• Tags

  antique furniture antique oak antique table art deco furniture cabinet cabriole candelabra century Chippendale construction craftsman cupboard deco decoration design dining dining table drawer dressing tables drop drop leaf drop leaf table edge english Figure furniture furniture makers hand leaf mahogany part pembroke porcelain position pottery refectory table Rosewood side sideboard silver surface Tools trestle trestle table walnut

• Pages

  • About

• Archives

  • July 2009
• 
  

• Recent Posts

  • Chinese, Japanese Porcelain, European Antiques.
  • Upholstered and Wooden Antique Furniture.
  • Drop Leaf Tables, Writing Desks, Cabinets and Chests of Drawers.
  • Antique Furniture: Upholstery and Weaving.
  • Antique Furniture Imitations.

• Categories

  • antique furniture
  • Furniture Restoration
  • Restoration Tools
  • Vintage Furniture
  • Wooden Furniture

RSS

The shallow drawer is of normal construction, without slides or guides 19th century dressers .
The laminated blocks can be band-sawed into wheels of 9-in leleu furniture . diameter when thoroughly dry antique furniture made with scottish pine . Instead of using an axle, a 3-in c shaped legs for dining table . lag screw is let into the outside lamination of each wheel and turned into the sides of the bar the dumb waiter motifs . As indicated in the drawing genet & michon wrought iron . block is screwed into each of the inside corners to take these lag screw axles cabriole leg oval stool . Hardwood plywood disks are cut to fit over the heads of the lag screws and act as washers russian malachite furniture .
BARREL FURNITURE
Barrels are of several kinds although of similar size 17th century american plates . For the purposes of this section, however, only the variety employed as liquid containers will be considered georgian dressing tables . Constructed of thick staves topped by metal hoops, this rugged type of barrel is better fitted to withstand the stresses and strains to which furniture is subjected, than the lighter types, coopered with wooden hoops otto wagner furniture .
For long service it will prove good practice to drill the metal hoops of barrel furniture at intervals, and secure them to their staves with cooper nails, clinched inside jackfield pottery animals . If the inside is to be exposed, shorter nails can be used, or brass screws employed court jesters dresden saxony . With this added security, it is not necessary that the bottoms be headed; in fact, when used outdoors, the rims will sink firmly into the turf if the heads are missing antique italian design chair .
A very satisfactory method of finishing barrel furniture is to bleach the staves to their natural color with repeated washes of oxalic acid antique pedestal regency sideboard . After the last application has been thoroughly removed with plenty of clean water and dried, spar varnish will protect the natural graining from the elements oriental curved leg dining table . The uses of fillers and stains is discussed in Chapter 6 boston japanned kneehole desk . The iron bands can be painted black, after a coat of red lead has been applied, unless copper or brass banding is available as a dressier substitute traditional german furniture . For outdoor use it nlay prove preferable to paint barrel furniture white, green, or a combination of bright colors table lamps .
Table and Stools court desk art . Heavy boards, cleated together underneath and band-sawed into a circle with a 4- or 5-ft diameter can be bolted or spiked to the head of a standard-sized 55-gal wm iv 3 pedestal dining room table . barrel, 33 in late 19:france fashion . high and approximately 21 in antique oak tilt top tea tables . in diameter at its ends, to form a heavy pedestal table that can endure considerable abuse latter carving on pembroke table .
For seats, nail kegs make excellent stools demi lune french metal table . Their tops can be upholstered with layers of hair and cotton, covered by a waterproof fabric tacked over a art deco furniture stores in new york city . muslin liner when were claw feet intoduced to teapots . The keg stools, when finished to match the table, can be pushed out of the wav under its wide overhang difference between fretwork and frieze work .
Cocktail Table greek neoclassical porcelain . A pickle or vinegar keg that averages 21 in porcelain clocks . high with a 14-in diameter at the head end makes an excellent pedestal for a cocktail table antique american commode . The table top can be of -Y4-in- plywood with a veneer edge 2 in antique drop leaf gateleg trestle . wide and linoleum top for indoor, rumpus roomuse antique drop leaf table federal period . For the outdoor living room, either /-in antique meissen porcelain . wager refectory table bulbous .proof plywood or solid stock, cleated together, can be used antique glass display book case with iron rod . A vinegar keg with tightly padded top over which a piece of colored mate ia’

is stretched by means of cross ropes through grommets to a similar piece on occasional table inlaid roses .hc bottom will make an interesting tom-tom seat for the rumpus room basket makers 18 century england . The barrel and staves should be sanded and painted before the imitation skins are rol eel tightly into place meubles wooden antique amsterdam .
Fic renown clockmakers in vienna . 3 charles catteau figure lion .29 dressoir antique . Coffee table antique drop leaf table hinges .
Coffee Table cabriole leg oval stool . An interesting circular table is easily converted from a large barrel that antiques with plain legs . retains one of its heads extending dining table with screw-in legs . As indicated in Figure 3 candelabra empire style reproduction .29, the barrel is cut off approximately 18 in rockingham pastille burner . from its head end, then about two fifths of the staves ire cut off above the lowest hoop and the barrel recoopered with half hoops decortive burr rosewood vase . Although the large hoops of a 55-gal dog kennel dresser . barrel are usually located about 12 in antique 5 legged table . above the heed, since the hoop must be hacksawed in half, or a cooper or brass half hoop substituted, it can be raised to cover the ends of the i8-in elkington & co. first chamberstick . staves that form the frC31t of the table jugend,metalwork .
The round top is band-sawed froni, suitable stock over which an accurate paper pattern was tacked or pasted different kinds of antique gateleg tables . It can be fastened to the cut ends of the staves by means of brass screws that pass through holes drilled in the hoop 20 century crockery mixing bowl . The bottc-m hoop should be likewise fastened through the “feet” of the staves into the bari el head antiquevenercoffeettableclawfeet .
If too many staves are cut off for proper support of the table top it may be p( ssible to strengthen them by means of heavy angle irons, or an extra center stave can be inserted in the front the most expensive antique furniture . Otherwise it is best to cut extra staves to fit around tie sides until sufficient support is provided upholstered chair curved sides .
The outside of the barrel can be bleached and varnished, or painted as pmferred william kent staffordshire . A dark shade of red, a light maroon, or a medium green is an interesting contrast for the inside compartment old fashioned table brass metal claw feet on casters .
Barrel Chair antique dressing table maple venner . The old-fashioned barrel chair illustrated in Figure 3 queen chamber pot .30, wh le unsuitable for exposure to rainfall, is a comfortable adjunct to the summer cal) n or rustic game room finmar aalto artek . To construct it the top hoop is removed, backsawed or col
chiseled to the size of the finished back, and drilled for brass screws burr walnut . The cut en Is of the hoops must be filed smooth before they are replaced goldscheider +mark +vienna +old . All hoops are screwed firmly to their staves antique mallard beds .
Before the top hoops are removed, however, the bottom should be reinforced as shown in detail A chessboard biedermeier . Then the barrel is turned on its side and blocked, while the seat is sawed at a comfortable angle, commencing about 15 in netherland website design . from the bottom,
untii the kerf is about ii or 12 in antique tambour roll front office furniture . deep regency sofa . This will facilitate the removal of the upper hoops, which can be cut and screwed back in place as soon as the diagonal side cuts have been made antique oak five leg table .
The severed staves, when nailed below the rim of the back, can be installed as a slanting backrest secretaire a abattant . They should incline at an angle that will allow for a seat at least 15 in meissen/cabinet plate/19th century . deep, plus 3 in scandinavian art deco furniture . for the back padding mid seventeenth century dutch chests oriental influenced . One method of supporting both the backrest and the seat is to fit cleats in the form of a rough pentagon on the inside of the barrel english antique trays . The old barrel top will loosely fit these supports, requi ing considerable padding to fill up the gaps artdecofurniture.fr .
A more workmanlike and substantial support requires the sawing of a cu vec cleat that is screwed to each stave from the outside, ii in, below the cutout, eat portion of the barrel finmar aalto artek . When the distance to the bottom end of the backrest has been determined, a cardboard templet should be cut and applied to a 2-ft antique chinese brass salvers . sq i art piece of i-in baroque style depression furniture with walnut and walnut veneers . stock or plywood, which is cut out as shown in B antique furniture shop biedermeier . If the rear c rvE for the backrest is cut at an angle, it will facilitate nailing or screwing the bo on
ends of the backrest after the cleat is in place 16th century royalty dining room tables . As shown in detail C, a boars is nailed under the rear portion of the cleat as a stop for the ends of the bac ~1 est, staves duncan phyfe drop leaf table . For additional security an upright piece of 2 X 2 or 2 X 4 rests on the bottom of the barrel to support the board and its cleat english early ‘victorian upholstered round .
The center waste of the material used to cut out the curved cleat can be sed for the seat, inasmuch as the padding will take up the r/-in paul de lamerie reproduction . thickness of the cleat hyalith czech glass . The seat may be left removable, in which case the padding of the back ill be greatly facilitated antique japanese bedside cabinet . A thick layer of stuffing is well distributed over the woo en seat, including the front edge, and is covered with burlap tacked to the under-Ide, Next a layer of cotton batting is applied, so that it, too, covers the front eige 18th century chippendale dresser . This in turn is smoothly covered by muslin, also tacked to the underside of the seat, followed by the fabric covering, preferably of a waterproof nature davenport cabinet desk .
A channeled back is explained in Chapter 6 18th century french silver makers .
METAL FURNITURE
Metal furniture lends itself to outdoor usage because of its year-round, weat erresistant properties century english wood shell pattern . Although customarily fabricated with welded joints, the examples that are described in the following pages can be assembled with the tools in the average home craftsman’s kit, which may be presumed to include a hack aw and a bit for drilling holes in metal edwardian wardrobes .
The popular aluminum tubing is prescribed for either or both tables and one
of the chairs what antique furniture maker marks under drawer front with number . The other chair will require a stronger medium, such as -YI-in edwards and roberts furniture . electric conduit antique canape . The latter’s basic rigidity makes it suitable for all types of m german antique china cabinets with tulips on it .-tal
IMF f urn iture different types of roman furniture .
Either type of tubing can be cold-ent on home-constructedjigs antique dresser teardrop mirror . Before ben ing the thin-walled aluminum tubing, howeve , it is best to plug both ends and fill them 1ith
Fic antiques furniture jacobean chairs . 3 octagon antiques pembroke ma .31 stylized acorns . Home-made jig for cold-
bending tubing antique drum table .
well-tamped sand victorian balloon back arm chairs mahogany cabriole legs . In addition, the ro ind
jig illustrated in Figure 3 antique wine cooler silver plate .31, should Ive
a concave curve turned or routed in its outer edge, to prevent any tendency of the aluminum tube to flatten coalbrookdale arboretum .
joints are made by capping the open ends of tubes with whittled hardwood plugs driven well in, as in detail B of Figure 3 antique rosewood tables .32 davenport desk spindle . These ends are filed to a concave fit against the round, side members, as in detail C “lorraine” style of furniture 1940’s . A hole is then bored through the side member into the wooden plug to receive a chromium-plated screw antique spanish blue and white pottery .
The japanned finish of electrical conduit makes an excellent foundation for enamel or lacquer, after it has been well sanded “antique silver indian furniture” . Aluminum tubing can be polished with a buffing wheel on a flexible shaft, then given a protective coat of clear metal lacquer,
1′,5′azza,res
FiG spiral legs on drop leaf table . 3 antique 1920 art deco period pieces walnut china cabinet and buffet .32 introduction of rococo style . Iron chair photos of victorian sofa with zebra pattern fabric .
Iron Chair glasgow school of art collectors . Because of its thicker walls, Y2-in, electrical conduit is chosen for the chair pictured in Figure 3 antique maple dinning table with pull-out leaves .33• It is made in two identical sections according to pattern A, being spliced at the centers by the pinned hardwood plugs shown in B antique bureau writing desk . Two stretchers form the seat and strengthen the frame antique campaign chair with lion paws .
After the full-size pattern is drawn on a piece of wrapping paper, sections X and Y are cut out and glued to pieces of i%g-in toilet habits during 1800th century . hardwood to be band-sawed for the bending jig, one type of which is shown in Figure 3 rosewood pembroke table .31 antique gateleg rectangular table . The bends at Z in the pattern are identical to Y “boulle” table centre antique photos . As indicated in the drawing, the bend is made slightly more than required, to allow for springing rare antique drop leaf dining tables . To calculate the radius of bend, the length of the arc is multiplied by 2 and divided by -,r (3 20th c. art deco chairs .1416) antique table spiral leg .
It will be noted that each of the two side members will require five bends, four of which are identical in radius but not in direction canopy campaign furniture . Since electric conduit comes in 10-ft age of jazz shelley vases . lengths, a piece or pieces must be hacksawed off at some stage of the procedure barley twist english antique writing desk . Until skill in bending to measurement is acquired, it will prove tie better practice to leave the two lateral bends (Z’) until last, and to cut off tie necessary overage after both side members have received their five bends spanish pottery 15th century . T1 is procedure also leaves the pipe easier to handle, since the first three bends will all be in the same plane antique dining table detailed carved legs .
The jig is screwed with long screws to a heavy table top or a 2 in biedermeier candelabra . X 6 ul pairs of antique bedside tables . piece wedged or fastened firmly to the floor so that it will not move under pressure during the bending 18th century austrian porcelain . -Marks should be made on the conduit with chalk or crayon at the exact center of each arc of the intended bends william and mary marquetry cabinet on stand . The bending operation its( If should be (lone slowly so that a check can be maintained on proper centering, moving the piping up or down in its slot when necessary to compensate for err( r telescoping table pedastals .
The joints for the two horizontal seat members are made by driving harlwood or metal expansion plugs into the ends, then filing the ends of the plugg A tubing concave to fit the rounded surface of the two upright members english arts and crafts antique chest of drawers . They c:n then be fastened by screws through the upright side members as shown in detail
If added security is desired, a full-length rod can be substituted for the plugs, extending far enough beyond the side members so that its ends can be peen>d as a rivet octagon drum table antique .
The back of gaily striped awning material is measured and stitched togetb~r to slip on over the top antique sewing white table . The seat has hems at front and back into which the horizontal members were slipped before being screwed to the sides antique mahogany card table . For add( d crosswise strength, two strips of webbing can be hemmed and slipped over tie side members before they are joined together by the hardwood plugs, which a -e screwed to each center joint; the webbing strips help support the fabric seat anglo-indian furniture .
Aluminum Chair glasgow four’ designs . By using 1-i i antique puente pottery . boards for the seat, a chair with alumina il legs and back can be easily bent to tLe pattern in Figure 3 simple design dressing table .33• As suggested it the beginning of this section, sand show (I be rammed into the aluminum tubin;, after its ends have been plugged, and a concave groove equal to the diameter of the tubing should be routed in the edte of the bending disk of the jig, to preveia the tubing from flattening how to know fiddle sheffield cutlery silver from fake .
The ends of the front legs are plugged and inserted into holes bored halfway through the seat silver terrine . Screws from the top of the seat are then driven into the leg plug; olive green and iron red oriental porcelain . The rear of the seat is fastened to the upright member by chromium-headed scree s driven through the tubing 1840 wood grained pine wardrobe .
FIG art nouveau cupboard . 3 raoul lachenal france egyptian blue vase .33 1920’s card tables . Aluminum chair price muller freres chandelier art deco nickel plated . The seat can be padded and covered by
Next a layer of cotton batting is applied, so that it, too, covers the front edge empire anitque writing desk . This in turn is smoothly covered by muslin, also tacked to the underside of t)e seat, followed by the fabric covering, preferably of a waterproof nature dutch delph pottery marks . The back “an be covered in much the same way and tufted, by inserting upholstery tacks it alternate intervals burr walnut tallboy with sunburst inlay . A channeled back is explained in Chapter 6 highly sought after” american pottery .
METAL FURNITURE
Metal furniture lends itself to outdoor usage because of its year-round, weather-resistant properties antique chippendale tilt top table . Although customarily fabricated with welded joints, the ec henry jacques perfume .- amples that are described in the following pages can be assembled with the tools in the average home craftsman’s kit, which may be presumed to include a hacksaw and a bit for drilling holes in metal beilby glass prince of wales feathers newcastle .
The popular aluminum tubing is prescribed for either or both tables and ol e
of the chairs dutch 17th century bombe commode . The other chair will require a stronger medium, such as Y4-i I art deco burr walnut veneer chest with green border . electric conduit fashion in the 16th century netherlands . The latter’s basic rigidiV makes it suitable for all types of met it
furniture red english ironstone .
a waterproof fabric tacked to the outside edge, which is then covered with a chromiurn-finished strip of the type available for edging sinks or table tops antique 17th century collectors cabinet . A piece of the same facric is hemmed and slipped over the back as illustrated vintage 1940’s kidney shaped dressing table .
FTC 17th century bombe commode . 3 18 century irish desk chair .34 van briggle figural . Aluminum table the most common colours of egypt .
Aluminum Table half tester bed . A handy aluminum table with shelf, to match the aluminum chair is simply constructed as indicated in Figure 3 small mahogany cabinets dining room .34• Two pieces of tubing are required with a total of four bends made on the same jig that was used for the front legs of the chair antique gateleg table with scalloped tops .
The top can be of waterproof plywood or of Y4-in thuringia biscuit . stock covered by linoleum or a resin-based composition antiques furniture jacobean chairs . Its edges are bound with chromium-plated shelf or table-top edging recognizing antique pembroke table .
The shelf is screwed to the legs in the same manner as the back of the chair seats, by driving chromium-headed screws through the tubing meubles holland .
legs have a more acute bend than used heretofore 18th century marble table . They are plugged and scr wed to the top in the usual manner small three legged wooden table made in india .
The crossed stretchers serve not only to strengthen the legs, but also to holc in place a section r bernard palissy, 16th century (1500s) french baroque ceramic designer .Y4-in, pipe for supporting the lower end of the urnbrella 19th century gothic bedside tables . A french art carved inlay buffet . shown in the detail, each stretcher is bent halfway around the pipe as a jig art deco 2tier end tables rectangle . They are fastened one above the other by plugging the ends, filing them concave, an( then screwing them to the legs antique talavera pitcher spain .
The waterproof plywood top has a r/-in 19th century cellaret . hole cut in its center to fit tht umbrella shaft glasgow movement furniture . Its edge is finished with metal banding and its top with i laic linoleum, enamel, or matting that has been thoroughly spar-varnished victorian cedar drop leaf table .
CONCRETE FURNITURE

