Jul
18
Lateral ties are added in the same manner, as shown in Figure 6 fall-front chest of drawers .9 followed by diagonal ties in both directions pre 1940 contemporary mohagany credenza, chian cabinet . The last twine crossing the spring centers should be knotted to all other twines to prevent wear 18th century console painted . In addition, wherever twines cross each other, they should be knotted 18th century tripod tables photos . Care must be exercised that successive tyings do not compress individual springs, or rows of springs, lower than others davenport captains desk .
FiG wedgwood “keith murray” grey slip ivory dinnerware . 6 spanish revival walnut console table .9 paint george speight . Fastening outside springs antique dragon carpets .
Covering the springs antique table with small mirror . To cover the springs burlap is tacked to the wooden frame along folded edges antique michael thonet chairs . It is pulled just tight enough to prevent depressing the springs italy spoons that might be antiques . To keep it in position it should be sewed to the springs with large stitches by means of a 6-in louis xiv reproduction clock . curved upholstery needle, each spring being looped in three places scotish chest of drawers .
Forming the hard edge silver tray with food . If tow is used as stuffing, about 5 lb 19th c four pedistal dinning table . should be worked down so that it extends at least 3 in maggiolini style inlaid furniture . over the edges of the seat frame majorca porcelain japan . Whatever the type of stuffing used, it should be at least r in antique console dresser . thick and extend over the edges far enough to compress into a fairly hard roll of 3- to 4-in collectors guide to antique console . diameter empire period fashion . The stuffing is covered with a piece of light burlap large enough to be slip-tacked onto the frame while it is being stitched through the stuffing to the lower burlap covering sideboard examples . A straight needle is thrust up and own through both layers of burlap, making stitches about 3 in turned legs on pembroke tables . long just outside the outer springs draw leaf dining room tables . After the four sides are sewed and the stitches are pulled tight, a few irregular stitches are taken in the center, to compact the seat curved walnut dining chair .
To make the roll, the slip-tacks are removed and the burlap permanently retacked higher up on the frame, so that it can be rolled under the stuffing, which extends out over the frame india epergne . The tacking should be started in the center of all four sides, be worked toward the corners, which can be thinned out if they become too full early 19th century furniture .
The actual process of forming the roll edge consists of a series of stitches that gradually lift and compress the roll as the stitching gets closer together for sale antique pedestal candle table 3 legs brass claw feet . Whether a straight or curved needle is used depends upon personal preference; it is inserted at a left-hand corner, for example, about 13/2 in talavera de la reina toledo pots sale . above the row of Stitching a hard edge antique brass table with animal legs .
tacks, and pushed under the roll to emerge about i in antique redware kendi . inside the row of stitchin that holds the two burlap layers together signed english art deco antique glass cabinets . The needle is then reinserted fro> i to 13/2 in carl thieme at potschappel figures . to the right and returned, so as to emerge to the right of its poi> of initial entrance at the front circular antique library steps . Many workers content themselves with loopin drop leaf table wall semi circle . the twine over the point of the needle before it is pulled through this secon-1 stick, in order to lock it; others prefer to tie a slip knot 1800s dining table for sale antique civil war . In any event, the twin must be pulled tight as the stitching proceeds around the four sides at eve As the work progresses the filling should be regulated, when necessary, with the icepick nantgarw porcelain .
As illustrated in Figure 6 early american fall front desk .ro, a second row of stitches is sewed about 1/, in antique hepplewhite sofa . inside the first row, followed by a third row and if necessary, a fourth row, until the roll has been lifted and compacted to about a %-in harlequin louis xv chest french . diameter antique french empire wine coolers silver .
Fie antique compo motif furniture . 6 giuseppe maggiolini .12 gateleg table vintage . Reupholstering will save such chairs as
this one 18th century style dressing tables .
Double stuffing antique table trestle . After the hard-edge roll has been stitched, a second layer of stuffing, such as moss or curled hair, is fluffed out and evenly distributed over the burlap covering to such an extent that when it is pressed down by the palm of the hand the springs cannot be felt “william hall” furniture glasgow . Over this a layer of thin burlap is tacked in place and the stuffing regulated if necessary 1700 french porcelain, images . Long, irregular stitches through
Long, through burlap will prevent this second layer of stuffing from shifting furniture .
Final padding 1815 drop leaf gateleg table . A layer of cotton batting with its edges feathered out so that they will blend with the contour is covered with muslin tacked to the frame urn cutlery box . Since this is the last layer under the outer fabric, it should be smoothed down carefully to prevent lumps or irregularities neoclassical regency furniture period .
Cheaper grades of furniture omit one or more of the operations described in the preceding paragraphs fibreglass furniture 1960 collectable . A careful worker can often achieve highly satisfactory results with thicker stuffing and fewer layers of burlap antique drop leaf gate leg side table . If time and expense are
C, limiting factors, the amateur upholsterer can dispense with such operations as th- situation demands escritoire antique .
Fabric covering 1700 to 1800 longcase movements . The final fabric is applied much as the muslin liner exce that it is tacked under the lower edges of the frame, and folded carefully so th minaret designer . it can be “blind-stitched” at the corners 1920’s art deco ceramics earthenware . Blind stitching is employed in upholster wherever hand sewing must be concealed iron garden kidney bench . With the knotted end of the threw hidden inside the lap or seam, the basic stitch is a simple one of medium siz which runs parallel to the seam, alternating on opposite sides as illustrated i Fig antique sideboard cabinet 8 feet high with glass . 6 antique tea table carved japanese .11 empirefurniture . Starting at the top on the right-hand side, for example, the need>- is thrust down parallel to the lap for about 1/, in 1700 to 1800 longcase movements ., and when it is pulled out
is inserted directly across to the material on the opposite side, where it is thrust down for another parallel stitch, and so on antique half round side table mermaid . When edges are turned in and t thread is pulled tightly the seam will be closed and the stitching invisible english bristol teapots .
A Spring Edge square drop leaf tea table with gated legs . Large pieces of upholstered furniture whose edges are su jest to considerable wear employ what is known as a spring or wire edge aroun I the front and sides of their spring seats vizagapatnam furniture antique . The spring-edge (or No antique dining table mahogany draw leaf 1920 . 8 galvanized) wire is carefully bent to fit the three outside edges of the wooden frame, wit the free ends bent downward to protect the stuffing edwards and roberts tripod table . The springs are fastened their base as previously described cabriole leg pattern . The wire-edge upper frame is fastened to tl outer edges of the outside springs with windings of stitching twine, or with speci• I metal clips that can be closed with pliers barley twist desk 19c .
FiG bronze decorative lamps. jugend style . 6 19th century lobmeyr glass .13 islamic arts ivory inlaid wood cabinet . Tying a spring edge antique square to round drop leaf table .
In this type of edge the rims of the top coils of the outer springs overha g the wooden frame so that they are flush with its outer edges wood dining table turn plate . To retain t s position they must remain horizontal, thus necessitating a slight variation in the final tying operation art deco brass smoking stands . As will be noticed in Figure 6 how do you tell a reproduction staffordshire figure from an antique .13, the twine is brought down through the center of an outside spring as before, but is tied to a second or third outer loop of the spring (depending upon its height) before it is looped around a tack in the frame jockey cap caddy spoons . It is then carried up and tied to the outer spring edge as a brace, without the wire-bound edge being lowered antique mahogany drum tables library tables writing tables . In large upholstered pieces the tying cord is often dropped through the center of the next to the outer spring and knotted to its second coil, then carried across and knotted to the third coil of the outer spring in a long diagonal to its anchoring tack antique wales footed dessert platter . In spring-edge tying, care must be exercised that all springs are maintained at an equal height, including the wired edges of the outer rows of springs turn of the century antique oak draw leaf table .
Stitched edge king louis xv furniture . Burlap is sewed to the springs and tacked tightly to the frame as before, without compression antique scottish chest of drawers oak . A layer of stuffing is then covered with a piece of burlap that laps the previous piece by a good 6 or 8 in imperial,gate leg table . This is sewed to the lower burlap through the stuffing about 3 in jupe dining table . from the wire edge antique tureens . Instead of this second layer being tacked, a roll of stuffing 3 to 4 in how to antique paint a fluted column . in diameter is tucked under its loose edge, which is then sewed to the wire edge to form a fairly hard roll antique chinese ivory inlaid cabinet . The hard edge is then formed by successive stitches as previously described, followed by the same procedures in covering antique pembroke table, floral inlay design .Rolled Corner
Sponge Rubber table paw feet antique . Sponge rubber is a popular modern padding that is easily
M
applied cylindrical crock eared handles cobalt blue . For the bathroom stool described in Chapter 2 (page 170), a piece of
,-in louis 16th style furniture . plywood set on cleats within the recess formed by the rails serves as the
base, ventilated by a series of holes, staggered so as not to weaken the plywood 17th century spanish chair .
The i-in empir clock . thick Latex sponge rubber is easily cut with scissors, the cardboard
template that served as a guide in cutting the plywood base being used “collecting cowan pottery” . It is
good practice to tack in a layer of burlap before the first layer of rubber is in-
serted antique federal wardrobe . To give a crown to the seat, a smaller slab can be sliced about ‘/ meuble style ._, in pennsylvania house antique furniture prices . thick
and its edges feathered with the scissors art deco chair design with leg of lion . This is fastened to the center of the
lower slab with rubber cement, then a top slab, also i in reproductions eagles pediments . thick and 1/2 in antique marble coffee table cabriole legs . larger than the top of the frame, can be cemented in place rene prou chairs . After the cement has dried the top slab should be trimmed to fit, and its edges rounded with the scissors french charles x commodes .
Vinyl-plastic materials such as Koroseal come with a fabric backing suitable for application to the stool top, directly over the rubber comtoise clocks longcase . Since these materials should not be stretched too tightly, plenty of width must be allowed on all four sides, the edges being slip-tacked under the lower edges of the rails during the fitting 1700’s tilt top bird cage tea table .
For final tacking, the edges are folded under Y2 in old oak dressers with the middle open . and upholstery tacks
in at regular intervals about Ys in antique oyster pattern veneerd boxes . from the fold, as shown in Figure 7JA If a nonmarring, plastic hammer is n t available as in b, adhesive tape call be stretched across the hammer head to prc test the upholstery nails lacquer tray round antique black . The corners cf the fabric are rolled rather than sharpl~ folded, to prevent wear 18th century german drinking glasses .
Upholstering Loose Cushions regency greek furniture by thomas hope . Th~
maple arm chair described in Chapter 3
(page iii) makes use of the popular loose cushions as upholstery for it-, seat and back william kent eagle console . Although cushions of this type containing only down, cotton, or kapok will give good service, the inclusion of an innerspring mat will insure greater comfort
at slight additional cost neoclassical dressing table . These spring mats are procurable from all upholsterer in sizes varying from 15 in winthrop china cabinet . by 15 in antique roll-top desk c roll 1 drawer spindle leg . to 22Y2 in ancient gothic furniture . by 25 in antique red stoneware spittoon . and are not difficult of insertion english nickel plated silver candelabra .
Casings pennsylvania house chinese chippendale dining table . Cushion casings can be machine-sewed from a top and bottom piece attached with welting to a one-piece side Land or border english silversmith marks 18th century . After the over-all size of the cushion has been determined and the proper sized spring mat procured (2 in spanish lustreware marks . being allowed for the cotton batting covering on the top,bottom, and sides), the top
and bottom pieces of the cushion casing are
cut, with all allowance of /z in rectangular side flaps 8 fluted legs louis xvi dropleaf gate leg . all around
for 1- :17 of the —
or the seams antique vienna porcelain vases . The width 0 band should include an allowance of i in unique or antiquedressing mirror . on either side for the welt cord and seams english campaign furniture .
The welt cord can be sewed to the casing edges on a sewing machine equipped with a standard half foot antique centre table with caryatid legs . and call be sewed in one operation to square corners being made silver neoclassicism english . The French seam a second seam and is not illustrated cire perdue lalique enamel . The back
Stuffing box renaissance revival buffet . Variously known as a cushion filler or loading, ramming, or packing box, the stuffing box is a simple jig usually made of sheet metal for production work chippendale knife boxes octagon . A satisfactory box for ionic upholstery, however, can be easily assembled from corrugated cardboard, as illustrated in Figure 6 myott son & co. hanley .16; the wooden ram or ramrod will prove of value for the final stuffing operation pollard elm . The outside dimensions of the box must be such that it will slide snugly into the finished casing; the over lapping edges are bradded to the top of the workbench, then pried up and clinched antigue wooden bedside chestschests .
Covering the springs verlys holophane . Two layers of cotton batting should be sufficient to cover the springs “art deco” “dining table” french walnut extension . One layer is placed in the loading box and the spring mat laid upon it and wrapped in the cotton wadding,
which has ends protruding far enough so that they call be tucked in antique display . The second layer is laid over the lap in the first layer and tucked around and under “officer’s chair” furniture . The box can now be tied or sealed shut with gummed paper, and the loose edges of edges folded under are tacked to the outside of the arms and over the back mahogany stool . The fabric cover is applied over the muslin in the same manner, except that it is blind-stitched at the back and oil the outer sides of the arms antique henry 2nd breakfast sideboard .
Fic how forks were made . 6 edwardian c19th construction buildings .18 techniques of andre-charles boulle and chinese laquer work . Filling the casing antique library book trough stand .
When the wooden-backed barrel chair is being covered, the same procedure is followed, except that the channels are tacked directly to the staves french oak, “barley twist” chest of drawers . With a close-woven fabric covering, the muslin liner may be omitted, provided the stitches or tacks are closely placed, as in detail B of the drawing wooden antique chamber pot .
Tufted upholstery furniture makers 1920’s french style . Another method of securing padding to a vertical surface is by means of fabric-covered tacks, geometrically sewed or tacked to give the padded surface a quilted effect small shell silver antique dish loop handle . This is an especially popular effect in the head-
4011on to be Teatheredcotton batting tucked in smoothly, feathering where necessary to produce square edges writing desk slanted top 17 th century .
This can be proved to the reader’s s t-
isfaction by an examination of the u
holstered chair shown in the cutaw y
illustration in Figure 6 mahogany hepplewhite table antique .–o jacobean display cabinet . The wood n framework is indicated by (A); the webbing base by (B); (C) is the curled h: *r stuffing; (D) the tempered steel springs tied with eight stout twines in the 8-1-mat tie, and covered with burlap (E);
the second layer of stuffing (F) is sewed to the burlap and in turn covered by a layer of cotton ((;) -, (H) is the outer fabric covering fake ironstone pottery . If muslin liner (1) is added over the cotton layer before the outer fabric is applied, it will be readily apparent that the fundamental procedures in upholstering an overstuffed chair are no different from those employed in the assembly of a removable spring seat secessionist movement furniture .
Filling the casing old german furniture . To insert the padded innersprings into the casing, the latter is stripped on over the closed box and contents, and its rear ends grasped in both hands as pictured in Figure 6 antique pembroke table, floral inlay design .18 german 20th century extending dining table . The ram is inserted inside the box against the padding, with the opposite end butted against the operator’s stomach antique mirror back sideboard 1920’s . A gentle, continuous pressure will push the pad and casing out of the cardboard box antique streamline stapler . The open rear end of the casing can then be closed by hand sewing doulton 1880 beakers .
