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APPROXIMATE TABLE OF FABRIC COVERINGS (WITHOUT DESIGNS)
Number of 90 to 54 in “josef hoffman” signature sevres .
Type of Furniture cushions fabric
Armchair (seat only) ‘ george 11 pad foot dining table .\ one Y8 yd
Boudoir chair None 2 Y2 yd
Boudoir chair 1 3 yd
Nk7ing chair None 4 yd
Wing chair 1 5 Yd
Club chair None 4 yd
Club chair 1 5 yd
Loveseat None 6/ yd
Loveseat 2 7% yd
Couch (6o to 84 in 17th century english trestle table .) None 7 yd
Couch (69 to 84 in staffordshire westerwald .) 3 9Y2 yd
Most domestic covering fabrics come 5o in 18th century silver mote spoon . wide, with a few at 54 in english curved middle sideboard .; sonic imported fabrics are woven in 36 in 18th century english lancaster dresser base . widths arts and crafts etagere . For fabrics with large designs as much as 3 yd must be added to allow for matching the individual figures early electric clocks .
Fabric coverings antique.new.dresden.large.figurine . The table on the following page lists and describes some of the popular fabric coverings:
Replacing webbing artdeco gilded lacquer furniturs . Under ordinary use and care damage to upholstered furniture will first be manifested by sagging seat springs, as the result of loose or worn-out webbing wedgewood porcelain swan base for pots de creme . Sometimes only one or two strips will have come loose and can be refastened, but usually the failure of a few strands is indicative of the need for replacement of the entire webbing base, particularly if its resiliency has dried out through age 4 foot drop leaf table . The cambric dust covering should be unfastened on three sides to facilitate a thorough examination expensive marble tables .
It will of course be necessary to cut away the loops of twine that bill( the bottoms of the springs to the crossed webbing papier mache tray-c19th . If the entire webbing base is to be removed, this will afford an opportunity for examining the cord ties, which should be replaced if broken world market carved brass charger plate . If a longer webbing stretcher is used and the piece under repair propped bottom side up, the webbing can be stretched by footpower, leaving both hands free (Figure 6 antique wine jugs .22) allegorical groupe “europe” meissen . Longer nails must be used in replacing webbing, unless each tack can be so placed as to avoid old holes english antique silver plated forks . Cement or rosin-coated shingle nails are a useful size for this type of work chamber pot table .
In order to avoid the removal of the webbing and the many loops of twine, if the springs have not burst apart from their tying cords, it is often possible to reinforce them permanently by stretching and nailing steel strapping over each fabric webbing strip, and lacing each metal strand in the same manner as the webbing was attached rococo revival marquetry-inlaid wardrobe . As shown in (J) of Figure 6 expensive well made sideboard .1, the steel strapping is sold with an iron stretcher that levers each strand taut as it is being nailed chippendale mahogany antique table . Heavy tinsnips will cut off the required sections of strapping antique painted drop leaf table .
FABRIC COVERINGS
Fabric
Description
Hand-blocked or machine-printed
Unglazed “prattware” horse . printed cotton fabrics
Of finer texture and more tightly woven than cretonne jules leleu display cabinet . Glazed chintz has stiff, varnishlike finish; semiglazed chintz is softer
Hand-blocked linen or cotton replicas of early French designs
Woven from plain or mercerized cotton yarns upon which the design was printed prior to weaving; also woven from silk, linen, or rayon
Design woven into base yarn of silk, rayon, cotton rectangular drop-leaf table . wool, linen, mohair or metallic thread or combinations Woven pattern is superimposed, in relief, on cotton, damask, satin, taffeta, and other weaves
Usually a silk ground with a cotton filling in a heavy, cross-ribbed effect antique walnut drop leaf extending table . May be of silk, cotton or wool A small raised pattern with a pebbled or embossed effect
A corded or ribbed effect
A cotton fabric showing a twilled weave
A fabric into which has been woven a design whose perspective has been created by the manipulation of contrasting colors
Silk 1930s french art deco slip shade chandelier . cotton antique ming ware+dragon motifs . rayon, linen empire curved bureau . ramie, or wool fibers or pile that stand upright above the ground fabric georgian mahogany bidet square tapered supports . Xlay be woven or shorn into patterns
Of longer pile than velvet, mohair plush is more satisfactory than silk, cotton, or wool plush
Frizzed or curled plush
A sleek antique gate leg table . smooth collecting art deco and bauhaus . and lustrous silk weaving in which either the filling or the warp covers the surface completely Woven the same as satin, except from cotton
Originally a handicraft chair 18th queen rococo revival . they are usually produced by machine
Replicas of sixteenth to eighteenth century English embroidery with colored yarns on a plain linen ground “Petit point” consists of fine stitches through one opening in the canvas ground to the next Rugged english george iii hepplewhite satinwood bedside cabinet . durable imperial gillow dining table . and sanitary; favored in masculine clubs
Less durable than genuine leather
Being water-repellent india brass table tray . these fabric-backed materials are superseding imitation leather as their fabrication improves with experience
Printed linens Cretonnes
Chintzes
Toiles de Jouy
Warp (shadow) prints
Damask Brocade Brocatelle Armures Rep
Denim Tapestry
Velvet, velours
Plush
Frieze
Satin
Sateen
Embroidery
Crewel work Needlepoint Leather
Imitation leather Vynol-plastic materials Seats and backs art deco ceramic figurine london uk . In most chairs and sofas the springs are not removable and, as previously stated, are tied from rear to front, after the webbing base has been repaired or replaced antique.italian.porcelain. . Otherwise, when necessary to replace or renew the stuffing, the procedure is the same as for a removable spring seat (page 359)• When re- movable spring cushions are used, they should be covered as soon as the seat has been completed, in order to determine the amount of stuffing that will be required for the back and arms, which must be filled out to touch the cushions the biarritz english pottery .
Fie raoul dufy, plates ceramique . 6 candle sticks antique porcelain victorian couple .22 franche comte . Foot-power webbing stretcher 16th century antique chests .
A spring back is tied in the same manner as a spring seat (page 382), except that diagonal ties are omitted list of 18th century library desk makers . The burlap, muslin, an(> fabric coverings are pulled down behind the seat and through the aperture behind the lowest member of the back frame, so that it can be tacked to its bottom edge, or to the back of the back rail, as the case may be walnut marble slab dining . Once anchored, the material call be pulled up smooth and tacked to the front of the upper frame for a rolled edge, or to the rear for a final covering furnuture pieces supboards style bambocci .
Top and bottom front bands empire furniture and france . Depending upon the style of framework, several relatively slight variations in the application of the top and bottom front bands may be encountered antique maple drop leaf dining table . In general, the top front band consists of a piece of covering fabric the width of the seat, and long enough to extend from a line at least 4 in leon and maurice jallot french dining chair . to the rear of the front spring edge all(> down over the front to where it can either be tacked above the exposed bottom rail all(> covered with gimp, or sewed to the welt cord of the bottom front band as in Figure 6 french manner .23 19th century british furniture style . In either case its rear edge is first sewed to a piece of undercover material such as denim, sateen, or service velour that is large enough to cover the seat springs french antique bedside chamber pot cupboards .
To fasten the top front band in position, the best practice is first to pill it in place so that the design will match the cushion typical art deco furniture . It can then be stitched w antique frankart company .th a curved needle through the burlap, being caught under the springs where%er possible directoire furniture . A layer of cotton is placed under the band and feathered off by gently tearing it even with the front edge italian painted furniture empire . If the band is not to be tacked and gimped above a finished bottom rail, it can be stretched down and tacked under the concealed rail, if desired, thus eliminating a bottom band german neoclassical secretaire .
FiG the most expensive antique furniture . 6 louis xvi chair balloon back .23 historical development of art deco . Attaching top and bottom bands trestle tables refectory .
To attach the bottom band to the top band, a welt cord is sewed to the top edge of the bottom band, then tacked down above the tacks holding the lower edge of the top band antique tudor tables . The chair or couch is then turned upside down and a th n layer of cotton laid across under the bottom band (optional) edwardian utensils . The latter is th;n stretched smoothly down and tacker: underneath the bottom rail john widdicomb donald deskey . Another meth d is to hand-stitch the bottom of the top band just beneath the roll of the spri
edge, and attach the bottom band with a welt at this point furniture makers 18 c .
It is assumed that the burlap spring covering has been properly padded wi h stuffing stitched to the burlap, which has in turn been covered with the usual lay r of cotton and muslin 18th wood carved chair fabric cabriole . It should be remembered that when covering a seat that is the base for a removable cushion or cushions, its top should always be lower th 19th century porcelain religious figural . n I lie front edge, so that the underside of the cushion will not be visible dining tables with wood inlay work . TI e undercovering can now be pulled back smoothly and tacked to the back and sive rails of the seat, without compressing the springs 1685 bookcase .
The arms dresser and mirror and rosette and antique . Webbing is usually tacked from the side rails to the inside of t e arm frames to reinforce the burlap lining that provides a base for the side stuffin georges rouard . wardrobe of a 17th century lady .
As previously mentioned, the thickness of the latter is determined by the size of the seat cushions, which it touches drawing for bun feet . Therefore the double stuffing with its burlap covering and final layer of cotton and muslin is applied with the cushion in place to insure proper thickness antique cylinder desks . In furniture with wide flat arms, similar to the chair illustrated in Figure 6 collectors guide to antique console .20 or 6 antique rectangular dropleaf table .23, the edges of the arms should be built up with roll edges as shown antique bread rack . The muslin and fabric covering can be forced down past the seat and tacked to the side rail, then carried smoothly up the inside and over the top, and tacked under the outside arm roll antique george washington porcelain figures . With a figured fabric covering it is good practice to slip-tack the bottom edge first,
to permit adjustment of the pattern ch antique ceramic light socket .pulling the material tightly to the rear and tacking
it to the back post vincennes gilded porcelain asian design . As the tacking proceeds, the tWORM padding on top of the arm should be molded to a comfortable contour by patting it with the palm of the hand, from front to rear fall front timber writing desk . With a rounded front post the material is pleated as the tacking progresses
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around the curve (see Figure 6 magnificent table 18 century marble .24) writing cabinet officers antique . In order to ME
IN`
protect the front post panels, it is customary to
I
apply them after the back covering is in place typical features of rococo . N
S
The back george iv oak writing desk . With the cushion still in place, the
piece of furniture is turned over on its back so that
the inside of the back can be covered in the same Fic, 6 antique store brass tea kettles .24 rococo tureens . Front post panels american 19th century antique sideboards .
manner as was the spring seat chenghua foot rims . Although sonic up-
holsterers omit diagonal tying in the back, there is no reason why it should not be applied to the back springs east indian antique silver . The dictum that “whatever is worth doing at all is worth doing well” is most applicable to upholstery, where once the fabric cover- ing is in place no further tinkering is possible antique french saxon china flowers with gold .
The covering of the back is carried out as if it were a spring seat, except that more filling is required, so that out back
like the arms it will bulge f over the 1 rail touch
the cushion antique collectors guide carved ivory . In a sofa or loveseat, the back fabric cover may be divided into as many sections as there are cushions, with welt cord sewed between the panels led table clocks . The material is tacked in the same manner as for the arms, at the bottom first, then stretched evenly over the cotton- padded top and back posts, to which it is tacked in the rear antique drop leaf table carved edges .
Outside arm covers swedish armchairs . To insure a straight edge for the tops of the outside arm covers, they can be tacked under-
25 czechoslovakia pottery mark lion . Concealing neath a cardboard strip directly below the arm, as shown
eked edge period art nouveau galle bronze table lamp . in Figure 6 furniture designersgerman .25 de lamerie porcelain . Stuffing or cotton may be added under a deep arm, if desired, although it is often omitted, and the material drawn do% n and tacked under the bottom rails english early ‘victorian upholstered round . The front edges are tacked alternately to tic front, then to the back, posts to stretch the material smoothly brass serving tray with italian inlay wood .
Outside back furniture makers 1920’s french style . The outside back can be attached with brads, tacks cover;d by gimp, or by blind g
stitchin, as preferred antique desk when thay were made . The bottom edge is tacked under t e
stitching
rail see a silver sauceboat with a heated base .
Front post panels thomas sheraton games table . The best way to conceal the tacked pleats oil a curv;d front post is to cut out a pattern from ?!s-in lion paw pottery . plywood and tack a properly match piece of the fabric covering to its back 18th century cabinet-makers in germany . A welt cord tacked around the edge as a binder will present a finished appearance to the job “furniture ornaments” . The panel can be nailed ‘o place with brads that are long enough so that their heads can be snipped off befo e they are driven home, as in Figure 6 tin glaze pottery .24 art deco dining table .
Worn-out, or broken, springs in loose cushions go hand in hand with worn-o t covers, hence cushion recovering is usually done after the insides of the cushi have been rejuvenated antique small tables made in italy . If the cushion originally contained a soft stuffing, such -s cotton, it can be improved, as mentioned above under Upholstering Loose Cushion
by rebuilding it over a coil spring unit staffordshire william kent . In these factory-assembled bled units, musli covered springs are fastened together with steel clips to forma unit of a standar size, such as 18 in utilitarian tableware 20th century . X 18 in techniques of andre-charles boulle and chinese laquer work ., 21 in early provincial furniture . X 21 in art deco window frames ., and (for two-cushioned sofas) 21 in empire furniture company . 33 in escritoires . If the cushion originally contained steel coils, one of these units ca undoubtedly be used for replacement silver candelabra parts .
Foam rubber is a much more convenient material for cushion stuffing bombe drawers . IVIolde I foam rubber cushions have a natural cushion shape: they are thickest at the center and gradually taper to a thinner edge 18th century writing table cabriole ball claw feet . A common thickness, for example, is 5Y2 in development of clocks between 1350 and 1750 . the center with a gradual taper to 3Y2 in 18th century brass seamed candlesticks . at the edges sideboard types .
Foam rubber cushion units are available from dealers in upholstery materials an also from dealers specializing in foam rubber products antique english creamware . Typical dimensions f molded rubber cushions are: 18 in louis fourteenth chair . X 20 in antique card table with one flap ., 20 in klimpt furniture . X 20 in pembroke style end tables ., and 22 in harlequin patterned furniture . X 24 i Special shapes, such as T cushions for chairs and oblong cushions for two-cushio sofas, are also available the value of a mallard dresser . Furthermore, foam rubber padding one inch thick an I in various widths can be purchased delftware t.i holland . If a furniture cushion is of an odd size whic cannot be matched with a factory-made cushion, this one-inch-thick padding ca sometimes be used to build up an undersized foam rubber cushion to the desired dimensions macassar bookshelves . The padding can be stuck to the cushion unit with any adhesiv suitable for use oil rubber italian coffee table 1920s .
Partial Recovering console table telescopic . The fabric covering on the tops of the arms of ove Stuffed furniture is likely to receive the most abuse and to wear out first georgian sideboard tables . It i often possible to cut the threads or remove the tacks holding the outside bac so that it can be removed and used as replacement material for the worn arm: A plain fabric of the same general color can be used to replace the outside bac piece, where it will probably remain unnoticed, particularly if the chair or sof is located against a wall wrought iron tripod candlestick 16th century . The same procedure call be followed in the case of worn-out or badly stained cushion antique pottery bottles lambeth .
Caning the biarritz english pottery . The hand weaving of caned seats, backs, and other parts of furniture is rather a tedious process, involving the boring of a series of evenly spaced holes around the frame of the opening dresden china trinket box . The actual caning operation requires six weaving steps, plus the application of a binder antique claw footed oak table . The cane, which is imported from India, Ceylon, China, the Indian Archipeligo and the Malay Peninsula, is soaked in warm water before it is used, and must be kept tightly strung throughout the weaving, by means of removable pegs thrust through the holes 16th century spanish trunk .
Although the popularity of caning as a decorative effect declined sharply at the turn of the century, many households retain examples of handsome caned pieces american oak drop leaf table antique . Nowadays the repair of seats which were formerly hand-caned has become a relatively simple operation through the use of machine-woven cane webbing burr walnut tallboy with sunburst inlay . Procurable in various widths and lengths, the webbing can be chosen in plain or diagonal weaves, open or close woven italian revolving bookcase construction .