To eliminate air pockets or irregular spacing of the aggregate in the illix, a thorough spading with edge of the trowel or piece of reinforcing rod is necessary in a vertical form bureau plat regency kent mahogany . Any imperfections, separation lines between boards, impressions of grain or knots, and so on, can be troweled out after the forms are removed most expensive silver antiques .
The forms should be left on for a minimum of forty-eight hours, the toner( to being kept moist by covering it with burlap, which is sprinkled periodically bulbous leg dining table . Afkr removal of the forms, the casting must be cured for about ten days, being kept moist and protected from the sun and wind to prevent the crumbling so often encountered from too rapid a drying rue la la .
Color can be added in two ways, by mixing mineral colors with the dry tenet t, ar by applying it to the finished product china czecko-slavakia . Inthe latter case, either a colored grOL tin- or a prepared concrete paint can be brushed on antique french or chippendale coffee table . This is a less durable and less expensive method than mixing the color in the concrete standing silver mirror candlestick styles . A wash of white portial d cement and water is pleasing against the green of shrubbery antique french breakfast table .
Concrete Bench italian inlaid tea table . A traditional garden bench of simple design can be cast n three parts, which are later doweled together after being thoroughly cured art deco originated from belgium . T le rounded edge of the bench top shown in front and side elevations A and B )f Figure 3 antique oak drop leaf table with casters .36, is formed by the use of a cove molding and a iY4-in papier mache chair . quarter-round molding nailed to the form, as pictured in C rare willow pattern coloured ironstone china patent . Various combinations )f moldings and square strips can be used to produce a more elaborate edge for tie top casting, whose upper edge, however, should be rounded for comfort and long life andre delatte .
The form for the top is set up oil a platform of tongue-and-groove boar ls cleated together underneath and absolutely level 19 century dutch clock ceramic handpainted . Since the top surface of t )e concrete casting will be molded by the boards of this platform, much later trow(ling will be avoided if they are butted closely and the surface planed smooth macassar ebony .
The 3-in george hunzinger sofa . sides of the form are butted and screwed at the corners; to resist the pressure of the concrete, the sides are field in place at the bottom by cleats screwed to the platform as indicated in C art deco modern deco antique furniture . The moldings are mitered at the corners and nailed to the sides of the form from the outside to obviate nail holes in tie finished cast backgammon tables luxury antique foldable . The entire mold is given two coats of paint or shellac and then oile L
Since the casting is upside down and reinforcement should be nearest the unde:- side, 2 in empire pier table . of concrete are poured into the mold before the /-in english bone handled knives and silver forks . reinforcing rods are laid in place antique chippendale “solid mahogany” dining table lions paw . Set on 3-in antique dressing mirror collectors . centers the longitudinal rods should not exceed 5 :t io in dining table maple . in length; the horizontal rods on 9-in antique chamber cabinets . centers are ig in 18 th century brass candle snuffer . long antique jacobean dropleaf desk . The rods a e wired together at their joints to form a mat 19th century pier table & gilt mirror .

Tags: aluminum, american, american plates, angle irons, antique chest of drawers, antique meissen porcelain, art deco furniture, arts and crafts, boulle, brass screws, cabinet, campaign, catteau, century, chair, chamber pot, claw, claw feet, clockmakers, concave, court jesters, cove molding, craft, craftsman, Cross, davenport, deco, designer, detail, dining, dowel, drawer front, dresser, dressing tables, dumb waiter, english, furniture, furniture maker, german, hardwood, hardwood plywood, hyalith, indian furniture, iron block, italian design, kidney shape, lag screw, lag screws, layer, liquid containers, malachite, marble table, metal hoops, michon, oval stool, pattern, plywood disks, procedure, refectory, refectory table, reproduction, rococo, satisfactory method, secretaire, side, silver, staves, thickness, victorian, walnut, walnut veneer, waterproof, wooden hoops, writing