Channeled Backs rockingham pastille burner . A favorite method of applying upholstery to the concave surfaces of chair backs is by means of a series of radiating, tubular channels or folds which hold the stuffing vertically, as in Figure 6 telescoping dining tables .i9A sideboard turns into dining table . This method is particularly appropriate for the barrel chair described in Chapter 3 (page 232), where the back is concave in two directions art deco game tables . This is another complicated appearing upholstery device that when analyzed step by step is seen to require only simple sewing or tacking techniques neoclassical regency furniture period .
The first step is to divide the chair back with chalk into vertical sectors that radiate bisymmetrically from the center names of art deco furniture makers . Next, the muslin liner and the fabric covering are cut into as many pieces as there are folds or channels to be stuffed,
silver candlesticks worth . welt cord need be no wider than the top and the band of the casing, preferred by some workers requires of the casing is left open for filling arts and crafts liberty of london oak furniture .
3 in queen anne antique dining table . extra in width being allowed for the stuffing, and sufficient length for tackinat the bottom as well as for lapping over the top and tacking to the back of t1-W chair back utensils used in britain for cooking . The two end channels are cut wide enough to reach around the enct, of the arms for tacking to the sides of the frame antique table trestle . Since all the pieces are to be
sewed together, in important buildings in the 17 century in italy . must be allowed for each seam, in addition to the 3 i” 17th century gravy bowls . for stuffing rosewood ant chair .
Fie desserts during 18th century england . lenci pottery wall mask . 6 antique victorian writing table .17 19th century side cabinets . Upholstered furniture and a fireplace make a living room english armorials of the 18th. century .
In an upholstered chair, the muslin liner can be sewed to the chalk line greek designs and motifs ., starting with the middle channel italian inlaid table blue . When both sides of the latter are stitched i place, the bottom can be tacked the filling tamped down and regulated wi an icepick (see page 358) kitchen antique furniture deux corps cupboards . Adjacent seams are sewed and alternate channels fillel until the end folds are filled, stretched around the fronts of the arms, and tack- I to the frames italian inlaid table blue . The top edge can now be stretched down over the top edge of t e frame and tacked to the back antique cassone for sale .
Jul
17
Antique Oak Tables and Corner Cabinets.
July 17, 2009 | Leave a Comment
These braces are now screwed to the top edges of the forms so that the plug centers are each 8 in antique tables small . from the inner edges of the ends of the form crockery cupboard design .
Once poured, the concrete should be covered with wet burlap, and the form left undisturbed for twenty-four hours, or during cold weather, forty-eight hours victorian dome revolving re serving dishes . Great care should be exercised in unscrewing and removing the form in order to prevent injury to the green concrete furniture swag frieze 19th century commode . The latter should be cured by covering it with dampened burlap, sand or straw for at least ten days antique bombe commode louis the xv with marble top .
Meanwhile the form or forms for the supports can be constructed as shown in D antique queen ann drop leaf tables . The two curved sections are band-sawed out of 4-in rococo serving dish, italy . stock according to a
according
pattern such as E delatte nancy . Here, too, individual preference in design should have full sway, with due regard to the fact that it is advisable to line the inner surface with sheet metal to insure a smooth finish sought after greek pottery . The wooden plugs are accurately centered 7 in antique occassional table drop leaf small . apart as shown demilune chest makers antiques . After the form is shellacked and oiled concrete can be poured without recourse to reinforcement japanned black corner cabinet .
If the bench is to be placed oil the lawn or in the garden a solid g footin should
footing
be provided to prevent settlement into the ground longcase dutch 2009 . A good rule to follow is to dig a footing 6 in pop up cigarette deco dispenser . deep whose surface is approximately double the area of the base it is to support antique oak tables manufactured in 19th century . The same mix as that used for the bench can be poured into the square-cut hole, which is dug for the footings furniture design spider table . It should be well tamped and allowed to harden at least twenty-four hours before the bench is set up antique tea table glass serving tray .
In assembling the bench hardwood plugs can be use(> as dowels octagon oak table antique . The bench should not be set up for at least four, and preferably six, weeks library wood armchair .
Concrete and Wood Bench robert jupe extending circular table copy . A bench with a back and arms is easy to assemble when the concrete sides are poured with apertures for wooden slats forming the seat and back pembroke sheraton furniture mahogany string inlay . As shown in Figure 3 art moderne furniture inlay .37, these slats have tongues that protrude and are keyed to the concrete supports thomas sheraton dresser .
The slats should be of oak or other suitable hardwood, iys in macassar ebony vintage antique dining table . thick and 6 ft long british sideboard . The back slats 6 in antique ribbed bucket mahogany . wide and the seat slats 5 in antique wood legs design in 19th . wide chippendale silver table . All have tongues 9 in russian oak parquetry refectory table . long, which are 2 in davenport cupboard desk . narrower than the width of the slats weimar germany china antique . Mortises are cut in the manner described in the instructions for the construction of the sawbuck table; the wedges or keys can be of the same dimensions 1680 meissen porcelain .
Four band-sawed pieces of s-in cooking utensils from britain . stock are necessary for a pattern with the curves pictured in pattern A italin furnture drawer . These can be inserted in a square form screwed together as indicated in B blue glass kidney shaped table . Well-oiled sections of the seat and back slats can be nailed from the underside of the platform in their proper spacing and held at the top by cleats across the form 1930 art deco french armchairs . A decorative opening under the seat can be any form fastened in place in the same manner as the molds for the slats silver george foot mask . Certain sizes of tin cans can be filled with sand, gravel, or cement after they are nailed and braced in place, as forms 17th century brass candlestick rectangle .
Since the openings of the back slats are located 2 in development of clocks between 1350 and 1750 . from the rear of the form, a reinforcing rod can be laid in as shown, after 23/2 in drop slant desk shell carved . of concrete is poured into the 5-in sheriton clock . form 19 century sewing table . This can be tied in with horizontal rods above and below the seat antique drum shaped table .The remainder of the work is similar to that of the concrete bench, including -he level footings frieze drawers mean fake drawers .
Concrete Table 19th century casters . By increasing the width of the top of the bench previou ,ly described to 3o in antiques sofa table look ., and raising the supporting legs to 27 in wooden tables with brass leaves inlay ., a weatherproof to )le will result, capable of seating at least ten people antique hepplewhite sofa . Such a table will have mass ve legs, requiring a considerable amount of concrete 1930’s germany’s furniture . If a lathe is accessible, a m ire graceful design with four separate legs is possible, with some additional effort sideboard examples .
One turned wooden leg similar to the pattern in A of Figure 3 urn cutlery box .38 is required as a core for molding all four legs coffee table campaign furniture . It is easiest to shellac this model while it is still mounted in the lathe, so that no surfaces remain exposed gateleg “sheraton games table” . The next step is the construction of a rough wooden box with screwed ends, large enough so that a minimum of i in milanese ebonized antiques . of plaster of paris can be tamped around the widest surfaces of the wooden core frenchswiss antique pocket watches . Holes are then bored in the center of each end to take a length of available iron pipe, such as Y2 in antique carved tea table . The box is now sawed exactly in half, and the inside coated with two coats of paint or shellac antique clerk’s desk .
A
FiG italian old furniture from norten italy . 3 16th century pedestal desks .38 staffordshire figures of royalty . Concrete table collectors cabinets -jewellery trays/draws for stamps/beads .
Next the core is laid in the lower half of the box, surrounded with well-tamped plaster of paris, and set aside to dry for about twenty-four hours antique salt cellars . It is then thoroughly shellacked to form a “parting antique drop leaf sofa table .” Then the upper half of the box, with its top unscrewed, is placed upon the lower half, and plaster of paris poured in to complete the mold antique marble slab .
When the plaster in the upper mold is dry, the top of the box is screwed back into place and the halves carefully separated so that the wooden core can be removed chippendale mahogany coffee table 1900 . If small portions of the plaster mold chip off in this process, they can be repaired by more plaster antique oval brass coffee tables from india . The inside of both halves of the mold is then thoroughly shellacked, then oiled, after which operations the two boxes are reassembled and tightly bound with wire antique sewing work table with bag . The ends are unscrewed and a length of iron pipe inserted that will extend iY2 in giovanni lorenzo bernini . at both ends ringtons flasks .
The concrete mixture to be poured into the mold consists of equal parts of fine sharp torpedo sand and cement, without aggregate india brass coffee table . It is tamped into p as- aggregate
with a length of light rod or heavy wire chamber pot cabinet .
When the four legs have been cast, forms for a suitable base for each pair niube prepared palissy dishware . Detail B indicates satisfactory dimensions; the silhouette will depen upon the number and type of wooden moldings employed slim drop leaf table . Care must be exercsel, to exactly locate the holes for the iron pipe dowels antique wooden gate card table . The latter are cemented nt! their recesses in the bases and the top with a grouting of cement and water art deco console and germany .
As in the case of the bench, adequate footings for the bases must be dug an poured antique 2 drawer sheraton end table . The table should not be set up until all parts have dried out for six week
Terrazzo charles crescent furniture maker . To dress up the top of a concrete table or bench in colorful firms - pattern, individually molded blocks of terrazzo can be cast and imbedded in shallow recess in the top empire style antique desk . This recess is provided for in the original casting b nailing rough lumber Y8 in antique butterfly drop leaf table . thick to the platform so that its edges are 1Y4 i inside the bottom edges of the sidepieces of the form, oil all sides silver french chest of drawers . The edges i this lumber should be straight and smooth, but the rougher the flat faces t better apostle spoon fakes .
Terrazzo is a mixture of cement and marble chips, with color added to var stoneware watercoolers with raised decoration .o parts of a design clawfoot dinner table . Its surface is polished so hard as to be everlasting, making an ideal material for outdoor use european antique lectern pedestal table .
A design is first marked out on a pieoce of wrapping paper the size of t recess being cast in the table top ball and claw mosaic tripod table antique . The decision as to colors is made at the s I time, and marked oil each segment of the paper for ready reference german leaf table . The var o parts of the pattern can then be cut out, so that identical forms can be assernLle,
All forms are %2 in antique french walnut draw leaf table . deep, and since it is difficult to mix the same color second time, all forms containing one color should be poured at one time 1930’s mahogany dining room table rectangular 2 leaves chinese style . B
0
using a single base, forms can be made by means of cleats having common side
The terrazzo mixture is made up of one part white cement and two partE b> volume of white or colored marble chips what types of materials were used in george hepplewhite furniture . Only enough water is added to n a a stiff, workable mixture chinese porcelain cockerels . It is poured into corners and acute angles first a allowed to mount Y8 in antique spiral leg writing desk . higher than the sides of the mold antique kayseri silk carpet pictoral niche . It is then troweled an, left to set for a while demilune chiffonier . Next it is rolled with a rolling pin to squeeze out t surface cement kidney shaped pedestal table with side drawers . The latter can be removed with a clean, moist paintbrush historical development of art deco . ‘I h: the terrazzo is allowed to set for an hour english pottery colours 19 century .
The rolling process also impacts the marble chips more evenly, yet the sulfa of the terrazzo must be repeatedly troweled to a hard finish neoclassical style brass seamed candlesticks . When the sur-_’a4 feels hard to the touch it should be covered with clean waxed paper to pre le staining, then covered with clamp burlap and allowed to cure for six days painted classical figures furniture’ .
The last process is that of grinding and polishing silverware sets real fake . Three methods ma) used, depending upon the tools available curule friedrich schinkel . The fastest, and probably the file work can be done with a flexible shaft grinder equipped with a silicon-car)i run wheel and a wet spindle head mahogany knife box . Coarse wheels are changed for progressi;e > finer grades, care being exercised to avoid grinding rings in the surface walnut marble slab dining .
The remainder of the work is similar to that of the concrete bench, including tie level footings mahogany pembroke table with lyre design .
Concrete Table shapland and petter art nouveau . By increasing the width of the top of the bench previouAy described to 3o in pendule religieuse ., and raising the supporting legs to 27 in antique bookcase with decorative beading ., a weatherproof toile will result, capable of seating at least ten people 17th century oak tables . Such a table will have massile legs, requiring a considerable amount of concrete english rose porcelaine drawing and motif . If a lathe is accessible, a mere graceful design with four separate legs is possible, with some additional effort victorian reaissance revial credenza .
For dry-grinding a portable sander can be used meissen scattered flowers . Lacking these machines, the work can be done entirely by hand, using a coarse silicon-carbide brick fitted with a handle, followed by a finer oil stone for the polishing silver soup turrene . During the grinding, clean water must be used and constantly sponged off to observe progress rectangle table pilar foot . The surface should be ground down until it is free from all scratches dresser accessories trinket box with drawers . Air holes can be patched with a grout mix, which must cure overnight before it is ground british antique joyned stool . After the polishing is completed, the terrazzo should be cleaned with several applications of fresh water, and permitted to dry for twenty-four hours gabriel viardot .
A simple waterproofing and stainproofing preparation consists of equal parts of boiled linseed oil and turpentine italian provincial furniture . This is applied to the dry terrazzo repeatedly, and the surplus wiped off, for three days 1700 to 1800 longcase movements . After the final coat has dried for twenty-four hours a good coat of automobile wax can be applied and the surface polished how to distinguish a 19th century empire sofa .
As A consequence of the postwar tren I toward compact living, attention has become more and more widely focusei ol built-in furniture and accessories antique stanford refectory table with end leafs . Formerly tolerated as ingenious convenie-im, they have emerged, in many cases, as necessary expedience jules leleu chairs . As in urban rep l estate, when the floor space shrinks perceptibly, the value of height, or wall spa(– increases in proportion antique sideboard with harp design . Thus it is not unusual to encounter snug little I vin; quarters with built-ins skyscrapering up the walls, leaving the moderate flour space uncluttered and hence, larger appearing west indies tall console .
The versatility of available wall coverings affords a variety of selection, whit i gives unlimited scope for harmonious treatments history woods ware wincanton . Sheets of plywood wit handsome hardwood veneers, or with wavy-textured faces bonded to their outer surfaces, are excellent mediums for built-in doors, panels an(> sen-lipartidow antique drawing drawers . Wallboards are available in a variety of textures, finishes, and shades that len> themselves to attractive combinations wooden antique table 16th century inlay . Knotty pine in random widths, applied vertically, horizontally or in panels, is stealing into kitchens and even bathrcom, examples of flatwares ceramics . Glass blocks and cloudy plastic insets accent the modern note ill lighting effects borromini apprentice with a woodcarver . The list of materials is limited only by the imaginations of the designers, the st;liN Of the room what is a plum pudding octagonal table . and the utility of the piece or part to be constructed pedestal leg english trestle table parts .