Replacing Cane Webbing 16th century silverware . Machine-woven cane webbing is anchored to the seat or back of a piece of furniture by a spline glued into a groove that parallels the opening george rectangle tilt top tea table mahogany . Its replacement is not difficult provided the spline is care- fully removed by softening the glue with water sabino marks . Assuming that a satisfactory
M
gluing job was originally performed, and the spline remains solidly in place regardless of broken strands of cane, it will probably be necessary to cut a V groove in the top of the spline to retain the water,
which should be allowed to remain there overnight, M17er
(see Figure 6 art nouveau display cabinet .26) holland antiques forniture columns . Naturally the seat or chair easel back must be blocked up so that the grooved spline is in a horizontal position marquetry patterns flower . The water should be renewed if necessary, for it should not be allowed to dry out until the glue has softened “pembroke table” . One end of each segment of the spline can then be prized out with an icepick or other sharp-pointed tool, in order to release the old webbing antique two tier dessert table .
Prefabricated webbing comes in rolls of indefinite length, 8 to 12 in cabriole leg patterns . wide 18th century chest . The new piece of webbing should be soaked in warm water until thoroughly pliable, so that when it shrinks in
position it will dry out drum tight 18th century rococo copper candlesticks . A paper pattern aids in cutting the new piece
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of webbing, so that its front edge will be parallel with the horizontal line of the mesh french style porcelain gilded weight driven clock . A hardwood wedge, a heavy bent wire, or the back of a curved upholstery needle can be used to press the flexible edges of the webbing into the groove antique library table with arcs . The
0
ragged edges of the cane can then be cut off with a chisel and mallet, or trimmed off with a sharp knife after the spline is in place oriental drop front .
Wedge-shaped hickory splines are obtainable from the same sources as the webbing expensive forks and knives set . Unless the opening is round, or the corners of the groove are curved, the four splines should be carefully measured mitered at the corners to insu e a snug, neat fit when were claw feet intoduced to teapots . Liquid glue will give the amateur more time to apply the splines and tap them into place antique ladies writing cabinet . Although the glue may be run into the groove and i s webbing, less spattering will occur if it is applied directly to the splines “william wyatt” architect sussex .
The spline along the front edge is inserted first and tapped into position wit a plastic-faced mallet, or a wooden wedge to prevent marring; then the rear s splined, to draw the webbing taut, after which the side splines are installed antique queen anne style burr walnut coffee table . For a rounded groove the spline should be first soaked in hot water until it can be ben
Rush Weaving london or british art . The renewal of interest in Early American and Coloni I furniture and accessories has automatically revived the craft of rush weavill! The use of woven rushes for the seats of stools and chairs in England after 1720, as a utilitarian, rather than as a decorative measure, was adopted by Coloni cabinetmakers late 1920s patek winged lugs . That it has since been employed harmoniously in modern furnituris but proof of its functionalistic appeal antique rosewood armoire with claw feet .
Rush arita kraak style dish . Chairmaker’s rush is twisted from water-loving plants, such as fla 18th century victorian toilet in dining room . and cattails furniture art pieces . Gathered in the middle of August as the leaf tips begin to turn brown, the leaves are tied in loose bundles and dried in a darkened room edwardian wardrobes . Before being used, they are soaked in warm water for eight or ten hours, and the stiff butt ends cut off from the base period dressing tables . One, two, or three leaves are then twisted in on direction to form long, smooth strands for weaving 18th century native american pottery .
A very satisfactory substitute for the genuine rush is manufactured fro machine-twisted paper in the form of an art fiber cord staffordshire fakes . Obtainable in variou jules leleu display cabinet . sizes and colors, it is an excellent medium for the amateur chairweaver becaus art deco legs . it comes in continuous lengths, either in i-lb cartons or 25-lb rolls tables with chamber pots . A pound o the ‘Yw-in antique deer chest . size will measure approximately 280 ft austrian marquetry bureau . For the ladder-back or Mexica, side-chair seat described in Chapter 2 (pp antique wardrobe art deco on wheels . io&q), about 3 lb will be required lion’s foot mahogany furniture .
Another excellent material for rush weaving is Hong Kong marsh grass 19th century england wardrobe . Thi antique dining table sutherland . is also twisted into continuous hanks weighing from 3 to 4 lb, up to diamete
i
Weavng technique french neo-rococo marble top table . Rush weaving is a simple operation requiring no speci tools pemmbroke tables* . If art fiber cord is used, little or no splicing will be required; if necessar, it can be knotted under the seat, or neatly spliced by flattening the two ends ana gluing the overlap together, the splice being secured with a tight wrapping o thread antique worcester porcelain factory+grainger . For easy handling, the endless cord can be wound upon a short lengti of Y2- or Y4-in antique “empire sideboard” furniture . dowel, or looped and held together with rubber bands burr walnut .
Since modern chair seats are seldom constructed in a rectangular shape, th weaving of a standard flare-front seat of the type described in Chapter 2 (paglog), will be described step by step classic italien easy chairs . Once mastered, it is a simple matter to appl the final weaving operations to any square or rectangular stool, should the nee arise identifying victorian chest of drawer legs .
As indicated in Step One, Figure 6 xuande floral blue and white vase .27, the initial “weaving” consists of sho t windings around the front corners to reduce the irregular opening to a rectangl The beginner can accurately mark off a width oil the front rail equal to back Rush weaving wash stands for center bowl .
butt against the inner edge of the corner of the back rail antique deco tub chair . By dividing the remaining distances by the thickness of the fiber cord, in this case -Yi4; in french cabriole leg tracing pattern ., the number of short strands required to fill in the flare can be determined in advance antique mahogany handkerchief table . As shown in A of Step One, the ends of the first strand and all succeeding strands are tacked to the inside of the left-hand side rail (L) a short distance from the front, then wound over and under front rail (F), and carried over and under side rail (L) antique dining table sutherland . ‘These loops should be pulled tight and pushed firmly against the left chair leg before the cord is brought across to the right-hand rail (R) chateau de tuileries . Here it is looped over and under side rail (R), then above the horizontal strand and over and under the front rail (F), before it is pulled taut, cut off, and tacked to the inside of (R) at the same distance that its starting end was tacked to (L) are unmarked antique blue and white porcelain expensive .
As illustrated in B of Step One, this procedure is followed with succeeding
Start strands of fiber until the last strand reaches the marks on the front rail paralle to the back rail (B) tambour commode .
For illustrative purposes, the short strands shown in Step One have bee omitted in Steil Two, Figure 6 antique crockery chinese pattern .28 william hallett, cabinetmaker . Step Two, as shown in the sketch, consists o a rectangular weaving of a continuous piece of cord in the samemanner in whic
the short lengths are wrapped early electric clocks . Commencing at either rear corner, the right rea in this case, the cord can be tacked tinder or knotted around the back rail (B) and brought down and over the front rail (F), then over and under side rail (R) and so on pembroke table antique . By examining the diagrams it will be obvious that the basic techniqu of rush seat weaving is nothing more than an over-and-under winding of the chaff rails at each corner, in succession toilet habits during 1800th century . Analysis of the drawings in Figures 6 deco ruby stemware martinsville .27 an 6 satinwood cabinet chairs .28 will show that the cord always leaves a rail from underneath and passe over the top of the next rail, whether right or left antique cups 17 century napeleon . Thus, when properly woven all cords will be either parallel or at right angles to an imaginary center line etling de cie .
Rarely does the weaver encounter a perfect square tables with chamber pots . Step Three, also show in Figure 6 table lamps .28, illustrates the method to be followed when the short rails hav been filled with cord early 19th century solid silver candlesticks . This is simply a matter of passing the remaining cord ove and under each long rail in turn, bringing the free end of the cord out throng
the center of the weaving each time, alternating over and under, as shown rene prou chairs .
In order to give fullness to the seat, it may be padded with newspaper cu into narrow strips which are thrust under the bottom layer of the three layers o cord dutch silver octagon trinket box . To do this the chair should be turned upside down, and the paper force into place with a screwdriver or whittled stick antique tureens . A better procedure is to appl light stuffing between the upper and lower layers as the weaving progresses art deco dining chairs with arms . Car must be exercised not to break the strands, or reduce the elasticity of the wovei seat by overstuffing stoneware watercoolers with raised decoration .
Finish antique ivory and silver tableware . For protective purposes, the porous art fiber cord is usually given sizing of hot glue thin enough to be applied with a brush john dwight stoneware . When thoroughly dry
the sizing provides an excellent base for one or more coats of white shellac o clear varnish linenfold coffer antique or antiques -auction -auctions -auctioneers -ebay . Some weavers omit the glue sizing, using at least two coats of
serrurier-bovy, silex .1 sizing
elastic varnish 18 the century pie coolers . Hong Kong grass re quires no sizing; the shellac or varnish coat on seats woven of this material call also b omitted if desired hepplewhite revival fold over dining table .
Variations in Design pendule religieuse kauf . The type of Mexican chair described in Chapter 2 (page Fro) often has a woven seat of a simple diagonal design 19 century inventions . The familiar rafia of basketwork offer: an interesting medium for this primitive furniture, particularly if a contrasting color i employed for the diagonal insertions 17th century silver “perpetual calendar” .

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To insure that the main supply of varnish remains unadulterated and free from dust, it is best to pour a small amount into a metal cup, as the work rrogresses philip webb and william morris, st george cabinet, 1860 – 1862 . A strike wire should be inserted through holes near the cup rim to protect the bristles when wiping off excess varnish after dipping antique hanging corner cabinet . When the job is completed, left-over varnish in the cup should be discarded and not poured back into the can, since it is almost certain to contain dirt and dust mote skimmer spoon .
The technique of brushing on varnish is slightly different from that of flowing
slightly flowing
on enamel scandinavian wood furniture maker’s marks . On vertical flat surfaces it is usually cross-brushed, being first applied horizontally against the grain from either side, halfway across, with the brush lifted quickly at the end of each stroke to avoid excessive overlap classical revolving bookcase . After the entire surface has been covered across the grain, the brush is wiped off against the strike wire and the surface lightly brushed along the grain with the tips of the brush bristles pennsylvania drop leaf table 6 legs . This “tipping” is accomplished with featherlike strokes from the top of the work down to the center, then up from the bottom, the brush being cleaned off against the strike wire after each up and clown stroke eliel saarinen johnson furniture co . In covering flat, horizontal surfaces, the cross-brushing call be eliminated and the strokes commenced from the center of the far side, with the grain, from right to left antique centres selling dressing tables . The tipping is (lone in a continuous stroke from one side to the other barker brothers dining table . Turning’s should be brushed round-and-round, then tipped longitudinally coffee table campaign furniture .
In spite of extreme care specks of dirt will lodge in the varnish coat rectangular gate leg table . These must be removed as the work progresses, before the varnish becomes so tacky
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that it will not flow together again carpet zareh constantinople . Very often a clean sliver of wood, lightly applied, is sufficient to remove the speck antique chinoiserie table . Professional varnish finishers rely upon a ball of burnt varnish which is rolled between the dampened fingers, then impaled upon a stick french antique occasional tables . Gently touched to the dust specks, it lifts them out, after which they can be imbedded in the ball of “varnish” by rolling it between fingertips pictures of antique spider leg tables . Burnt varnish is in reality crushed rosin melted in a water bath and thinned with varnish in the ratio of 6 parts of rosin to i part varnish william iv scottish serving table . After being well mixed and cooled it will keep indefinitely ribbon mahogany dressing table .
As previously stated, a varnish base finish flows best at a minimum temperature Of 70′ chinese porcelain shards . Unless applied over a shellac coat, the initial varnish coating should be thinned in the proportion of i part of turpentine to 6 parts of varnish antique occasional tables . Only enough should be mixed for the job in hand all(> the coat allowed to dry overnight antique french breakfast table . Although a second coat will suffice for a surface that has been properly filled and sealed, three and even four coats are commonly applied to fine cabinetwork writing cabinet . As has been repeatedly emphasized, a coat of finish must never be applied before the preceding coat is completely dry art deco draw leaf table . With varnishes of varying drying rates the classic test for hardness is by pressing with the thumbnail; if no impression is left on the varnish it is safe to apply the next coat antique jugend brass fashion . Some varnishes require as long as three days to dry barkers brothers bedroom furniture .
Varnish, like enamel, will not adhere to a glossy surface drop leaf table with lion claw feet . Hence the first coat must be dry-sanded with a 5-0 garnet finishing paper, and thoroughly dusted pie crust tilt and turn antique tea table . For this work new sandpaper should be scuffed by rubbing two sheets together to remove the sharp cutting edges antique rectangular table . For turnings, headings, or panel corners and other difficult contours, 2/o steel wool will prove a satisfactory substitute antique mahogany english wardrobe .
The second and succeeding coats (exclusive of the final coat) can be success-turpentine for spraying, with as much as 25 per cent added for suction gu name a piece of furniture that begins with v . o antique table trestle .
Natural Finish Varnish Schedule antique escritoire .
i antique cherry german furniture . Sand with 4/o garnet paper and dust antique federal sofa chair .
2 refectory leaf table . Shellac washcoat (i part shellac-6 parts alcohol) candelabrum . Dry mid century table spider legs .
3 rectangular dropleaf tables . Sand with 4/0 garnet; dust vintage silver punch ladles .
4 table lamps . Fill and wipe open-grained woods refectory oak draw table . Dry freedom nouveau range .
5 antique bedside toilet . Sand wh it 3/0 paper; dust chinese ebony and marble table .
6 gustavian chairs . Shellac washcoat (r-4 napoleon antique chests .) antique pembroke table, floral inlay design . Dry small antique pembroke table fold-over . Shellac mixing lacquer preferred painted sliding glass cabinets . Optic al Varnish (6 parts varnish–t part turpentine inlaid refectory table .)
7 french restoration style . Sand with 5/o garnet; dust tea table with gated legs .
8 deco legs . Pale Rubbing and Polishing Varnish modern art deco bookcase . Dry 1828 sideboard buffet .
9 lions feet table . Sand with 6/o waterproof paper (or No antique mother of pearl escutcheons . Y2 pumice) and water palissy british . S us off and dry french display cases .
io antique.porcelain.italian. . Third coat of same varnish “bristol porcelain” for sale 18th century . Dry antique jupe style mahogany table .
fully rubbed down with a 6/o garnet waterproof paper or No confidante sofas . i pumice stn a ~d water antique trends . After the gloss has been removed, the slush can be washed off with at; r, cleansed with a chamois skin, and allowed to dry out thoroughly lion paw pottery .
Polishing entree dishes with servicing styles . After the Victorian reign of the high-gloss “piano” finish, the mo e restrained satin finish has come into its own as the perfect blend for in de P antiquevenercoffeettableclawfeet . decorative effects louis xiv dining table . It is achieved on the final coat after a rubdown with -No antique indian ivory inlaid coffee table . 14 Pumice and water, by employing rottenstone and oil to the surface when dr,
In applying either pumice or rottenstone to a flat surface of fair size, it advisable to use a sifter, converted from a discarded soap powder colitain antique dealer furniture iron louis xvi .r, o that the entire (horizontal) surface can be sprinkled glassblower sevres . The rubbing elemen is a piece of Y2-in style of british furniture early 19th century . felt, preferably glued to a wood backing for uniformity of su fac
rubbing is done with the grain, and no additional powdered abrasive s ou be added as the rubbing progresses lest it lump up and cut into the work soup turrene . Fir vertical surfaces the pumicepumiceor rottenstone must be applied directly to the fel After being rubbed, the work is cleaned off with water and a soft damp lot or chamois antique tables with brass feet .
Rottenstone does not faience cantagalli . cut into the finish but brings up its sheen when Ilibri, at;,l with a special paraffin-base rubbing oil, or a light motor oil thinned with be -in For a high (piano) finish, water must be substituted for the oil lubricant wit rottenstone antiquite pendule rayale . When the desired quality of polish has been secured in eitile, t satin or highly polished finish, the surface is slushed off with water and w; chamois, and when dry is thoroughly cleaned with a soft cloth and napht a benzine pier roger vandercruse . For a high polish equal parts of olive oil and denatured alcohol c antic candelabra . rubbed in with a cloth pad pollard elm furniture . The oil can later be “spirited off” as will be espy ine under French polishing marquetry occasional tables .