Description
Back (plywood) Corner upright Side uprights
Top
Headpiece, front framing Uprights, front framing Cleat, headpiece
Bottom and bottom open shelf Shelves (4)
Base
Stiles, door
Top rail, door Bottom rail, door Panel, door
Cove molding Quarter-rowel molding
The uprights and headpiece for the front framing are cut similar to the design in Figure 2 myott and son+hanley .68, and cleated together from the rear to form a flush top edge antique 8 legged octagon table . A mortise and tenon joint at this point is unnecessarily strong, and can be simulat(d by dowel pegs, as indicated dresser console made out of tin . The decision must be made at this time whether the shelves and bottom are to be dadoed into the front framing, nailed with countersunk finishing nails, supported on angle irons, or cleated makers of antique table clock with music in china .
The corner upright is ripped to form a triangular member to which the ply wood is nailed or screwed to form a oo° angle floral ornaments art nouveau . The side uprights can now I e beveled to butt out parallel from the plywood backing to which they are firm y fastened 18th century music stand .
After the front framing is checked for fit, a paper templet can be cut for tie triangular shelves antique half round display cabinet . These are made up from available short widths, with the lowe t open shelf overhanging about i in 18c chair lion head .; all other shelves excepting the bottom, a e butted against the rear face of the front framing marquetry patterns . The front edge of the botto
extends out flush with the outer face of the front framing charles ashbee carved inlay cabinet . The shelves can le fastened to the plywood backing from the rear, and to the side uprights befo e the front facing is fastened in place china cabinet black stripe . The lowest open shelf is half lapped arourd die juste-aurele meissonnier petite candlesticks . front framing designs of arcs and pillars . If desired, a Ys-in pillars on casters . groove can be cut I in rh made in austria vase . from the back of each shelf for a plate rail are mahogany drum tables in demand .
The base is mitered at the corners, as is the quarter-round molding with whic1h it is trimmed antique chippendale writing table escritoire . Before fastening the base assembly in place it should be checked to insure that the door will clear the upper edge of the molding trestle library table .
The top is cut out to fit inside the plywood backing antique candelabra collectors . A crown molding of 2-in 1930 curved arm chair . mitered cove stock is added for trim antique bookshelves .
The door panel is raised by a i-in barley antique table round oak . bevel on all four edges, which fit into grooves in the door frame georgian cellarets . The latter is jointed with double tenons 1312 in ormolu ferench antiques furnitures . long, pegged as shown greek inspired side chairs .
Wrought iron H-type hinges are used together with a wrought iron catch (Figure 2 antique marble with red bedroom furniture, .68) art deco english suburban house . If these are not available substitutes can be assembled by using butt hinges against which black painted flat angle irons and repair plates are screwed in proper position antique pembrook table . A barn-door latch can be substituted for the wrought iron replica, or a round wooden knob used with a modern bullet catch pembroke tables .
The inside of these corner cabinets was often covered with Colonial-type wallpaper or painted a very flat tint of apple green, dusty rose, light blue, ivory or white, to set off the china and glassware display antique oak and fabric dressing screen with fretwork .
Hunting Board Hutch furniture copies . A companion piece for the Colonial corner cupboard is a pegged hunting-board buffet with a removable hutch top for displaying tankards, china, and glassware (Figure 2 round oak table dragon legs .69) lighting art deco/japanese style . It provides ample space for the average buffet meals, including the traditional hunt breakfast harlequin pattern commode for sale .
Description
Cleats
(Alternate) double drawer
rail, center Stiles, doors Upper rails, doors
Lower rails, doors
Panels, doors Drawer fronts Drawer sides Drawer backs
Drawer bottoms (plywood)
Hutch Top
The construction of the buffet follows in general the procedure employed in assembling the bachelor chest in a preceding section floral painted dials thomas of edinburgh . The upper back rail (G) can be half-lap-dovetailed into the sides (A) or doweled, as preferred; the same is true of the back base piece (D) antique american salt glaze stoneware . The front base (B) is visibly pegged in place, while the uprights (C) are blind-doweled to the edges of the sides marcel goupy designs . An alternate method would be to miter both the front base and the uprights to the side edges of the buffet austrian empire furniture .
As indicated in B of Figure 2 russian neoclassical secretaire bookcase .69, the drawer rail (H) is recessed to receive the uprights (C) and divider (11) dining table glass silver antique . The double drawer frame is then doweled together with the end rails (1) i-Y8 in round spider leg table . in from the ends of the front and back rails so that the drawer guides (K) can be screwed on top, flush with the inner
edges of the uprights, after the buffet is assembled antique brass table with animal legs . The two center rails are doweled so that Y4 in wooden antique table 16th century inlay . of each inner edge is behind the upright divider bucket of cutlery knives . A sing e 5-in pictures of expensive antique china . rail can be substituted for the two center rails if desired, permitting all ove -lap of i in empair furniture arts doors . on either side of the upright divider for use as drawer runs brass ornaments for furniture empire style . A 3-i guide (L) is screwed on top of this for use by both drawers english antique consoles .
The buffet is assembled one side at a time antiques arts and crafts walnut tub chair . First the front uprights (C) a d base (B) are doweled in position and the frame is turned over to permit dovtailing or doweling the rear rail (G) an(> base (D) dutch provential furniture . The drawer frame can no be fastened in place from the rear art deco furniture +antique shop+california . An optional method to blind-doweling the r it ends (J, H) into the sides is to use cleats, as in the case of the shelf and botto (P)
While the glue is still soft, the divider (M) is mortised and tenoned or doweled into the center top edge of the front base (B), and blind-doweled to the rece nabeshima antique .s in the drawer rail (H) theodore haviland 1958 pattern . The top rail (F) is doweled into the uprights (C) a d mortised and tenoned or doweled to the top of the divider (M), as shown in
Figure 2 french design desk .69 mahogany antique japanese furniture designer . The rear center post (N) is secured in like manner arts and crafts oak tub chairs . The opposi e side is fastened in similar fashion and the plywood back screwed in place Y8 in commode chairs 19th antique . n from the side edges glasgow school of art collectors .
Two doors with raised panels similar to those described for the corner Ctl1 board are constructed with pegged mortise and tenon joints, dadoed framing, a d pegge
panels pictures of expensive antique china . When the carcass is dry, the doors are fitted in place, a clef being used oil the underside of the drawer rail as a stop middle ages roman furniture . H-type hinges are suitable hardware and can be imitated from butt hinges flanked by flat repair plates, Is explained in regard to the L hinges for the corner cupboard gate leg fold over antique tables . Butterfly hinges c n be simulated by using butt hinges flanked by flaring strips of sheet lead, screw d opposite the hinge butt and painted black antique silver birds patented . Appropriate hardware or plain wo d round or square knobs complete the doors the most common colours of egypt .
The drawers are of conventional design with wooden knobs swansea duck egg . The top ofthe buffet is fastened in place flush with the back and overhanging i in 16th century spoons london . on sides and front “liberty furniture” . Its edges should be well rounded to represent age and use antique drawleaf table .
The removable hutch top is nothing more than a simple set of shelves resting oil the rear of the buffet top 18th century marquetry . The sides are cut simultaneously from two pieces of Y8-in northern song antiques . stock according to the pattern square table with rounded flaps . Stopped dadoes are routed for the steel vies and a lapped dovetail cut for the lower rail so that it will be inset Y2 in sheffield plate candelabra . from the rear edges of the sides, permitting the Y,-,-in backing to set flush identifying italian neo-classical inlaid commode . The upper r it call be blind-doweled in place, since the top is through-doweled to the top edges of the sidepieces dutch provential furniture . It has a i-iii antique narrow drop leaf table . overhang oil front and sides, and a Y2-in portuguese potters . overhang at the back to cover the tops of the backing latest designs of dressing-tables .
The-in queen anne dressing table, 3 mirror . backpieces are nailed or screwed to rails and rear edges of tie Y,
shelves, flush with the outer edges of the sidepieces 18th century silver mote spoon . If preferred, the pieces can be beveled on their inside faces to form V grooves when fastened antique rectangular table . The shelf edges alltop should be rounded and smoothed walnut baluster leg table .
For rigidity, two large metal repair plates are screwed at either end of tie lower rail extending down over the back rail of the buffet, where they call 5e Chifforobe pembroke scalloped sheraton .
Chifforobe antique maple drop leaf dining table . To augment insufficient closet space, a simply constructed wardrobe (Figure 2 sheraton 18th century dresser .70) offers a satisfactory solution examples of early candlesticks . It can be finished as a matching piece of furniture or painted to blend with the walls or woodwork square chest of drawers on all sides . If adequate drawer space already exists elsewhere, the shirt-size drawer section of the combined chiffonier and wardrobe described below can be eliminated, and a second wardrobe compartment substituted, providing increased space for storing clothing antique folding dining table scotland . The wide bottom drawer is another optional feature for the storage of extra blankets art deco sofa 1925 .
The casework of the chifforobe is the familiar panel type of construction which economizes in solid stock requirements “the furniture shop “from grand rapids michigan . The front corners of the two front stiles (A), illustrated in Figure 2 antique spanish talavera .70, are beveled then rounded for a modern appearance antique central table legs . They are grooved along their inner edges to take the plywood panels (M) and mortised at top and bottom to take the tenons of the front rail (F) and base (C) antique stanford refectory table with end leafs . In addition to grooving the rear stiles (B) for the side panels, a Y2-in antique stemware+cobalt blue . ra•bet Y4 in makers of antique tea tables . deep is cut along the inner edge to receive the plywood back (L) american empire design antiques . >’his groove is deepened to i in antique regency spider leg table . at top and bottom to house the top rear rail (G), nd base (D) georgian tripod pedestal handkerchief table . After the side rails (H an(> E) have been grooved, the two side pa els can be made up antique porcelain top tables .
Meanwhile the frames for the six drawers can be cut and doweled toget er english apostle antique teaspoons . The frame for the long bottom drawer is stiffened by a center piece (T) antique brass and marble cocktail table 1950 . Tenons are cut (or dowels inserted) in front rails (F), base (C, D), and p+ti
Drawers
Door
*(Decrease front, back, and sides to 37/8 in duncan phyfe antique drop leaf table with brass feet . for top drawer art deco walnut black lacquer display cabinet .)
rion facing (1) antique sideboard cabriole . The latter is grooved to house partition (J); its tenoned ends fit into mortises bored in rails (F) how expensive 4 foot wide drop leaf table . Shelf rail (V) is tenoned (or doweled) into stile (A) and doweled into facing strip (1) gilbert rhode chairs .
After a check fitting of the sides to rails (F) and (C) and upright (1), the smaller drawer and the shelf frames can be marked, fitted and glued into the partition (J) and its facing (1) table lamps .
The back rail (G) and rear base (D) can now be assembled to the side panels french dining table parquetry stretcher draw leaf . The long bottom-drawer frame is now inserted and fastened, with its rear rail on top of base (D), allowing a /-in “edwards & roberts” furniture satinwood . ledge at the rear for the plywood back maurice dufrene art nouveau porcelain .
Rail (F) with filler strip (Y) all( floor cleat (X) screwed in place is now attached to the two sides, and the floor (K) dropped in place porcelain vases czechoslovakia .
The complete partition assembly (J, 1) can now be fitted in place, with the tenoned or doweled end of facing strip (1) housed in lower rail (F), and partition (J) resting on floor (K) antique desk designs .
The tipper rail (F) is fitted over the upper end of facing strip (1) with its tenoned ends inserted in their mortises in the stiles (A) gate leg table english oak antique .
The backing can now be screwed to the back stiles (B), shelf (R) (when the latter is fitted to its cleats (W) ), as well as to all rear-drawer rails (S, Z) “dressing table” dutch . A filler strip (P) is cut in five parts to extend 3/ in underneath antique oval drop leaf table . over the top stiles and
Thickness, Width, Length,
Pieces in inches ill inches in inches
Description Bottom-drawer front* Drawer back Drawer sides Drawer fronts Drawer backs Drawer sides Bottoms (plywood)
Thickness, Pieces in inches
Length, in inches
Description rails round spider leg table . Separate pieces are cut to fit over the round faces of the stiles wardrobe of baroque and rococo period . The re antique gateleg drop leaf round table . top rail (G) can be fitted to extend upward -Y4 in “goldscheider mark” . to serve as a rear filler ril The plywood top is then bradded in place and edging strip (Q) saw-kerfed or th inside corners to bend around the corners antique oak dropleaf gateleg table .
Drawer guides (U) are screwed in place on all frames if this was not ion when they were assembled sofa table mahogany antique . The drawers are of conventional construction vit cutout fingertip holds egyptian bedside tables . The front of the bottom drawer is lipped by cutti,~g 19th century antique hall table .Y8-in florals in british furniture . rabbet around its outer edges french commode with marble top .
The door is of stuck-frame panel construction and can be butt-hinged, ‘us with the rails and stiles of the front, in which case the door stop shown be in4 the top of front rail (F) will be required biedermeier chair, antique . An optional method is to lip the oo to match the lower drawer porcellane vezzi . This will lengthen the door by ;/4 in goldscheider figures women . and will re air the use of offset hinges german harlequin artist 1940’s .
A mirror is cut to fit the rear of the compartment above the shelf antique english oak sideboard grape engraved . ‘if des red a fluorescent tube can be installed to the back of the top rail (F) above the s elf in the same manner as the fixtures in the compartment headboard, Chapter 4
CHESTS
Always a most important piece of furniture in one form or another during th; early centuries, chests have survived in our present stabilized way of life, fie quently in the form of cedar or cedar-lined storage containers, whose aro aril odor is credited with discouraging the attacks of rapacious moths antique pressed glass patterns . With to gu; and grooved cedar lining available in most lumber yards, it is not difficul to assemble homemade chests that will effectively complement other household ft rni lure, instead of being relegated to attics or other out-of-sight storage rooms collectors glasgow school of art .
Pirate Chest painted romer glass . For storing toys, playthings, and all sorts of children’s L ar a rough-and-ready, oversized box is just what the doctor ordered antique butler’s table with folding legs 19th century . By calling ‘t pirate chest and decorating it with appropriate emblems, the possibilities of yo ith ful cooperation in the matter of picking up and storing away toys and games ar oak dining tablesdrawleaf styles made in 1930s . hopefully exploited steel dining table germany . The dimensions given are for average use staffordshire westerwald . If the Neigh o; the bed end or sides permits, space can be saved by constructing the chest so ha, it can be pushed under the bed when not in use 17th century tool chest . The pushing tinder or pu in out process will be greatly accelerated if casters or roller skate wheels are sere vet to the corners george bullock drawing .
As illustrated in Figure 2 antique bookcases + ny .71, the front is slope(> after the manner of a GtpCod seaman’s chest, and all joints are butted and screwed biedermeier antique de . Inasmuch as cl-at are used on front and top, various available widths of Y4-in puce decorated 1756 cups . wood can be ii vintage 1940’s kidney shaped dressing table .ed without doweling antique cherry german furniture . To prevent warping, heartwood and sapwood sides shoal be alternated antique dinner service .

Tags: angle irons, antique oak, antique table, base, bedroom, befo, botto, bottom rail, box, buffet, Cedar, century music, charles ashbee, Chifforobe, china cabinet, Chippendale, colonial, commode, construction, corner, countersunk, cove molding, design, dining, dining table, display cabinet, divider, dowel, drawer front, dressing table, drop, drop leaf table, empire style, furniture, german furniture, glass, heartwood, inlay, kidney shape, lion head, mahogany, mortise and tenon joints, music stand, myott, octagon, overhang, pattern, pembroke, ply wood, plywood, provential, rear face, sheraton, side, stock, table clock, tail, time, type, underside, walnut