Built-in furniture is understood to comprise units that are constructed as part of the walls or floor of a room antique walnut trestle table . Thus a console may be fastened to a wall, an i for convenience, have its legs removed, leaving little more than a decorated
So, too, various pieces of furniture such as bureaus, dressers, vanities, desks, cl est reverse serpentine sideboard ., sideboards, all(> bookshelves find themselves flanked by wardrobes or closets inter a continuous type of construction from wall to wall andrea baccetti . ‘ antique plate piercing styles .\Ianv older homes ha\~ eked out a scarcity of closet construction by the use of wardrobes and chests (f drawers, which necessarily jut out into the room at irregular intervals late 18th early 19th century chambersticks . In other , large, deep closets are not rendering the complete service they are capably o’ islamic arts ivory inlaid wood cabinet . Such being the case, it would appear to be highly appropriate to examine into the possibilities of these built-in wardrobes brass drum tables .
Before becoming involved in the details of construction, however, a word of warning at this point is of urgent importance art nouveau daum candlesticks . Briefly stated it is the oft-repeated caution that when new construction or alterations are contemplated in an old house, it is a dangerous fallacy to assume that floors and ceilings are level, and that walls are plumb and meet at right angles biedermeier style furniture .
Depending upon the integrity of the builders, the width and thickness of the footings, and the character of the soil or fill, all houses settle to a greater or less extent decorative carvings . Headaches and heartaches can be avoided if all seeming right angles are viewed with suspicion, and all vertical and horizontal lines checked and double-checked with level, plumb line, or square ” american card table” .
In the interests of time and lumber saving, some sort of jig similar to the wall-angle gage illustrated in Figure 4J will accurately speed up the installation
0
FIG french aristocracy aftername . 4 draw leaf table spiral shaped .1 18th century french silver makers . Wall-angle gage
of shelving, or the horizontal members of built-in conveniences gillows dining table . Extended and applied vertically it is also useful for insuring snug-fitting side members between ceilings and floors, although a sliding T bevel, if clamped tight, can be used to advantage in transferring existing house angles to the material being used edwardian bookcases . Provided he learns to view such angles as suspect, the home craftsman will evolve his own method of measurement, thereby saving himself untold grief a french renaissance carved walnut bed second half 16th century .
NICHES
A common form of built-in furniture, and one of the easiest to construct, takes the shape of the bookcases described in Chapter 2 antique spanish wooden gates . Modern decorative trends, however, as well as the demands for economy in floor space, frown upon protruding bookshelves in favor of cabinets set flush into the wall antique immigrants chests . When these are to be constructed in a pastered or otherwise finished wall, the home mechanic ni concern himself with certain details of house construction russian chair lion .
The vertical 2 in 18th century chippendale dresser . X 4 in poole potery est 1873 . studs which back up the average wall are us as fastened oil 16-in doucai plates ming period . centers, which means that when they are i-Y8 in “german pier glass” . thick, they spaced 14-Y8 in roll top art deco cigarette dispenser . apart vintage mahogany drop leaf table 1940 . Therefore, unless the box to be sunk into the wall to ‘o the niche can be built with an over-all width of only 143/8 in value of a william and mary chest of drawers ., one or me P
—S&(CIS —1
PIY4,10-11
FIG antique neoclassical . 4 19 century sewing table .2, Niche sideboard serpentine wood inlay brass .
the studs must be cut out the length of cabinet daum mythology crystal vase . This requires a little deteati work in the form of tapping the wall with a hammer, to disclose the location the studs continental porcelain . The dimensions of the proposed cabinet are then marked on the teall with due allowance for 2 in williamson’s cabinetmakers of guildford, uk . X 4 in elkington epergne centerpiece . headers, which must be nailed horizontall! across any severed studs antique music cabinete with mirror at the top . The procedure of boring holes and cutting out the at! and plaster with a cold chisel and compass saw is explained in detail in Chapter 1 under Constructing a New Inside Doorway designs for italian occasional tables . The cabinet or bookshelf is me -e an open box made up of 3/4-in antique silver rings wheat sheaf pattern . stock with a plywood back antique oak and fabric dressing screen with fretwork . It cannot be de(p& than the width of the studding, plus the lath and plaster wall, and should be (o structed to fit snugly between the headers and the studs, to which it can be fastene by finishing nails myott son compagnie .
The edges may be finished off by moldings, as shown in Figure 4 antique small tables sutherland .2 and Fi,’ 19th century german furniture makers .Ilr 4 painted sideboard pine maryland .3 first antique table de chevet . In new construction, the plaster is often brought flush with the inside edge; o the cabinet, without molding examples of anthemion designs on ceramic tableware . This requires that bits of metal, lath, screenvir
Wallboards are available in a variety of textures, finishes, and shades that Ii n( themselves to attractive combinations 1940’s decco furniture . Knotty pine in random widths, applied x–r tically, horizontally or in panels, is stealing into kitchens and even bathroo is Glass blocks -,in(> clotidy plastic insets accent the modern note in lighting effe antique vitrine table .
or a series of tacks be fastened to the edges of the wooden cabinet to provide a bonding surface for the plaster tekke gul . A straightedge is tacked along each edge in turn,
against which the plaster can be troweled and allowed to dry normandy antique clock longcase . The g shelvin can be
shelving
nailed permanently in place from the outside of the box-cabinet before it is inserted
Courtesy Western Pine Association
Fic “holland & sons” cabinet . 4 burr walnut antiques .3 goldscheider wren made in audtria . Well-designed cabinet built in wall niche portuguese pallissy ware .
into its recess, or a series of holes bored part way through the inner faces of the sides, into which pegs or commercial plugs can be inserted, for adjusting the shelves to various heights “spiral leg” table antique .
When built into dining room, bedroom, bathroom, or kitchen walls, to hold dishes or cosmetics, the sides and tops of these open cabinets are often edged with decorative scallops in French Provincial style, as in Figure 4 1800’s reproduction dining room tables .4 wells coates . Tubular lights can be concealed by the top cornice, with the shelving graduated in depth in a stepladder effect 1877 antque dome trunk vaule .
Other favored uses for long but narrow niches include locations over the lavatory, or in a wall beside the bathtub, to hold miscellaneous toilet articles or cosmetics antique half leaf table . A similar location over the kitchen sink will care for the soap and cleansing materials art deco harlequin fine china . Recessed above a modern fireplace mantel are often f(ut tall, shallow trinket niches for clocks, vases, or curios design of fix dressing tables . More frequently the el phone handset is found recessed on a shelf in a flush niche in the wall mid seventeenth century dutch chests oriental influenced . When a nets protrude from the wall, niches between them may be utilized in a numb:r
Courtesy Western Pine Assoc di
Fic rare willow pattern coloured ironstone china patent . 4 antique furniture bureau desk .4 european porcelain marks 1742 . Niche cabinets with scalloped (, british deco table .dges rare antqiue marbels .
ways, for example, for a desk, as in Figure 4 card table neoclasical .6 antique kneehole desk . Last, but not least, the ubiqu to ironing board has acquired a niche of its own, in or near the kitchen antique writers desk . The rec; ss cabinet shown in the kitchen utility cabinet later in the chapter (page 29, )
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of a width that will fit between studs on 16-in antique serving table . centers gateleg drop leaf mahogany table .
VALENCES
Frequently referred to by their true architectural description as cornices, i, box valances over the tops of interior window trim are rapidly becoming a ms e “must islamic influence furniture .”
Jul
17
The keyway or hole for the peg or wedge should be inclined from YS to Yt in 17th century delftware . scant of the lower surface of the miter, so that the wedge, when driven in, Avill pull the shoulders of the tenon down tight against the seat’s upper surface 19 century mahogany gateleg table . When a wedge is used in this manner, it can be driven in deeper when necessary to compensate for a later loosening of the joint spanish chair mother of pearl inlay .
Other styles of slab chairs can be constructed like the bench previously described, including arms, with one or more narrow slabs screwed crosswise to the uprights, as a back negretti & zambra barometer .
Lounging Chair name a piece of furniture that begins with v . Aside from the comfortable angles employed in assembling the main parts of the lounging chair shown in Figure 3 czechoslovakia pottery mark lion .14, the success or comfort depends upon the careful splitting and planing of the sapling halves that make up its seat and back hanoverian pattern forks .
The two back “legs” are selected from saplings of approximately 3-in, diameters, cut 46 in ancient greece furniture . long antique gate leg table makers . These are mounted on front legs io in french antique wood inlayed wine cellaret . long whose ends are whittled into holes bored in the underside of the seat end of the back legs fauteuil art deco brandt . Two stretchers are made by splitting a 3- or 4-in, sapling, nailing one half to separate the rear ends of the back legs by 20 in blue french tall antique 18th century vase ., and the other half about 22 in forward, as shown in Figure 3 crockery cabinet designs .14 potters silver knifes .
FiG 19th century american rosewood rococo console table . 3 antique furniture maker wordpress .14 solid wood+writing desk+antique . Rustic lounging chair marc duplantier .
Next, two 3-in antique desk inlay “art deco” . saplings are cut 3o or 36 in value of 18th century dressing table . long to form the back poses, whittled and tenoned into place as indicated 1820s consoles . They are held in place by two 2Y2-in antique gateleg table and chairs . back braces whose rigidity is insured by cross braces bound by rawhi(-e, rafia, or weaving cord, as shown early 19th century upholstery fabric .
The 2-iii “lion feet” wardrobes . arms, which serve as added strengtheners, are screwed into place at sufficient height to afford comfort to the user 19th century parian busts . The front stretcher is a sapli ig of about i%-in mahogany spider leg double flap table . diameter, and the front legs are additionally secured by green saplings shaped on a form while seasoning, unless curved branches can be fou id to fit fake ironstone pottery .
The split saplings forming seat and back may have to be notched into their supporting members to make up for individual inequalities 1950’s pembroke table worth . Every effort should be expended to insure a relatively smooth surface unless cushions are availab’e art nouveau majorelle vitrine zu verkaufen . If this is the case, every other sapling can be omitted and only moderate attention paid to their surfacing french oak, “barley twist” chest of drawers .
Rustic Table ebay pembroke hepplewhite drop leaf table . By using a wide slab and thicker legs about 27 in wlanut drop leaf taple with turned legs . long, tie backless stool previously described can be enlarged to serve as a table antique captain’s chest top drawer folds out to desk . Sin -esingle slabs sufficiently wide are difficult of procurement, two or more slabs c,,n be cradled in cleats to form a wide top, as shown in the drawing huguenot royal dinner service .
come unbalanced duncan phyfe antique drop leaf table with brass feet . Recourse to the trestle type of construction pictured in Figure 3 rockingham pastille burner .15 will insure greater stability under outdoor conditions 19th c. federal style occasional tables .
FTC 3 legged antique table with ball claw feet . 3 mark vezzi porcelain .15 antique mahogany french bedside commode . Rustic table austrian furniture design .
Although a top of three slabs is shown in the drawing, the number used depends on the widths available austrian amphora vase . After the cut surfaces are planed smooth, the top slabs are placed side by side, face down on a level surface antique dining tables with lions paw foot . The two sections of a ‘t 4-in 19th century lion claw pedestal table . sapling which has been ripped down the middle are laid smooth side
-or 5-in handcraft furniture from italy . sapling
down, crosswise near the ends of the slabs to serve as cleats, and their positions marked antique porcelain +swan +painted . The marks are saw-kerfed about halfway through the slabs and dadoes are chiseled out into which the cleats are firmly screwed rectangular drop leaf table antique . The smooth surfaces of the slabs will probably need to be replaned after the cleats are in place federal cylinder desk .
To this top any style legs may be fixed, depending on its width origins art deco . Detail A, Figure 3 loudon florals 1783-1843 .T5 illustrates a double-leg trestle, which is of more stability than the single-le- trestle but of simple construction setobody . The leg tenons call be fox-wedged, nailed, or if the sapling is thick enough, doweled into place as shown in the detail 3 footed antique silver tray . When using a single leg for a narrower top, the stretcher can he raised well off the ground, as illustrated in detail B refectory table bulbous .
Occasional Table old metal tables with attached leaves . A small, semirustic table (Figure 3 antique tilting reading stand .16) fits in well with porch furnishing and is handy for lamps, magazines, and cold drinks 17 century english stoneware . By using finished lumber fer the top and rails, a smooth, even surface is assured, which can be stained brown or enameled in green, black, or any preferred color small antique rosewood consoles .
The top is glued together and band-sawed into a circle of 3o-in finial silver flatware . diameter antique black lacquer japanese mirrors . Its edge is bound by a molding of split saplings bradded into place while green what is a flat silverware with a right side curve .
If an alternate, octagonal, or hexagonal shape is preferred, separate pieces seasoned molding can be mitered into position without bending antique dictionary stands .
The rails are double-lapped as indicated in Figure 3 art deco vases glass .0, with 1-in john widdicomb furniture/french provincial . holes bot through their 12-in imperial kutani peacocks . centers to receive the long tenons at the upper ends of the The latter have holes bored 8 in the most expensive antique dinner plates . up from their feet to house the tenoned ends of the stretchers eugene gaillard furniture .
Saw kerfs are cut down the leg tenons, and when the stretchers are inserted between each pair of legs, the tenons of one leg assembly of two legs and stretcher can then be inserted into the holes in the rails and the legs adjusted for equal slant in two directions, as explained under the construction of the Early American coffee table in Chapter 2 (page 82) antique blue glass bottle with silver bow . Wedges are then driven in and the other leg assembly adjusted into its miters, after the two additional side stretchers have been inserted into their recesses turn of the century english oak extending table . Waterproof resin glue can be used as additional security at these joints, with screws through the legs into the stretchers french empire furniture . The protruding lengths of leg tenons are sawed off flush with the upper surfaces of the rails corner glass and broken pediment display cabinet with drawers .
The inside diagonal braces are mitered and bradded into place, and the top screwed to the rails from the underside tortoiseshell craftsmen 1840s . The curved outside braces are bradded into position last japanned cabinets .
LOG FURNITURE
When the rustic-furniture builder has access to whole logs, a more maLsi%4 type of construction can be effected with split logs for benches and table t,)pj in place of the thinner slabs antique folding card table dutch painting . The only change in the methods of assembly wlic> is advisable with these thicker lengths of material is the use of lateral dowels Lion the side, as illustrated in the detail in Figure 3 regency card table value .17 1800’s reproduction dining room tables . The more meticulous cabile pine draw leaf coffee table 1920 . maker who wishes to conceal the heads of his dowels or screws can cut of- (I bend back a small section of bark over the proposed hole, gluing or bradding
back into place after the dowel or lag screw has been driven home czechoslovakia glazed pot .
Cross sections of logs can also be used to advantage for chair seats sheffield bone chine dinner set au . Figure , seek jingdezhen plum blossom porcelain vases . 17 shows a simple type of chair with such a seat escritoire chest . Because the extreme susceptiL lit, of end I-,rain to cracking and splitting is intensified by exposure to weather, the cross section used as the seat should be reinforced by Y4 -in antique mahogany drum table with metal claw feet . iron bolts or ‘on antique oak dresser serpentine curved drawer leaf carving .-
-in jules leleu display cabinet . dowels, inserted as shown in the drawing art deco furniture made in england 1940’s .