AlthoughAlthoua varnish has been traditionally brushed on, there is available a yp two tier table . manufactured especially for spraying english furniture dressing table . Ordinary varnish is usually thinned it,
small compressors rococo in africa .
Rub with FF pumice and water birmingham silver finial designs . Slush an(> dry antique octagonal islamic table .
12 19th century french furniture . Satin finish: Rub with rottenstone an(> oil furniture design antique copenhagen . Slush and dry mahogany bow fronted chest of drawers scottish . Clean with naphtha patent ironstone . Alternate treatment: Rub with 3/o steel wool antique convex glass . Wax if desired antique japanese yellow vase . Piano polish: Same, substituting water for rubbing oil fake ironstone pottery . (A third or fourth coat of polishing varnish will speed the operation) antique oyster pattern veneerd boxes . When the surface is dry apply polishing oil freedom nouveau range . May be waxed instead of polished deco style dressing table .
Varnishing Precautions value of antique rectangular drop leaf pedestal dining .
Beware of dust, both from sanding and in the air 19th century england wardrobe .
Never handle, sand or varnish any coating unless “thumbnail” dry art deco palissy dinnerware .
Always sand glossy surfaces to produce a “tooth” for anchoring the next coat song dynasty - jun wares . Use pumice and water to cut into the finish, rottenstone and oil to bring tip
the polish antique dining table detailed carved legs .
Lacquer Finish antique dresser with drawers stamped 54 . Because of its rapid-drying dust-free characteristic, and its hard, durable surface, the lacquer finish is a favorite where spraying equipment european style walnut funiture . is available; some lacquers are manufactured which are suitable for skillful ))rushing otto wagner furniture early art nouveau . As previously stated, however, it presents a distinct fire hazard when spraying indoors antique bentwood chaise . Not suitable for application over it varnish coat, which it “lifts,” lacquer can be satisfactorily applied over shellac or shellac mixing lacquer antique george washington porcelain figures . The fact that each coat of lacquer slightly dissolves the preceding lacquer film insures a perfect bond after a minimum of sanding to provide the necessary “tooth pop up cigarette deco dispenser .”
When filler paste is used under lacquer, it should be cut with naphtha rather than turpentine, and care should be exercised that the pores are thoroughly packed to insure a level surface for the thin-bodied lacquer art deco today . It is good practice to pad the filler with a handful of burlap, instead of relying upon the towing-off process alone to caulk the pores tightly art deco ceramics . The sealer may be shellac, shellac mixing lacquer, straight lacquer, or a special lacquer sanding sealer usually containing silex, which builds a level surface in one application equal to two ordinary lacquer coats french furniture dorset .
For the satin finish, a clear gloss lacquer is sprayed on and rubbed down as for a varnish finish; a better grade rubbing and polishing lacquer is available for this purpose english arts and crafts fall front desk . Flat lacquers produce a satin luster, without g
rubbin, which is more
rubbing

Fic how to build a refrectory table . g example of 18th century wooden handle silverware .q wales china figurine crossed swords . Spraying a synthetic resin on plastic
covered cushions compare art deco style characteristic in france and usa .
Synthetics can be applied by brush or spray, in the latter case thinned suction feed lighting art deco/japanese style . Only the thinner recommended by the manufacturer should be u since a thinner for one brand may not prove to be the solvent of another antique frnech empire furniture .
STAINING
If the craftsman has been unable to obtain enough wood for his project1h a color or grain of sufficient uniformity to insure an effective natural finish,lihe must resort to staining “biedermeier candelabra” . This is particularly true in the case of mineral streakin maple, for example, sap streaks in walnut, or gumwood with uneven colori g antique dutch cylindrical bureau . Stain is also used to soften and blend the obtrusive markings of inferior wo ds such as fir, spruce, and yellow pine stylized acorns . And finally, stains may be employed on close-pored, cheaper woods to imitate the preferred cabinet woods, or in novelty finishes austrian furniture manufacturer . This means that beech, birch, pine, and poplar call be stained to resemble maple; birch, gumwood, spruce, and poplar to simulate walnut; and birch and gumwood in imitation of mahogany golden rococo wall-mounted consoles .
All staining operations should be preceded by tests on a scrap of the wood In this way mistakes can be rectified without the necessity of sanding out, and the shade can be darkened or lightened prior to final application drop leaf table top and folded legs . If identical scraps are not available, the undersurfaces or concealed portions of the work can be utilized for trial applications empire sofas .
Aniline powder stains are often classified according to the solvents they contain antique lowboy dresser with scroll legs . Thus we have water, oil, spirit, and lacquer (thinner) stains wolfgang hoffman furniture . In addition there are the pigment (wiping) stains used for shading and unifying, the specially
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mixed shading stains employing aniline powder with a binder, an(> the non-grainraising stains regency/george iv silver candelabra suite .
Since no stain can color, penetrate, and protect in one coat, a sealer is required such as a wash coat of shellac, shellac mixing lacquer, thinned varnish, or lacquer to prevent the stain from being wiped off when handled, w- from bleeding through the finish coat art nouveau display cabinet . As will be noted in the finishing schedule oil page 330, the best practice includes a sealer over the stain, whether or not a filler with its accompanying sealer is to be employed cabriole legs desk . As previously explained, a sealer under the filler insures that the color in the latter will be contained in the pores instead of diffusing throughout the grain bread brand marks 18th century .
The aniline powder stains are mixed on the basis of i oz antique ebony pedestal card table lions head feet . of powder to i qt louis 16th reproduction dining set . of solvent for a strong solution how much is an oak butler’s tray table worth . All stains may be applied by spray, which in most cases is the ideal method antique 8 leg dressing table . In addition, the penetration of the stain will he increased if it is applied warm desk cabinet 18 century .
Water Stains 1866, the fritz heckert glasshouse . Water stains are cheap, penetrating, nonfading and brilliant gate leg drop leaf tables . Their one drawback is that the water solvent raises the grain of the wood 1840,ball and claw nesting tables,serpentine, . To counteract this the usual procedure is first to sponge the wood lightly with warm water all(, when it has dried to sand the raised grain smooth with 3/0 paper immitation queen anne style bedside cabinets . Inasmuch as some of the pliant wood fuzz may be pressed down rather than cut off by this early sanding, many finishers prefer to apply the water stain first and, when the raised grain has dried out, spray it with a mist coat of shellac to give it a stiffness for the sanding antique painted rectangular drop leaf table .
Water stain can be best applied with a spray gun unless the amateur finisher has acquired sufficient skill in its rapid application with a wide brush to avoid lap marks from uneven brushing recipe for “soft paste porcelain” . A final stroking with an empty brush along the grain Will do much to unify a brushed-on stain antique gateleg drop leaf table . End grain, unless protected with a thin coat of glue size, should either be wiped off immediately or sponged with water just before staining, in order to prevent excess darkening cabinet dressing doors designs .
The following table of approximate colors can be made up into stock solutions in gallon bottles or quart jars, according to the frequency of anticipated use “abraham roentgen” kommode . In Stain
Light red (Sheraton) mahogany Medium red mahogany
Red mahogany
Dark red (Colonial) mahogany Brown mahogany
Light walnut
Medium walnut
Dark (American) walnut
Light oak
Dark oak
Golden oak
Honey maple
mixing the stock colors the water should be hot but not boiling, and the cork colors added last harlequin patterned furniture . Various shades may be obtained by mixing measured sam-)les of stock solutions; lighter shades of the same stock are obtained by adding water bucket of cutlery knives .
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Lacquer Finishing Schedule (Water Stain) antique card table withe one flap .
I william france furniture maker . Sand with 4/o garnet paper and dust porcelain drum table .
2 queen chamber pot . Stain with water stain rh macy antique porcelain . Dry extending dining table with screw-in legs .
3 dutch paintings 17th century cutlery . Spray shellac mist coat 16 century design cabinets . Dry types of furnitures found in ancient roman period .
4 english ironstone pottery . Sand raised grain with 4/o garnet and dust antique music cabinete with mirror at the top .
5 art nouveau, armchair stained wood and glass,1904 . Fill and wipe open-grained woods coalport “tree of life” . Dry art nouveau origins .
6 pembroke hepplewhite . Sand with 3/0 garnet and dust antique silver dinnerware with lion heads .
7 magnificent table 18 century marble . Spray clear gloss lacquer french style porcelain gilded weight driven clock . Dry elizabethan furniture tudor antique buy .
8 chippendale supper table . Sand lightly with 5/o garnet and dust empire regency sofa .
9 french word for chasing . Second coat clear gloss lacquer czechoslovakia pottery mark lion . Dry when were tea tables first used . io antique american oak writing table . Sand lightly with 5/o garnet and dust qualities of gilt metal . i i “oliver bernard” pel . Third coat clear gloss lacquer 18th century brittany cupboards . Dry making cabriole legs with padded feet . 12 antique cherry gateleg table and chairs . Rub to satin finish antique 19th century tilt top tea tables . (See operation 12 of Natural Finish Varnish Schedule) carved ball trestle table .
Non-grain-raising (NGR) stains although more expensive than water stains, are favored by many finishers because of their fast-drying, nonbleeding penexation general description of design style of art deco . ‘>’his fast-drying characteristic of the glycol solvent that has been substituted for water makes NGR stains difficult to > antique new england pine dresser .)rush oil: furthermore, the very wetness of a brushed coat tends to raise the grain slightly antique victorian lion’s paw leg table .

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The cap at the nozzle of the gun mixes air and liquid either internally or externally antique glass box etruscan . The external-mix cap usually has two hooded side ports (A in Iigu e
5 palladian bookshelves .4b) which aim twin jets of compressed air at the atomiz
mixture leaving the central orifice antique rectangular drop leaf tables . This produces the fa
internal-mix cap has a long narrow slot to fan-shapa t n e spray that has been partially atomized by the venturi ectien
behind the nozzle info gillows in the 19th century . The external-feed cap is supplied o bo ~h the suction- and pressure-feed guns, but the internal-in x
cap can be used with only pressure feed sideboard serpentine wood inlay brass . Requiring lees pressure, it is popular with small units, but is liable tc clog with fast-drying mixtures antique furniture shop biedermeier .
Spraying Technique crockery cabinet designs . NN7hen properly applied to flat work, most guns produ - e the fan pattern illustrated in the detail in Fi-,ure 5 show earthenware produced by wileman & co. .5 antique ladies writing cabinet . It averages about 8 i high when the guns is held 6 to 8 in swan plate kandler . from the surface to be sprayed, as indi at0 in the photograph solid silver sauce boat no markings . External mix guns can usually be adjusted to
photograph victorian balloon back arm chairs mahogany cabriole legs .pattern for a concentration of liquid on small areas or modified by blocking off the side ports with friction tape hirado porcelain .
Held at a uniform distance from the work, the gun is swept across and back at an even rate to make one coat 18th century music stand . During each sweep the gun nozzle must be held parallel to the sprayed surface; arcing will produce a antique japanese tea table mother of pearl . disproportionately heavy deposit in the center of the stroke antique furniture berkey and gay . In order to make the most of the fan-shaped spray pattern, the gun should be triggered as the stroke is begun, ahead of the work, and released at the completion of the stroke, after the nozzle has passed beyond the surface being sprayed lacquer carlton house desk . A second coat applied in vertical laps will insure good coverage antique 18″ square drop leaf table on casters . Practice is the secret of good spraying, and can be exercised on scrap material or wrapping paper 18th century mass produced tableware . Examination of test patterns before the finish coat is applied may result in necessary adjustments that will eliminate a later sanding off of an unsatisfactorily sprayed surface earliest tilt top tea table .
Figure 5 1940 dressing table value .5 illustrated the correct fan
pattern, fairly regular in shape, with the
atomization producing fine, even-sized dots of
paint across the pattern italian antique small inlaid wood 18th century ivory . In Figure 5 antique gateleg extension elite .6 four
incorrect patterns are shown antique italian china markings . In detail A
the small dark center quickly fades into
rough gobs of material, indicating a failure A B C D
in atomization which, if aggravated, will Fie czechoslovakia silversmiths . 5 antique silver bread basket .6 “soft paste porcelain” ” . Spray patterns inlaid wood sofa table . A, Heavy
almost surely produce “orange peel federal side table .” Cor- center; B, Peanut; C, Heavy end;
rection consists of either thinning the liquid D, Split spray scottish 19th century antique furniture . or increasing the air pressure period dressing tables . The shapes
indicated in B and C are common distortions caused by a dirty gun “such as that” . The split pattern in D is caused by excessive air pressure art deco polished matte lost-wax castings o nude women in bronze by viennese artisans .
Common Failures cuvette a fleurs .
“Piling” of the sprayed finish is caused by, moving the -tin too slowly or too nearthe surface 19th century louis xv mahogany french chest of draws floral inlaid wood with marble top and glass cabinet with cabriole legs .
” Running” results from too thin a liquid decorative spindle legs from antique card table .
“Sags” are the result of too thick a liquid, too close a stroke, or improper triggering whieldon ware tortoiseshell .
“Pin holes” often occur when the gun is held too close to the surface, or from too much air pressure 19th century bavarian side chairs .
“Misting” is due to excessive air pressure, a too thin fluid, arcing the gun, or holding it too far from the surface european antique rolltop desk 1700’s .
“Floating” is usually the result of a poor mixture royal staffordshire by clarice cliff nancy .
Viscosity antwerp collector’s cabinet . As noted above, it is evident that in addition to manual ability to control properly the sweep of the gun, the liquid being sprayed must be of the correct body or viscosity furniture in neo classical style,east india company, india . Many craftsmen are satisfied with a crude paddle test, during which they dip a thin strip of metal into the liquid up to a predetermined mark gillows antique furniture . When the “paddle” is withdrawn, the behavior of the liquid reflects its relative viscosity extending console table . An excessively thin mixture will immediately run off the end of the paddle, whereas too heavy a liquid will sag down in drops before it r
mixture that is close to the proper viscosity will start to run but has suff-cient, body finally to flow in a series of waves decorchemont .
A more accurate test, which can be applied repeatedly, is by means of glass viscosity tubes antique pembrook table . If these are not available, a half-dozen test tubes of identicil size (about Y2 in art deco inspired bookcase . X 4 to 5 in antique chippendale tilt top table .) will prove satisfactory american gothic revival furniture makers . Corks of identical site should also be procured neoclassical dining table base furniture . Each tube is filled with the liquid under test to ‘Withirl approximately -1/8 in serpentine centre table mahogany . of the end of the cork, which has been previously fitted ani marked so that all are inserted to the same depth empire furniture.com . When the corked tube is il
verted, the air space under the cork becomes a bubble, which travels to the 1 pp(r (closed) end of the tube wooden tables with brass leaves inlay . The time it takes the bubble to traverse the len– pennsylvania house queen anne chest .h (f the tube is the measure of the viscosity of the liquid steel dining table germany .
In order to obtain a sealed sample for measuring unknown mixtures, a ,ierl(S of test patterns must be sprayed on wrapping paper or scrap material dutch walnut cabinet . Th; cu is filled half-full of a mixed liquid that is known to be too heavy, and its pa ter sprayed antique hoover price . Small amounts of thinner are added successively and a pattern sp ye :l for each until a pattern finally registers the proper viscosity antique ivory and silver tableware . A sample o th~ correct liquid is sealed in a viscosity tube as the “master” or “pilot” sampl- fct future mixtures employing this type of solvent antique drop leaf gateleg table .
Cleaning antique japanese lacquer tray . Suction-feed guns are a pleasure to clean what types of materials were used in george hepplewhite furniture . All that is nece sar is to unscrew the gun from the cup, stop up the nozzle with the fingers, and pu the trigger to force out the remaining fluid curved back chair from 1940s . If the fluid tube is inserted in a coy tainer of solvent and the trigger squeezed several times as in Figure 5 cabinet dressing doors designs .7, the gu
will clean itself spanish antique table .Cleaning the spray gun french empire desk cabinet maker logo .