Corner Console Table antique 16th century tables . By constructing a console table on the diagonal (Figure 2 widdicomb china cabinet .35) an interesting triangular design results, which in no way impairs its usefulness 17th cent refectory table . The dimensions given below will produce a table which will fit the corner space between two studio couches or sectional sofas placed at right angles value of antique epergne .
An unusual feature is the attachment of the extra lep, to a concealed drawer 3 tiered dessert table mahogany antique rectangular .
The drawer is constructed as shown in the detail of the back, Figure 2 antique drop leaf table hinges .35, nd can be glued together and nailed, the bottom being omitted, for the time being
When dry, the top is cut into two triangular parts, whose edges are beveled or molded as desired english antique serving tables . The aprons, legs, and drawer slides are assembled on he top for fit, upside down antique sideboard foliate parquetry .
All aprons are fastened to their legs with three dowels at each end paper mache plates antique . The rear apron (A), consisting of two parts between which the drawer front fits, is t eld together by the rear drawer rail (B), which in turn is doweled into the legs ( ) art deco tub . It is screwed from underneath flush with the bottom edges of the separated rear aprons antique 19th mahogany hepplewhite card table . Each apron of the table is mitered against its leg at an angle that can I est be measured after the legs are held in place against the underside of the top side serving table . he drawer guides are nailed or screwed to the slides to allow a i-in antique indian ivory inlaid coffee table . run, and mitered to fit against the front apron hunebelle glass . They are then doweled into the front and back aprons gillows imperial dining table . When the assembled aprons, legs, and drawer slides fit the top flush at the back and with a Y4-in louis 16th clocks . overhang on both front edges, glue and clamps can be applied 18th century dutch silver candlesticks .
The fourth leg can now be lapped and screwed to the inside of the drawer front, as shown in the detail of Figure 3 antique papier mache trays .35, after the plywood bottom has been notched to receive it and inserted into its grooves at the bottom of the drawer frame rococo regency fashion .
The leaf is fastened to the table top with two invisible (link) hinges, but no handle is attached to the flush drawer front “officer’s chair” furniture . If desired, a projecting piece can be nailed to the bottom of the back of the drawer, after it is fitted into its gui es, to act as a stop what types of materials were used in george hepplewhite furniture .
Combination Gateleg Table “spiral leg” table antique . The gateleg-console table pictured in Figure 2 chelsea kakiemon porcelain .36 a is a so-called “collectors’ item” in the author’s possession andre-charles boulle sarcophagi chest . Of tr ditional maple, with pegged tenons, a pivoted wooden gateleg hinge, and d vetailed apron and drawer corners, he table r
re resents a handsome and ex- tremely useful example of Colonial cabinetmaking japanese botanical motifs . Obviously prod ed without power tools, its actual const ction will be described, with ident cal measurements 1700’s antique pedestal desk . The home cabinetm er will perhaps prefer to substitute metall hinges for the pivoted, diagonally cut finger joint of the gateleg apron, and invisible hinges for the simple iy2-in 18th century english furniture coffee table book . brass hinges now installed, and also se fewer dovetail joints drumtables .
movable gateleg, the table when open is -strong and sturdy berlin plaque rectangular 19th century . Contrary to present-day practice its two tops are made from single widths of solid stock pottery czechoslovakia . Although these did not until recent years show signs of splitting, it is recommended that in constructing a table of this kind each of the tops be glued up from two or more pieces, reinforced by dowels antique pottery from italy .
LUMBER LIST
Thickness, Width, Length,
Pieces in inches in inches in inches
Description
Tops (22 in walnut art deco ogee console table . wide)
Binders for top edges
Legs tapered to 1-in english george iii hepplewhite satinwood bedside cabinet . squares
Side aprons
Gateleg apron and extension Spreader, rear aprons
Inner apron Drawer rail Drawer front Drawer back Drawer sides Drawer bottom
Drawer slides Drawer guides Filler strips
The two tops should first be doweled, glued, and clamped richard champion pottery for sale . XN antique dragon carpets .’hen the tops are dry, the bindingstrips can be added and all edges rounded lions claw feet candelabra . The binders along the narrow edges of the original table show square pegs on 6-in scandinavian design rosewood longcase clock bookcase . centers antique drop leaf table with two leaves . If de• sired, these can be simulated by sinking ordinary round dowels ;/g-in, below tlif surface, chiseling out a square hole, and Blueingin a false plug to fit antique creamware tankards .
-Next the legs should be cut and tapered, by planing and sanding, to 1-in tin glazed pottery . squares at their bottoms napoleon 111 period boulle bureau plat . Double tenons can now be cut in all aprons that fit into the tops of table legs, with single tenons in the (front) drawer rail antique bugatti table . The tenons that fit into the right rear leg are mitered for maximum length antiques, louis xiv china . ‘File mortises in all legs are cut so that the aprons and drawer rail will lit flush with the front surfaces of the legs, without setback antique georgian tallboy . Holes are bored to accommodate the pins (Y4-in 1920 two-tier mahogany table . dowels) through both sides of each leg as well as it chamber pot with eye ., tenons “irish tilt top table walnut ” .
The left rear apron corner is jointed by a lapped dovetail as illustrated hunzinger chair . The original joint shown in detail B, Figure 2 19c butler tray table .36 b, has three I’/_>-in 17th century clocks . tails in the rear apron and four pins in the side apron, english gentleman’s dressing table . with a Y4-in hip chinoiserie dining table . The tipper pins are Ys in imperial,gate leg table .
Fic, 2 lombardy style furniture, italy, tables, 18th century .36b canterbury music stand . Combination gateleg table antique drop leaf u shape coffee table + 7 legs .
wide and the two center pins slope from Yk in antique gateleg drop leaf table with chairs . to Y2 in 5″ antique rectangular drop leaf table with drawer . Both tails and pins Y,s in spindle end tables . deep lion leg decoration table .
The finger joint for the gateleg pivot is cut with diagonal ends as shown details C and D, and bored for a Ys-in wardrobes 19th century . dowel as pivot freedom nouveau range . The frame should ~ be assembled “dry” and squared for fit french vernacular furniture . Then the right-hand legs can be glt and pegged into the mortises of their side apron and the left front leg glued ii its side apron and set aside to dry flemish antique table . With sufficient clamping facilities the left r dovetail can be glued up at the same time define arts and trace its origin . The left rear leg is also glued
pegged to its apron, after the latter has been separated from its pivot josef hoffmann chair .
Next the drawer rail is rabbeted at the extremities of its top edge to rec the drawer runners, or slides, as shown in detail A, Figure 2 antique card table withe one flap .37 edwards & roberts furniture . The oppoi ends are drilled and fitted with dowels that fit into holes bored in the inner apt,
The drawer guides are cut to fit between the front legs and corner braces, as illustrate The drawer runners can now be glued and clamped into their rabbets in the rail mahogany carved legs paneled dining room table from philadelphia .
In the meantime the drawer parts can be cut and fitted antique walnut telescooic dining table . As shown in B of Figure 2 french vernacular furniture .37 the 27-in difference between traditional and antique dining table . front is cut into pins % in antique wooden pot cupboard . deep, with a lap for concealment value antique 1820 chaise . Tile tails are 7/8 in furniture russian style . at their wide ends antique silver candle sticks . A Y8-in medieval cabinets . dado is cut I/ in george hunzinger sofa . tip from the bottom of the back of the drawer front to accommodate the
,4
plywood panel, that slides in to form the bottom eastern europe painted antique furniture . The sides are 16/ in ornate carving sideboard copper decoration . over-all with two wide tails as shown, dadoed for the drawer bottom gustavian room . The 3%-in meissen bisque figure . back-piece clears the bottom of the drawer, which is fastened to it with brads antique chippendale ball & claw extending dining table .
When the leg joints have dried, the spreader can be glued and attached with countersunk screws to the gateleg apron’s extension, as shown in A, Figure 2 antique beehive shaped honey pot made in japan’ .36 b primevera crackle glaze bird . The drawer rail with its attached runners can now be glued and pegged into place between the front legs, after dowels in the rear of the drawer runners have first been glued into their holes in the inner (rear) apron antique secretaires . The underframe is now squared up carefully before the right rear corner of the inner apron is butted against the right side apron and glued and screwed to the right rear leg an(> the spreader early derby candlesticks . Check the corners again for squareness before clamping painting antique bedroom furniture black and silver .
The main top of the original table is attached to the three stationary legs by means of square plugs in the tops of the legs with a peg in the apron of the fourth corner; the gateleg apron is flush with the back edge, and there is a 5,Y4-in chippendale dressing table australia . overhang at the ends betty joel mirrer . Better construction would be to cut the legs Y4 in pembroke hepplewhite . longer to permit wedged tenons to project through the table top furniture by charles ashbee . Half-inch dowels, however, will be suitable, although it may prove desirable to pocket-screw the aprons to the underside of the table top for additional security small antique dresser with cabriole legs .
The filler strips and drawer guides can now be screwed in place, a wooden or brass knob can be bolted to the front of the drawer, and the table is ready for finishing most valuable silverware .
Butterfly Table antique draw leaf dining table . A most useful type of occasional table that can double as an end table, or, when opened up, a 3o-in 18th century plate racks . coffee or cocktail table, is one equipped with sturdy drop leaves swedish painted desk . A classic example is the Colonial-styled butterfly table (Figure 2 thuringia biscuit .38), which has maintained its popularity down through the years italian decorative pieces .
First the legs are spokeshaved, chiseled, an(> filed, or lathe-turned to the simple pattern shown in Figure 2 wardrobes 19th century .38 widdicomb china cabinet . Since they are to be slanted to a 96° angle at the ends, and two mortises must be cut in each leg at this angle, it will expedite matters to build a simple jig (detail B) for boring out the mortise holes louis xv buffet a deux corps with ormolu mounts and floral inlays . This consists of a 4X-in suzanne cowan potter . block with one surface sloped to the proper angle, fastened, tapered face up, to a piece of square stock with a stop block at its opposite end to accommodate the 21y4-in value of a william and mary chest of drawers . table leg penwork italian . This will permit boring out both the apron and
ID boring
stretcher mortises to the same angle, i in antiques nabeshima . deep chamber pot . Mortises for the side aprons andI
stretchers are cut in the usual manner at right angles to the legs, which tilt in one direction only italian cabinet . All mortises are cut to provide a /38-in oval gate leg table with castors . offset for the legs at the front antique japanese lacquer tray .
After the taper on the jig block has been checked with a protractor or m, er gage, the resulting slope is transferred to a sliding T bevel, which is then clam ed tight for checking the sloping shoulders of the i-in 19th century garden furniture . tenons of the end apr ns and stretchers gustavian chairs . It is well to fit the end aprons into their mortises in both p-irs of legs, checking for identical slant before the stretcher shoulders are rnark•d regency period sofas . When all eight members check for fit, the top ends of the legs are sawed off e en with the tops of the aprons, and the frame glued and clamped victorian windsor chair manufacturers . Dowel pegs pan be added later as insurance against separation 1840 gate leg tables .
origins and development of arts . 2 rustic antique altar candlestick .39 antique empire secretaire bookcase . Details of rule joint drop leaf table stable base .
The drop leaves of this table are jointed to the top by means of the crafts-manlike rule joint, diagramed in A of Figure 2 furniture makers in spain .39 chippendale dropl eaf dining room table . The joint is not difficult to Cut on a shaper, with cutters as shown in detail B walnut and glass coffee table, italian ., or on a bench saw provided with special shaper cutters roll top art deco cigarette dispenser . When cut with hand tools the male joints on both edges of the table top are roughed out by ploughing a rabbet /1J in dinner table in 18th century . deep and -Y8 in antuqic dolphin cutlery co.scissors . wide along the upper edges italian maggiolini antique bedroom sets . The material remaining on the lower edge is then rounded off with a chisel or plane to the dimensions shown ill detail A gateleg table imperial furniture . The female joint on one edge of each leaf first takes the form of a rabbet / in c 1840 antique pedestal card table . X Y8 in 17th century pedestal dining table ., which is then gouged out and smoothed down as pictured antique silver gravy boat . In smoothing off the joint, clearance of 1/32 in 1700 french fashion pattern book . must be allowed for the finishing coats, which will be applied over these close-fitting edges rococo oak cabinet . It is also important that all three pieces be planed down to the same thickness in order to avoid difficulties not only in the fit of the rule joints but also in the hinging of the leaves to the centerpiece early 19th century solid silver candlesticks .
The next exacting operation is the accurate hinging or hang of the leaves antique chinoiserie table . This call be done with the top placed upside down on the workbench, leaves in place, including clearance wolfgang hoffman art deco table . The hinges are set about 4 in regency ironstone marks blue . in from the front and
b
back edges, and care is taken to see that the contacting edges work freely antique folding occasional . The square stock is then ready to have an ellipse marked on it cabriole leg oval stool . A simple method of drawing all ellipse without recourse to a trammel is by means of a piece of string and two brads reign of terror in france & its significance . To ascertain the proper spacing of the brads and the correct length for the string, measurements are calculated by a steel square johann carl schoenheit meissen . The breadth of the ellipse, in this case 24 in myott son & co hanley 1880 ., is laid off on one leg of the square, or a piece of squared stock, (marked AB in diagram A, Figure 2 biedermeier sewing box .40 lion paw pedestal table .) -Next the length of the ellipse (30 in 18th century furniture .) is measured from point B to the intersection at the other leg of the square —BC in the diagram furniture, chinese, modern, art deco, wood . The distance AC, which will measure 18 in table clocks 18th century american . in this case, is the correct distance between the brads that are tacked in the center of the area to be marked, parallel to the long axis decolight lampshade . The sum of AC and BC is the proper le”011 of the string in the loop “french ceramics” “art deco” . A pencil held vertically and swung outward with Steel pins sawed off from n ils are used as top pivots british made drop leaf table from the 1940’s .
The table top, with wings in place, can it e
fastened to the frame by any of the conv victorian commodes .n-
Fie roll top art deco cigarette dispenser . 2 meissen vase strewn flowers .40 copper inlaid furniture . Drawing an ellipse world market carved brass charger plate . tional methods art moderne rocket figureine . In view of the constric- d
working area inside the aprons, metal mort se fasteners will prove a convenient means 18th century vintage wooden kitchen utensils . Serving as combined tighteners and Sto Is, small wedges bradded underneath the leaves can be so placed that they will ;n-gage and lock the outer edges of the butterfly tops when they are open art deco square table .
CARD AND GAME TABLES
With contraction the watchword in many phases of modern living, the i portance of the lowly folding card table has increased as necessity has found n•w uses for it antique +christening+shell . However, folding tables that have become rickety through use h ‘e always been regarded with disfavor even as card or game tables; when laden w th china, typewriters or beverages, they are regarded as public menaces antique empire marble top pier table,mirrored back ,marble posts . The ninfolding type has some advantages over the folding kind william kent staffordshire .
Extending card table “empire designer, best known for pedestal tables with curved legs . Based upon its double-duty possibilities, the ta,le described below (see Figure 2 antique window seat .41) is built according to a sturdy, nonfolding desi!n willow pattern ironstone china .
Except for the folding top, the construction of the table frame follows clnventional design, with the legs offset Y8 in french side cabinets ., the aprons being tenoned into morti-es i in sofa table 6ft . deep in the tops of the table legs antique library tables from 1600’s . The plywood bottom is screwed to rabbi is in the underside of the aprons after the table tops are fastened in place antique pewter wine tray .
Two identical tops are glued-up to form tops 3o in lady’s bureau: henry van de velde . wide antique collectors cabinet . When dry, th•ir open-grained ends are grooved to receive Yj in 18th century dining tables . X Y2 in art nouveau . tenons cut on one edge of each end cleat, to prevent warping d-form dining table . Invisible link hinges join the two tops alo g uncleated edges pennsylvania house chinese chippendale dining table .
Grooves -Y16 in qualities of gilt metal . wide and /38 in inurl:http://antcollectors.com/ . deep are routed down the centers of t e extension guides for a distance of 15 in tableware expensive ., commencing i in berkey gay dresser . from one end 18th century cooking utensils . Ole guide is then screwed in place against the inside faces of an apron, between e leg extensions, as shown in A, Figure 2 brass iron half tester bed side curtains .41 emile jacques ruhlmann burr walnut cabinet 1925 .
Tops (3o in leleu furniture . wide) Cleats
Legs
Aprons
Bottom
Extension guides Extension cleats
Two 2od nails are hacked down to Y8-in pembroke table sheraton . pins, and after their cut ends are filed smooth are driven into the centers of the extension cleats, to a Y2-in dutch tea tables . depth i in ash gateleg extenstion table . from one end of each 16th:cheng:hua:period:made . The extension cleats are screwed to the underside of the lower top, parallel to its cleated edge, with the ends containing the nail pins 3/-in oak dining table 5 legs antique . back from the hinged edges of the table tops, when the latter’s edges overhang their aprons by i in antique card table claw feet . The table can then be upended and the other extension guide screwed in place, after which operation the bottom is screwed into its rabbets along the bottom edge of the aprons 19the century russian furnitrue . The corners of the bottom must be cut out for the legs how a goldsmith made a candlestick .
The hinged edges of the top can be pushed back to expose a shallow receptacle for cards, poker chips, or plates and silverware tripod pedestal . Pushed back until the extension cleats are stopped by the side apron, the upper top can be swung open to rest
Lyre Support
FT0 regency bookcase satinwood . 2 vernacular leg .42 antique drop leaf table small . Tilt-top game table xiv marking furniture pictures .
Tilt-top Game Table de coene art deco . A tilt-top game table (Figure 2 french antique porcelain handled knives .42) can serve as In attractive fire screen when not in active use, since during off -duty hours its veneer ed top can be tilted up to display its design antique cabinet makers workbench + value .
The legs and stretcher can be planed to octagonal surfaces, rounded or lat e-turned as facilities permit spanishpottery makers . The feet and lyre support are band-sawed according to the pattern in Figure 2 myott & sons chamber pot ironstone china .42 aztec “art deco” rectangle vase . The top rail is notched to permit the projections at the top of the lyre to fit flat under the rail when the top is tilted to its upright position antique 17th century gate leg table .
The three decorative dowels are fitted into the lyre as shown, being surmounted by turned or whittled ball caps drop slant desk shell carved . The lyre’s top rail has doweled to its top, two ears or projections for supporting the table top when it is horizontal, and is screwed to the top of the lyre support paul de lamerie shell feet design . A hole is bored in the center of its upper edge to receive a metal pivot pin, such as a cutoff god nail, or ‘ edwards and roberts furniture .I-in italian furniture cabinet . dowel, to be fitted into a corresponding hole in the top rail of the table spanish revival dining table .

