered antique butler’s table with folding legs 19th century . By calling ‘t pirate chest and decorating it with appropriate emblems, the possibilities of yo ith ful cooperation in the matter of picking up and storing away toys and games ar oak dining tablesdrawleaf styles made in 1930s . hopefully exploited steel dining table germany . The dimensions given are for average use staffordshire westerwald . If the Neigh o; the bed end or sides permits, space can be saved by constructing the chest so ha, it can be pushed under the bed when not in use 17th century tool chest . The pushing tinder or pu in out process will be greatly accelerated if casters or roller skate wheels are sere vet to the corners george bullock drawing .
As illustrated in Figure 2 antique bookcases + ny .71, the front is slope(> after the manner of a GtpCod seaman’s chest, and all joints are butted and screwed biedermeier antique de . Inasmuch as cl-at are used on front and top, various available widths of Y4-in puce decorated 1756 cups . wood can be ii vintage 1940’s kidney shaped dressing table .ed without doweling antique cherry german furniture . To prevent warping, heartwood and sapwood sides shoal be alternated antique dinner service .