Pressure-feed guns are cleaned in the same way except for the fact that solvent is poured into the metal, pressure-resistant cup, which must then be sere tightly in place before compressed air is triggered in setobody .
This light cleaning should be augmented by a periodic dismantling of th( cap, fluid tip, and the needle valve with its control needle, and immersing in solvent edgard brandt . Under no circumstances should solvent be allowed to come into contact with the oil or packings of the working parts antique “trestle table” kent .
Summary mother of pearl coffe table fake antique egypt . In conclusion it should be borne in mind that in finishing fine furniture or cabinetwork, cleanliness is next in importance to a craftsmanlike finish czechoslovakia antiques .
In the first place, the work itself must be so clean that no wood or sand dust remain to adulterate and discolor the finish to be applied antique apostle spoons .
For the same reason brushes or spray gLill, that apply the finish should be immaculate furniture+scallop+wheat .
Finally, maximum efforts should be exerted to eliminate from the air dust whose settling would mar an otherwise perfect finish sheraton +antique +gaming table .
FURNITURE FINISHING TECHNIQUE
In addition to cleanliness of the surface, tools and air and repeated stirring of the finishing fluid, following a methodical procedure in enameling or painting furniture will obviate considerable unsatisfactory retouching dutch provencial furniture . In this connection a good light is a prime requisite 1800’s cylider desk .
Chairs all([ tables should be turned upside down so that the lower, not easily accessible parts can be coated first renaissance woodwork cassoni . In enameling it is very important to examine all vertical surfaces for runs or sags within the first five minutes, before the liquid hardens and becomes too tacky to smooth out with a wiped brush antique.italian.porcelain. . This is particularly important around beading, carvings, and turnings, where the brush may skip the valleys drum/breakfast table . Flat horizontal surfaces are left until last, with excess fluid eliminated by “cross-Hatching”—brushing first with the grain then across it glass front marquetry cabinet .
Finally, care must be exercised at all times that no coat is applied before the underneath one is completely dry antique calamander . The rule to remember is: never finish over a glossy surface or attempt to sand one that is not hard dry louis xv dining table stretcher draw leaf .
Decorative finishes for painted or enameled surfaces are discussed later in the chapter furniture makers of the 16th century .
OPAQUE FINISHES
As previously mentioned, the purpose of an opaque finish is to conceal the surfaces of woods deficient in grain patterns, or to hide inferior material, or even poor workmanship brass candelabras made in china . Applied with brush or spray gun, these finishes run the gamut> of color and sheen, from a high gloss enamel to flat paint, and may be decorated with decal conian! as, stencils, peasant painting, various novelty effects, or glazing end table ivory inlaid india wwii . This so-called “painted furniture” has become justly popular in bedrooms, bathrooms, kitchens, rumpus rooms and nurseries, as well as on the outdoor porch or in the garden antique maple drop leaf dining table .
Enamel Finish english writing desk spiral legs . Although a good grade of enamel will effectively resist mild heat, >lot water, milk, fruit stains, and alcohol, unless specifically recommended by the manufacturer, it is not intended for outdoor use photos of antique chambersticks . Enamels use varnish, lacquer, or u synthetic as a vehicle for their pigments antique drop leaf sofa table .
Varnish enamels, unlike paint, which must be thoroughly brushed out, ar; flowed on with the least possible brushwork christian mayer furniture . Usually used at can consistency, 4 varnish enamel may be thinned with varnish or turpentine antique dutch bureau . Enamels can be sprayed, particularly if heated, although with a suction-feed gun on a srnaL compression unit it may be necessary to dilute the mixture as it comes in the can
Pigmented lacquer (enamel) produces a very hard, durable, water-resistan antique tea scoop jockey hat . film, which is quick-drying and therefore likely to be dust-free 18th century wardrobe . Not suitable fo brushing it is sprayed oil after dilution with lacquer thinner antique hoover price . Since the laccuer its thinner, and lacquer spray dust are highly inflammable, precautions are n(ces sary to prevent combustion when spraying inside the shop art deco dressing tables . The installation o an exhaust fail should be seriously considered if extensive spraying operation! are contemplated indoors antique bowls 1700’s .
Synthetic enamels can be applied by either spray or brush with equal success Made from a synthetic resin base they deposit a tough, weather-resistant 31m which dries in from 4 to 6 hours unless accelerated by baking piertables . Their solvents are supplied or specified by the manufacturer belgian designers included henry van de velde and gustave serrurier-bovy .
Today there are many “quick-drying” and “one-coat” enamels on the market in a variety of colors and glosses serpentine pembroke table . While it is true that when applied over a wool as hard and as light colored as maple or birch a single coat will hide with a uniform gloss, yet it is not likely that one coat will satisfactorily cover softwoods such as white pine and basswood, porous woods like poplar and spruce, coarse woods with the variegated grainings displayed by yellow pine and fir, or (ark redwood or gumwood candelabra baroque .
On soft woods, a hardening coat of shellac, diluted 50 per cent with denatired alcohol, can be applied and sanded smooth when dry with 3–o abrasive gay antiqe . A cark wood, or one with a prominent grain, should receive a priming coat of enamel that has been reduced at the rate of a tablespoon of turpentine to a quarter pint of varnish enamel george hunzinger . When thoroughly dry, this coat is sanded smooth and given a second coat at can consistency oak drawer leaf table .
Undercoater art deco legs desk . The best professionally applied enamel finishes consist of at least three coats and a final rubbing antique french fluted table drawer . This insures both greater depth and smoothness in the final film george hepplewhite stringing . Instead of diluting the enamel for the initial coat, an enamel undercoater is used dresden richard klemm . This is nothing more than a heavily pigmented, flat-drying hard paint that possesses better hiding qualities than are offered by the glossy enamels antique tea cabinet . The fact that the undercoater is basically a paint does not mean that a flat wall paint can be successfully substituted for it; raw paint is too ;oft to stand up to the necessary sanding artdeco lamp . If, however, an undercoater is not available when needed, a satisfactory substitute can be mixed from 8 parts of flat write paint to which i part of enamel has been added as a hardener secretaire empire 1800 .
Although enamel undercoater comes only in white, it can and should be tirted to approximate the shade of enamel to be used period drawing room looks . This is easily accomplished by thinning a small amount of color ground in oil with turpentine and stirring it gradually into the white undercoater how did 18th century cabinet makers finish their cabinets . Since an exact match is not required, the final shade should not be markedly darker or lighter than the enamel barker brothers coffee table for sale . The following table indicates the approximate tint that will be produced by all ounce of thinned color added to a gallon of white undcrcoater, enamel, or paint:
Desired Tint Pigment Color
Cream Golden ocher
Yellowish Medium chrome yellow
Warm ivory Raw sienna
Yellowish ivory Yellow ocher
Peach Burnt sienna
Apricot Orange chrome yellow
Coral rose American vermillion
Lavender pink Rose pink
Orchid Rose lake
Light gray Raw umber
Warm gray BUI-111 umber
Cream gray Vandyke brown
Dove gray Drop black
Steel gray Lamp black
Gray blue Ultramarine blue
Robin’s-egg blue Prussian blue
Light blue green Blue green
Light yellowish green Yellowish green
Enamel Undercoat Schedule brass indian tea tables .
i antique tea set - rh macy . San( surface with a 2/o abrasive, clean lhorutwhlv antique dutch chest on chest . and sea> end grain sheffield plate dish rings . Seal knots with aluminum paint antique tea table history .
2 1920’s art deco sofa . Apply one coat enamel undc-rcoater tinted to approximate shade of final coat square drop leaf tea table with gated legs .
3 pembroke hepplewhite . Fill cracks and sand smooth with ;/o abrasive art deco sofa 1925 .
4• Apply intermediate coat of half and half underwater all(> enamel davenport desk mechanism . S comtoise clocks longcase . Sand lightly with 3/o abrasive pine furniture .
6 “chateau des tuileries” . Apply finish coat of enamel looking for 4 feet wide drop leaf table .
7 sheriton roll top antique bureau . For a semigloss luster, rub to hard smoothness will’ 3-F pumice stone and rubbim, oil chenghua foot rims .
8 rectangle table pilar foot . For a high Polish use rottenstone and water (see section devoted to varnish finish) deco rocket cabinet .
Paint Finish 1896 british ceramics . Frequently constructed from cypress, pine or redwood, outdoor furniture must be protected from the elements by a tough, elastic film that will not chalk off under careless handling jupe dining table . These slick or porous wood 18th century chest antique .; require a
handling
coat whose adhesive qualities are sufficiently tenacious to provide a good bond art deco examples . Modern house-paint primers contain lung oil, which needs no thinning as it comes from the can brass serving tray with italian inlay wood . Aluminum paint or shellac should be used to close end grain and to cover knots yabu fruit .Unless a sloppy or dirty coat has been applied, it is not necessary to sal I between paint coats table art deco+lyre . The second coat should be a good grade of exterior ion e paint, hardened by zinc oxide up to one third of the pigment antique iranian carved tray . A final coat of tl exterior paint, without thinning, will complete the job malard furniture . In no case should -)aii t be applied over an old enamel finish or vice versa; owing to their different e)pa> Sion rates, the extreme changes in temperature to which outdoor furniture subjected will result in cracking and crazing of the exterior coat nabeshima decoration . A final co t of exterior spar varnish will stop the chalking and weatherproof the surfac- czechoslovakian quality porcelain . rosewood and brass inlaid dining room furniture .
Outdoor furniture which will be given some protection from the weathe 17th century american dressing table .• c marquetry italian tray .~ be finished satisfactorily with paints designed for interior use antique.porcelain.italian. . If the furl -itil e is to be used on a covered patio, or if it is carried inside during showers a :l stored indoors during winter months, the extreme weather-resisting qualit; ?S f exterior house paint are not required antique sette michael thonet . On wooden furniture which is to be give I an opaque finish that will conceal the wood, interior paints, such as are de— yongzheng octagonal plate .igll& for bathroom and kitchen finishes, will be, satisfactory in most cases flatware handles fiddle leaf . This is tr of even the water-mixed latex paints so widely used in interior finishing 18th century “music stand” .
When it is not desired to conceal the grain the wood, an essentially wea,he, proof finish can be given to outdoor furniture by the application, first, of a tranparent wood sealer and second, of one or more coats of good-quality spar vai nis or boat varnish 17th century trestle table with claw feet . If the wood is smooth enough and clean, simply apply the s?al;, according to the manufacturer’s directions regency double pedestal tilt table anqique . Sanding before application of th gothic arch furniture . varnish should not be necessary unless the wood is rough or dirty mahogany coffee tables .
Heavy wooden furniture such as Adirondack chairs and the familiar redx-oo, picnic sets, will weather to an unexciting brownish gray unless it is protected >vit’ a coating art deco inlay dresser . A special finish is obtainable for redwood which will maintain th natural color or something that resembles it for sale antique pedestal candle table 3 legs brass claw feet . On other woods a mixture of on part boiled linseed oil to one part turpentine may be brushed on when the N oo is new and renewed about twice a year mahogany antique japanese furniture designer . Or when this coating is first applie , i may be followed up with spar varnish mechanical drawings on dressing table . Renewal then requires only revarnis ing
The best method of finishing reed or fiber furniture is by spraying, eve P only a hand-pump sprayer is available art deco and exotic leather . Brushing piles up paint in the interst es wipes thin on wearing surfaces, and fails to reach deep spots rousseau shagreen .
TRANSPARENT FINISHES
The purpose of all furniture finishes is to provide a protective coating; tr art deco ladies writing desk .nsparent finishes provide this coating without obscuring the underlying grain of the wood claw foot dresser . For woods such as mahogany, walnut, red gum, and the fancy veneers : nd inlay woods that possess sufficient natural color and a desirable grain patt-rn, a natural finish g employin no stain but providing a desirable Sheen is enti ely
appropriate art nouveau france origins .
The present vogue for natural finishes is a normal reaction from a pe iod simulate rich depth 19 century mahogany gateleg table . Nowadays the native grain and figure of choice hardwoods is appreciated and enhanced by more honest methods rococo silver candlestick .
The schedule for any transparent finish must consider the porosity or coarseness of the grain to be covered art deco wooden armchairs . Except with mission or weathered oak and Old World finishes, it is common practice to fill all coarse-grained woods so that the pores are flush with the surrounding surface 19 century english roll top desks . This builds up a uniform level for succeeding finish coats, free from pockets for dust and dirt deposits pembroke end table . Colored fillers, furthermore, are important aids in emphasizing the grain pattern ironstone pottery .
Fillers antique spanish blue and white pottery . Ready-prepared fillers are entirely satisfactory and easy to apply antique octagon knee hole desk . They are available in stock shades of light and dark walnut, red and brown mahogany, natural, light and dark golden oak, other wood colors, as well as white for novelty finishes german antique card table . The addition of drop black ground in oil will produce the deeper shades, and zinc oxide will lighten the color of a prepared filler until it is suitable for almost any job lion cabriole antique . For the hobbyist who prefers to mix his own filler or has a special job in mind, it is no difficult matter to make up a natural (transparent) base filler from powdered rock quartz, known to the trade as “silex antique fall front desk .” A mixture of 2 oz aaron burr desk . of turpentine, 2 oz contemporary designs for dressing table . of japan drier, and 5 oz table paw feet antique . of boiled linseed oil is slowly stirred into 2 lb carl walters ceramics . of fine powdered silex 1945 mahogany desk . The resulting mixture is thinned as shown in the table below and can be colored with pigments ground in oil different types of roman furniture . Vandyke brown shaded with drop black, burnt umber, rose pink, or zinc white will provide a variety of colors anglo indian antiques .
Mixture antique pattern cabinet . Paste (silex) filler is available in half-pint, quart, and gallon cans weighing approximately i lb louis xvi revival sideboard with porcelain inlays ., 5 lb antique porcelain +swan +painted . and ii lb antique score music . respectively empire writing table . Although it is already mixed with linseed oil and japan drier, the paste must be thinned to the consistency of thick varnish so that it can be brushed on antique ceramic dish in silver stand . As a thinner, naphtlia, decreases the drying time while turpentine tends to hold the coat open; the two can be mixed together to moderate the drying period examples of 19th century pennsylvania furniture . Boiled linseed oil will hold the coat open for at least half an hour; japan drier will speed up the drying process ecole de nanci furniture . The thickness of the mixture will depend upon the coarseness of the pores to be filled antique chippendale dining chairs with bronze leg decoration . The filler mixture required for the more common woods is suggested below:
Heavy Medium Thin None
Philippine mahogany Walnut Maple Cedar
Oak Mahogany Gurnwood Pine
Ash Cherry Birch Basswood
Chestnut Rosewood Beech Poplar
Elm Redwood Fir
Alder Spruce Cypress
Obviously, the larger the pores to be filled the thicker the mixture must be, and vice versa antique gate leg table . As received, the paste filler must be well spaded with a putty knife and thinned to brushing consistency for the job in hand antique sheffield piece marked “royal sheffield” . Relative measures Application antique georgian dining table, pad foot . Assuming that a dark shade of filler has been selected to h -blight the grain figure in walnut, mahogany or oak in order to distinguish it f’orn imitations on guniwood, poplar, beech, and other inferior woods, the first ep, before the actual filling operation is to apply a wash coat of white shellac, dil fed i part shellac to () parts of denatured alcohol antique cherry drop leaf six legs . This will prevent the oil in the filler from darkening the wood 19th century 5 legged table .
Meanwhile the filler is mixed to a creamy brushing consistency, regardles• of whether it is of 16- or 8-lb base antique mahogany drum tables library tables writing tables value popular . When the wash coat of shellac sealer has c(111- pletely dried, the filler is liberally applied by means of a short-bristle brush 2:ith the grain chinese chicken coop armoire . Because of later operations it is wise to limit the brushing-in to a maximum of about To sq ft at a time spanish fashion 16th century .