This operation requires the use of a shipwright’s auger or long bit for bo-inzthe holes completely through the log cornice antique . If these are not available, a short bit ca-be welded to a steel rod whose end has been hammered to a tapered square t,- fit into the chuck of a brace antique oval pedestal dining table . When iron rod bolts are used, the large counterb)rc,, required for the nuts and heads can be plugged william france furniture maker . The end grain of the seat shoal
be protected with a good grade of spar varnish liverpool antique wardrobes .
Armchair candelabro do baroco . Reminiscent of the type of construction used in building the chairs of the fete-A4te ensemble (page 201), the sturdy armchair pictured in Figure , mahogany antique japanese furniture designer .18 makes use of light logs or heavy saplings for its four legs and outside diag braces small dressing table cupboard . The latter are lapped into the tipper ends of the back legs and into the lower ends of the front legs and spiked or bolted into place «masks display cabinets .
The two side stretchers are tenoned into position, after which the inside diagonal saplings comprising the seat are lapped and fastened to the uprights minaret designer . The arms are tenoned into the back posts and screwed to the tops of the front legs, as indicated oak gate leg dropleaf table with drawers .
The two side assemblies can now be joined at the rear by a sapling stretcher near the bottoms, followed by a split log or sapling spiked across the tops of the rear posts or legs small antique rosewood consoles . The front stretchers are now added acanthus 16 century italian design .
The chair back call be assembled separately and set in place before the seat slats are added jean dunand fakes vases . Tenons are whittled at the bottom end of the two saplings that form the uprights for the reclining back, fitted lightly into holes bored ill the seat rails and removed before attaching the split sapling slats jackfield antique pottery . When the back is in place the seat slats are added with the front one well beveled and rounded oil its forward edge leaf refectory tables .
B
C
Fir antiques for sale 18th century with 8 legs dressing table . 3 marquetry +patterns .ig who was pier the cabinet maker . Rustic lamps ming porcelains .
Lamps delicate trestle table . For the week-end cabin or cellar rumpus room equipped with rustic furniture and accessories, the rugged atmosphere can be enhanced by lamps made up of sections of logs and saplings (Figure 3 antique card table brass feet folding .19) antique walnut drop leaf extending table . By inserting the fixtures described in the previous chapter, these rustic fixtures call be endowed with the modern convenience of electricity, without sacrificing their pioneer appearance italian inlaid telescopic action table .
Perhaps the simplest form of table lamp can be assembled from a handful of saplings bound together with rawhide, similar to the bamboo lamp described in Chapter 2 (page 173) english sterling silver chambersticks . Cross sections of small logs can be used as the cap and base of the lamp, with the latter dadoed out laterally for the wire that passes through the tubing in the center, as shown in A of Figure 3 aimone mfg. co new york .19 glass cabinets display printers type . If birch bark is available, a lampshade can be cut to a paper pattern and glued all(> screwed together over a suitable wire form brass antique oriental table top .
The problem of drilling a solid section of sapling to receive the lamp cord is identical with other types of lamps central leg table . The improvised auger described under log furniture (page 216) can be used if the sapling selected is not of too small a diameter english silversmiths . Otherwise it is well to lead the wire off directly from the socket, whi:h is screwed to a Y8-in nipple imbedded in the top of the lamp column photos of early american sofas . Sini1′e grouping of a section of log with a suitable upright member is shown in B 17th century delftware .
A pair of candle-lamp fixtures can be mounted oil a crossarm based in a crass section of a log as in detail C king george 1v furniture . Since electrification of such a candleholder is an anachronism at best, it is just as well to wind the wire boldly around the cenL-r Column and lead if off to its outlet without further subterfuge pottery german weimar art deco .
A search through the woods will yield interesting branch formations that c; n be tenoned into a base without further carpentering antique walnut settee chairback . In detail D of Figure 3 bohemian overlay antique glass .: 1 one example is pictured, where a hanging fixture (see page 178) drops graceful y from the horizontal branch the most common colours of egypt . If the lamp is to be used in a corner or next to a wall, a dark brown electrical cord can be stapled to the “blind” side and led olt through the base value of primitive antique work bench .
Bridge lamps can be constructed in much the same manner luxury dining chairs . Either a so> d base cut from a large diameter log can be used, or three short saplings can be used as legs, similar in treatment to the candle-type lamp illustrated in C antique table telescoping . The sapling arm can be lapped or doweled into place and the electric fixture eith!r hung from below as in C, or screwed upright to a nipple forced into the upper surface of the arm rare chinese urn expensive .
Here again, a natural growth can be selected and used to excellent advantage johann carl schoenheit meissen . For a wire of this length it will prove more satisfactory in the long run to fasten it along the arm and down the upright with loops of rawhide or rafia, so th it there will be no insecurity when the lamp is moved about silverware sets real fake .
BARBEQUE ACCESSORIES
The backyard barbeque with its brick or stone fireplace, or portable metAl charcoal stove, has become a firmly intrenched institution among many llom king george iv side board ._– owners rare willow pattern coloured ironstone china patent . Its universal popularity sterns primarily from the picnic urge that periocically galvanizes the average family secretaire styles . In addition it affords an ideal pattern f)r informal entertaining, and provides an outlet for the suppressed desires of tile male sex to display their rough-and-ready culinary skills tapered antique silver legs .
The growing cult of amateur barbecue addicts is glibly conversant with ~11 manner of gadgets, devices, and sauces dictionary stand antique . While certain accessories achieve distinctive characteristics, the average so-called “barbeque furniture” is equally usef A for general recreational purposes, including the rumpus room c shaped legs for dining table . Since the prima •y objective of barbeque “fiestas” is eating, it is proposed to describe various for is of tables that are proving popular for the consumption of whatever viands emer ,e from the barbeque spit or oven biedermeier candelabra .
Sawbuck Table antique furniture from government buildings for sale . Directly descended from Colonial ancestors, the sawbuck table (Figure 3 antique dinner service .20) is an ideal subject for an outdoor project american art deco bar furniture . Its legs and cleats are standard 2 in antique chippendale serving table . X 4 in 18th century writing table cabriole ball claw feet . stock and its stretcher cut from a length of 2 in chinese porcelain wall decoration mask history . X 2 in gateleg tea tray table . material antique dehua . The top is composed of /-in antique cornices . boards for heavy duty, spaced *’/i(; apart to drain off rain drop leaf table with spiral legs . If preferred, the top boards can be butted tightly against each other and covered with linoleum 18 century candlesticks .
LUMBER LIST
Length,
Width,
Description
in inches
in inches
Thickness, Pieces in inches
Top (3o ill expensive well made sideboard . wide) Cleats
Legs
The two cleats are screwed crosswise to the underside of the top 12,Y8 in pierroger+watches . from each end, with an overhang of i in antique game table english empire . oil both sides “muller freres” reproduction copy . The legs are then laid out o a length of 38 in antique scottish leaf table ., as shown in Figure 3 early georgian style*1695-1750 .20 ltd edition catteau . When properly marked with a steel square, it will be found that their ends will measure 4Y4 in antique 17th century gentleman’s dresser . and that when double lappedin the center, the upper V of the joint comes 14-Y8 in kitchen antique furniture deux corps cupboards . down from the top edges of the legs pearlware barley .
Mortises are cut for the tenoned ends of the stretchers, and two wedges 3r drawbore pins cut from a piece of hardwood Y2 in extending dining table . thick antique drop leaf table with castors . The tenons are triA for a tight fit in their mortises in the lapped joints of the legs, and the mortises for the drawbore pins marked out small wine cellaret . These mortises should slant to the rear 3o that their back surfaces are A antique dessert sideboard . in italian rococo style antique three arch gilded mirror . deeper than the outside surface of the lapped leg gateleg table, rectangle . This draws the cheek of the tenon tightly against the leg, allowing for futt re wear and tear empire style antique desk .
The legs call now be nailed against the outside faces of the cleats antique pattern cabinet . For additional strength the two aprons are screwed to the legs after their edges are cut to coincide with the tatters’ diagonal slant rue la la .
antique round table store leaves mechanism .Matching benches call be made by reducing the dimensions small side table tripod legs . The seats can )e as narrow as 14 in antique silver candelabra ., but should not be higher than 18 in scotish chest of drawers . It will be noted that Ue table has an overhang of io in art nouveau bureau . at the ends, permitting the use of short bencl es or other available seats at the ends, when required european style walnut funiture .
An optional method of construction would be to make the table top sligh ly longer, placing the cleats near the ends so that the legs Could be hinged to f( Id inward for storage, once the drawbore pins and stretcher were removed italian coffee table 1920s .
Lazy Susan Table antique silver entree dishes . The term “Lazy Susan” or “Lazy Betsy” conjures ur a oicture of all old-fashioned dining table accessory in the form of a circular con aliment tray, pivoted at the center so that guests could select their favorite seasonir gs at will antique bowls 1700’s . The idea was also applied to a circular dining table that enjoyed linlikd popularity in bygone years antique ivory handle fish set silverware .
Jul
17
Antique Indoor Furniture Sales.
July 17, 2009 | Leave a Comment
Where the detail of a drawing is rather complicated, the diagonal method will often be found to be a speedier means for accurate copying medieval sidboard . This is because two diagonal lines are added to the horizontal and vertical lines to intersect a greater number of curved and irregular lines in the original matter, as shown in Figure 1 rococo drum tables .40 antique divans . Although these diagonals can be added to the simple graph squares, it may prove more desirable to outline the original design with a square-cornered “frame” whose sides measure in units easy to multiply or divide birdseye maple side tables . The corners of frame A are then joined by diagonals, as in B, and then the centers of the top and bottom and sides are joined, as in C “muller freres” reproduction copy . This process of subdivision is continued wherever the detail in the design requires additional intersections persian carpets .
To enlarge or reduce the pattern the baseline and one side are extended the required distance, and the main diagonal projected as shown louis 16th tables . Thin tracing paper can be used where it is undesirable to mark the original material mid century drop leaf .
The photographic enthusiast who has access to an enlarger can “blow up” small-scale drawings to a required size by tracing the original drawing on translucent tracing paper early 19th century furniture . With this tracing as a negative the enlargement can be retraced by hand on a piece of wrapping paper, or it can be printed or narrow 9 feet dining table . paper in a darkroom, or directly on the wood, metal, or fabric to be worked if it is first coated with Multimulsion octagon music jewelry box made in japan red velvet .
To enlarge for tracing only, a simple mirrorscope can be constructed using any available lens, a mirror, and a light source antique english bone china tea sets empire . In Figure 1 boulle .41 a wooden box with an opening in the bottom for the material to be copied (D), hay a antique new england pine dresser .-n’ antique american cherry cupboard with drop leaf .rror (M) fastened at an angle that will project the image through the lens (L), fastened in place over a hole opposite the mirror antique central table legs . The box should be high enough or wide enough to permit the installation of an electric socket ( E) for a high-watt bulb french troubadour commodes .
Last but not least of the enlarging or copying devices is the old reliable pantograph art deco china sets from czecho slovakia . From Figure 1 antique table spiral turned legs .42 it is clear that the construction of this contrivance is merely a matter of accurately drilling the four hardwood strips to the identical spacings shown in the detail 16th century small tables . This is done with the four strips clamped together before their ends are trimmed off, so that the first holes in strips (A) and (B) are 2Y2 in mechanical drawings on dressing table . from the centers of the larger holes at the end where strip (A) is pivoted if shrinkage takes place to any degree, there will be no clanger of the parts splitting french pocket watches, 16th century, identify . In the same way the boxlike carcass or case B will shrink from front to back cire perdue lalique . As already described, the dovetail joint is the most satisfactory corner joint; it can be lapped where concealment is desirable, along the sides of the case “dutch chair” table antique .
The second method is stool construction, pictured in Figure 1 antique slovakia ceramics vase .44 17 century english stoneware . The rails are jointed to the legs with strong mortise and tenon joints booths pearlware marks . The mortises meet in the thickness of the leg, thus giving the mitered tenons maximum length beautiful tier table display . Doweling is the alternate method employed in much fine furniture, though it is not as strong as tenons are fall front french desks . Stools, chair frames, and table frames are of this form of construction with the main corner posts continued to the top chippendale style english silver tea tables .
The third form, frame construction, illustrated in Figure 1 wedgwood pompeii .45, was evolved to avoid the bad
effects of shrinkage antique oak drop leaf table . When the framing shown in Figure 1-40 is filled by a wood panel, the panel is inserted into grooves or rabbets without gluing This permits it to shrink without affecting the framework gillows burr walnut desk ormolu mounts . A wide frame can be reinforced as shown in Figure 1 german furniture dining mahagony .45B anitque side cabinet . When applied to the framework of cabinet C, this method of construction in reality consists of joining two side frames to~ gether by front and side rails in mortise-and-tenon joints historismus beakers . Stich a cabinet will not shrink from front to back antique talavera pitcher spain .
To a great extent plywood has modified the necessity of compensating fot shrinkage and swelling in large surfaces queen mary mother ship tea dish antiques . However, when solid stock is used walnut art deco ogee console table . pre george hepplewhite bureau . cautions must be taken to prevent damage to the finished product antique dining tables with extension under the table ends . In addition to designing and assembling a piece so that the grain of the parts lies in the same plane, narrow widths should always be used in preference to wide material table paw feet antique . This procedure is based on the recognized principle that shrinkage, in general, is pro, portional to width scottish furniture designers art deco . Hence, glued-up members, when properly assembled with alter Hating heart and sap pieces, will exhibit considerably less shrinkage than single wide boards ” rococo revival” console english french .
AVERAGE DIMENSIONS of TYPICAL FURNITURE
Type
Description
TVidth, in
inches
Depth, in Height, in
inches inches
Bed
Bedside table Butterfly table Chair, (lining or side
Chest, linen
Chest of drawers Coffee table
Console
Corner cupboard Desk, kneehole Dining table Dressing table
End table
Floor lamp
Cateleg table (oval)
Lamp table Magazine rack Pembroke table
Sideboard
Stool
Tilt-top table Writing table
Twin
One or two drawer Each leaf io art vargueno cabinet .yj in bernard palissy antique porcelain . Back 34Y2 in english silversmith marks 18th century . high
Cedar-lined
Four drawers Rectangular
Half-round top Colonial
Leg space 20 in antique oak drop leaf table with casters . X 24 in Seats six
With mirror, I to 3 drawers
Rectangular
3 legs, table shelf Center 3%2 in antique 5 leg oak drop leaf table . wide,
each leaf 12y4 in cassone with pastiglia . Round or octagonal top Floor
Center 15 in eighteenth century women dressing in front of men in their bedchamber . wide, each leaf 7Y2 in antique convex glass . Georgian
Early American
Round top
One drawer
Another cabinetmakers’ device to reduce the deadly enemy of change in the wood fibers is the sliding joint silver forks . The unglued plywood panel housed in its dadoes in the surrounding rails is a good example czechoslovakia antiques . The elder cabinetmakers were well aware of this expedient, and their heavy slab tables will often be found with the rails, or cleats to which the legs are fastened, dovetailed into the table top in a sliding joint 17th century dining table & melon ball legs . The present-day methods of using angled metal fasteners to secure table tops to slots in their aprons (C of Figure 2 tableware expensive .23) is nothing more than a mechanization of the sliding joint antique table leg made of metal . The same tolerances are afforded by elongate(> holes when the pocket-screwing method, illustrated in Chapter 2, (page 78) is used queen’s lusterware .