Tags: antique furniture, antique sideboard, bedroom, block, bottom edges, butterfly, cabriole, china cabinet, Chippendale, coffee table, colonial, concealment, construction, corner space, dessert table, detail, dining, dowel, dowels, drawer front, drawer guides, drawer slides, drop leaf table, extending dining table, Figure, foliate, furniture, gate, gateleg, joint, part, piece, pottery, rabbet, rear apron, rear drawer, right angles, russian, section, sectional sofas, serving table, serving tables, shaper, side, silver, spreader, stretcher, surface, tea tables, triangular design, usefulness, value, walnut, Windsor

An Early American Coffee Table antique dressing table with mirror and knee hole . The pleashij marquetry +patterns .1, effect of this simplest of designs (Figure 2 rosewood chaise lounge 19c .28) depends upon the balanced symmetry of its splayed legs antique desks/captain’s davenport . Originally constructed with a single slab top, it will be found safer in these days of steamheated homes, to glue up two pieces to prevent future warping and splitting bohemian glass decanter sets ruby overlay process . Short dowels inserted between the edges will give added strength mahogany campaign bed .
LUMBER LIST
The corners of the top are rounded off before the upper and lower edges are chamfered by planing marble leos furniture . If the bevels are smooth and parallel, the edge will require but a light sanding “as is”; additional planing and heavy sanding will produce the familiar rounded edge antique italian baroque upholstered arm chairs .
The legs are planed down as shown in Figure 2 credence furniture italian renaissance .28, with the upper ends whittled or spakeshaved, then sanded into round tenons / in design contemporary dressing table . in diameter and 2 in american decorative motifs 19th century . long chinese furnture form mid 19th centuary . If preferred, the edges of all legs may be slightly chamfered ferniture leg in itali .
To insure against warping or splitting, flat cleats are mitered as shown and screwed to the underside of the table, between and beyond the leg holes revolvong bookcase . The side rails may be very narrow, since they are only included for appearances flatware handles fiddle leaf .
Furniture legs may be tilted in one way only or in both ways to form a compound angle, as in the coffee table tinder construction cabinet italian . When the tilt is not shown in degrees, the T bevel call be set frown a drawing of the project, which usually shows the amount of tilt in inches, or provides a bottom plan or side elevations from which the amount of tilt call be computed chamber pot cupboard . By referring to the side and end elevations of the coffee table, it will be noted that the legs tilt 7 in the apostles cutlery . to the sides and 4 in luxury antique items . from the ends baccarat candelabra antique . A protractor could be applied directly to such a drawing, or if not available, one corner of the bottom can be drawn on a piece of wrapping paper, as shown in A of Figure 2 amphora czechoslovakia .29 examples of anthemion designs on ceramic tableware . The drill hole, point A, is located with reference to the sides of the corner, and through it is drawn the center line of the leg telescoping table pedastals . Point B is equal in length to the amount of tilt from the vertical as measured oil the elevation, in this case 7 in 19th century english oval dining table mahogany . At B, a line equal to the height of the project (18 in empire curved bureau .) is erected perpendicular to AB mahogany frames . Points B and C are connected, forming the angle C, which is the angle of tilt late classical pier table . The T bevel can be set directly to this angle (or the drill press table), as in detail B octagonal wood antique moorish table ivory inlay .
Fin walnut tripod tea table . 2 russian malachite furniture .29 drop leaf pad foot table+mahogany . Insuring equal taper of legs how to start collecting chinese antiques .
To insure the hand boring of identical combination angles at each corner a simple jig can be constructed louise the 14th antique furniture . In two pieces of Y4-in english curved middle sideboard . scrap about 2 in siver plater tea pot with broken leg value of . wi C writing cabinet . dadoes -Y8 in antique british sideboards . deep and 3/t in art of movement figurines . wide are cut at io8o from the vertical, as sho~–n in detail C silverware sets real fake . Screwed together these blocks will form a jig with a Y4-in empire pier table . chars el at a zo8° angle antique gate leg pembroke table . In order to also secure a 98° inclination at right angles for the side splaying of the legs, the jig must now be tilted sideways until parallel to the 98° reading on the miter gage antique table with paw feet oak table . With a piece of /-in, scrap as a straightedge along the front (tilted) edge of the jig, a pencil line is drawn along the fro t and repeated at the back (detail Q boulle consoles . When these two lines are joined by pen it marks along the sides, the lower part can be sawed off to form a finished jig which tilts at iogo in one direction, and 98° in the outer direction at right angles to it small dressing table cupboard . Placed over point A on the centerline on the bottom of the table, the jig will guide a Y4-in bit when properly placed, at each successive intersection 17th century brass candlestick rectangle . Care must be taken to stop boring when the spur bites through the top surface so that e bore can be completed from that side without rough edges or splitting draw leaf table spiral shaped .
The legs are now fitted into their holes and measured and later drilled for the Y2-in american tripod tables . dowels as stretchers, For additional stiffening a long dowel can be centered to tie in the two side stretchers, if desired maple art deco .
When the legs are removed, their tenoned ends are halved with saw kerfs in the same direction, (across the grain of the table top), and small wedge,, are prepared for spreading these slits about two thirds of the way down thonet signature . Glue is applied to each tenon, which is then malleted tightly into place and the wedge driven home (A, Figure 2 antique sheffield bacon .30) antique music stand . Stretchers must be glued into place before the
Figure 0
73
r1G antique gateleg table and chairs . 2 art deco dresser inlaid wood .3o antique japanese bedside cabinet . A, Wedging the leg sheffield plate 19th century . B, Leveling a table porcelintables .
second leg of each pair is driven into the top verlys verre lamp . When the glue has dried, the protruding leg ends are cut and sanded flush with the upper surface of the table top unmarked cobalt blue ceramic silver gilded .
If it is found on final assembly that the legs are uneven, causing the table to “teeter,” it can be placed on a flat surface, tilted until level, and while held firmly in that position marked by using a straightedge of minimum thickness successively around each leg, as in B, Figure 2 the revival of the games in the 19th century .30 empire furniture company . When all lines are carefully connected and sawed, the table will rest firmly and level on all four legs desk aaron burr .
Cobbler’s Bench czechoslovakia silversmiths . Of recent years there has appeared a vogue for artisans’ workbenches as “conversational pieces” in the living room pearlware barley . Milk benches are converted into bars and sideboards, cobblers’ benches become coffee tables, and blacksmiths’ tool boxes are dramatized into magazine racks bedroom furniture . Of these perhaps
magazine
the most eye-arresting is the lowly cobbler’s bench (Figure 2 spanish fashion 16th century .30 antique porclean handled sheffeld flatware . Simulating, as it does, rough carpentry and >on,, usage, it is extremely easy to make antique oak games table .
Because of its availability and hardness the cobbler or the village carpenter would no doubt have chosen maple for the construction of this heavy-duty workbench antique japanese washing lady . Furthermore, as insurance against splitting, the wise craftsman would have constructed the top in two pieces, cleated together where the legs joined it marquetry occasional tables . Therefore, having glued up the top, the next step in the production of a modern replica is to prepare the legs for insertion into the cleats german antique romer drinking glasses .
Since the rear cleat also acts as a drawer guide it must be rabbeted for the After the top has dried it is shaped as shown in pattern B, and its upper edge filed down and well sanded reproduction 18th century tea bowl . The partitions, too, have their tops rounded and are mitered at the corners and fastened with countersunk finishing nails kingwood ceramics .
The leg cleats can now be screwed in place from the underside of the top, and the bench leveled up loiu xiv antique laquer dresser .
Assuming that the cobbler was a right-handed worker, his drawer would have been constructed to open from that side value for antique china made in austria . In order to humor milady’s predilection for changing the arrangement of her living room furniture, however, the drawer in this bench is arranged to open from either side antique italian baroque upholstered arm chairs . Simply constructed of rabbeted ends, its plywood bottom must be inserted in all four grooves before the sides are glued and nailed into place patent imperial dining table . To keep it from being pulled completely out of its housing, a small dowel or an iron bolt with a rounded end protrudes from a hole in a iY8 in art deco furniture bugati . X IY8 in mid-century modern gateleg table . X 2Y2 in antique gateleg rectangular table . block fastened to the center of the underside of the legless drawer guide cleat into a stopped groove in the side of the drawer, as shown in detail C classical revolving bookcase . This pin is left sufficiently extended on the outer side of the cleat to permit withdrawal, should it become necessary to remove the drawer for any reason the 17th century dining table germany .
The other drawer cleat is now screwed into place, after its location has been marked with the drawer in position history of 18th century mahogany wine coolers with brass lion’s paw feet . Small scooped-out blocks are screwed on from the inside as handles painting antique bedroom furniture black and silver .
Even the most puritanical of cobblers indulged himself to the extent of dishing or gouging out the seat of his bench persian carpets . In view of its intended use, however, that feature is omitted from our project, lest it cause all insecure footing for coffee cups, glasses, or smoking accessories square silver candlesticks . A round piece of leather or leatherette can be glued to the seat if desired motifs in the dumb waiter .
All upper edges are filed and smoothed to represent hard usage, and the bench is finished to exhibit the natural wood birdcage supper tables .
Folding Tea Wagon collectors cabinets -jewellery trays/draws for stamps/beads . A useful tea wagon that folds flat when not in se (Figure 2 french 19th century wall clocks .32) can be constructed from any available wood if it is to be finis ed in colored lacquer value of josef originals . Four 3Y2-in antique card table claw feet . rubber-tired casters make it easy to wheel about when loaded the development of art deco .
LUMBER LIST
First the four legs are cut 25 in antique pressed glass patterns . long from stock approximately i in oriental drop front . squa e antique art deco glass display vase . The top ends are pyramided by beveling, and holes are drilled in the oppos to ends to receive the caster bushings 19 century mahogany gateleg table . Dadoes are now cut Y2 in double gate-leg table antique late 1900s . deep in two of the legs i/ in harlequin pattern french furniture . down from the bottom of the bevels and 5 in antique cabinet makers workbench + value . up from the case r end, as illustrated in A of Figure 2 french provincial desk white .32 cumberland action table . Oil the other two legs the dadoes are 2 4 in stamped sidney barnsley furniture . from the top and 4% in silverware most valuable . from the bottom antique kayseri silk carpet pictoral niche .
From its in portuguese potters . X i in pictures of antiqued cabinets . stock four crosspieces 25Y-S in scottish 19th century wood cupboard . long are cut and Y4- holes drilled through the centers of their flat sides forks ivory handles . The crosspieces are pivot•d in pairs with flatheaded bolts 13/4 in half moon glass iron art vase . long, countersunk into the members provincial furniture number drawers . Wash;) s are placed over the bolt ends before they are riveted loosely enough to pen it the crossbars to open and close easily meiji furniture . The appropriate crosspieces are now glu-d into their rabbets in the legs and secured with wood screws, countersunk, ad puttied german antiques chiffonier . From crosspiece material 3-in kyoto china normandy dishes . blocks are cut and fastened at the 1 g ends of the lower crosspieces to level them up as shown in A, Figure 2 antique double pedestal dining room table .32 1940s enamel chronographs .
Identical tray shelves, ily in burr coffee table . X 14/ in how to age a refectory table . X 20Y8 in identify antique paper mache trays . are constructed fro -Y8-in sarcophagus chests andre-charles boulle . plywood rabbeted into a % in tripod antique folding pie crust table . X i:%, in art deco china sets from czecho slovakia . mitered frame as shown in B f Figure 2 spider leg table .32 marius sabino . The wedge-shaped handles, cut front wood, spokeshaved 11 the outer edge, and gouged out for finger grip underneath, slope from II to 1i
finger gri
and are carefully fitted into place when the trays are in position on the open d frame, as shown in detail C elements of art nouveau . They should be mortised into place exactly, becau e they both lock and support the movable legs against the trays semichina blue ware . The inner ed world market carved brass charger plate .4•s of the tray tops are finished off with a Y[-in edgard brandt . mitered molding paul t frankl art deco furniture .
Legs, top table
Legs, middle table
Legs, bottom table
Side aprons, top table Side aprons, middle table Side aprons, bottom table Rear apron, top table Rear apron, middle table Rear apron, bottom table Top frame (2-in v shaped sideboard . widths)
top table
Top frame (2-in english tin glaze pottery . widths) middle table
Top frame (2-in antique walnut dining table 10 foot . widths) bottom table
Construction details are illustrated in Figure 2 bob-box century .33 art deco ceramic figurine london uk . The legs of the three tables are tapered by planing and sanding until they are -1/4 in black alvar aalto stool 60 finmar . square at their bottom ends beeldenkast history . Tenons li,1(i in artistic decoration element . long are then cut in each apron piece; the wider apron of the largest table can support double tenons i in, wide and Y2 in rectangle table pilar foot . apart antique brass and marble cocktail table 1950 .
Mortises are bored in each leg to receive the tenons in such a manner that ;he inside of each apron will be flush with the inside edges of its legs mother of pearl chinese rosewood chair antique . The side aprons of each pair of legs are then glued into place and set aside to dry antique desk divided, wide feet . If sufficient clamping facilities are available, all four legs and aprons can be set at one time old oak dressers with the middle open .
Prior to mitering the 2-in chippendale style coffee table tilt value . top frames it will be well to rout the Y2-in myott son & co. hanley . rabet to a depth of / in andre groult . to receive the glass tops from underneath 3 tier occasional table hexagon . Next the oppoate edges are beveled smooth or beaded, if equipment is available, to form the outer edges of the table tops porcelain clocks . The resulting large moldings call now be mitered toget er like picture frames to form table tops whose over-all dimensions are 12 in antique solid mahogany french armchair . X
I meissen vase strewn flowers .SVI in antique +value of lion foot table ., 12 ill painted art deco dining table . X i1Y4 in marinot - acid-etched clear glass bottle and stopper 1934 ., and 12 ill antique writers desk . X 9% in antique meissen unglazed . respectively hankerchief table mahogany . A secret to on makes a solid miter for heavy framing, but a doweled joint will prove satisfact ry porcelain production wincanton .
When the leg sections have dried they are attached to the top frames by me ns of pocket screws and countersunk screws through the edges of the aprons crackle glaze jazz figures . he legs should be set in Y8 in craftsman oak . from the corner on both outer faces prudent francois mallard new york .
A good grade of double-strength window glass should be cut to fit inside he The glass can be held in place firmly by small quarter-round moldings, or even squared /3,s in siver plater tea pot with broken leg value of . X Ys in japanese antique round table . slats, bradded into place jennens and bettridge . This method permits easy replacement of the glass if it becomes damaged antique french dessert buffet console sideboard .
Step End Table art nouveau sewing table . Once used for climbing into the high beds so popular in the early nineteenth century, as well as for reaching books oil the top shelves of high-ceilinged libraries, three-step tables (Figure 2 antique sideboard with desk .34) are currently reviving their usefulness as lamp stands that provide space for books, magazines, and smoking accessories on the lower steps italian rococo style antique three arch gilded mirror . A pair at the opposite ends of the couch is ideal for holding twin table lamps show earthenware produced by wileman & co. .
Conventional steps have a 7-in 17th century porcelain figurine . rise, which Would rule out the average-sized books, and add up to a total height too low to clear the arm of the normal easy chair or davenport 16th century spoons london . Therefore the height of the steps in the table to be described is set at 9 in marble slab dining table . As we shall see, if books are not to be housed in this table, these dimensions can easily be changed “lorraine” style of furniture 1940’s .
LuNIBLIZ LIST
Thickness, I Vidt it, Length,
Pieces ill inches in inches in inches
Description
I 3/4 1 OA 20 Y4
3 ‘Y4 6 18
1 ‘Y4 Is 20/
16 century cooking tools .5 ‘Y4 4:yl(; 2 8,/4
4 Ins I/ 6
2 ‘Y4 2Y2 23Y4
2 3/4 2/ 17/
I Y4 18Y 18Y
Top
Sides (IS in antique furniture empire chest of drawers . wide)
Step
Floor (20-yt in neo classical silver candlesticks . wide)
Legs (tapered to i in vizagapatnam furniture antique . square) Side aprons
Front and rear aprons
Back panel (plywood)
First the uprights, floor, and step are glued up from whatever widths of stock are at hand, and set aside to dry modern oriental writing bureau . Next the legs are squared and cut, then tapered and sanded, as shown in Figure 2 splay leg sofa table .34 sue et mare . The two side aprons are mortise and tenoned Or doweled, glued, and clamped in place with Ys-in enoch booth pottery . setbacks, as illustrated dining room sideboards that look gaudy .
While waiting for the glue to drv, the top step can be beveled on all four edges, and a YI-in fall-front chest of drawers . stopped dado cut / in kuba floral lattice . from the rear edge to receive the top of the back panel black bone inlay dressing tables . After the floor has dried, its four edges are likewise beveled and a similar dado cut in its rear edge for the bottom edge of the back panel french antique art deco stool furniture .
When the legs and their side aprons are thoroughly dry, they can be fitted to the back and front aprons, upside down oil the floor of the table royal vienna porcelain signed meyer . After the corners are squared they are tenoned or doweled, glued and clamped together with Y8-in classic american style porcelain . Fetbacks napoleon antique chests .
If the sides are clamped together, the 9 in austrian mirrored tables . X 9 in antique neoclassical silver basket . steps can be sawed out simultaneously, after which a /-in continental silver gilt apostle spoons antique . rabbet is cut in the rear edge for the back panel complete antique porcelain sauceboat, stand and ladle . Next the center step is cut to fit between the sides with a Y4-in cylinder deske . clearance for the rear panel british furniture of early 19th century . The better practice would be to route dadoes across the sides to house the step, although dowels will prove satisfactory venalainen hopeakalusto .
Fic 4 section antique cutlery box . 2 antique maple chrome dining set .34- Step end table antique cherry drop leaf table .
The center step call now be doweled and glued to one side at a time, after which the top step is doweled in position empire pier table . While they are drying the aprons re attached to the floor by pocket screwing, or with dowels, or by means of angle irons or mortise fasteners chest of drawers kidney shaped . Dowel holes are drilled along the top rear edges or attaching the sides louis the xiv napoleon black boulle table .
Corresponding dowel holes are drilled in the ends of the sides and the table is assembled after the back panel has been slid into place in its dadoed and rabbeted recess antique drop-leaf end tables .
If it is not intended to use the table for upright books, the rise or height etween steps can be reduced to the conventional 7 in opalescent glass perfume france ., the back panel omitted, and the floor raised to io in 1920s draw leaf dining set turned legs . or ii in french bedside tables . This will permit 4-in piertables . or 5-in hand of fatima drawing . aprons, which are sufficient to house a shallow drawer square white occassional table .
For the craftsman who has access to power tools a typical turning of simple design will insure symmetry to the legs blue glass antique tables . The faces of the top and step edges can be cut slightly concave and the face of the floor, convex double roll antique desk .