Within 15 or 20 minutes the sheen of the filled surface will have flatted s fficiently for wiping early 19th century american rosewood cabinet makers . This is accomplished by “towing-off” all surplus filler, wi across the grain with clean burlap rags 1970s ashtray “art deco” style . If the filler has commenced to harsen it can be softened by moistening a rag in the naptha thinner indian vernacular furniture . For cleaning out carvings, headings, and corners a picking stick whittled from a 6 in wooton chest . lengt of ,Y8-in 19th century bavarian side chairs . dowel and sharpened to a pencil point at one end and to a sharp we ge at the other is useful under a burlap layer talavera de la reina tiles and spain and antique .
After all surplus filler is towed-off, a final wiping with a soft tintless cloth along the grain will insure complete cleansing spiral leg gateleg table . The filler must then be alto -ed its full drying time antique circle furniture . Rather than risk sealing a damp sealer it is advisable to increase the minimum drying time by one half; thus the so-called “4 hour” fil ers should be permitted 6 hours and those retarded by turpentine and linseed oil allowed a full 36 hours dresser with rack in middle . A light sanding with 3–o paper followed by a dus ng with compressed air from a vacuum cleaner or empty spray gun will incur a smooth surface for sealing english stoneware .
The hobbyist will encounter so-called “liquid wood fillers” on the mar et, which are little more than colored sealers for softwoods antique 17th century fork . Composed of an infe for grade of varnish with a small amount of silex, these liquid fillers are freque ly employed in cheap furniture finishing daniel quare pocket watches made in 1674 .
Sealers lions claw brass . Prior to applying the filler the wood was protected from discolorat on by a sealer consisting of a wash coat of diluted white shellac dovetailing on 17 century furniture . Professional finisli•rs of high-grade furniture prefer to seal the filler also, using white shellac for li - ht finishes and orange shellac for the darker browns and reds in the proportion of i part shellac to 4 parts of denatured alcohol ceramic platter italian crustacea .

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Built-in recess shelving, niches and cupboards in the bathroom fish tail knife 16th century fruit knife 15th .
with fitted sections of cheap mirrors, without frames leaf refectory tables . Medicine cabinets can be recessed flush with the walls in the same manner, with due regard for the studding antique french or chippendale coffee table .
0
Utility Cupboard 18th century england cakes . Unused bathroom corners offer an ideal location for combination cupboards or chests of drawers antique bureau bookcase with drop handles . Frequently these can be located at the open end of a built-in corner tub, or between the tub and the toilet four pillar trestle table . Constructed With 2 X 2S cleated to the wall, floor, and ceiling, as in the kitchen utility cupboard, their outer finish will most often consist of an enamel finished wallboard or tileboard 19th century sofa guide . Figure 4 “cigarette”+”holder” .45 illustrates a combination in which the linen cabinet is built above a tilt-front clothes hamper italian coffee table 1920s . The latter is constructed along the lines discussed in Chapter 2, of a size to take a full week’s “charge antique upholstered louis xlll armchair .” An optional arrangement is to construct a series of drawers, or build the cupboard to fit an old chest of drawers, in place of the clothes hamper armchair vallin .
Dressing Tables art deco palissy dinnerware . Even the men of the family will display enthusiasm for a
Fie art nouveau vitrine . 4 antique tilt top dinner table photos 1800 century .45 boardroom clock . Bathroom cupboard jean luce arzberg germany .dressing table alongside the lavatory, provided it is kept clear enough of fenliliin4 fripperies to serve as a workbench for their shaving tools antique burr walnut chest drawers 1930s . This type of convenience can take the form of a removable table with four legs, built to fit the space, or built-in type having two front legs with the rear apron cleated to the wall “antique austrian ceramic art” .
A more modern design presents the dressing table as a simple counter, withou legs, as illustrated in Figure 4 design sideboard inlaid wood .46• An ideal method for supporting a corner nex
Fic antique victorian wood stool chamber pot . 4 japanese art nouveau desk .46 gateleg table mahogany . Legless dressing table rococo revival furniture .
to the lavatory is to bolt it through a hole drilled in the lavatory’s apron royal court floral bone china hand made & painted by craftsman staffordshire . Failin this, heavy brackets must be employed, of either metal or suitably shaped woo( To be effective, these, like the rear apron cleats, must be located against studs i the wall antique 1920 small drop leaf table . A linoleum top whose color reflects the decorative scheme will be mosuitable for bathroom use french makers of tables a gibier . Its edge can be concealed by a band of veneer or plasti which is cemented over the entire width of the counter’s apron, when the latt furnitures during ancient roman period . is flush with the top edge antique table with paw feet oak table .
Drying Rack italian console table makers . Rather than to attempt to change so basic a custom as the dail conversion of the bathroom into a lingerie laundry and drying room, the ho mechanic will be better advised to construct a rack that will keep milady’s ga,- ments reasonably clear of the bathtub, while drying out unusual gate leg table . This is not difficult whe the tub is clear at one end, if a pivoted ladderlike rack is constructed, similar to t one pictured in Figure 4 antique cigar chair with wood arms .47 opalescent glass perfume france . A small wooden partition can be built at the end of t e tub upon which the uprights of the rack will rest when they are in a vertic antique drop dresser with marble top .1 position vintage three leg table base . The tops of the uprights are pivoted to the ceiling by means of bol s thrust through chromium plated metal flanges, cut out and bent into U shapes - s shown antique oak five leg table . If either the chromium is unavailable, or the rafters in the ceiling do n t occur at the necessary points, a wooden joint on a sufficiently large cleat running in either direction along the ceiling can be constructed as shown in the detail antique compo motif furniture .
The rungs of the drying ladder can be plastic rods or chromium plated tub- in,, tenoned into place and held securely by chromium-headed screws etruscan pottery price offer . Long
chromium-plated bolts attached to the back of the 0
uprights sink into holes in the
top of the small partition to secure the rack in its vertical position early 19th century solid silver candlesticks . The bolt housings are screwed carefully in place against the rear wall, as purchase for the bolts when the rack is pushed up french style porcelain gilded weight driven clock . The tipper portions of the bolt housings should be filed into a concave curve to prevent the bolts from slipping off, if jarred cabriole in architecture . When vertical, the rack serves as a towel holder; if preferred, the hinge attachment can be omitted and the rack used for drying clothes in the vertical position cabinet makers escutcheons .
A more orderly arrangement results from the construction of an encloses cabinet, which completely conceals the wet clothing during the “drying process Although such a cabinet can sometimes be constructed above an existing radiator over which an inclined metal shield is fastened as protection from dripping, it wil: usually be necessary to build it wherever space is available “european art deco” war . In this case the drying element will consist of an infrared lamp bulb, suitably located to prevent scorching In any type of enclosed drying cabinet, every effort must be made to allow fot passage of a maximum amount of air currents rectangular oak gateleg table . To this end the door and side,,; have holes bored in various patterns, or contain brass grille inserts art deco .
RUMPUS ROOM FAVORITES
The satisfactory remodeling of an unused portion of a basement into a bright remodeling
clean rumpus room or playroom, is heightened by the opportunities afforded fol building various conveniences, which not only bestow that coveted “customr, built” look, but also effectively increase the size of the usable floor space ivory coffee tables italian . tinder these circumstances, it would appear incumbent upon the prospective home re Small corner bar neoclassical style brass seamed candlesticks .
modeller to plan the location of these conveniences before erecting the studding of new partitions, and especially when providing for doorways oriental motif display cabinet . No matter how rough the sketch, when drawn to scale it will prove invaluable to the amateur builder, both during the initial planning, for calculating the material requirements, and as insurance against the twin errors of costly omission and commission 18th century english stoneware . Often the location of a door a few feet to the right or left will make or break a valuable wall space, together with its attendant possibilites for built-in utilities ebay+table+inlay+mahogany+drop leaf+oval . The same is equally true of radiator installations, which often determine the final layout rococo candelabra . Extra doors, when strategically located, often pay their way, as in the case of built-in bars 19th century antique hall table . Indeed, Dutch or half doors, when provided with a suitable shelf, make ideal serving pantries or miniature bars in themselves, as in Figure 4 pictures of 1940 walnut swing leg tables .48•
Built-in Bars viennese chairs . A majority of modern home recreation rooms now feature a permanent bar built into a corner or an end of the room aaron burr desk . Like their commercial prototypes—the milk bars, hosiery bars, necktie bars or ice cream bars—their primary objective need not necessarily be to dispense alcoholic beverages edgar brandt table . In reality nothing more than counters at which “customers” can comfortably stand or sit, these home cola, snack, or cocktail bars are fundamentally of simple construction indian vernacular furniture . The two basic considerations from the standpoint of utility are height and suitable counter space john toulouse porcelain modeller .
In general, a height of 42 in 18th century furniture owned by lord burlington, stamped . will suit the average person, whether standing or sitting on a tall stool antique cellarets . The bar top should be allowed a minimum width of 12 in myott son&co hanley 1880 ., the wider the better antique mirror back sideboard 1920’s . Obviously it should be finished or covered with a stain-and alcohol-proof surface antique italian sideboard .
It is on the front and any exposed side that the builder can lavish his decorative ability japanese characteristic of later 19th century decoration . One of the simplest methods of finishing utilizes random vertical widths of V-grooved knotty pine, which blends so well with many rumpus room decorative treatments william kent mahogany sidetable . A more striking but easily applied covering is the small tiled wall- board used in kitchens and bathrooms, which comes in a variety of glossy, enameled colors, or sized, ready for finishing sheriton roll top antique bureau . Padded leatherette is popular, either plain or quilted with upholsterers tacks, like a tufted chair back refrectory table with bulbous legs . Linoleum and Weldtex are interesting, and any of the hardwood plywood panels can be used for more formal effects, including plastic veneers, to be described later prayer bench, antoni gaudi . A startlingly rich effect can be achieved by applying a lacquered film decalcomania simulating marblo over ordinary lacquered wallboard or Y4-in designing knock down furniture . plywood scottish chest drawers .
The popular circular bar shown in Figure 4 austria thonet furniture .49 is easy to construct once the arcs of the bar top and shelf have been cut out to the dimensions shown yixing antique . A series of straight cleats are nailed to the underside of the bar top to permit a 1/—in cheng hua ming porcelain . overhang when the six 8Y2-in antique gate carved chair legs . uprights are nailed or screwed to them draped kidney shaped dressing table . This overhang is also allowed at the ends to permit the sides to clear the baseboard of the room lacquered furniture . Horizontal cleats nailed 18 in perpetual calendar 18th century . above the floor ends of the upright members hold the circular shelf and furnish rigidity regency period sofas . Silhouettes can be jigsawed along the edges of the upright members before they are fastened in place antique spiral leg oak dropleaf table .
This type of corner bar is most effective when a door gives access to it from the rear general description of design style of art deco . Otherwise it must be pushed forward sufficiently to permit entrance to its rear from one of the sides richard edward chippendale pier table . Corner shelving for interesting glasses or miniature bottles will add a professional touch, which will be heightened by fastening a pair of matching mirrors to the opposing walls of the corner antique epergne .
Depending upon the interests of the family, basement recreation rooms may be planned primarily for other purposes, with the bar an incidental feature or lacking entirely antique russian chess table . If the family includes several young people, a teen-age recreation area will probably be needed, and the basement offers an area more or less isolated from the rest of the house renniance ebony cupboard italian antique . In fact, if the ceiling of the basement is finished off with acoustical tile, the noise problem can be solved better in this area than in any other art deco antique dresser . A wooden floor will be better than other kinds for dancing, but energetic teen-agers, given the opportunity, will dance on almost any kind antiquegames writing table .
A music practice room is another good use if the family is musically inclined english antique tallboys . For this use it will be necessary to give attention to acoustical aspects silver christening set antique knife . Concrete walls will have to be covered with wood or other materials having good sound-
absorbing, qualities bohemian hyalith von buquoy glass . If the finished room is to be used for amateur recitals, the space will have to be planned so as to provide an open area large enough to seat the audience comfortably “abraham roentgen” kommode . If musical instruments, such as a piano, sensitive to dampness arc to be stored in the room, more attention must be paid to humidity control than for some other uses china cabinet desk . The walls and floor must be made as damp-proof as possible; in addition, an electric dehumidifier (of which there are several makes now available) may be necessary urns cuttelery boxes . Storage space in the form of cabinets of suitable shape and size for small instruments, records, etc antique wooden oval french music stands . can be planned 18c & 19c cheval mirrors .
Many basements are remodeled to facilitate a photographic hobby norman bel geddes desk . Fullfled-ed photographers build a dark room there for developing negatives and making prints an(> enlargements, and sometimes use an adjoining portion of the basement as a place to hang prints or show slides chinese cabinet with william and mary legs . A dark room will require some special plumbing and wiring, and slide-viewing is most convenient when both a suitable electrical outlet and a switch for turning the room lights on and off are located near the projector antigue collectors . These things should, of course, be planned as part of
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the basement remodeling operation “manual wind watches” “out of fashion” . If the hobby is moving picture photography, the same electrical conveniences will be needed near the projector renaissance italian furniture style a bambocci and cupboards . Both slide projection and moving picture projection require a screen which may be constructed as a permanent part of one wall of the room, or may be placed on a roller and rolled up out of the way when pictures are not being viewed art deco furniture designers and their work .
Washtub Camouflage “plate bucket” . Often a plan for a small basement rumpus room, after successfully solving the problem of by-passing the cellar heating unit, runs afoul of that other unsightly household necessity, the pair of old-fashioned laundry tubs marble leos furniture .
By constructing a well-fitting closed cabinet and finishing it in any of the methods discussed in the previous section on built-in bars, a self-service snack bar results, which effectively hides the basic utility theodore haviland limoges 1903 to 1925 green with gold medallion procelain . The inclusion of unobtrusive casters permits its easy removal on wash days, when its dampproof top will be unharmed by wet clothes, and it can be later utilized from the rear as a stan( for the ironing board regency/george iv silver candelabra suite . As shown in Figure 4 antique canterbury rack .51, shelves can be provided tha project under the tubs to hold laundry supplies and the electric iron, if desired royal staffordshire ceramics by clarice cliff pheasant soup bowl .
FIG verlys glass . 4 clock with marbles dropping .51 antique french provincial dining tables . Washtub cover staffordshire westerwald .
The dimensions in general will be based upon a pair of old-fashioned tubs 48 in red and yellow rose czechoslovakia china . long, 24 in slant front desk antique . wide, and 34 in oriental cabinet tortoiseshell . high inlaiditalianoccassionaltable . The framing consists of butt-jointed 2 X 2′S or 2 X 4’s covered with wallboard, plywood, or whatever material is consistent with the planned finish paul de lamerie reproduction . The top should be strong and well finished or covered, with due allowance for the height of the casters standing silver mirror candlestick styles . A pair of hooks and
0
eyes at the sides, under the overhang of the top or counter, will hold the cabinet securely in place when it is doubling as a bar british deco . A built-in niche with shelves, or a shallow wall cabinet above the bar, will not only aid in the deception, but also provide valuable space for bottles, glasses, or condiments english 18th-century sideboard table .
Furnace Enclosures french fashion in 19 century . When no amount of plotting or planning will yield a room of desirable size and still exclude the ubiquitous furnace, it too, must be treated boldly, like the washtubs in the preceding section modern art deco bookcase . Whenever one side can be left open to the unfinished part of the basement, the problem of air circulation is simplified, since the other two sides can either be inclosed in knotty pine or wallboard, with a door at the front, or a fairly tight lattice-work enclosure can be erected on studding, with lattice-work doors “antique collectors blog” .
In many cases, however, the furnace will have been located with its back near one of the basement walls, causing it to project well into the intended game room lion paw pedestal table . Not many basement remodelers will be as fortunate as the man who was able to enclose his cellar heating plant with the tall shutters from his windows, which had become excess when they were replaced by a solid type antique dutch chest on chest .