CALCULATIONS
Areas of surface: Triangle Parallelogram Trapezoid
Circle
Ellipse
Regular polygon
Cylinder Sphere
base X altitude base X altitude
Y2 sum of parallel sides X altitude
radius square X 3 porcelain cris de paris .T40
long diameter X short diameter X 0-7954
long
Y2 sum of its sides X perpendicular distance from the center of the polygon to one of its sides
Sum of areas of both ends + circumference X height diameter squared X 3-1416 INDOOR FURNITURE
CONSTRUCTION
THE designs included in this chapter hav, been carefully chosen to represent a cross section of the various methods o’ furniture construction employing the fundamental operations described in t114 preceding chapter wedgwood pompeii . Within sections, the projects are graduated from examples o relatively elementary workmanship to those requiring more advanced craftsman ship westerwald stoneware . sheffield silverplate patterns .Although all are considered to be well within the range of average ability the amateur cabinetmaker is advised to select the simpler projects first, progressin( step by step to more complicated joinery according to his demonstrated abilities Opportunities for machine-tool construction are present in all projects, and man turned patterns can be included by the craftsman who possesses one or more wood working machines 17th/18th century style, open-rack oak dresser .
Few suggestions are included as to the kind of wood to be employed pedestal leg english trestle table parts . Th; selection is left to the worker, whose decision will be influenced by the intende use and the finish of the article he plans to construct selling japanese tea tables antique . Kitchen, bedroom, nursery and bathroom furniture is often painted and can therefore be constructed fron close-grained softwoods antique sideboard with desk . The choice of hardwoods depends upon the other furnitur-
1~
in the room, the design of the piece, and the availability of the desired stock double tulip art deco dining room table .
As we saw in the preceding chapter, the aristocrats of furniture woods ar mahogany, walnut, and maple, with gurnwood an excellent substitute large frosted glass reproductions nudes . Mallogan is automatically associated with Chippendale-like turnings and carvings; walnu is reminiscent of Queen Anne styling and is very popular for modern designs native maple was a favorite in colonial days and is therefore most suitable fol Early American and Colonial designs antique fluted legs .
In the early stages of his cabinetmaking the beginner will do well to make us( of yellow poplar as an all-round medium for workshop practice prohibition furniture . Of low cost and general availability, it is soft and easy to work rectangular honey pots antique . It is variously known as poplar cottonwood, and whitewood, and is sometimes confused with certain species of the tulip tree flemish refectory table .
Plywood is a modern composition that has become increasingly popular among cabinetmakers in direct proportion to the increase in its tensile strength and the variety of exposed surfaces offered square shaped sofa tables . Various plywood designs are offered in a later section of this chapter antique japanese yellow vase .
The dimensions tabulated under the lumber list in each project are the measurements of the finished stock including all tenons, tongues, curves, and so on fake ironstone china mark . By decreasing height, width, and length, the worker can make children’s furninire-, by increasing or decreasing certain measurements, he can build a piece to fit a restricted space antique napoleon furniture . When such measurements are being changed, however, care should be taken to maintain the proportion inherent in the design antique +christening+shell .
FOLDING SCREENS
Depending upon the type of covering or finish employed, the construction of folding screens can be so simplified that an astonishingly workmanlike, ornamental, and useful article can be produced by the beginner dinning table carved like an animal . The first project selected is such a one, employing as it does not only the simplest of wood joints by the most inexpensive of materials antique gate legged drop leaf table .
Wallpaper Screens info gillows in the 19th century . The customary height of folding screens is that of the average person 5 ft antique folding “coaching table” . 8 in antique oval dutch table . tall wellinton chest of drawers . In a screen of this type the framework is to be entirely covered-, therefore the cheapest quality of lumber can be employed provided it is properly seasoned jacobean monks chair .
LumBriz LIST (for one frame)
The construction of the frames, which can be from three to six in number, affords the amateur craftsman an ideal opportunity to practice a variety of simple joints canopy campaign furniture . Inasmuch as the entire frame will be concealed, the only requirements are that the joints shall be flush, square, and firm early american wall mirror .
The easiest joint for such a project is of course the butt joint mercury barometer . It can be fastened in place by two io-penny finishing nails driven through the stiles into the rails, provided the latter are soft enough to resist splitting drop leaf table antique gate leg . If all five rails are clamped together, squared, and cut at one time there will be no difficulty about their fit antigue dressing tables walnut . After the top and bottom rails are nailed in place it is a simple matter to insert the center rail, and then center the other two rails in the remaining spaces 15% in 1840’s design louis . apart (Figure 2 cabinet legs in walnut .1) antique wardrobe art deco on wheels .
Butt joints are the weakest of all joints because the end grain of one member surface of the joint somewhat, even will afford the rigidity of bracing blocks design elements in a hereke rug .
Accurately mitered joints (detail E) can be fastened with nails, corrugate fasteners, or dowels biedermeier inspired furniture . Lap joints are pictured in detail F escritoire antique . They can be glued an nailed, pegged, or screwed tightly in place what is a spoon with forks at the end +called . For the woodworker who enjoy doweling, the jointing of the interior as well as the outer rails to their stile present an excellent opportunity for practice 17th and 18th century french silver marks . The dowels should be small enough ii diameter to permit the use of two at each joint in order to prevent twist, as shown at G how to display antique chicken coops .
An open mortise and tenon (detail H) could be used effectively at the corners held together firmly with glue and countersunk screws or dowels table drawing room bar antique . Unless the wood is very soft, however, to attempt closed mortise and tenon joints (detail J) for the interior rails might invite the disaster of splitting oriental nouvoux furniture . No matter what joints are employed, it is essential to the success of the project that each joint shall be true and that the uprights remain parallel, free from twist or wind antique game table english empire .
With the frame completed, a piece of wrapping paper ig in florence antique silver bedstead . wide and 7o in long is now cut and laid on the bench or floor georgian court sideboards . Available glue or paperhanger’s paste is applied to one side of the uprights and stiles: then the frame is pressed
(in this case the rail) offers a mininnn i of purchase for nails, screws, or glue u less one or more dowels are inserter Therefore six bracing blocks are cut wit their long edges parallel to the grain of the wood telescoping dining table . They are glued inside the fou outer corners of the frame and to the tot (or bottom) corners of the central stil~ as shown in A, Figure 2 flemish trestle table .1 and fastened with two 8-penny nails antique furniture ornaments . The blocks not only will prevent the io-penny nails fro i pulling out of the end grain of the stile-but will also insure rigidity at the im portant corners rococo revival furniture . If preferred, angle iron bohemian glass decanter sets ruby overlay process . can be screwed inside the corners insteai of the blocks, as shown at B influence of rationalism in renaissance furniture italy . Asti simpler method of construction is illus trated in detail C, Figure 2 antique german furniture for sale .1, demon strating the use of corrugated fasteners t( hold the butt joints tight 19th century native american pottery . With the join clamped together two of these sharp edged fasteners are hammered down flus with the faces of the two members Scotch fasteners (detail D) have the same effect, but will project above th-
in soft wood kyoto china predecessor fine dinnerware . Neither of these time saver 18c & 19c cheval mirrors .
A second sheet of paper is fastened to the other side in like manner, after which procedure both sides are lightly moistened with water by means of a sponge or a cloth examples of antique dressers . This will tighten the paper smoothly when it dries; too much water may cause it to split bureaux mazarins . The frame is now ready for the application of the wallpaper, which should be chosen with care old fashioned wooden tray with silver legs . In general, it will be found that a design that features fairly large figures will prove more pleasing than a small pattern australia edwardian dining chairs . Furthermore, for case in cleaning, it will prove desirable to apply a thin coat of clear shellac to the wallpaper, which, however, tends to darken its tone french table stretcher draw leaf .
Since standard wallpaper is 18 in antique pembroke mahogany . wide, it can be lapped over the edges of the frame in the same manner as was employed in attaching the wrapping paper portuguese pallissy ware . While it is being worked out smoothly with a soft, clean cloth it will be noticed that the wrapping-paper liner will tend to loosen and wrinkle antique wedgewood plant pots . As the paste dries, however, it will tighten as before antique vernis martin writing desk .
When the wallpaper on both sides has dried, the edges can be trimmed and painted a contrasting or matching color commode art deco . A more secure method is to glue on upholsterers’ gimp, fastening it with matching tacks at 3-in dutch tea table . intervals meisen hand painted plates 1920 allegorical .
Double-acting hinges are mortised into the edges of the frames dating antique dressers . The panels should be separated by small wedges when the hinges are being fitted into the gains, with due allowance for the thickness of the covering material and tacks as shown in Figure 2 bernard palissy, 16th century (1500s) french baroque ceramic designer .2 B walnut armchair josef urban art noveau . The bottom edge of the frame when not fastened with upholsterers’ tacks call be raised from the floor by inserting dome casters at both corners tulip porcelain chamber pots .
Leatherette Screens sofa french 4 legs . In place of the wrapping-paper and wallpaper covering leatherette can be use(> if preferred, by tacking down the first side with flatheaded carpet tacks, overlapping it with the second side, which has been cut long and wide enough to double it under and secure it with upholsterers’ tacks, or gimp and tacks 1800s dining table for sale antique civil war . This type of covering must be stretched tight in much the same manner as screen wire when applied to an inflexible frame pictures of painted italian antique china cabinets . The ends are first tacked as tightly as possible, then the sides antique pembroke table, floral inlay design .
Wallboard Screens square brass dial . For a stronger screen, beaverboard, smooth wallboard or plywood panels can be cut to fit the outside measurements of the frames and glued in place, with a few invisible brads inserted for added security east india company wine bottles 1818 . The edgeE are trimmed flush all around, sanded, and painted george 11 pier gilded table . The faces of the panels can be painted, stenciled, decorated with decalcomanias, glued labels, photographs shells, or wallpaper kidney shape dressing table .
Oilcloth and Chintz Screens drop front desk . In kitchens, bathrooms, or nurseries it may be more desirable to use an easily cleaned oilcloth of harmonizing design and colors 1925 antique floding desk . Glazed chintzes, which match a room’s draperies, slipcovers, or pillows are exceptionally effective, and for durability may be first lined with a tightly stretched frame covering of unbleached muslin or other suitable material antique drum table .
Utility Screens gate-leg-table xvii . When space is at a premium and it is desired to conceal an extemporized kitchenette or washstand, light plywood strips supporting hooks can be attached to the rear of the screen, or plate and utensil brackets of doweling call be screwed to the frames as suggested in detail D, Figure 2 antique coffee tables carved with romans playing instruments under oval glass .2 small tripod bed tables . In the latter case it will be advantageous to stagger the rails to prevent constant wear and teat to the outer surface of the screen’s panels mid 19th/ century wooden furniture . Rails may be in pairs at such points or wider lumber can be used voysey furniture . Hooks and eyes, shown in detail C, Figure 2 kufic art 1900 .2 Will hold such screens firmly open buy antique pembroke inlaid table .
At the cost of a little additional effort, the horizontal line at the top of the screen can be softened by the addition of a curved member along the top edge of the center (or all) sections as illustrated in Figure 2 drop slant desk shell .3 3 legged antique table with ball claw feet . If not too deep, these curved portions may consist of separate pieces sawed out with a compass saw jigsaw, or band saw and attached by means of jo-penny nails or dowels, as it detail A, Figure 2 antique silver sphinx .3 low style tables . The better practice is to use a single piece of wider stocl, for the upper stiles, as in B, Figure 2 antigue pdestal drawning table .3 french commodes . An interesting treatment of a three-section screen is to slope the curves up toward the taller central section as pictured in C Figure 2 german clear glass art deco vases .3 writing and toilet table rococo .
Jul
16
Antiques. Furniture and Other Antique Items.
July 16, 2009 | Leave a Comment
The shed should be in such a position that it will receive the maximum amount of light american gothic revival furniture makers . In conjunction with this, keep it as near to the house as is reasonably possible, having in mind the frequent
1-w jackfield collectors . 3 roccoccoware . Appearance of the completed tool cupboard maples of london cabinetmakers . Easily made, it permits of a convenient arrangement of tools antique secretaire abattant oriental .
journeys to and fro for glue, tools, etc antique furniture bureau desk .
While tools may be left in the garage, outhouse or shed in the summer months when the air is dry, it is far better to keep them indoors during all other than fair weather, otherwise rust will attack metal parts, and damp will swell wooden parts chippendale style coffee table tilt value .
Therefore, the tool-container ad-
visable when the work is done outside the house will be different from that adopted when it is done inside french pilar candlestick . Fo~ outdoors, tools might well be kept in a tool-case, or in attachd cases, which can be carried to and fro monastery credence tables .
Fig dutch renaissance marqueterie cabinet furniture . 4 shows a standard fibr chippendale revolving bookcase .- attach6 case adapted for holding a set of tools; inside measurements are 1,5 in antique empire table . long, 9 in folding tripod table with brass top . from front to bac,4 and 4 in ribbon mahogany dressing table . deep deco game table with drawers . The tools are retained by loops made from a leather strap, antiques antique oak sideboards dutch style . These loops are fixed to the lid an
t
body of the case by bifurcated rivet inserted from the outside of the case and clinched from the inside, ovel the straps antique table octagon edwardian .
The choice of tools rests with th woodworker’s individual requirements, but the following list has been compiled to meet average require medieval times display cases . ments:
1/1 lid of case:
Tenon-saw, 10-in european antique tin glazed pottery . blade wheat antique dresser . Two-fold steel rule, 24 in norfolk gateleg table .
Three firmer chisels, ~ in 1900 antique mahogany dresser drawer ., J in antiques lamps made by universal statuary co. .
and I in antique japanese yellow vase .
In hodj, of case:
Metal smoothing plane with 13-
4
in thonet recliner . cutter art and crafts of a dragonfly that have inspired designers .
Ratchet brace (8-in drop desks,frech . sweep) antique turn of the century display cabinets . Ratchet auto-screwdriver, witf
two screwdriver bits, and
three fluted boring bits
When not in use the tool
are kept in hollow handle Medium-weight joiner’s ham lions paw legs on table .
me r antique drop leaf gate leg side table .
Nail-punch 1700 french porcelain, images .
Oilstone (two faces with differ ent grades of coarseness), Pincers, 7 in empire revival bed . long names of art deco furniture makers .
Mixed nails in wooden or tin box old fashioned table brass metal claw feet on casters .
Cartons of screws, as sold, each
size in separate carton types of antique tables . A handy tool container can be case which has inside dimensions
provided by adapting afibre attache of not less than 15 x 9 x 4 in after dark candelabras .
FIG antique slovakia ceramics vase . 5 (below) porcelaine mark “crossed swords with a” porcelaine . 1j’a sturdy kitchen table is to be used as a makeshift bench, working will be greatly facili fated by a 12-in antique chippendale writing table escritoire . bench-stop (a) and a hand-screw (b) fitted to the table-top makers of 1940’s american art deco furniture .
Baize roll with centre-bits and
twist-bits for brace oval loudon floral 1783-1843 .