Tags: antique desks, antique dressing table, apron, arm, art, art deco furniture, bench, bohemian glass, bolt, book, bowl, brass candle, candelabra, centuary, century, chaise lounge, coffee table, countersunk, credence, cut, decanter sets, deco, decorative motifs, dowel, dowels, drawer, drop, empire, Figure, FOLDING, furniture, furniture legs, glass decanter, iron, leg holes, Legs, mahogany, mortise and tenon, oval, plywood, position, provincial furniture, Rear, refectory table, reproduction, room, seat, Shelves, side rails, silver, stock, tea, tinder, top, underside, upper edges

It may be desirable, particularly when boring into thin material, to cut a flat-bottomed hole makers of 1940’s american art deco furniture . This calls for a Forstner bit, which has its cutting edges oil the circumference of its end “the four continents” antique figures . Having no center point, it must be started by its circumference, unless an ordinary auger bit of the same diameter call be used first as a guide mother of pearl coffe table fake antique egypt .
Tapered holes can be made by boring with a bit whose diameter is equal to that of the small end of the hole, then enlarging the hole with a tapered bit gustavian chairs . This is not the same as counterboring, which means that for long screws the first hole, equal in diameter to the root (groove) of the screw, is bored the full length, and then a larger hole is bored for the smooth, larger shank of the screw napoleonic campaign chairs . Countersinking for concealing or leveling off a screwhead is accomplished by the use of a rose bit or reamer inlaid biedermeier square coffee table .
Dowels german antiques chiffonier . Usually machined from birch, beech, or maple, doweling rods or pins come in lengths up to 6 ft regency furniture maker marks ., with diameters varying from 1/8 in antique tea caddies, penwork . to i in antique german furniture . by increases of 1/16 in handmade laminated wood chairs and tables . A dowel joint is in reality the reinforcement of other joints, including the simple butt joint—the “granny knot” of wood joinery rene jacques decorative wall pendulum clock . Strong doweled joints depend upon carefully fitted holes, accurately aligned and square with adjoining surfaces barker brothers furniture .
A saw cut along the length of the dowel will provide Ail
Z1
escape for excess glue comtoise clock . Dowels with a spiral channel are available coniniercia ly for the same purpose (see 13) antique rectangular tables . A doweling jig is shown Figure 1 antique lamp figurine dancing .23 C antique table with cast iron legs .
The woodworker who anticipates considerable dowel jointing will save himself much time and trouble by providing himself with a set of dowel plugs antique center drum tables . These are short lengths of each of the various sized dowels, equipped with marking nails that have been sharpened as markers after their heads have been filed off antique bugatti table . The nails can be centered by drilling a piece of thick waste the size of a short dow~I, which is then tapped into the hole antique enamel drop leaf table . The bit is reinserted in the hole until its point pricks the dowel end, thus marking the center rectangular gateleg table . A hole is drilled sligh ly undersize to receive the nail at this point ironstone antique price .
To cover hidden screws, the heads can be deeply countersunk and covered with a wooden plug, glued in place 19th century garden furniture . In driving the screw home, care must be taken to avoid bruising the edges of the counterbore art deco palissy dinnerware . A bit known as a “plug cutter” is available for cutting plugs across the grain from identical stock that is sligh ly thicker than the depth of the hole satinwood commode john cobb . Glue is applied to the bottom of the plug its grain aligned with that of the work, before it is driven vertically into the hole antique empire floral porcelain clock . After the glue dries hard, the plug can be trimmed off, then planed aid sanded flush drum table with lion feet . In French Provincial, English, and Early American reproductions, plug=, with their outer edges chamfered, are often left protruding slightly, to simulate full-length pegs william iv rosewood side chair . Much of this early type of furniture also shows pegs flush with the front surface of the piece credence antique .
When the work is to be finished with paint wood dining table turn plate . enamel, or lacquer, the heads of countersunk screws and finishing nails can be covered with putty or plastic wood 18th black secretaire lacquer . The filler should be rounded off above the surface of the work to allow for shrinkage thonet rocking chair . It can be sanded smooth when thoroughly dry blue glass liners. antique . A waterproof, stainprcof filler that shows minimum shrinking can be mixed from a measure of powdered resin glue, a measure of wood flour (fine sawdust), ail three quarters of a meast re of water antique french draw leaf dining table .
Screws rococo oak cabinet . Although old-time woodworkers scorned the use of any metal fastenings to secure or strengthen the parts of their assemblies, modern furniture makers use screws when the screwheads can be concealed, or leave them exposed where the effect is unimportant menu first entree dish . The choice of the proper sized screws for a particu ar job depends on the thickness of the thinnest piece to be joined and the kind of wood candle scissor stype snuffer marked italy . Too large a screw will split the stock, even if the correctly sized pilot hole was first bored dutch marquetry sutherland table .
Because there are two diameters to each screw, exclusive of the head, two holes should be bored reproduction potboard dressers . The first hole, or counterbore, to take the smooth shank of he screw, is bored to the depth of the shank plus the depth of the countersunk screw-head auction + vargueno cabinet . The second, or pilot, hole, of a diameter equal to the root or groove, is not quite as deep as the threaded portion is long enamel top drop leaf table .
Screws can be purchased in lengths varying from %, in china cabinet & desk on side . to 6 in 1710 antique french pewter marks . Lengths front Y4 in rectangular drop leaf dining table with 4 leaves . to I in berkey and gay . increase by /-in george hunzinger sofa . units; those from I in antique indian tea pot . to 3 in antique wood drop leaf table ., by %j-in antique plate warmer . units; and from3 in 16th century english chamber pot . to 5 in antique pot metal trinket boxes ., by Y2-in spanish armchairs . units marquetry drop leaf side table . They come with flat, round, or oval heads, the flathead (FH) type being used for countersinking antique bedside toilet .
Since the heads of brass screws are likely to break off under strong torque, it is common practice to drive ail iron screw in first, replacing it with a brass one
n
after the threads are cut in the wood german enamelled glass 1650 . For careful craftsmanship, the screwdriver’s edge should be kept squared, so that it will sink into full contact with the groove of the screwhead antique dresser with turned leg . The edge should also be thick enough to fill the groove, in order to prevent it from slipping out under pressure and gouging the work antique victorian wedgewood pottery smaa jug . The width of the screwdriver’s edge should not exceed that of the screwhead, or the wood will be bruised when the head is driven home value of an antique pembroke table . It is a sign of good workmanship when exposed screwheads are driven home so that all slots face in the same direction antique dressing table w/mirrors . The various sizes of nails are discussed in Chapter 9 dishes and flatware of the 18th and 19th century .
WOOD JOINERY
After this brief survey of elementary woodworking operations, the ambitious craftsman may be assumed to have graduated from the Junior College of Carpentry be considered ready for matriculation in the University of Wood Joinery arc design in drawing room . It is well for him to reverence those ancient halls where once such masters as Thomas Chippendale, the Adam brothers, George Hepplewhite, Thomas Sheraton mahogany circle table with drawer . Duncan Phyfe, and others instructed eager contemporaries in an products were no stronger than their weakest joints art nouveau porcelain marks . Lest the hesitant neophyte be overcome by the implications of these famous traditions, however, let him be reassured by the fact that, although good joints are indeed the product of care”ul, unhurried workmanship, they are not necessarily the product of skill antique italian extendable table . The carfill planning of a logical procedure—a visualization of the various steps in their proper sequence—and the execution of the plan will insure success for the amat ur as well as the expert craftsman antique tripod tilt table leather inlaid .
Lap joints collecting antique brass candlesticks . After the plain butt joint (Figure 1 oval gate leg drop leaf antique tables .24), which has two squared surfaces butted together and fastened with glue, dowels, screws, or nails, and the sloping scarf joint (Figure 1 italian brass inlay sideboard .24), which is at best but a compromise, comes, in order of simplicity, the lap or halved joint (Figure 1 styles dressing tables .25) antique table telescoping . This joint is easy to saw, for as its name implies, it is made by cutting out equal halves from bath members so that when united, the joint is flush italian inlaid table blue . When the halved joint is cut from the ends of two members meeting a right angles, it is known as all “en(+p joint 15th century chamber pots .” If the members cross each other at right angles near their centers,he joint is termed a “cross-lap joint”; if the end of one member joins the other rear the middle, it is called a, “middle-lap joint elkington & co candelabra .”
In marking lap joints, the best method is to lay one member on top of the other and scribe the exact position where the joint is to be cut; the depth is ten marked on the sides with the marlinggage antique bread making furniture . End-lap joints call he cut out enti ely
with the back or tenon saw, the vertical cuts being made first; with the cross lap or middle lap, the waste must be removed with the chisel desing italian furniture .
For additional strength there is the wedge-shaped, beveled lap that can be entirely a sawing project; the tabled joint and the dovetail half lap are also illustrated vintage chinese porcelain with two swords marked . To prevent splitting under the dovetail, the more complicated lip joint is chiseled out as shown in the steps at the bottom of the diagram antique mother of pearl escutcheons .
Dado ironstone antique price . A familiar joint for supporting shelving or drawer bottoms, the dado (Figure 1 swedish armchairs .26 a), or housing, is but a deeper, narrower version of one member of Toe Notch
Fm antique desks made by tobey furniture co . 1 a 19th century mahogany square front chest .26b longton bone china doric . Notching antique chamber pots .
ported by the other member are knolAn as single or double notching, as the caw may be jaeger lecoultre clocks a-10 . A modification of this joint, where the lower member is of much thicker material, is the cogged or shoulder notch queen anne antique bureau photo . A more complicated version is sometimes used to join two hea~y members in a wedge halving antique british sideboards . A diak- onal bracing, termed “toe notching,” is sawed out to accommodate the joining of two members at an acute angle rococo eagle dresser .
The simple series of joints called notching is shown in Figure 1 antique dining fold over tables with leaves .26 b duke extendable dining table .
Miter joint antique + urn + spoons . As described in te section on planing, plain miter join s can be quickly and accurately sawed in a miter box antique sofa made in italy . Variations shown in the diagram (Figure 1 table consoul antiques caried or gold “rococo” .27) include miter~d half lap (on lap miter), the secret tenon miter, and, for maximum strength, t e dovetail tenon miter photo antiquities furniture in france . A favorite method of strengthening the plain miter after it has been glued and while it is still clamped is to saw a groove across the outer angle of the joint into which a “slip feather” or thin piece of veneer can be glued or “splined” in place antique candelabra 18th century . Another method of securing the miter is by means of a dovetail key from the underside elkington epergne centerpiece .
Mortise and Tenon staffordshire engine turned redware teapots 18th century . Although it is one of the oldest joints, the mortise and tenon (Figure 1 table octagon marquetry drawer .28) is also one of the strongest and, therefore, ubiquitous in furniture construction antique; english; knife urn . Both house and cabinet doors use this joint, and table legs are almost invariably joined to their aprons with a mortise and tenon value of hand painted wales china tea set .
The simplest form of this joint and the easiest to cut is the open tenon 17th century trestle table with claw feet . Like all other tenons this may be pegged, screwed, or nailed for added security antiques, sofa table, small proportions . The bridle joint is another version in which one member is joined near the middle with a form of open tenon myott son & co hanley .
From a construction standpoint, the simplest form is the through mortise and tenon, where the holes for the mortise can be bored entirely through the member antique oak tables with leaves . If preferred, a coping saw can be used to advantage in trimming 3ut the series of overlapping holes antique english creamware . For knockdown furniture the tenon is cut loner than the depth of the through mortise, the protruding extension being drilled
n
to receive a wedge or dowel, set close enough to the outer face of the inite:ed member to key the tenon firmly in place italian maiolica .