A modification of this idea into a permanent enclosure constructed of fixed venetian blinds, will not only successfully conceal the most unsightly of furnaces, but also permit a free circulation of air dutch east india company pottery . As will be noted in the detail in Figure 4 antique novelty collector basket .52, the immovable slats are housed in
diagonal dadoes, which incline downward
diagonal the lower sections, permitting the cold air to enter at the bottom, and incline upward in the upper sections so that the lighter warm air can escape from above louis 15th dining rooms with marquetry . The front can be closed with double doors, slatted like the sides antique wood trestle table with leaves . Half-round moldings along the sides not only finish off the work, but also serve as stops for the slats on the outside 1950’s staffordshire porcelain religious figural . Thin pieces of flat lattice slatting serve the same purpose on the inside, thus eliminating the necessity for gluing each slat empirefurniture .
HARLEQUIN FURNITURE
A study of furniture history reveals that multipurpose furniture is neither an invention nor a new development of modern times sideboards 16th century italy . Certain seventeenth century cabinetmakers produced pieces into which a whimsical secondary utility had been built for the edification of their capricious patrons, who promptly dubbed the resulting ingenuities as “harlequin,” or “fantastic” furniture cornice antique . Few fantastic qualities but much ingenuity is displayed in modern conceptions of spacesaving, double-duty furniture lord and taylor candlesticks . Although not usually classed as built-in furniture, because of their mobility, these dual-purpose pieces possess a basic kinship to built-in furniture because of the versatility that was designed and literally built into them sofa carved top rail . Therefore, the following examples are included to augment those already discussed antique table wooden hinge drop leaf .
End Table Sewing Cabinet empire console pier table . For the busy housewife to whom a sewing room or alcove is not available, the popular step end table described in Chapter 2 (page 89) can be modified to house her sewing and darning utensils (Figure 4 dresser & chests circ 1840 .53)• With the middle step omitted and the floor hinged to expose rows of thread and darning cottons, there is still room for thimbles, needles, scissors, tape measure, darning egg, and socks, without disturbing a lamp or ashtray on the top shelf, or books on the shelf below teapot made by chippendale .
After the legs are tapered to Y8 in german tea table with tray ., a rabbet 31g in brannam pottery . wide is cut in the aprons, before they are doweled into the legs empire side table . The plywood bottom is Cut out to fit around the inside leg corners, then glued and bradded into its rabbet, as indicated in Figure 4 lombardy table antiques .53•
The fixed back section of the first step is rounded on its three outer edges and fastened to the rear of the aprons with a Y!-in art deco antique bedroom furniture . overhang antique red leather upholstery chair with arm . The uprights for the top cut are then clamped together and a curve cut in their front edges as shown porcelain cris de paris .

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When constructed in a window recess or similar alcove, an overhead cornice against the ceiling will create a partial division, which can be augmented by curtains antique techniques .
Bunk-Beds 1930 deco wall frieze reproductions pilaster design . If it is desired to transform kill unsightly old metal or wooden
unsightl
into a built-in couch or banquette, it is a simple matter to construct a boxlike
frame of Y4-in carved oak draw-leaf refectory table . knotty pine to fit the springs at the desired height pennsylvania drop leaf table 6 legs . Following the
general principles outlined for the beds described in Chapter 2, slats are accom-
modated on cleats screwed to the inner sides of the upper part of the frame for
the springs to rest upon robj ceramics . In a long, narrow room, space may exist for a pair of
built-in bunk beds placed end to end, separated by a common built-in night stand serving table .
Built-in wall storage, or sectional furniture will complete the transformation
of the utility room, with desks doubling as dressing tables, and chests of drawers
either built in sectionally or concealed in wall storage, which can also house the
storage
primary occupational equipment drop leaf table rectangle vintage .
Double-Decker Bunks clawfoot antique lowboy . When concealment is of secondary importance to conservation of space, the double-decker bunks described in Chapter 2 can be made permanent fixtures by substituting four long timbers for the corner posts antique octagonal islamic table . The side and end members are tenoned deeply into the posts and pegged for security second hand refectory trestle table . Here, too, the underbed storage space call be utilized by a built-in drawer or drawers for extra linen and blankets oval lacquer tea table . A pair of these double-deckers ill a summer camp or in the nursery, will provide four beds in a minimum of floor space german art deco porcelain harlequin .
Compartment Headboard 3 leg drop leaf vintage table . We are frequently confronted with photographs of freelance executives whose offices are apparently their beds, fitted up with fabulous headboards into which have been built all manner of modern office devices and sleep-promoting gadgets art nouveau day beds . While most of us must be content to spend less time in bed than modern medical practitioners recommend, nevertheless there are certain aids and comforts that tend to prolong our relaxations, when placed within easy reach of the downy couch 18th century porcelain . Among items considered indispensable by many are a suitable reading light, an ashtray and beverage holder, space for reading materials, a radio, and the telephone davenport desk 19 century . The latter instrument has gained mobility through the telephone company’s willingness to install, for a small charge, plug-in receptacles in various rooms for a single handset characteristic of baroque furniture .
The auxiliary headboard (Figure 4 jacobean chairs .37) described below is suggested as a simple design that will fulfill basic requirements antique stanford refectory table with end leafs . Primarily an elaboration of the popular Hollywood headboard, it can be painted to blend with the room’s trim as it stands behind the head of any standard twin bed french silverware patterns antique .
As pictured in Figure 4 must art deco furniture have a lacquer finish? .37 the upper corners of the top of the headboard are mitered and the inside of the rear edges of the two long sidepieces are rabbeted to receive the Y4-in ashtray daum nancy france antique . plywood back antique pembroke 4 sided drop leaf tables . The io-in english antique tallboys . sidepiece for the built-in night stand can now be glued to the long sidepiece so that the bottom edges are flush and square bone handled fork converted to knive . The top of the night stand can also be glued up at this time antique italian ceramic ornament . When dry, it is cut to the same curve as the cleat in detail B, a Y2-in chinese porcelain factory markings . overhang being allowed over the door end continental porcelain . The rear of the top is cut to a width of 17 in 17th century japanese imari porcelain ., the Compartment headboard sheffield plate 19th century .
front half being allowed to extend i in china cabinet & desk on side . on either side, so that it will overhang the outer edges of the inner and outer sidepieces by Y4 in francois linke . The bottom piece of the night stand is cut to the same curve of i8-in antique campaign beds . radius but fits inside both sid pieces and permits the top to overhang the curved side, which is Yg in small refecttory draw tables . thick, Yj in louis xiv dining table .
The long upper shelf can be butt-jointed into place io in 17th century silver soup tureens . below the top, f the finish is to be paint or enamel marquetry italian tray . The dimensions given make no allowanc•s for dadoes enoch booth pottery . The inner side is now butted to the shelf, 17 in what does iv carved in a french wall console mean . from the long sid The divider can be toenailed above and in prolongation with the inner side, an through -nailed or screwed to the top 18th century dresden cabinet-makers . The side shelf is fastened io in burr walnut antique . below t e long shelf by screws or nails through both sides, countersunk, and covered wi plastic wood english pottery colours 19 century . The bottom of the blanket compartment is likewise fastened i place, with the sill face-nailed to it along its bottom edge curved oriental sideboard .
After the upright for the doorframe and the rear upright of the night stand s curved side are cut and beveled, they are assembled with the bottom, top, an cleat for fit finmar desk . The position of the cleat is marked on the underside of the top piec-, then screwed into place antique art deco display cabinet . The lower end of the upright for the doorframe is lappe into the bottom, with its beveled edge flush with the arc of the bottom value of marble top dresser from the civil war . The inner upright is screwed to the inner edge of the inner sidepiece as shown, so that its beveled outer edge is flush with the arc of the circle cut in the bottom piece, into which it is lapped yabu fruit . The bottom piece can be fastened in position, flush with the floor ends of the sidepieces hot water silver serving dish .
Next, the top of the night stand can be slid into place an(> fastened to the top of the short outer side, arid to the top of the door’s upright by means of small angle irons, which should be marked and screwed to the undersurface of the top before it is ready for final fastening maggiolini dining room . The rear edges are nailed or screwed through the two sides japanned cabinets .
The Y4-in pictures of antiqued cabinets . plywood back panel is now fitted and screwed into its rabbets in the sidepieces baroque girandole . It is face-screwed to the top and all shelf edges antique metamorphic + jonathan jupe. .
The curved plywood side is ready to be bradded into position empire writing table . Commencing at either end it is fastened along one vertical edge then steamed into position with a hot iron placed over a moistened cloth, as in pressing clothes early victorian mahogany telescopic dining table . It is bradded at top and bottom progressively, as it bends into place antiques furniture,josef hoffmann .
The plywood doors are butt-hinged gebruder thonet liege . silver tureen plates . with suitable catches attached along their outer edges fine bohemian china made in czechoslovakia .
Sides Innerside
Top
Back (plywood)
Shelf
Divider (optional)
Shelf
Bottom, blanket compartment Sill, blanket compartment Door, blanket compartment Side, night stand
Bottom, night stand
Top, night stand (ig in antique scottish leaf table . wide) Upright, door frame
Rear upright, night stand
Side, night stand (plywood) Cleat, night stand side
Cleat, door, night stand top Door, night stand
Holes call be bored through the back panel at the shelf edges to permit the
egress of electric cords from various appliances or the entire headboard call be wired to a central plug, which in turn is plugged into the room’s electric outlet art nouveau antique drinking cabinet . In the latter case, as shown in detail C, it will be necessary to make the sides
deeper, if armored cable is used, unless it is decided to keep all cable above the height of the room’s baseboard, whose thickness will be the distance of the rear of the headboard clears the wall japanese 16 century furniture . A frame iyt in france directoire . deep, mitered at the top, can be nailed flush with the outer faces of the headboard to provide the, necessary clearance for installing shallow appliance outlets in the back famous unmarked stoneware . The room’s branch circuit should be checked to prevent overload 1930 art deco armchairs . Unless other than the indicated appliances are to be used, 14 gage BX cable should prove satisfactory http://antcollectors.com/antique-furniture/art-deco-cabinets-and-sideboards-british-walnut-sideboard-burled-maple-console-french-commode-french-side-cabinet-british-sideboard-british-display-cabinet-british-side-cabinet . An additional sheet of plywood can be added to cover the electrical installation, if desired french style wood inlaid desk .
The night stand can, of course, be built into either or both sides, depending on the intended location of the bed with respect to the room’s walls value susie cooper tea set yellow with blue dots . A pair of these headboards will accommodate two twin beds placed close together double gate drop leaf table antique . For a double bed the blanket compartment should measure 57 in antique wooden gate card table . wide elizabethan cooking utensils .
KITCHEN DUPLICITY
The departure of the “general factotum” or all-purpose domestic from the American scene appears to have erased the dining room from present-day home planning, requiring each family to face the problem of where to eat its meals 17th century dining table & melon ball legs . As already mentioned, many families of medium size who are accustomed to entertaining have set aside dining alcoves or semiscreened portions of their living rooms the 17th century dining table germany . Others have followed the line of least resistance and continue to consume all their meals oil a table in the kitchen, or in a breakfast nook nearby recipe for “soft paste porcelain” . Whatever the decision, many homes are committed to a special setup for all early breakfast not too far from the kitchen stove antique porcelain figuines italy .
Breakfast Nook antique perpetual calendar . For a kitchen with a free corner or alcove 3 ft wooden hinge gate leg table . 8 in empair furniture arts doors . X 4 ft round dining table expansion systems . 8 in cabriole antique chairs styles . available, all important step saver is the old standby of two benches and a table seating four people for breakfast, lunch, or dinner antique blue glass . The construction of this compact dining nook (Figure 4 flatware forks types .38) is extremely simple, involving a minimum of tools serving table .
The rear inside vertical edges of the long sides of the benches shown in Figure 4 antique red leather upholstery chair with arm .38 are rabbeted to take corresponding rabbets cut in both ends of each of the backpieces, before the side ends are glued up chinese rice grain porcelain . The cleats for the seats are screwed on 16Y8 in value of sterling silver leaf ladle . from the bottom edges, where the foot cleats are also attached from the inside; meanwhile the seats are glued tip antique library tables from 1600’s .
One half of the leg pattern can be laid out on one table leg piece, and after the outline is traced, both pieces can be sawed simultaneously italian antique silver chest box . After they are sanded, they are glued up and the bottoms cleated; the tops must be clamped art deco furniture germany .
When the sides have dried they are cut to pattern, sanded, and the backs Breakfast nook how expensive 4 foot wide drop leaf table .
screwed into their rabbets eureka electric clock . The seats are fastened to the top of their cleats and to the bottom of the back, from the rear art deco regency mahogony .
To assemble the table it is only necessary to screw the legs to the outside edge of the cleats thomas bentley . The stretchers pass through their mortises in the legs and are keyed by Y2-in empire style candelabras brass . dowels, through holes drilled tightly against the outer leg surfaces apostle mote spoon .
Snack Bar rococo revival bed . A modern development of the breakfast nook, the snack bar, takes its form from the quick-lunch counters prevaient throughout the country deco furniture spain . It can be of most elementary design, built against any wall or alcove, as previously noted vintage 1940’s kidney shaped dressing table . Another popular form extend–, into the hitcher:, at right angles to a wall, with its outer corners rounded into a smooth half circle, so that it can be used as sections of shelving for emergency storage voysey furniture . Unless the latter is used with care, however, it may be necessary to provide bolts or hooks oil the kitchen side to prevent accidents which may be caused by between-meal customers, who pull chairs out unexpectedly dating antique dressers .
The construction of the chairs consists of simple butt joints, with cleats under the front ends of the seats to prevent splitting hand painted deruta breakfront . The grain of the seats runs at right
n
angles to the back, and the forward ends can be reinforced by heavy angle irons on both sides of the center “leg antiques pottery made in coimbra .” The chair backs call be constructed of V-grooved knotty pine, as shown in the drawing, or of solid stock regency mahogany settee hairy paw .
The counter or bar top is of /-in macintosh jugendstil . stock cleated together with the end upright fastened to a 2 in X 4 in lacquer tray round antique black . cleat fastened sideways against the underside chateau des tuileries porcelain . Tile apron, which acts as a stop for tops of the chair backs, is lapped into the end upright, as shown susie cooper value nosegay .
The counter is edged by mitered Y2-in empire furniture company . strips 2Y2 in antique stores brass ashtrays made in china . wide cabriole leg french bench . These can be so fastened that they will project above the surface of the wooden counter top a distance equal to the thickness of the linoleum or other material to be used as a covering, so that the resulting top will be flush with the covered edges meissen porcelain blumen design . The chair backs can also be covered with linoleum, or with hardwood plywood, or squares of striated plywood with alternating grains antique portuguese pottery .
Folding Tables french empire furniture . Where space does not permit the installation of a permanent breakfast nook, counter or snack bar, a built-in folding table, strategically located, can be used to good advantage antique metal double candelabra . A type presently popular is based upon the principle of the drop-leaf kitchenette table shown as optional construction to the closet-door compartment, earlier in this chapter (page 26o) scandinavian worktable . Hinged at the bot-tom, with a flat hinged leg that drops down to a vertical position as the table is lowered, this style of table is a satisfactory improvisation except for the fact that when it is “up,” in its vertical position, it masks the shelves against which it is secured, and must therefore be lowered whenever access is desired to them antique tilt top table inlay design .
The same is true of the table pictured in Figure 4 beaded and decorated candalabras .40 in so far as lower cabinet space is concerned, except that the latter can be built deep enough to house several folding chairs and still serve as a useful counter 16th renaissance tassels . As indicated, the top hinges upward, with two hinged legs that open downward as the top is raised verlys chinese . Bracket supports similar to those used in folding bridge tables can be used to insure rigidity staffordshire chamber pot .
An optional method is the cross section shown in A, which can be attached to the back of a door, or any unused low wall space staffordshire porcelain rococo revival period . Here the legs come down as a pair, being secured in place by folding brackets antique secretary with mirror and harp design legs .