Light tinnian’s mallet (with cylindrical head) glass platters silver decoration 1900 england .
Jobs will often be done on the kitchen table antique monks chair . Provided that it is strong, as kitchen tables usually are, this will serve as a makeshift bench antique niche cabinet . It will be necessary, however, to have some sort of a bench-screw or vice, and some kind of a bench-stop german buffet furniture . Each of these will have to be readily removable art deco console and germany .
A suitable bench-stop can be provided by screwing a piece of oak or other hardwood, measuring about 12 x 2 x I in makers of ceramic beehive honey pots ., on to the table as indicated in Fig first antique table de chevet . 5 (a) mahogany antique japanese furniture designer . Pass the screw nearest the front of the table through the top, centrally into the front rail antique filing collectors/ tambour cabinet . If a screw not shorter than 2 in antique dining room table rectangle +connected double pedestal ., and of about 10 gauge, is used it should secure the lath firmly marquetry drop leaf side table . The length of the remaining screws will
14
% louis xvi display cabinet with gilding .in FIRMER CHISEL
2-ft STEEL RULE (TWO-FOLD)
hin 16th century chairs . FIRMER CHISEL
JOINER’S HAMMER
RATCHET BRACE \ (8•m SWEEP)
TENON-SAW 10-in modern telescoping dining table . BLADE
- I in FIRMER CHISEL
SMOOTHING
PLANE
(1%rin CUTTER)
french silver candle holder .— MIXED NAILS
LIGHT MALLET
PINCERS
AU I OMATIC SCREWDRIVER NAIL-PUNCH TWO-SIDED CARBORUNDUM OILSTONE
SCREWS
IN CARTONS
ROLL CONTAINING GIMLET-BITS french word for cabinet .
ENTRE BITS AND TWIST BITS
ADAPTING A TABLE-TOP
depend oil the thickness of the tabletop; 14L in rectangle drop leaf table with additional leaves in fruit wood . x 8 will generally be suitable napoleonic campaign chairs . The screw-holes will not greatly disfigure the table-top, and if later it is desired to hide them the holes can be filled with small deal plugs so made that the grain of the plugs matches that of the table-top antuque porcelin bedside toilet pot . If on occasion wood of less than ;-in porcelan rococo teapot victorian photo . thickness has to be planed, the stop can be replaced by one that is I in antique silver apostle spoons . thick antique mahogany card table, imperial .
An improvised bench-screw or vice can be made with a 12-in william hunt genuine antiques available in kent . hand-screw antique chamber pot . The hand-screw should be screwed on to the table-top as shown in Fig large walnut veneer gentllemans cupboaard . 5 (b) antique octagon side table with scrolling . It will stand I in “innovative styles of the 20th century did not include” . forward from the front edge of the table-top table lamps biedermeier . In order to reduce the strain oil this edge, and thus prevent
it from splitting off, one handle of the hand-screw should be held down on the table-top by the small device indicated 17th century american drop leaf table . The top piece measures 8 x 2 x 7- in antique tankards ., while the two pieces glued underneath are 3 x 2 in 17th century english trestle table ., and of the necessary thickness (about
13 in antique porcelain sevres .) trestle table lyre base . 4
In using this improvised bench- screw, the timber which is being worked should, if of a fair length, be supported at the end with a box or a spare length of timber art deco console table black .
Shaving waste makes a mess in the house, and, unless it can be conveniently burnt in a stove, the shavings should be burned in the garden antique wales footed dessert platter . Incidentally, wood-ash contains potash, and is a good fertilizer for potatoes antique russian hand painted pocelian jar .and other root crops george oakley furniture .
THE WORK BENCH
To the established woodworker a bench is essential, as holding the work securely is frequently half the battle in performing an operation successfully antique silver apostle spoons . A good
bench fitted with a woodworker’s vice can be made quite easily, and two patterns are suggested here writing cabinet .
Making a Simple Bench antique oak pedestal table rectangular with leaves . The bench shown in Figs epergne parts . I and 3 has all its members bolted together, and the arran2ement of the bracing pieces produces a firm job how much would an antique clawfoot dresser cost . The legs, of clean 3 x 3-in 18th century gateleg table . softwood, should be laid together side by
side, as shown in FIG “antique furniture” + “ebony veneer” + desk .
Fig victorian reaissance revial credenza . 2 (a) regency occasional table . The lines marking the top and bottom of the legs, and the shoulder line, are then squared across all four legs at the same time; this
1 czechoslovakia glazed pot . A strong bench of simple bolted construction modern art deco bookcase .
TOP SHOULDER LINE
BOTTOM GAUGE LINES % in anyone know the name of the table from pier one, mahogany with carving . FROM FACE
0
GAUGE LINE % on richard edward chippendale pier table . FROM FACE
SHOULDER
LINE
FIG antigue pdestal drawning table . 2 pennsylvania drop leaf table 6 legs . Preparation qfihe bench legs is shown in (a) and (b); details of end
and side rails appear at (c) and (d) european handmade antique glass floral arrangement 100 years .
0
SHOULDER LINE
ensures that every leg is exactly the same length as the others gate leg drop leaf tables . Square the lines round oil to one other face, and saw off the legs to length paul de lamerie reproduction . Gauge a line 4 in kufic art 1900 . from the face, as shown in Fig antique drop leaf table with two leaves . 2 (b), and saw away the waste (indicated by shading) a dutch walnut and burr-walnut longcase clock . This completes the preparation of the leg, which should now appear as in Fig 19th century louis style commode . 2 (c) victorian sutherland table .
Place the two side rails (of 6 x I in jupe dining table’ . deal) together, and square off the length and shoulder lines (S in Fig italian cypress chest 17thc . 2c) antique porcelain bird sculptures 1762 . Gauge a line 14 in pollard elm . from the face as indicated in Fig art-deco-1920-1930-wood . 2 (d), and saw away the waste imari porcelain marks . Repeat this
FIG czechoslovakian quality porcelain . 3 westerwald stoneware . Appearance of the completed bench, showing principal dimensions secession style furniture .
operation for the end rails, noting that these rails overlap the ends of the side rails to produce a square corner , this is made clear in Fig rare chinese urn expensive . 2 (c) art deco wooden chair .
The rails and legs can next be assembled antique imari porcelain . Place the two front legs on the ground and lay the rail in position, making certain that the frame is square and that tile shoulders of the rail are tight against the top of the leg wooden cylinder pedestal . Bore two -g-in antique chair tall skinny back . holes through the rail and leg in the positions shown in Fig 17th century antique trinket boxes . 2 (c) gateleg walnut drop leaf tables . Place two 3 - cheverton reducing . diameter - coach (mushroom-
, in
headed) bolts through the holes, fit a washer and screw the nut up tightly marquetry inlaid trays . Assemble the two back legs in the same manner deco chairs . Lay one of the bracing pieces in position on one frame and hold it with G-cramps or tack it in place temporarily with short nails hand painted black lacquered with mother of pearl oriental furniture, writing bureau .
Test the frame to see that it is square by measuring the two diagonals, which should be equal the name art deco originates from the paris exhibition ‘paris exibitio n internationale modernes of 1925′ which aimed to show paris was a world leader in design and manufactor of high quality goods . When satisfied that the frame is square, bolt the brace by means of a 1-in antique oak drop leaf table . mushroom-headed bolt at each end poole art nouveau . In the same way, bolt a second brace on to the back face of the front legs so that the front frame is held rigidly antique honey pots . Brace the framework for the back pair of legs in the same manner rectangular gustavian dining table .
Stand the front and back frames upright and hold the end rails in position with cramps while they are being bored and bolted in place antique dressing table free standing mirror . Brace the two ends in the same way as the front, with two braces each, bolting each in place after testing the structure and ensuring that it is square sheffield shovels .
The base of the bench is now complete, and the top (of timber about 10 in, wide and 3 in antique maple dinning table with pull-out leaves . thick) should be fixed on to the rails with long, stout screws, the heads of the screws being sunk below the surface so that they will not be a danger to the edges of cutting tools medieval “reading slope” . The rest of the top can be filled in with -,’,'-in antique octagonal side table . boards victorian kidney shaped dressing table with glass top .
In fitting the top be careful to place it with the heart side of the
board uppermost; this enables the top to bed down more firmly on the base and also enables the surface to be trued up much more easily when this is required 17th c. antique moroccan doors . (See Chapter 3,
BUYING TIMBER, for an explanation of heart side antique dining table 1604 .)
Framed-up Work Bench vilas table . The bench shown in Figs candle sticks antique porcelain victorian couple . 4 and 5 is a good standard pattern which is strong enough and of a useful size for all-round work ; the overall size can, of course, be adjusted to suit the maker square chest of drawers on all sides . The framework of the bench can be made of red deal; the top is best made of beech, but good red deal will do for this also, although not able to withstand the amount of hard wear that a beech top would cupboard design for keeping cockery .
The legs and rails may all be of 3 x 3 in 1930 chairs dining black . timber antique 16th century tables . The main top should
FIG marquetry tables, austro hungarian . 4 antique dresser with mirror mahogany . An ideal work bench which eniplqys mortise-and-tenon construction deco chair dressing walnut .
Fully dimensioned drawing of a bench large enough fir most jobs scandanavian antique dessert stand .
be 3 in dumb waiter cedar rectangular antique . thick if possible; 2-in antique italian extendable table . stuff’ would serve, but that thickness would not give quite such a solid base upon which to work the most expensive silver tray . The rest of the top should be filled with tonguedand-grooved boards, in japanese antique silver tray . thick, with a rail at the back edge, the top of which should be level with the surface of the main top baroque consoles . This allows boards, cramps and the like, which may be laid across the top, to lie horizontally and firmly rare chinese urn expensive . Alternatively, the whole of the top could be made flat by packing up (lie”-in walnut beaconsfield wardrobe .
4
boards to the level of the main top; but most workers prefer the well-top bench as illustrated antique creamware .
Place the legs together as in Fig pedestal desk flaps at ends . 6 (a) and hold them with cramps while the lines are squared across the face of all four pieces antique pie crust table . Every line that is necessary oil all four legs should be marked at this stage, thus ensuring that all legs are identical decoupage on veneer . Separate the legs, and square the lines all around the wood how to tell william iv furniture . Place all four side rails together and square across the shoulder and length lines, and square
them around as before spanish puente pottery . Place the two top rails and the two end rails together, and square the necessary lines across as indicated in Fig lancashire bow front mahogany chest drawers . 6 (b), noting that the two top rails are different from the two end rails 20th century furniture development in france .
Using 3-in antique oval tea table . stuff, a tenon I in delft concentric circles . thick, set in the centre of the wood, is required antique oval brass coffee tables from india . Set the mortise gauge to a 1-in venetian micromosaic mirror . chisel, and gauge all the tenons and mortises with the same setting of the gauge scottish chest of drawers . Mark the waste to be cut away, as shown in the shaded
MORTISE WIC!EDJ
F
SAW CUTS FOR
WEDGES
FIG fiddleback walnut . 6 octagonal silver trays for dressing table . Legs held together (a) while the ends are squared across and mortises and tenons are marked; (b) sindlar treatment ” for the rails; (c) and (d) illustrate a wedged-tenon joint school cupboard antique .
WORK-BENCH CONSTRUCTION
FIG antique posset pots . 7 brass frame girandole images . One end of the bench struelure with parts ready for assembly and gluing up without the top gerhard schliepstein, german sculptor .
portions of Figs wood antique tripod table glass top 1950 . 6 (a) and (b) antique pedestal plate by wales . Saw down the cheeks of the tenons, and then saw off squarely to the shoulder lines round spider leg table . Cut the mortises right through the members from both sides court desk art . When this has been done, the whole framework can be assembled dry—without glue early victorian mahogany telescopic dining table . Mark the joints so that the corresponding mortises and tenons can later be put together again in the same order collectors glass display tables,small . Test each joint separately to see that the shoulders fit tightly, and that the members are square with one another hunting chest french 18th century . Test each frame to see that it is flat and out of winding (free froth and measure the diagonals, which should be of equal length, to prove that the frame i5 square royal court floral bone china hand made & painted by craftsman staffordshire .
When satisfied that the framework
is correct, widen the mortises slightly on the outside to take wedges, as in Fig antique glass “la granja” . 6 (c), which also shows the saw cuts made in the tenons about I- in rectangular gateleg table . from the edge of the tenon regency secretare . The aim should be to produce a well-wedged joint as shown in Fig art deco cermanics signed made in austria with the inital s . 6 (d) antique french office chair . The wedges should be exactly the same width as the tenon (1 in japanese mother of pearl furniture . in this case), and be sawn to the required slope from a block of wood 1 in sutherland table australia victoria . thick crockery cabinet designs .
The two end frames should be assembled first pictures of yellow antiqued cabinets . Glue the tenons and mortises and cramp up the frame; test for squareness, see that it is quite flat, and then wedge the joints small round chippendale center hall table . Leave for twenty-four hours to allow the glue to dry out jacobian furniture . Next glue the side-rail joints, cramp up the bench, and wedge the joints french drop front desk . The wedges should be given a smear of glue before being hammered home; this helps to hold them firmly in position antique creamware tankards . A view of one end of the whole structure is given in Fig antique brass and marble cocktail table 1950 . 7 dressoir timber .
When the glue is dry, clean up any projecting wedges and tenons with a smoothing plane, and the base will then be ready to receive the top antique upholstered louis xlll armchair .
FIG cocus wood oyster veneered . 8 antique english ironstone . An adjustable bench-stop; it should be a close fit in the mortise Bore two–g-in staffordshire flatback fakes . holes in the top rail, one on each side of the front mortise, as shown in Fig empire style with neoclassical furniture . 7 19th century native american pottery . Place the top in position and hold with cramps while the -R-in antique, table, drop leaf, walnut . coach screws are being driven in from the underside, using washers under the heads to prevent them from biting into the wood collectors cabinets -jewellery trays/draws for stamps/beads . Start each coach screw by boring a -&-in antique white chamber pot . hole in the top to take the thread of the screw, which should be smeared with oil or grease to make the screw run more easily antique furniture escritoire lacquer black .
To prevent shrinkage from leaving gaps, the thick top is rebated as at R, Fig using decoupage to cover chipped veneer cabinets . 7, to take the “-in baltimore fancy chairs . tongued-and-
4
grooved boards which fill up the rest of the top gate leg table english oak antique . These boards are nailed to the top rail, and the heads of the nails punched below the surface to prevent them from damaging the edge of any cutting tools that may be laid in the well upholstered english armchairs . The back edge of these boards should have a rail about 1 J in fiddleback walnut louis xiv reproduction desk . thick screwed oil from underneath, the height of the rail being such that the top of the rail inexactly
level with the main bench top wardrobes from the 18th century .