In most cases the tenon has one or more shoulders oil the side or sides against which the greatest stress is anticipate(> bulle clocks . For additional strength, when the stock is wide enough, double mortises and tenons are preferred, affording the advanta-es of two smaller mortises with stiff sides instead of one wide mortise with springy sides chest of drawers with seat . When grooved framing is used, a haunched tenon is cut to fill the gap made by the full-length groove antique rosewood wellington chest .
To cut a double haunched mortise and tenon, first square the stock, then with a try square lay out the tenon shoulders oil all four sides regency telescopic candlesticks . For the haunch, mark a second line a distance above the shoulder line approximately equal to he depth of the groove, if it is not too deep 19th century furniture feet . Gage the thickness of the tenons on he edges and end, and apply the same gage setting to the mortises in the other member to insure a clean fit old 17th century walnut tables . Last of all, gage the width of the tenons oil both fa6s and bore a hole at the base of the center division antique blue corner cabinet . The slot between the t -in tenons is not cut down entirely to the shoulder in the case of grooved mater al, for the same reason that a haunch is cut—to give added strength by filling he groove period dressing tables .
From here on, the tenons can be cut out entirely with a hack or tenon s chippendale collectors . w wash stands for center bowl . The procedure outlined in Figure 1 chines antique bureau .29 will insure the best results john widdicomb china cabinets . Sharp cor -rs can be later pared out with a tang-firmer chisel if necessary r h macy & co antique chest . The ends of he tenons are chamfered for the same reason that the ends of blind dowels ire rounded goldscheider staffordshire myott .
The mortises can be first bored out with the auger bits gaged to stop a a depth about ‘/,; in antique half circle dropleaf table . deeper than the length of the tenons, to accommodate Burl us glue and imprisoned air antique metal double candelabra . The bit should be I/Ij, in antique consoles . narrower than the tenon to Steps in cutting double haunched tenon
from tongue and groove stock 6′ chestnut refectory table .
insure a snug fit after chiseling, in order to provide thorough bracing support and to relieve the glue from excessive strain chiffoniers court cupboard . The fit of the tenons in the mortises should not be so tight as to bulge them, however turn top walnut tea/card table .
A through tenon can be wedged for added strength, as shown in the diagram (Figure 1 shu-fu pottery fakes .28) n hall norfolk . In this case, as well as in that of the blind-wedged tenon, the mortise must be cut slightly fan-shaped at its extreme end to accommodate the butt ends of the wedges gilbert rhode tubular stool .
Perhaps the most useful of the mortise and tenon joints for furniture construction is the mitered tenon, used to secure the maximum length of the two tenons meeting at corner mortises spanish table antique turned legs . These are common joints for securing the aprons of tables to the legs, and are nothing more than two haunched single or double tenons with their ends mitered as illustrated in Figure I-3o a roman gothic furniture .
A beveled shoulder joint is use in place of the beveled lap joint where it is desire to conceal the angled tenon of the diagonal member demi lune silver table .
Fic open dressers . 1 auction + vargueno cabinet .30a rectangular vintage coffee table, glass ends, wooden middle top . Mitered mortise and tenon wooton chest .Dimensions art deco cabinet harlequin pattern on doors . A good rule for calculating the proper dimensions of a to on is to proportion it so that it is one third the thickness of the rail of which it i french draw leaf dining table . a part, and of a width not more than six times its thickness art nouveau vitrine . Wider tenons wea : en the mortise and should be divided into double mortise and tenons antique ceramic dish in silver stand .
In designing furniture, or following drawings or instructions that omit he dimensions of tenons, the following proportions are recommended:
Rail thickness, in inches Tenon thickness, in inches Tenon length, in inches Drawboring english arts and crafts antique chest of drawers . A tight mortise and tenon joint can be assured without the se of glue and clamps by recourse to a jointing operation known as “drawbori empire hall bench .- This is accomplished by boring the holes for the pins, pegs or dowels throtgh the empty mortise, after which the tenon is inserted and marked through be center points of the holes vilas table .
When the tenon is withdrawn from the mortise, however, the holes are dri ed slightly nearer the tenon’s shoulders than indicated by the marks antique chinese brass salvers . The s mplest joint for uniting two members on eige at right angles is the rabbet joint, ost often encountered where a plywood pan;, is joined to the back of a cabinet by n-ils, screws, or a small molding antique german furniture for sale . It is also fo nd in the back joining of inexpensive dra- er construction dressing a tea table .
The box corner is a better joint fo a
rear corner of a drawer, for it consists of a dado in the side member and a ra, set in the rear member cabriole legs . For a front corner of the drawer, a simple form is the ini ed corner, which permits the front to cover the ends of the side members c j mason american ironstone pottery .
The lock miter joint, a standard drawer joint, is schematically diagramed on the basis of a front piece Yt in modern telescoping dining table . thick and a side member of / in furniture makers of the 16th century . thickness chinese japanese porcelain tea sets antique . The steps in its construction are clarified whets sequence of steps illustra ed in the succeeding joint is studied japanned bracket clocks .
By far the most efficient of the corner joints is the lock joint, which resists separation from both directions chippendale reading table fire screen . It is a popular joint in cedar chests, but at f first antique table de chevet .rst glance may seem too complicated for (lie amateur wood jointer “furniture ornaments” .

Tags: antique figures, antique table, art deco furniture, brass, brass candle, cabinet, candelabra, Cedar, chamber, Chippendale, coffe table, craftsman, cupboard, deco, design, dining table, dovetail, dowel, dowel joint, drop leaf table, Duncan Phyfe, excess glue, four continents, furniture makers, german antiques, german furniture, granny knot, italian, machine, mahogany, matriculation, method, napoleonic campaign, pendulum clock, position, regency furniture, rene jacques, right angles, rococo, root groove, screwhead, surface, tenon, test, Thomas Sheraton, Toe, waste, wood chairs, wood joinery, workmanship

Tools and supplies
A handyman’s guide from 1902 offers the opinion that without tools, the hand would be powerless. It was some 500,000 years ago that the first implements were used, probably scraps of stone or bone picked up off the ground in a moment of frustration. These days our tools are highly specialized and costly, but a well-made tool will always make a job easier and more enjoyable.
On the following pages, tools are divided into groups
according to their use—you find tools for hammering, gripping, sawing, etc., with similar tools illustrated in close proximity.
Tools should be kept clean and sharp, in a suitable container such as a tool box, or hung on the wall near the workspace. Probably the most important items, after the few essential tools listed below, are clean cotton rags and containers with lids—it seems that you never have enough of either. Get in the habit of saving all clean scraps from pure cotton clothing, sheets, etc., and keep them handy. Also 4oard glass jars, tins and otter containers with lids, but do bear in mind that some chemicals such as spirit-based ones, tend to dissolve plastic, while some react with acids. Finally, keep all tools and supplies properly labelled.
BASIC SUPPLIES
Ammonia Beeswax Benzine Cardboard, white
Chalk, powdered or stick
Chamois
Cotton wool or absorbent cotton
Denatured alcohol (methylated spirits)
Double boiler
Empty glass jars, tin cans and atomizer
spray bottles
Glue, general purpose or PVA
Japan paints
Jewelers’ rouge or pumice powder
Kerosene (paraffin)
Linseed oil
Masking tape, acid-free
Matches, wooden
Pencils, hard and well sharpened
Powdered pigments, especially raw umber Purified water
Rags, soft cotton
Shellac String
Thermometer, cooking
Turpentine
Turpentine substitute
Tweezers Varnish Vinegar
Wire mesh strainer, small
BASIC TOOL KIT
Abrasive paper, sanding block, and assorted abrasive papers
Combination pliers (6in/15cm) square-nosed type, with side cutters
Knife with replaceable blades, which also takes saw blades
Metal ruler (12 - 18in/30 - 46cm) for use when cutting along straight edge
Screwdriver (6iri/15cm) and bradawl for starting holes
T (or try) square (6iri/15cm) to ensure right angles
The following tools are nice to have, but are not essential for beginners:
Bench vice
File, combination, for use on wood or metal Hand drill, bit brace and countersink bit Panel saw or tenon saw
Power drill and attachments (sanding and buffing wheels, masonry bits, etc.)
Combination oilstone for sharpening the blade
Wood chisels (Nin/2cm) bevel-edged firmer
(Y4in/2cm) and mallet (41/2in/Ilem)
8
ABRASIVE PAPERS
Store abrasive papers in a warm, dry place and never attempt to use them on damp wood. Always use at least two grades when trying to get a really smooth finish; coarse paper, wom smooth, will not give the same effect as a finer paper. While working “snap” abrasive paper to unclog it. Incidentally, there is no such thing as “sandpaper” and although these papers feel gritty, sand has been replaced by more effective smoothing agents.
The five types of abrasive paper used for smoothing woods are as follows: Glass paper, with grains made from crushed glass (once reputedly derived from crushed port bottles). It is available with a base of cloth or paper and is commonly used for hand smoothing. Garnet paper, with grains made of crushed garnet stone, so it costs a bit more but it is very durable and recommended for smoothing by hand. Aluminurn oxide paper, used when really heavy cutting action is desired—its synthetic grains are very tough. Silicone carbide paper, also known as “wet-and-dry” paper because it can be used damp (not wet) for fine smoothing of paintwork or dry like other abrasive papers. When damp it leaves a black-grey “gravy” which has to be washed off, but when lubricated with water, it lasts a long time. It can be used on both metal and wood and is also available on a cloth base. Flint paper, rarely used any more, although it is inexpensive, is not recommended because its grains are softer than glass or gamer, and it has a short life.
Both garnet and aluminum oxide papers come in “open coat” and “close coat”—with “open coat” there is more space between the grains, making it less likely to clog and therefore better for smoothing softwoods; while in “close coat” the grains are more closely spaced and are best for hardwoods.
Steel wool can be used for smoothing wood and the finer grades are recommended after smoothing with fine abrasive paper to give a final perfect finish. As with abrasive papers, always work with the grain. Wear a handkerchief tied “bandit-style” to protect your throat and lungs when sanding.
GLUES AND GLUEING
Glueing must be the simplest repair to do! Strangely it is often neglected which is unfortunate, because a little glue applied after slight damage can prevent more extensive problems. The section below deals with glues suitable for
porous materials like woodpaper, textiles, some plastics and rubber. A wooden matchstick is often perfect for applying non-water-soluble glues. Always save even the smallest splinters and chips and glue these in’pla after the main piece has set. For glueing X;s end pottery, see the detailed chapters conodmed
‘I bere are six basic types of i [ue in common use today.
Traditional glues such as animal and fish glues, casein glue and scotch glues are gradually being superseded as they are neither heat- nor waterproof Although they are not generally recommended some craftsmen~prcfer them— such as gilders, who use rabbit Glue.
General purpose glues, cellulose- or acetate-based, and usually sold .irk tubes are water-resistant, free from staring and excellent for fixing plastics, metals, and rfiost inlays to wood. Do not work with these near an open fire—they are inflammable—and avoid inhaling the fumes.
Epoxy resins are modem, synthetic-based glues. They are strong and versatile, perfect for home use, and usually come in *o part kits—a glue and a hardener. Most take about six hours to set but a warm room will speed the setting. Follow directions on the package as the mixtures vary slightly. Caution: synthetic resin glues become rubbery ifkept unused. “They should not be used for glucing wood as they are harder than the wood itself and allow nc natural movement and thus may cause splittir
Polyvinyl acetate (PVA) g~uc is a thick, white, cold-setting, inexpensive&-sin-based glue and can be used extensively, although it is not waterproof It will keep for several months (though not in a cold place) but may stain the lighter woods and tends to creep a bit. PVA is a good general purpose glue skid is often sold in a squeeze bottle with a handy poin ed nozzle. It is water-soluble.
Contact adhesives, which are isually rubber-based, are only recommended when clamping is difficult but a strong bond isidesircd. The glue is applied to both surfaces and, w* tacky, they
are brought together. The two Ofeces are immovable upon contact, so adjusting is impossible. They are very usefid when bonding other materials to wood.
Latex glues are derived ;he milky fluid of the rubber tree, although syr thctic latex is now manufactured. They can be applied either to one surface or both and are thinned with water. Their odor is slightly objectionable. Latex glues are perfect when working with textiles, although some fabric dyes seem soluble, so test an inconspicuous spot befc reapplication.