For those who enjoy camouflaging their built-in appliances the folding table illustrated in Figure 4 four pillar trestle table .41 will offer all opportunity to combine two conveniences wedgwood majolica doric . The table top, of any convenient size such as 2 ft 18th century antique gate leg table . X 3 ft swedish antique collectors ., is hinged flat against the wall 29 or 30 in american empire sideboard . from the floor how art deco has an influence over other art styles . Its supporting leg in the form of a kitchen bulletin board or blackboard, 29 or 30 in louis sue furniture dressing table 1933 . high minus the thickness of the table top and its own semicircular pediment, is hinged 6 or 8 in gate leg drop leaf table . down
from the outer edge of the table top regency library steps antiques . In the
drawing the end of the table is cut in a senii circle to eliminate jutting corners in its open position borromini apprentice with a woodcarver . This accounts for the decorative semicircular pediment nailed to the top of the bulletin board as a firm support for the table when it is used as a leg calamander wood bookcase .
For a bulletin board, soft wallboard is bradded or glued to a plywood backing and trimmed with a mitered frame of molding 1940’s style chairs british . If a
FIG-4 dutch bombe china display cabinet .41 table lamps . Combination folding blackboard is preferred, hard wallboard can be
table scottish davenport desk . substituted and painted a flat black elkington & co candelabra . The table
can be locked against the wall with a cabinet catch attached to a circular piece of waste, or by means of a simple wooden coglike latch that rotates on a screw blocked up to the thickness of the table top stamped sidney barnsley furniture . Needless to say no articles call be stored on the inviting shelflike pediment over the bulletin board royal sheffield silver salt cellar .
An amusing “drop-leaf” table for the rumpus room is shown in Figure 4 escritoire chest .42• Its projecting eyes are knobs for pulling the combination round and square hinged top down, so that the long “nose” call hinge down as the supporting leg makers of antique table clock with music in china .
Utility Cupboard when were epergnes invented . The utility of so-called utility cupboards and cabinets is often badly obscured by improper placement art deco square table . The location of the kitchen utility cupboard under consideration (Figure 4 english cabinet makers .43) is of prime importance if it is to succeed in its mission “the furniture shop “from grand rapids michigan . Predicated on a fair-sized kitchen having an outside wall, it is designed for a corner site, either near the rear door or against an outside wall german neoclassical secretaire .
Fic german 1930 furniture value . 1940’s cherry buffet . 4 adam serpentine sideboard .42 17th century drawers antiques . Folding table for rumpus room old oak draw leaf tables .
In such a position, when the Presiding Genius of the Stove is absent, and has locked the entrance door, packages can still be delivered by means of an outside covered door to the lower front compartment meuble d’appui with sevres style figures . The inner door to this package compartment, bolted on the kitchen side, prevents access to the kitchen while affording a protective covering for deliveries when no one is home prembrokes sofa table .
Next comes a shallow receptacle for the ironing board, which hinges down onto its folding leg, as shown in Figure 4 darte freres porcelain .43• The board is constructed so that it can be adjusted to the height of the operator, by means of butt binges with a removable pin american 19th century side boards .
The remaining space on the opposite side can be devoted to cleaning materials antique oak table with brass inlay .Utility cupboard east coast arts and crafts furniture .
partitioned to care for available apparatus, such as vacuum cleaners and electric waxers, as well as mops and brooms antique american candle snuffer scissor, 18th c . The back of the door has hooks for dresses and aprons, with a mirror on the front for necessary check-ups islamic antiques mother pearl furniture .
A framing of 2 in art nouveau dining chair with striped pattern seat . X 4 in opalescence glass by marc sabino . pieces is first nailed in place small side table tripod legs . Vertical siding of wallboard or /34-in spanish revival walnut console table . pine boards extends from floor to ceiling, with door openings framed by 2 X 4’s or 2 X 2’s 1920s british furniture . Partitions are of Y4-in opalescent etched glass . material on 2 in maccasar modernism france . X 2 in designs for dressing table glasses . framing, and the inside (kitchen) door to the outside compartment is of heavy, cleated construction, adequately weatherproofed around the outer edges canadian desk with drawers . The cupboard door above it should match it in appearance and construction, from the kitchen side, providing access to a series of shelves above the package compartment antique victorian wood stool chamber pot . The entire cabinet can be painted or enameled to blend with the woodwork and decorative effect of the kitchen antique silver candlesticks .
BATHROOM SUBTLETIES
Next to the kitchen, the modern bathroom offers perhaps the most fertile field for built-in utilities antique pedestal mahogany table . Aside from the requisite plumbing fixtures, the careful location of medicine and cosmetic cabinets, linen cupboards, clothes hampers, drying racks, or dressing tables will return high dividends in added convenience antique mahogany english wardrobe .
Open Shelving corinthian column + solid silver . Gayly colored towels add to the decorative effect when displayed in piles on open shelves, which also render them readily accessible when needed drop leaf tables kinds of legs . When not concealed by cupboard doors, the modern practice is to recess the shelving flush with the bathroom walls, with open outer corners, where possible, as shown in Figure 4 antique spanish blue and white pottery .44 18th century austrian writing cabinet . These are the familiar sunken boxes already described, with the tiling, wallboard, or plaster brought flush to their edges armchair vallin . With wallboard, chromium strips are available commercially to finish off the cut edges english federal clocks . The inside of the niches can be painted a contrasting color in the Colonial manner sheffield plate candelabra .

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The latter can be left solid, if of wood, with the lamp cord hanging free from the bottom of the bracket, or if power tools are available (or hall(> tools are used with patience and care), the column can be routed out to conceal the electric cord czechoslovakia - artist world war 2 . A customary procedure for hollowing out a hole down the center of a long piece of stock is to rip it lengthwise, and after clamping a half section tightly in an improvised jig, to plough a /-in chippendale mahogony tilt top table . groove down the center of the entire length antique lions feet . After the parts are glued together the seam is sanded smooth english cabinet makers .
With the column glued together, a saw kerf Y4 in late 19th century oak claw foot dining . deep is cut around the upper end, iys in sauce boats . down from the top, which is then chiseled and filed into a round tenon, -Y8 in art deco origins . in diameter antique chippendale display cabinet . If the cord is to be also concealed in the interior of the bracket arm, a lead-out hole must be provided in the tenon at this point antique epergne glass . The lead-out hole for the plug end of the wire is drilled out through the thickness of the shelf, as shown in Figure 2 table clocks 18th century american .90 lion paw furniture feet style maple pedestal .
The bracket has a /58-in johann-kilian-benckgraff . hole bored in one end to fit over the column’s tenon kiinalaiset koristekuviot . For concealed wiring one continuous hole can be drilled in the drill press, or two meeting holes bored with a hand brace, unless the rip-and-groove method is resorted to extending dining table . The conventional Y8-in sphinks wall tiles holland . nipple is forced into the upper surface of the outer end of the bracket, with an electric candle-lamp assembly screwed to it antique walnut drop leaf extending table .
The lamp cord is of course attached to the electric fixture first, then threaded through the nipple and the bracket table art deco+lyre . Before the bracket is placed over its tenon, the electric cord must be threaded through the column, past the lower dowel, which is channeled to receive it, and out of the shelf, after which the plug can be attached to prevent its free end from being accidentally pulled back into or through the column holland antiques forniture columns . In taking up the slack after assembling the lamp, the cord should not be pulled any tighter than necessary, for there must be sufficient slack remaining to permit the bracket being turned at will antique walnut dropleaf tables .
The top of the column can be finished off by a plain section of the rod or pole, doweled into place, or with any suitably turned finial or curtain-rod tip low style tables .
BOOK ENDS
Like modern lamps, book ends are appearing in form antique english tea tables .-, whose variety is limited only by the imaginations of their designers small shell silver antique dish loop handle . Many are typical “conversation pieces” intended to stir interest, while others contain a visible reference to their owners’ hobbies or vocations bronze+chrome+sculpure+josephine baker .
Symbolic Book Ends german oak schrank . Simple blocks of interestingly grained hardwoods 6 or 7 in 1920’s italian buffet and dining table . high and approximately 5 in antiques trends 2009 . wide, are jointed to horizontal base pieces 4 or 5 in antique oak games table . long to form separate book ends antique heavy tripod table signed . If the wood or ornamentation is light, a mortise is cut in the underside of the baso to receive a length of sheet lead, which is nailed or screwed in place and covered with a layer of felt antiques pediments .
For the nautically minded, small doweled-up steering wheels, whittled anchors and chains, miniature roped capstans, replicas of marine telegraphs or small boats “sailing on a painted sea” can be attached to the upper surfaces of the basepieces to accent the owner’s avocation or occupation antique pie crust table . For the golfer, a pair of upright wooden tees to which a new golf ball and a badly cut one have been cemented will serve to remind him of his duffer days lenci masks . The Kelly pool player, or chronic pessimist, will be grimly, amused by a pair of 8-balls kent extending antique table . The enthusiastic camper’s eyes will gleam reminiscently at the sight of a pair of book ends upon which lean-to’s or log cabin ends have been painstakingly glued and bradded from cut twigs will) the bark on value for antique china made in austria .
Continuity Book Ends small four-legged table with flaps . Another class of book ends represents the optical illusion of continuity of action or substance through the intervening books japanese antique silver tray . Examples of this type of design are a model railroad engine which has been cut into thirds with the front and rear parts mounted to face in the same direction 19 century japan . Or the capstans and anchors previously mentioned may be seemingly connected by lengths of rope or chain that disappear horizontally into holes of equal height in each of the upright portions of the book ends carved top gateleg coffee table . An even more dynamic effect is obtained in the same manner when the small figurine of a Mexican, for example, seems to be futilely tugging at a rope passing from his book end to a stubborn burro at the other end; or a small boy trying to dissuade a large mastiff on a through leash from examining a fire plug dresser, with inlay, antique .
The same illusion can be combined with the owner’s avocation furniture + finmar ltd . For the archer, an arrow with the center section cut out and two ends mounted horizontally in holes bored in the hook ends’ upright members as if transfixing the intermediate books side table black hand painted birds and flowers made in italy . The same principle would apply to a polo mallet, golf club, harpoon, saher, or fishing rod furniture design . The illusion will naturally be heightened if the number of books placed between the bookends causes the severed ornamental implement or weapon to appear at normal length antique butler’s table with folding legs 19th century .
Invisible Book Ends 17th century delftware . A surprising effect can be obtained by inserting a pair of commercial metal book ends inside a pair of well-bound and well-read books which have had their pages wired and glued together antique cabnit barley twist legs . Since the average short outer bases of these metal book ends are iys in antique sideboard 1825 . wide, books of this minimum thickness should be selected, in order to conceal the short tab, as indicated in Figure 2 wash stands antique .91 ebony breakfast table 18th century . A “mortise” is cut in the lower edge of one book cover through which the long inner base is to extend italian provincial antique furnitura . Holes punched in the upright frame can be wired with fine wire threaded through the leaves, serving the double purpose of holding them together as well as attaching them to the book end watteau painted cutlery handles . The remaining pages and covers are glued together knockdown furniture . If the metal book ends cannot be obtained commercially they can be cut from r6-gage metal to fit the books antique dictionary stand .
Dice Book Ends rococo rosewood bench birds grapes leaves flowers . A gluing and boring job that will produce giant “lucky” dice is all the more effective when contrasting woods are utilized 18th century to 19th century brass spoons . Six 6-in furniture swag frieze 19th century commode . squares of a i-in antique furniture berkey and gay . dark wood such as walnut are glued up to form each die antique oak dresser serpentine curved drawer leaf carving . The edges and corners are rounded and sanded and iyt-in what is the value of an antique enamel top table? . holes bored Y2 in “innovative styles of the 20th century did not include” . deep with an expansive bit for each spot oil the die 1920’s art deco sofa . The centers of the corner spots are located JY4 in john walton pottery . in and down from the corners 15th century chamber pots .
A contrasting, t, light wood is cut into Y2 in vintage oak gateleg cabinet . X iY in italian medievil cypress chest painted with ships . disks and glued in place knife box antique .
Invisible bookends george iii chinoiserie library steps c. 1770 - antique .
for each spot, or plastic disks can be used if preferred nicholas sprimont silver spoon . The placing of the spots on a regular pair of dice should be studied before the holes on the book end dice are bored table art nouveau italy . For a moderate stand of average-sized books, lead weights should not be necessary drop leaf table with most supportive base .
MISCELLANEOUS
Humidor double chairs slab antique . An interesting humidor, which is easy to construct, takes the form of a rectangular urn or coffer (Figure 2 lions feet table .92) antique wooden marquetry musical sewing table . Assembled from mahogany or walnut plywood with brass handles, if properly jointed it will present a striking appearance amid the smoking paraphernalia wedgewood porcelain swan base for pots de creme .
All four sides are cut simultaneously to the pattern in Figure 2 lions clawfeet pottery .92 swedish empire furniture . Then their
edges are beveled to form accurate miter joints kilian brothers carved fruit and bird inlaid table . They are then glued and clamped;
when dry, the base is cut to project Y2 in spider leg table . into the bottom, and is glued in place antique marble top lyre base mahogany table .
Either a screw top or flush-rim round tobacco or other type can will be satis-
factory to line the wooden casing, provided it is the proper size white pedestal desk with top . Its rim should
fit Y2 in cabinet spiral legs . below the top, which is cut to sink flush with the top edges of the sides antique gateleg table new york .
Small wood scraps can be glued to the base if necessary to raise the can, and graduated corner blocks can be glued to the inside to reinforce the corners and hold the can in place east coast arts and crafts furniture . Additional blocks can be inserted to wedge the can tightly up against the top turned legs on pembroke tables .
J
Fu: antique folding card table dutch painting . 2 antique ceramic dish in silver stand .92 round rosewood breakfast table . Humidor mother of pearl consoles tables .
Replicas of Duncan Phyfe drawer pulls, with brass lions’ heads, available at some woodworkers’ supply houses, make attractive handles for this project john walton antiques .
Before the top is cut to fit, however, a round hole should be cut to fit over and conceal the can’s edges furniture from france hareliquin . Tf a very small hole is drilled and a fine jigsaw blade threaded through it, a round section can be cut out that can be refitted into the opening as a part of the cover antique commode chamber pot .
The latter is cut from /-in mahogany inlayed sofa table . stock the same size as the top, and its edges beveled antique pembroke table, inlay design . Before the top is fastened in place it is used as a templet for the cutout
disk, which is bradded and glued to the exact center of the underside of the cover lenci masks .
When the top is dry, a hole is bored tthe wooden disk into the under-
through’
side of the cover, to accommodate a catsup bottle cap as a sponge cup jacobean antique furniture . The cup is held in place by a small screw through its center rosenthal art nouveau pottery vase, selb,germany . If available, a flat disk of special Mexican clay used in commercial humidors will give more satisfactory service art deco candlesticks . Many of these clay cakes have a hole bored through their centers for a flatheaded screw and washer, obviating the necessity of sinking a cup breakfast tables reproductions of antique .
The cover can be finished off with a square wooden knob made from beveled solid stock, elevated on a wooden washer antique bureaus inexpensive . Circular round brass drawer pulls are screwed to two opposite sides as illustrated, and a suitable brass fixture can be substituted for the wooden knob if desired french gesso painted 18th century console .
The inside of the tobacco can is lined with veneer, preferably Spanish cedar antique chicken coop . After a piece of wrapping paper is fitted inside for size, it is used as a templet to cut a piece of veneer long enough to fit around the wall of the can elkington & co candelabra . While the veneer is soaking in warm water, a circular cedar disk is fitted to the bottom of the can mahogany dropleaf gateleg table and chairs . The side wall strip can then be sprung into place, with or without glue french table lamps identify original . Sheetcork can be used if veneer is not readily obtainable 19 century mahogany gateleg table .
FIG scandinavian design rosewood longcase clock bookcase . 2 jugendstil rugs .93 william kent staffordshire . Clothes rack decolight table lampshade .
Clothes Valet the19th century wardrobe . A rack for the master’s coat, vest, trousers and shoes is also available to the lady of the house, upon demand corbusier pilaster diameter . The one described (Figure 2-93) is of simple lines, scrap lumber being used in anticipation of a paint finish deco style desks . The lathe enthusiast can turn graceful side members and band saw the legs and top-piece from stock suitable for staining vilas furniture antique .
Dowels
The legs and top after being cut out are smoothed down and all edges of the latter piece filed and sanded smooth to form a coat hanger, as in Figure 2 19th century silversmiths .93 16th century clothing england .