A bench-stop can be fitted by making a mortise right through the top, as shown in Fig deco steel desk . 8 cast regency period candlestick . The bench-stop should be of hardwood ; beech is usual, but any hardwood will serve quite well fall front french desks . A good size is 2 x 1 I in king george iv side board ., and about a 12-in porcelain cris de paris . length will allow the stop freedom of movement above the side rail potters stoke on trent empire rococo . The stop should be a close fit in the mortise, but as it usually works loose after some use it is as well to fit a 1-in 1800 english writing bureau . bolt with a wing-nut through a slot in the lower part of the stop, the bolt running right through the leg silver entray dishes . The stop can thus be fixed at any required height above the bench top antique white chamber pot . ‘
The fitting of a good woodworker’s vice will complete the bench antique rent table . In choosing a vice it is advisable to obtain the largest size, with jaws about 10 in 19th 20th century ladies writing desk . and opening to about 12 in 18th century horoldt augsburg vases .; it is very annoying to find that, as is often the case with a smaller vice, it will not open quite wide enough to hold the timber in use italian draw leaf table .
SIMPLE TOOL-BOXES
Both the boxes illustrated can easily be made, and, although intended primarily forthe storage of tools, they can be adapted to other purposes deco chairs . The dimensions given are suggestions only and can be varied to suit any particular requirements art deco woman figure porcelain .
Tool-box and Stool Combined antique drop leaf table with leaf built in . Fig jennens and bettridge . 1 shows the constructional details of a box and stool combined, which can be carried around the house and used adjacent to the job in hand 1710 antique french pewter marks . The stool is often useful as a temporary bench art deco dining chairs with arms . To make the box, first plane up the two ends A and B from sound 4′1-in rare meissen porcelain presentation .
softwood, using either a wide board or two or three narrower boards edge to edge 17th/18th century style, open-rack oak dresser . Place the lengths of wood together in the vice and square off across the edges of both (or all) the final length and also the position of the housing for the bottom when were epergnes invented . You should now have four lines squared across the edges inexpensive 1960’s painted small dresser 2 drawer .
Jul
16
Antiques. Advantageous Conditions.
July 16, 2009 | Leave a Comment
THE WORKSHOP
IF there is a spare room in the house the problem of providing a home workshop is seldom difficult 1800’s flat top pedestal desks . A room on the ground floor is to be preferred, of course, but all upstairs room is suitable for most light woodworking and metalworking meissenimitators . Where there is no spare room in the house, an outhouse of not less than 6 ft mid eastern style shell drawer . square provides a suitable alternative, provided that it is satisfactorily lighted; but it must be free from dampness if tools are to be stored cellaret for sale train . The main item of “furniture” in any workroom is a good, rigid bench breakfast serving tables .
Where a room or garden cannot be provided, recourse must be had to the kitchen, where the table may serve as an improvised bench—probably with a clamp-on vice pedestal rectangular tables . In good weather an improvised bench in the garden has much to recommend it antique split barrel dining table .
A workplace which is too cold or too damp for comfort is not suitable for the storage of tools or timber antique “trestle table” kent . In such cases the tools and timber should be stored indoors when they are not in use 1700s silver trays . The more closely the work approaches cabinet-making, the more carefully must the wood be kept dry gustov klimt chairs .
Let us first consider the position when conditions are most favourable “japanese tea chest with oak leaves” . Should there be a choice of rooms, one which has ample natural light is to be preferred alfred porteneuve . If a light room is not available, provision must be made
for good artificial lighting on those occasions when good light is needed identify antique furniture . The box-room of the house is sometimes available, and if of ordinary size this should be adequate gateleg tables . It is better to have a small room with nothing in it other than what is related to the work, even if the space is a little cramped, than a large room in which other things are stored soup turrene .
Advantageous Conditions
Figs u shaped serving table with leaves and lether top . 1 (a) and (b) show in plan two box-rooms, or small bedrooms of unpretentious size table spanish octagonal brass . A fireplace is indicated in Fig chessboard biedermeier . 1 (a), and this is certainly an advantage caughley ironstone . Besides making the room comfortable in the cold weather when working, it is useful for burning shavings and waste wood cuttings antique stores gateleg tables . In this connexion, if the lightest shavings are put on first and pressed down, and then sawing waste and other sweepings are placed on top and pressed down, the fire will burn comparatively slowly picture of pennsylvania house antique cherry buffet claw feet .
When there are two windows, as in Fig antique bedside chamber pot . I (a), the bench can be placed as indicated white pedestal desk with top . Even if there is one window only, on either a long or a short wall, the best- position for the bench will probably still be as illustrated antique dining table 1604 .
There is often a cupboard in one of the chimney recesses of such a room, and there can be no better tool cabinet escritoire with kneehole sale . The cupboard door is likely to be 6 ft royal nymphenburg green enamel floral sprays tea service . 6 in tilt-top birdcage tea table . high antique portuguese pottery . Fix shelves made or 1-in “german pier glass” .deal, or, better still, from 41 -in fine porcelain arc . plywood examples of main entree food . Deal shelves can be made from old packing-cases marquetry italianate needlework box .
Put the top shelf 7 in french fluted legs . down, with a space of 41 in french leather directoire chairs . between the next two court jesters dresden saxony . Let the next space be 7 in wooden arm chair pedestal castor antique oak . Next put in a bottom shelf 31 in francois linke black lacquered napoleon lll . up british antique gate leg tables . Above this there will be a space of about 22 in sheraton occasional table .; this can either be left open or be divided with another shelf history of an antique spoon with a king and queen standing side by side each other at the top of the handle .
The top shelf will be above eye-level for persons of ordinary height, so it will be used for tools and such things as are not likely to be used often inurl:antcollectors.com site:antcollectors.com . A heavy hammer, cold chisels, plumb-bob, spirit-level and like tools may be instanced italian “lacquered furniture” .
Of the two 4~-in antique bohemian engraved glass . shelves below, use the one most readily accessible
FIG art deco furniture copies . I ironstone pottery commode . Workbench and cupboard
in a room having (a) two windows and
(b) one window and nofireplace amakusa candlesticks .
for chisels, gouges, screwdrivers and similar tools regency period pedestal sideboard . Lay the chisels side by side, handles outwards, starting with the smallest, and placing them io order of their width french inspired desk commodes, imitation . Other sundry small tools can be placed oil the other 41-in table antique empire style campaign . shelf george iii pembroke table . Use the 7-in “self consuming wick” . shel~ for small planes stone china george jones stoke on trent . It is best to lay the planes on their sides, handles facing outwards, to avoid damage to the sharpened edges of the cutting iron and to ensure safety in handling bernini .
The space below the bottom shelf’ should be used for saws, hung o nails antique oak drop leaf trestle . The trying plane will stand o the floor, resting slantwise against A wall antique silver topped dressing table glass box . The jack-plane will be housed similarly, if the cupboard is not deep enough to take it back-to-front on a shelf’ glass boudoir lamp deco . The remaining space can be used, if not for tools, for other odd and ends captain’s davenport with working drawers on both sides . When work has to be doni elsewhere than in the room it will be a good plan to carry about such tool as are required in an old fibre attach4 case, the larger tools being carried i the hand writing box table on stand .
Returning to Fig baltimore “wine cooler” claw feet . I (a), the artifil cial lighting must next be considered , wherever the bench be placed, the position of the light or lights i• highly important china cabinet & desk on side .
‘Electric light is best and most con venient antique tables civil war era drop back . We will assume that a fle passes through the centre of the ceil ing of Fig chippendale dining table tripod . I (a) antique backgammon boards . It will be best to fi a double lamp-holder adaptor in thexisting lamp-holder french table lamps identify original . In one of th;, two holders use a lamp and in thother fix a socket-holder with 2 yd art deco hamilton donald deskey mahogany cabinet . o flex fitted ; at the other end of the fle can be fitted a lamp-holder and lamp antique pine drop leaf table rectangular . Take care that the flex is not allowed to pull oil the lamp-holder chestnut tables antique . Fix two hooks in the walls at AA in Fig antique tables pictures . I (a), and fasten a piece of good string
WINDOW
reasonably tight between the hooks outdoor furniture . The lamp on the flex can then be put over the string at any position along the bench antique dining room table rectangular extension hidden under ends . By using a wooden spring-type clothes peg to grip the flex and string, the lamp can be placed at any height 1960 period style coffee table designs with lion claw feet . If the lamp in the centre of the room is in the part of the double adaptor provided with a switch, it can be left on or switched off while the bench lamp is in use renaissance woodwork cassoni .
It will be found that for many jobs the bench lamp will be best above the left end of the bench, at a height of 6 ft french fluted legs . or 6 ft antique furniture prohibition bar examples . 6 in pennsylvania house antique sideboard ., where it will be out of the way and yet give sufficient illumination antique british tea table .
Alternatively, the double lamp-holder can be dispensed- with, a bayonet plug being fixed into the lamp-holder in the centre of the room; there will be just the one light over the bench neoclassical style stools . A lamp rated at 100 watts is recommended solid mahogany tilt top table manufactured by clare company . This method of lighting can be used in every kind of workplace, be it room, outhouse or shed north staffordshire stoneware . Where there is no electricity, a gas burner or pressure-type spirit lamp may be arranged over the bench whieldon ware tortoiseshell . If the only source of light is an ordinary duplex-burner paraffin lamp, the lamp should hang on the wall and be provided with a good reflector ironstone china marks . If two duplex lamps are used more satisfactory lighting will be obtained antique circle furniture . In that case place the lamps about 3 ft 18th century austrian writing cabinet . apart antique 3 legged drop leaf tables .
The room shown in Fig duncan phyfe drop leaf buffet table . I (b) has no fireplace, and the window is to the left of the short wall english knife box . The best-position for the bench is indicated ebay pembroke hepplewhite drop leaf table . There should be a space of about 3 ft www.octagon antique table with six legs . from the front of the bench to the wall, and not less than 2 ft decorative bureau, painted . between the end of the bench and the wall vauxhall porcelain factory discovery . The lighting should be arranged over the
PW-A*
FIG 18th century,antique british sofa . 2 http://antcollectors.com . Dimensions and shelf-spacing details of a convenient tool cupboard french antique folding fork .
bench as for Fig john walton pottery . I (a), but a clear yard of flex will ordinarily be sufficicnt the gillows telescopic version of the extending dining table .
With electricity, a small enclosed heater will be excellent for warming the room ; the cost of running is low and the risk of fire practically nil art nouveau day beds . This latter point is important where there are shavings about chelsea bookcases london uk elegant english bookshelves . Failing this equipment, a gas-tire or a paraffin heater will serve serving sideboards . A gas-ring is useful for heating glue, although if necessary this can be done elsewhere in the house venetian micromosaic mirror .
Fig robert adam pier table . 1 (b) also shows the position for a tool cupboard in the place of the fixed tool cupboard suggested in Fig antique library book trough stand . 1 (a) court desk art . Its ends, top and bottom are of 1-in circular antique library steps . deal, 16 in george 111 pembroke table . wide, the cupboard being 2 ft porcelain rockingham . across art deco kneeling dancer lamp . The top and bottom may be jointed on to the ends with common or lap dovetailing “antique collectors blog” . The door will be out of’ 1-in antique biedermeier furniture . material 1840,ball and claw quartette tables,serpentine, . The panel may be of plywood, or of the synthetic substance known as hardboard, grooved into the simple door-frame tudor rose design waterfall furniture . Thin plywood or hardboard is suitable for the back antique streamline stapler . Two pieces of deal, 13 x 3 x I in carved top gateleg coffee table ., should be screwed on from underneath to keep the bottom of the cupboard off tile floor (Fig markin train antique large scale . 2) rosewood macasar . The same cupboard, fitted with tools, is shown in Fig antique regency furniture . 3 rectangle table pilar foot .
Next to the indoor workshop a good outhouse is best sofa 1920 . There is much to be said for the garage by the side of the house, for this is usually dry and well built antique glass box etruscan . The garage will generally be larger than the rooms indicated in Figs dressers with shelves on the side . I (a) and (b) poole pottery streamline coffee sets . The posi- tion of the bench will be decided according to the possible positions of the car when in the garage, in conjunction with the lighting arrangements mahogany portable bar 1920’s . The doors may be left open when working, particularly in the summer months, and this suggests that the bench be on the left of the garage, so that the left end of the bench is nearest to the doors antique inlaid wood card table . If the doors have good window lighting, so much the better art nouveau from la maison moderne .
If’ the garage is dark, it may be worth while to alter the garage doors, or to make new ones, with plenty of window space, which should commence 3 ft 18th century antique dining table . up from the bottom of the doors “empire revival” period . Alternatively, it might be advisable to put a window in the back of the garage, and to place the bench alongside the back wall king george 1v tankard sheffield plate .
The building of a workshop shed is described in Chapter 11, and a typical shed is shown in the course of erection in the photographs on this page and on page 11 1788 pennsylvania-german green painted antique blanket chests . If a shed is being constructed, take care to do the
The first step in erecting a shed is t place bricks under the floor joist
When the floor is raised and level, side and one end are erected on empire furniture.com .
After bolting together the end and sid
the other long side is positioned britannia silver candlesticks .
Jul
8
Tools and Supplies for Restoration and Repair
July 8, 2009 | Leave a Comment
Tools and supplies
A handyman’s guide from 1902 offers the opinion that without tools, the hand would be powerless. It was some 500,000 years ago that the first implements were used, probably scraps of stone or bone picked up off the ground in a moment of frustration. These days our tools are highly specialized and costly, but a well-made tool will always make a job easier and more enjoyable.
On the following pages, tools are divided into groups
according to their use—you find tools for hammering, gripping, sawing, etc., with similar tools illustrated in close proximity.
Tools should be kept clean and sharp, in a suitable container such as a tool box, or hung on the wall near the workspace. Probably the most important items, after the few essential tools listed below, are clean cotton rags and containers with lids—it seems that you never have enough of either. Get in the habit of saving all clean scraps from pure cotton clothing, sheets, etc., and keep them handy. Also 4oard glass jars, tins and otter containers with lids, but do bear in mind that some chemicals such as spirit-based ones, tend to dissolve plastic, while some react with acids. Finally, keep all tools and supplies properly labelled.
BASIC SUPPLIES
Ammonia Beeswax Benzine Cardboard, white
Chalk, powdered or stick
Chamois
Cotton wool or absorbent cotton
Denatured alcohol (methylated spirits)
Double boiler
Empty glass jars, tin cans and atomizer
spray bottles
Glue, general purpose or PVA
Japan paints
Jewelers’ rouge or pumice powder
Kerosene (paraffin)
Linseed oil
Masking tape, acid-free
Matches, wooden
Pencils, hard and well sharpened
Powdered pigments, especially raw umber Purified water
Rags, soft cotton
Shellac String
Thermometer, cooking
Turpentine
Turpentine substitute
Tweezers Varnish Vinegar
Wire mesh strainer, small
BASIC TOOL KIT
Abrasive paper, sanding block, and assorted abrasive papers
Combination pliers (6in/15cm) square-nosed type, with side cutters
Knife with replaceable blades, which also takes saw blades
Metal ruler (12 - 18in/30 - 46cm) for use when cutting along straight edge
Screwdriver (6iri/15cm) and bradawl for starting holes
T (or try) square (6iri/15cm) to ensure right angles
The following tools are nice to have, but are not essential for beginners:
Bench vice
File, combination, for use on wood or metal Hand drill, bit brace and countersink bit Panel saw or tenon saw
Power drill and attachments (sanding and buffing wheels, masonry bits, etc.)