CLEANING BRUSHES
1. It is imperative to clean brushes when you have finished using them, or to soak them if leaving the project for a few hours. (Should you forget to soak the brush, the paint will harden on the bristles; only a very strong paint remover will restore the brush to usefulness and it will never be the same again.) Always remove excess paint from the bristles first by wiping them over old newspaper.
2. In order to soak the brush, prepare it by drilling a hole in the upper handle, as shown, then inserting a dowel which will suspend the brush in water up to the first  of the fernile. (Use a container deep enough to keep the brush from resting on the bristles.) Some experts recommend storing brushes in white spirit, but this seems to dry out the bristles unnecessarily.
3. When you need to use the brush again, remove excess water from the bristles by 3quel zing them in soft absorbent cloth or paper
Caring for tools
Tools should be stored in a dryish atmosphere and away from children. After using tools with a metal part, it is a good idea to spread a film of light machine oil over the metal surface to prevent rusting. For this purpose, keep an oiled pad in a sealed container near the work area. Tools with wooden handles should be kept smoothed and well sanded to avoid splinters.
BRUSHES
Many different kinds of brushes are used in restoration and it is worth choosing them with care. A paintbrush has three parts: handle (I~ ferrule (2) and filling (3). The filling, or bristles, can be made from boar (used in the best quality brushes); horsehair (used to bulk out better filling); oxhair, squirrel and sable (used for thin artists’ paintbrushes); fibre (from the stem of the palm tree); or, increasingly, synthetic fibres (from filaments such as nylon). If possible, always invest in a good quality brush — it will hold more paint and apply it better than a cheaper brush and is less like1v to shed its bristles. Test brushes before purchasing by making sure the bristles fan evenly and that they are firmly set into the ferrule. Keep them in good condition by cleaning and storing as directed in Steps 1 – 6.
Three useful paintbrushes for the restorer are: a flat paintbrush (A~ a stencilling brush (B), and a lining brush (C). Another useful brush for many jobs is a wire brush (D).

4. To remove oil-based paint from a brush, fill a glass or metal container two-thirds full ofturpentine substitute. Agitate the brush in the liquid, pressing it against the side of the container to force out the paint. When the liquid can absorb no more paint, repeat until most of the paint is removed. To remove water-based paints, use the same technique in a jar of warm water.
5. Inspect the bristles near the ferrule to see if the paint is removed, then wash the bristles in warm, soapy water. Rinse and repeat Step 4 ifnecessary before washing and rinsing again.
Shake or blot out the moisture and leave to dry naturally, away from any heat source which will only dry out the natural oils in the bristles. Store the brush by wrapping it in brown paper, secured with a rubber band as shown, laying it flat if possible. Keep brushes used for water and oil-based paints separate, and reserve a 2-3in/5- 8cm brush specifically for varnish and shellac.
6. To keep small artists’ p    brushes in good
condition, clean as above in S 4 and 5. Then point the brush by placing adrop oflight machine oil or linseed oil on the bristles and slowly rotating the bristles between the thumb and index finger.
Carving tools
Chisels are designed for cutting with or across gouges are used for less drastic action on wood
the grain, while
Chisels and gouges have narrow cutting edges and are each designed with a particular task in mind, so purchase the various types as they are required. The metal part is usually fitted to a bulbous handle made from boxwood or impact-resistant plastic.
10
The main types of carving tools are: firmer chisel (A), available withblades in a variety of widths, often driven with a wooden or soft-face mallet although a hammer maybe used with plastic-handled chisels; bevelled-edge firmer chisel (B) with a slightly less rigid blade, used for lighter woodworking tasks such as undercutting dovetail housing joints, not designed for use with a mallet but tolerates light tapping; paring chisel (C) with longer blade, used to trim long grooves; firmer gouges (D) with curved blades of two types—one with the cutting bevel on the outside, used to make concave shapes, the other ground on the inside, used to make straight cuts that are curved in cross-section—both used with a mallet; paring gouge (F) for hand paring (without a mallet), ideal for cutting curved shapes of all kinds; and cold chisel (F) used to cut metal (for example for chain links, sheet metal and bolt or rivet heads), struck with a heavy hammer.

Cutting tools
Probably the most useful and versatile cutting tools are the knives with replaceable blades. There are four types of these, all with disposable blades which come ready-sharpened. The blades are terrifically sharp and should be stored and used with great care.The four types are: general purpose knife with replaceable blades (A), sometimes with blades that may be retracted and stored inside the handle; knife with snap-off blade (B), also retractable; and surgeon’s knife or scalpel (C), with blades removed manually.
Various useful kinds of scissors are: aviation snips or compound action snips (D) which will make straight or curved cuts in metal—they have specially firm jaws and comfortable plastic hand grips; pinking scissors (E) with a zig-zag cutting edge which makes the cut edge of fabric less likely to fray; embroidery scissors (F) with elongated blades ending in a fine point, useful for work on carpets and textiles; and cuticle scissors (G) with a curved blade, used in decoupage.
A glass cutter (H) has a hardened steel wheel mounted in a holder, and is used to score a line across a sheet of glass. Small pieces can be “nibbled” off back to the scored line using the notches on the side. (It helps to remove any grease from the glass with turpentine substitute and oil the cutting wheel before starting.)
Drilling tools
When using any drill, try to keep the pressure constant. If the drill wobbles, the drillbit may snap. When drilling metal select the appropriate bit and oil it lightly before starting; it may also help to make a small hole in the metal with a punch or awl. When using a
power drill, take care to disconnect it from the power source before making any adjustments, and be sure to examine the cable regularly for signs of damage or wear. Also, avoid wearing loose clothing or accessories that could get caught in the mo T g parts.
11
O
A hand-drill (A) has a chuck shell at one end which turns anticlockwise to open the jaws that hold the bit. When the drillbit is central, rotate it to establish it in position, then use the drill at the desired speed. Various hand-drill bits are available for special tasks: twist bit (B) for metal and wood; dowel bit (C) for the side and end grain of wood; countersink bit (D) to recess a hole to accept a countersunk screw head; glass bit (E) for use at slow speed to drill holes in glass, mirror and porcelain; masonry bit (F) for drilling holes in brick, stone and ceramic tiles. A push drill
dri(G) can be used to make small holes in wood or plastic, using special drill points. A power drill (H) is probably the most versatile tool available; accessories include circular saws, sanding discs, grinders, rasps, even paint sprayers. Small hand tools such as augers and gimlets (I) can also be used to drill holes in wood; augers drill fairly large holes, gimlets shallow ones, often to take a screw. Bore the hole by twisting the tools in one direction only. Bradawls or awls (J) are used to start holes in timber for nails and screws and to make holes in leather. The bradawl is twisted right and left; the awl is inserted with pressure.

Gripping tools
Professionals will opt fora bench vice or a clamp-on vice (A), but these require a sturdy and steadfast table or workbench. Amateur restorer-, can make do with a variety of gripping tools, purchased as required. These include: “G” or “C” cramp (B) for clamping wood or metal work, used with a block of wood between the cramp and wood to prevent marking; spring cramp (C), a manual device to provide light pressure to an object while glueing-, mitre cramp (D) to hold mitred joins together while glue sets; needle-nosed pliers (E) to grip small objects in confined places, available in a variety of shapes and proportions, all with serrated jaws; slip-joint pliers (F}, with a pivot joint which provides two widths of jaw opening; carpenters pincers (G), with curved jaws which meet at a bevelled cutting edge, designed to extract nails and tacks from wood; and upholsterers’ pliers (11), used to stretch webbing across the chair frame by gripping the folded end of the webbing while the lower jaw touches the frame.
Hammers
The most useful hammer is the claw hammer (A), which may be used for removing bent nails as well as for driving nails home. (When pulling nails out, always protect the surface with a small block of wood placed under the front end of the hammer.) Others are: lightweight pin hammer or ball pin hammer (B), used for driving pins or tacks; upholsterers’ hammer (C), with a small rounded face for driving tacks in a confined space, and magnetized so that it holds the tack in place as it drives it home; soft faced hammer (D), used for driving or shaping materials such as soft metals which would otherwise be damaged —these usually have a socketed head into which soft bases are screwed; similar are soft faced mallets (E) with rubber or rawhide heads; and lastly, heavy carvers’ mallet (F}, designed to drive various chisels and gouges.

Fitting a new handle to a hammer head
1. Choose a new handle with an even, straight grain to the wood. Begin by cutting two evenly spaced slots across the head ofthe new shaft, two-thirds the depth of the hole. Drive the hammer head onto the shaft using another hammer.
I
2. Cut the shaft flush with the top ofthe hammer head.
3. If steel wedges were used, drive th;m in with another hammer until they are level %?’th the top of the shaft. If there are no stee wedges, make some from bits of hardwood. Finally grind or file the wedges flush and varnish the expo sed wood.
Measuring tools
When making measurements, avoid using the common wooden yardstick, which is too inaccuram Instead use an engineer’s steel rule (A), ideally one scribed with both metric and imperial
measurements; a folding or zig-zag rule
push-pusteel tape (C); and (for fabric only) a
tape measure or a new digital rule (D) which is run over a surface and indicates the length in its display.’ro achieve accurate right angles, use a T or try square (E) or steel square. Cl-hc metal rule is highly recommended as it will not only measure, but also serve as a straight edge to guide a knife along when cutting veneers, plastic, leather etc.)

Sawing tools
‘There are three main kindsofsaw: large handsaws, stiff-backed saws for cutting joints, and special purpose saws. With all types, the greater the number of teeth or points per inch, the finer the cut. If a saw blade is rusty, clean it by rubbing it with steel wool dipped in turpentine substitute. If sticking occurs, rub the blade with a wax candle, but if the problem persists, the blade may need sharpening, resetting or replacing.
I arge handsaws (A) include: panel-cut saw for cutting with and across the grain, cross-cut saw for cutting across the grain and rip saw for cutting with the grain. All handsaws should cut freely under their own weight and your forward pressure. Stiff-back saws include the back saw, or tenon saw, (B) for cutting joints. Various specialist saws are: coping saw (C) for cutting curves in plastic or wood; fretsaw (D) for tighter curves in wood or plastic; hacksaws (E and F) for cutting metal; and pad saw (G) for cutting holes in a panel. Knives with replaceable blades can also be fitted with saw blades although these are only designed for sawing lightweight materials.
.1
Scraping and filling tools
Scrapers are indispensable to the restorer and are not interchangeable, although they, and some filling knives, look somewhat alike. Various scrapers are: paint scraper (A~ with a stiff blade for removing softened paint; filling knife (B), with a wider, flexible blade; putty knife (C), used to shape and smooth putty — available with three shapes ofblade depending on the preference of the user, palette knife (D), used to scrape pigments and mix media; skarsten (E), for smoothing timberor removing paint; and combination shave hook (F) — the most useful of the shave hooks with its curved and straight blades, ideal for scraping awkwardly shaped surfaces.

Tags: abrasive paper, absorbent cotton, befc, BRUSHES, CLEANING, close proximity, cloth, combination pliers, cotton clothing, cotton rags, denatured alcohol, double boiler, dowel, edge, fernile, ferrule, free matches, glass jars, hammer, hand, harden, jewelers rouge, Latex, liquid, machine, mesh strainer, odor, oil, part, plastic, quality, quel, reapplication, remover, repeat, replaceable blades, side cutters, spirit, spray bottles, suitable container, surface, test, tin cans, Tools, usefulness, water, wire mesh, wooden pencils