Combination oilstone for sharpening the blade
Wood chisels (Nin/2cm) bevel-edged firmer
(Y4in/2cm) and mallet (41/2in/Ilem)
8
ABRASIVE PAPERS
Store abrasive papers in a warm, dry place and never attempt to use them on damp wood. Always use at least two grades when trying to get a really smooth finish; coarse paper, wom smooth, will not give the same effect as a finer paper. While working “snap” abrasive paper to unclog it. Incidentally, there is no such thing as “sandpaper” and although these papers feel gritty, sand has been replaced by more effective smoothing agents.
The five types of abrasive paper used for smoothing woods are as follows: Glass paper, with grains made from crushed glass (once reputedly derived from crushed port bottles). It is available with a base of cloth or paper and is commonly used for hand smoothing. Garnet paper, with grains made of crushed garnet stone, so it costs a bit more but it is very durable and recommended for smoothing by hand. Aluminurn oxide paper, used when really heavy cutting action is desired—its synthetic grains are very tough. Silicone carbide paper, also known as “wet-and-dry” paper because it can be used damp (not wet) for fine smoothing of paintwork or dry like other abrasive papers. When damp it leaves a black-grey “gravy” which has to be washed off, but when lubricated with water, it lasts a long time. It can be used on both metal and wood and is also available on a cloth base. Flint paper, rarely used any more, although it is inexpensive, is not recommended because its grains are softer than glass or gamer, and it has a short life.
Both garnet and aluminum oxide papers come in “open coat” and “close coat”—with “open coat” there is more space between the grains, making it less likely to clog and therefore better for smoothing softwoods; while in “close coat” the grains are more closely spaced and are best for hardwoods.
Steel wool can be used for smoothing wood and the finer grades are recommended after smoothing with fine abrasive paper to give a final perfect finish. As with abrasive papers, always work with the grain. Wear a handkerchief tied “bandit-style” to protect your throat and lungs when sanding.
GLUES AND GLUEING
Glueing must be the simplest repair to do! Strangely it is often neglected which is unfortunate, because a little glue applied after slight damage can prevent more extensive problems. The section below deals with glues suitable for
porous materials like woodpaper, textiles, some plastics and rubber. A wooden matchstick is often perfect for applying non-water-soluble glues. Always save even the smallest splinters and chips and glue these in’pla after the main piece has set. For glueing X;s end pottery, see the detailed chapters conodmed
‘I bere are six basic types of i [ue in common use today.
Traditional glues such as animal and fish glues, casein glue and scotch glues are gradually being superseded as they are neither heat- nor waterproof Although they are not generally recommended some craftsmen~prcfer them— such as gilders, who use rabbit Glue.
General purpose glues, cellulose- or acetate-based, and usually sold .irk tubes are water-resistant, free from staring and excellent for fixing plastics, metals, and rfiost inlays to wood. Do not work with these near an open fire—they are inflammable—and avoid inhaling the fumes.
Epoxy resins are modem, synthetic-based glues. They are strong and versatile, perfect for home use, and usually come in *o part kits—a glue and a hardener. Most take about six hours to set but a warm room will speed the setting. Follow directions on the package as the mixtures vary slightly. Caution: synthetic resin glues become rubbery ifkept unused. “They should not be used for glucing wood as they are harder than the wood itself and allow nc natural movement and thus may cause splittir
Polyvinyl acetate (PVA) g~uc is a thick, white, cold-setting, inexpensive&-sin-based glue and can be used extensively, although it is not waterproof It will keep for several months (though not in a cold place) but may stain the lighter woods and tends to creep a bit. PVA is a good general purpose glue skid is often sold in a squeeze bottle with a handy poin ed nozzle. It is water-soluble.
Contact adhesives, which are isually rubber-based, are only recommended when clamping is difficult but a strong bond isidesircd. The glue is applied to both surfaces and, w* tacky, they
are brought together. The two Ofeces are immovable upon contact, so adjusting is impossible. They are very usefid when bonding other materials to wood.
Latex glues are derived ;he milky fluid of the rubber tree, although syr thctic latex is now manufactured. They can be applied either to one surface or both and are thinned with water. Their odor is slightly objectionable. Latex glues are perfect when working with textiles, although some fabric dyes seem soluble, so test an inconspicuous spot befc reapplication.
CLEANING BRUSHES
1. It is imperative to clean brushes when you have finished using them, or to soak them if leaving the project for a few hours. (Should you forget to soak the brush, the paint will harden on the bristles; only a very strong paint remover will restore the brush to usefulness and it will never be the same again.) Always remove excess paint from the bristles first by wiping them over old newspaper.
2. In order to soak the brush, prepare it by drilling a hole in the upper handle, as shown, then inserting a dowel which will suspend the brush in water up to the first of the fernile. (Use a container deep enough to keep the brush from resting on the bristles.) Some experts recommend storing brushes in white spirit, but this seems to dry out the bristles unnecessarily.
3. When you need to use the brush again, remove excess water from the bristles by 3quel zing them in soft absorbent cloth or paper
Caring for tools
Tools should be stored in a dryish atmosphere and away from children. After using tools with a metal part, it is a good idea to spread a film of light machine oil over the metal surface to prevent rusting. For this purpose, keep an oiled pad in a sealed container near the work area. Tools with wooden handles should be kept smoothed and well sanded to avoid splinters.
BRUSHES
Many different kinds of brushes are used in restoration and it is worth choosing them with care. A paintbrush has three parts: handle (I~ ferrule (2) and filling (3). The filling, or bristles, can be made from boar (used in the best quality brushes); horsehair (used to bulk out better filling); oxhair, squirrel and sable (used for thin artists’ paintbrushes); fibre (from the stem of the palm tree); or, increasingly, synthetic fibres (from filaments such as nylon). If possible, always invest in a good quality brush — it will hold more paint and apply it better than a cheaper brush and is less like1v to shed its bristles. Test brushes before purchasing by making sure the bristles fan evenly and that they are firmly set into the ferrule. Keep them in good condition by cleaning and storing as directed in Steps 1 – 6.
Three useful paintbrushes for the restorer are: a flat paintbrush (A~ a stencilling brush (B), and a lining brush (C). Another useful brush for many jobs is a wire brush (D).
4. To remove oil-based paint from a brush, fill a glass or metal container two-thirds full ofturpentine substitute. Agitate the brush in the liquid, pressing it against the side of the container to force out the paint. When the liquid can absorb no more paint, repeat until most of the paint is removed. To remove water-based paints, use the same technique in a jar of warm water.
5. Inspect the bristles near the ferrule to see if the paint is removed, then wash the bristles in warm, soapy water. Rinse and repeat Step 4 ifnecessary before washing and rinsing again.
Shake or blot out the moisture and leave to dry naturally, away from any heat source which will only dry out the natural oils in the bristles. Store the brush by wrapping it in brown paper, secured with a rubber band as shown, laying it flat if possible. Keep brushes used for water and oil-based paints separate, and reserve a 2-3in/5- 8cm brush specifically for varnish and shellac.
6. To keep small artists’ p brushes in good
condition, clean as above in S 4 and 5. Then point the brush by placing adrop oflight machine oil or linseed oil on the bristles and slowly rotating the bristles between the thumb and index finger.
Carving tools
Chisels are designed for cutting with or across gouges are used for less drastic action on wood
the grain, while
Chisels and gouges have narrow cutting edges and are each designed with a particular task in mind, so purchase the various types as they are required. The metal part is usually fitted to a bulbous handle made from boxwood or impact-resistant plastic.
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The main types of carving tools are: firmer chisel (A), available withblades in a variety of widths, often driven with a wooden or soft-face mallet although a hammer maybe used with plastic-handled chisels; bevelled-edge firmer chisel (B) with a slightly less rigid blade, used for lighter woodworking tasks such as undercutting dovetail housing joints, not designed for use with a mallet but tolerates light tapping; paring chisel (C) with longer blade, used to trim long grooves; firmer gouges (D) with curved blades of two types—one with the cutting bevel on the outside, used to make concave shapes, the other ground on the inside, used to make straight cuts that are curved in cross-section—both used with a mallet; paring gouge (F) for hand paring (without a mallet), ideal for cutting curved shapes of all kinds; and cold chisel (F) used to cut metal (for example for chain links, sheet metal and bolt or rivet heads), struck with a heavy hammer.
Cutting tools
Probably the most useful and versatile cutting tools are the knives with replaceable blades. There are four types of these, all with disposable blades which come ready-sharpened. The blades are terrifically sharp and should be stored and used with great care.The four types are: general purpose knife with replaceable blades (A), sometimes with blades that may be retracted and stored inside the handle; knife with snap-off blade (B), also retractable; and surgeon’s knife or scalpel (C), with blades removed manually.
Various useful kinds of scissors are: aviation snips or compound action snips (D) which will make straight or curved cuts in metal—they have specially firm jaws and comfortable plastic hand grips; pinking scissors (E) with a zig-zag cutting edge which makes the cut edge of fabric less likely to fray; embroidery scissors (F) with elongated blades ending in a fine point, useful for work on carpets and textiles; and cuticle scissors (G) with a curved blade, used in decoupage.
A glass cutter (H) has a hardened steel wheel mounted in a holder, and is used to score a line across a sheet of glass. Small pieces can be “nibbled” off back to the scored line using the notches on the side. (It helps to remove any grease from the glass with turpentine substitute and oil the cutting wheel before starting.)
Drilling tools
When using any drill, try to keep the pressure constant. If the drill wobbles, the drillbit may snap. When drilling metal select the appropriate bit and oil it lightly before starting; it may also help to make a small hole in the metal with a punch or awl. When using a
power drill, take care to disconnect it from the power source before making any adjustments, and be sure to examine the cable regularly for signs of damage or wear. Also, avoid wearing loose clothing or accessories that could get caught in the mo T g parts.
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A hand-drill (A) has a chuck shell at one end which turns anticlockwise to open the jaws that hold the bit. When the drillbit is central, rotate it to establish it in position, then use the drill at the desired speed. Various hand-drill bits are available for special tasks: twist bit (B) for metal and wood; dowel bit (C) for the side and end grain of wood; countersink bit (D) to recess a hole to accept a countersunk screw head; glass bit (E) for use at slow speed to drill holes in glass, mirror and porcelain; masonry bit (F) for drilling holes in brick, stone and ceramic tiles. A push drill
dri(G) can be used to make small holes in wood or plastic, using special drill points. A power drill (H) is probably the most versatile tool available; accessories include circular saws, sanding discs, grinders, rasps, even paint sprayers. Small hand tools such as augers and gimlets (I) can also be used to drill holes in wood; augers drill fairly large holes, gimlets shallow ones, often to take a screw. Bore the hole by twisting the tools in one direction only. Bradawls or awls (J) are used to start holes in timber for nails and screws and to make holes in leather. The bradawl is twisted right and left; the awl is inserted with pressure.
Gripping tools
Professionals will opt fora bench vice or a clamp-on vice (A), but these require a sturdy and steadfast table or workbench. Amateur restorer-, can make do with a variety of gripping tools, purchased as required. These include: “G” or “C” cramp (B) for clamping wood or metal work, used with a block of wood between the cramp and wood to prevent marking; spring cramp (C), a manual device to provide light pressure to an object while glueing-, mitre cramp (D) to hold mitred joins together while glue sets; needle-nosed pliers (E) to grip small objects in confined places, available in a variety of shapes and proportions, all with serrated jaws; slip-joint pliers (F}, with a pivot joint which provides two widths of jaw opening; carpenters pincers (G), with curved jaws which meet at a bevelled cutting edge, designed to extract nails and tacks from wood; and upholsterers’ pliers (11), used to stretch webbing across the chair frame by gripping the folded end of the webbing while the lower jaw touches the frame.
Hammers
The most useful hammer is the claw hammer (A), which may be used for removing bent nails as well as for driving nails home. (When pulling nails out, always protect the surface with a small block of wood placed under the front end of the hammer.) Others are: lightweight pin hammer or ball pin hammer (B), used for driving pins or tacks; upholsterers’ hammer (C), with a small rounded face for driving tacks in a confined space, and magnetized so that it holds the tack in place as it drives it home; soft faced hammer (D), used for driving or shaping materials such as soft metals which would otherwise be damaged —these usually have a socketed head into which soft bases are screwed; similar are soft faced mallets (E) with rubber or rawhide heads; and lastly, heavy carvers’ mallet (F}, designed to drive various chisels and gouges.
Fitting a new handle to a hammer head
1. Choose a new handle with an even, straight grain to the wood. Begin by cutting two evenly spaced slots across the head ofthe new shaft, two-thirds the depth of the hole. Drive the hammer head onto the shaft using another hammer.
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2. Cut the shaft flush with the top ofthe hammer head.
3. If steel wedges were used, drive th;m in with another hammer until they are level %?’th the top of the shaft. If there are no stee wedges, make some from bits of hardwood. Finally grind or file the wedges flush and varnish the expo sed wood.
Measuring tools
When making measurements, avoid using the common wooden yardstick, which is too inaccuram Instead use an engineer’s steel rule (A), ideally one scribed with both metric and imperial
measurements; a folding or zig-zag rule
push-pusteel tape (C); and (for fabric only) a
tape measure or a new digital rule (D) which is run over a surface and indicates the length in its display.’ro achieve accurate right angles, use a T or try square (E) or steel square. Cl-hc metal rule is highly recommended as it will not only measure, but also serve as a straight edge to guide a knife along when cutting veneers, plastic, leather etc.)
Sawing tools
‘There are three main kindsofsaw: large handsaws, stiff-backed saws for cutting joints, and special purpose saws. With all types, the greater the number of teeth or points per inch, the finer the cut. If a saw blade is rusty, clean it by rubbing it with steel wool dipped in turpentine substitute. If sticking occurs, rub the blade with a wax candle, but if the problem persists, the blade may need sharpening, resetting or replacing.
I arge handsaws (A) include: panel-cut saw for cutting with and across the grain, cross-cut saw for cutting across the grain and rip saw for cutting with the grain. All handsaws should cut freely under their own weight and your forward pressure. Stiff-back saws include the back saw, or tenon saw, (B) for cutting joints. Various specialist saws are: coping saw (C) for cutting curves in plastic or wood; fretsaw (D) for tighter curves in wood or plastic; hacksaws (E and F) for cutting metal; and pad saw (G) for cutting holes in a panel. Knives with replaceable blades can also be fitted with saw blades although these are only designed for sawing lightweight materials.
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Scraping and filling tools
Scrapers are indispensable to the restorer and are not interchangeable, although they, and some filling knives, look somewhat alike. Various scrapers are: paint scraper (A~ with a stiff blade for removing softened paint; filling knife (B), with a wider, flexible blade; putty knife (C), used to shape and smooth putty — available with three shapes ofblade depending on the preference of the user, palette knife (D), used to scrape pigments and mix media; skarsten (E), for smoothing timberor removing paint; and combination shave hook (F) — the most useful of the shave hooks with its curved and straight blades, ideal for scraping awkwardly shaped surfaces.