Holes are then bored for gluing in the dowels that form the trouser hanger and shoe rests antique gothic table grotesque . To speed up the work for a paint job, a heavy coat hanger already on hand can be fastened into the tops of the side members, and the legs sawed in a straight or triangular pattern with a band saw kidney shaped pedestal table with side drawers .
Butler’s Tray antique lacquer cabinet on chest . Designed for extemporaneous hospitality, a heavy-duty serving tray (Figure 2 rosewood macasar .94) call be used as a pick-up cellarette, or with the glass-and-bottle rack removed, will double as a mobile snack bar meissen candlestick . It makes an ideal plywood project dating antique dressers .
trestle table claw antique . Butler’s tray john henry belter stamp or signature location .
A Y4-in 19th century floral paintings . rabbet is cut along the inside top edge of the front edging piece to receive the top edge of the tray’s bottom 17th century silver “perpetual calendar” . Dovetails are cut in either end of the piece to tie into sockets in the front ends of the sidepieces, as shown in A, Figure 2 french glass table with tree like legs .94 english antique serving tables .
The sides and back are glued and bradded together and the bottom slid into place, after which the dovetails of the front edge piece are glued together throne chair bamboo . The corners are strengthened by i-in, angle irons screwed in place horizontally under the bottom george hepplewhite writing bureau .
The rack is a simple butt-jointed job with the back sidepieces butted against the long outer sides, as shown in detail B antique oval brass top, oriental bird table . Inner support pieces, (S) in detail C, are face-glued and nailed to the inner ends of the inner back sidepiece to support the end of the inner sides and top scottish dresser .
The size of the holes cut for the glasses will depend oil the glassware available porcelintables . The same applies for odd-shaped bottles or decanters vargueno 17th century .
The top of the tray can be satisfactorily covered by bonding to it a sheet of fiber-backed Luddite (stainless steel), stainless Micarta, or formica; a sheet of copper is also effective and even tin or linoleum will prove acceptable lyre marble sofa table . Whatever material is used, its front edge should be trimmed flush with the front of the edging strip in order to cover its joint with the tray bottom clawfoot antique lowboy .
With the rack in place, four small wooden discs are screwed in place off center, to hold down the rack by cam action british dining table 19th century . As illustrated in D, two are above the back ends, one each above the front ends william iv furniture . With the interior and edges lacquered Chinese red and the exterior in black, the tray cheerfully offers hospitality on short notice brislington delftware .
26″
Fu: cabriole leg pattern . 2,95- Luggage rack picture frame style american empire .
Versatile Luggage Rack antique chippendale ball & claw extending dining table . To dispense with the back bending that the majority of low luggage racks demand, a collapsible suitcase holder can be raised to table height (Figure 2 german cabinet-makers of the 18th century .95) does seafood damage silver dishes . Its dimensions, moreover, will permit it to fit securely under the overhanging edges of the butler’s tray previously described, making it an ideal companion piece when not otherwise engaged; or it can be stored in the closet biedermeier wardrobe vienna . The average suitcase will fit within the uprights, resting safely on the webbing boulle table .
This rack, too, can be cut from plywood and lacquered to match the tray small table collapsible fold inlaid ivory . For prolonged use, however, hardwood stock will give better service at the pivot dining table circular antique mahogany extending . point world market carved brass charger plate .
LUMBER LIST
Pieces
Thickness, in inches
TVidth, I Length, in inches in inches
Description
3%
Legs
Rungs (dowels) Pivot (dowel)
All four legs can be band-sawed to pattern A, Figure 2 antique early empire sofa and late sofa? .95 at one time 16 century design cabinets . All antique arts wardrobe parquetry .ruur legs should be bored through their centers at the same time to insure that the legs fit without wobbling old italian antiques spoons,forks and knives .
The spacing dowels, or rungs, are dressed down to a Y2-in, diameter for Y4 in 18th century chippendale table with four legs .
at each end, as in detail B antique tea tables . The center pivot dowel is dressed back for order to penetrate both legs english ironstone pottery .
After the Y2-in 1940’s english dresser / table clock . holes are bored in the leg ends and centers, the inside legs are pivoted to the outside legs, with a %(;-In how to antique furniture with paint white silver . iron or leather washer between chinese chamber pot . A wire nail through the edge of each outer leg will anchor the dowel-pivot writing bureau “sliding” . The outer rungs can now be inserted in like manner fiddle silverware . Three lengths of strap webbing are rolled once around each upper rung and tacked in place so that when open, the rack will not extend beyond 26 in silver candlesticks faceted turnings ., measured from the outer edges of each pair of upper legs gaudi art nouveau modernist .
Corner Clock turn tripod into table . Similiar in construction to the Colonial corner cupboard described in an earlier section, the corner clock picwred in Figure 2 “antique meissen porcelain” .96a combines the stately erectness of the traditional grandfather’s clock with the modern trend toward utilization of space and harmonious blending with backgrounds identify antique paper mache trays . Electric clock works can be used behind the simplified modern dial 19th century dining table l shape legs .
The rear post is ripped into a triangular taneously oil the band saw to the pattern of detail C in the drawing antique paper mache trays . The front edges of all shelves are rounded burr walnut .
The base is cut out as shown, with its front surface beveled down at the ends to conform to the curves of the shelf should gilt spelter clocks be kept under a glass dome? . The pediment is jigged or compass-sawedCIO from Y2-in elaborate english tray . stock or plywood antiquite table desserte .
Fic antique three tined fork . 2 scroll planter table y chair .96b drum shaped architectural column designs . Corner clock la louvriere ceramic .
The casing call now be assembled, with the plywood backing screwed to each shelf edge from the back antique walnut trestle table . The base is pocket-screwed to the bottom shelf; the plinth is corner-blocked to the top shelf from the rear victorian renaissance revival credenza sideboard with marble top .
The pieces for the dial frame are first beveled to fit into the outer edges of the stiles, then marked and mitered antque diner service . The corners should be doweled or splined so that the frame can be removed if it becomes necessary to repair the clock henry jacques perfume . Bullet catches in two opposite sides hold the frame in place conservatism and feudal society .
A modernistic dial is assembled from a 12-ill antique bookcases + ny . square of walnut plywood, on which strips of sanded aluminum are cemented to represent the numerals berkey & gay furniture empire period . All optional styling would make use of a square of cloudy, translucent plastic with black dots and dashes of cellulose tape or thin plastic, or with round discs of plastic embedded flush with the dial surface antique victorian spindle furniture . The hands are cut from aluminum, sheet brass, or galvanized iron (enameled or lacquered), to match the numerals french antique style gilt chair with cabriole legs .
Corner blocks are glued to the upper and lower surfaces of the shelves in the clock case for fastening the dial with removable screws copies of antique furniture .

Tags: antique furniture, antique mahogany, antique table, book, boulle, Brace, bureau, candle lamp, Cedar, center, century, chair, chamber, colonial, cover, design, display cabinet, display cabinets, drawer, english cabinet, extending dining table, furniture, half section, hollowing, lamp assembly, lamp cord, mahogany, pembroke, porcelain, pottery, rack, Rosewood, round, serving tables, sofa, sphinks, stand, stock, table art, table clocks, table lamps, tea tables, templet, tobacco, trestle table, tripod table, underside, veneer, washer, william kent, y4

Padlock empire drum night table . To satisfy youthful insistance on realism, a massive-appearing plywood padlock can be sawed out to fit over the hasp, as pictured in detail B of the illustration chinese precious stone and laquer cabinets . A small whittled peg or section of dowel, painted black, will serve to confirm the youthful owner’s contention that his treasures are safely locked up meubles decoration antique europe .
FIG 18th century display cabinets . 2 regency console table .72 1920’s art deco ceramics earthenware . Bureau catchall years of art deco period .
Bureau Catchall georgian tripod pedestal handkerchief table . By decreasing the pirate chest’s measurements to those indicated in Figure 2 antique brass teapot inlaid india .72, a small box for odds and ends on the bureau or dresser will result nathaniel russell, porcelain, drawing room . Glued together from Y4-in milanese cabinet ebony ivory . plywood, it represents a satisfying one-evening project prices and pictures of antique small tables made in india . The cleats can be omitted, and small brass hinges and padlock hasp used for hardware chamber pot table .
Pennsylvania Dutch Dower Chest antique dressers by northern furniture . A sturdy hope chest of early Pennsylvania origin (Figure 2 inexpensive antique wardrobes .73) makes a colorful addition to any room circular tilt top tripod tables . When lined with cedar it affords desirable storage for woolens, as well as for the traditional bridal linens regency ironstone marks blue .
To obtain a templet for the arched construction of the front and side panels illustrated in Figure 2 jacob-desmalter .73, two marks are made on one of the upper side rails, 3Y2 in 1900 antique mahogany dresser drawer . in from both ends on the lower, horizontal edge how to build a refrectory table . A curve with a 6y2-in english 16th century tables . radius is marked off between these marks and cut out with a compass or band saw antique furniture jugendstil . The rail can then be used to mark off identical arcs on the other rails perpetual calendar 18th century . The top rail for the back can be left straight regency secretare .
A Y4-in apostle spoon fruit pattern . groove Y,,i in french art deco porcelain jaguar . deep is cut in each arc, with the aid of a drill press, or hand-chiseled cockerel mark on pottery . The same-sized groove is routed in one edge of each stile and bottom rail, and on both long edges of the two center stiles, front and back antique+chippendale+dressing table+pictures .
Haunched tenons are cut in the top of each stile and on each end of all bottom Fu: 17th century gravy bowls . 2 antique pedestal end table mahogany with inlay scalloped edge .73 painted sideboard pine maryland . Pennsylvania German (lower chest mahogany console table monopodia .
rails antique table mirrors, standing lady . The corresponding members are mortised to form stuck panel frames neo classical console table antique . After the plywood panels are tried for fit, the mortise and tenon joints are glued and clamped antique brass table with animal legs . No glue is applied to the plywood caddyspoons . At the same time the top can be doweled and glued jugendstil furniture .
When the glue is dry, the corners of the four panels are rabbeted as shown ir the detail, Figure 2 antique english bone china tea sets empire .73 etruscan pottery olive . They are then glued and screwed at side and rear corners, with diagonal braces to insure true squaring art deco secretaire 1900 . Since the contemplated finish involves the peasant painting described in Chapter 5, flathead screws can be used, countersunk, and puttied complete antique porcelain sauceboat, stand and ladle .
The base has mitered corners with a simple cutout at the lower edge, whose rounded corners commence 3-YI in antique dresser names . in from both ends to form “legs edmund etling glass bird .” After being checked for a tight fit around the lower 2-YJ in mahogany hepplewhite table antique . of the chest, the base is glued together with four 2 in mid 17th century foods france . X 2 in “european art deco” war . blocks screwed to each corner from the inside oriental round table with ivory inlays and elephant head legs . Each block is bored to take a caster nancy daum butterfly lamp .
When the corners of the chest have dried, the bottom is butted to the frame and screwed on, after which operation the chest is inserted in the base, where it will rest on the four corner blocks scottish flame mahogany chest of drawers . It can be fastened firmly to the base by screws, countersunk lightly from the inside ivory handle sheffield flatware antique . The cove moldings are mitered and Lid (2I 1n kidney shaped dressing table antique . wide) Front and back stiles
Front and back top rails
Front an(> back bottom rails Front and side panels (plywood) Back panels (plywood)
Side stiles
Side top rails
Side bottom rails Bottom
Base, front and back
Base, sides
Blocks for casters
Cove trim, front and back Cove trim, sides
attached to the tipper edges of the chest and the base with countersunk finishing nails wood round pedestal with claws legs .
Cedar lining comes tongue and grooved in V4-in, strips approximately 3/1/4 in heated silver food dishes . wide antique indian ivory inlaid coffee table . Cedar plywood makes an excellent but more expensive lining late 19th century oak claw foot dining . The bottom is laid first, then each course, tongues up, is carried around the sides and ends, and butt-jointed george 3 style . The corners of the chest should be adequately braced from outside to withstand hammer blows from within 19th century chinese silk works . The top course is fitted so that it extends to within 141 in antique imari porcelain . of the top of the chest, when tongues are ripped off and it is sanded smooth antique blue glass kidney shaped end table .
To insure the proper overhang, two cabinet hinges are screwed to the underside of the lid and caught with a minimum of short screws on the top of the chest’s back edge dolphin sideboard . When the chest is upended, a pencil line can be run accurately around the outside edge of the chest, on the underside of the lid west indian art deco chairs . Another line drawn parallel to and Y4 in english stoneware . inside the first outline will mark the outer edge of the cedar lining for the lid maggiolini style inlaid furniture . A third line I in revolving bookcase drum table . outside the first outline marks an equal overhang for the lid designs for dressing table glasses .
The lid is then removed and its excess overhang cut off with rounded corners; the edges are beveled round and sanded swan plate kandler . Next a mitered course of cedar lining with its tongueless edges facing outward is bradded to the lid along the inside edge of the inner pencil line antiques table clock 1700 . “The interior of this mitered frame is filled with parallel strips to complete the g linin of the lid antique enamel drop leaf table .
A lock is recessed in the front edge and its keyhole framed with a suitable wrought-iron escutcheon plate, if desired clarice cliff style imitators . The hinges are screwed back on with longer screws and a chain fastened to hold the lid open 15th century chamber pots . Appropriate wrought-iron handles may be added jean claude chambellan . All edges and corners are beveled and thoroughly sanded to represent the roundness of age antique oak drawleaf trestle table .
Colonial Knotty Pine Cedar Chest antique nest of tables mahogany . Several methods may be employed to construct a simple pine storage chest william iv antiques . In the one described below (Figure 2 louis cube parquetry .74), random widths of knotty pine, either plain or V-grooved, or tongue and groove stock left over from a paneling job, are fastened with exposed dowel “pegs” to carry out the Colonial feeling antique 1700 silver tea pot . Pieces with the most knots and the handsomest grain are naturally chosen for the front, lid, and ends chippendale style coffee table tilt value .
To conceal the corner joints the ends of each side- and endpiece of the chest shown in Figure 2 antique empire marble top pier table,mirrored back ,marble posts .72 are cut with rabbet miter joints ormolou decoration . In Y4-in examples of anthemion designs on ceramic tableware . stock this is accomplished by cutting Ys-in french fluted legs . rabbets Yt in spoonback armchair . deep, then mitering the protruding ledge, which automatically reduces it to a length of Y8 in eastern antique dressers ., or half the thickness of the board jennens & bettridge tole tray .
Description
Sides silver forks made in london . lid framing
Ends, lid framing
Filler strips
Top panel, lid
Front and back, chest (18 in french heart chair black . wide) Ends, chest (18 in antique maple desks . high) Bottom, chest
Front and back, subbase Ends, subbase
Corner blocks, subbase (4) Front and back, base Sides, base
Drawer front
Drawer sides (over-all) Drawer back
Drawer bottom, plywood Drawer slides
Drawer guides
Molding, subbase, front and back
When all miters are cut and checked for fit, holes are drilled along the front and back sides of the corners to take -N-0 antique wine cooler and stand . 7 F makers of antique table clock with music in china .H chelsea moons porcelain . screws, countersunk /4 in black leather rocket chair with metal arms . and plugged, after glue has been applied to each rabbet wedgewood antiques tea service . If preferred, the corners can be fastened with dowels ogee bracket front foot . The bottom members of the chest’s sides and ends are also rabbeted and mitered into the bottom boards to preserve a finished appear- ance if it is ever decided to use the chest without its base forks and spoons in the 18th century . The bottom screws need not be plugged spanish table antique turned legs .
To make the base the four outside corners are mitered tea collectors . The drawer opening is sawed out of the front of the subbase, leaving a l:/-in antique “trestle table” kent . rail at the top drop leaf gate leg side table . The subbase can then be tried for easy fit around the bottom of the chest before it is glued and fastened together with plugged screws old oak dressers with the middle open . When the glue is dry, corner braces are cut into mitered halves and screwed in 0/8 in antique english ironstone . down from the top edges antique octagon desk .
The front and sides of the base can be cut out in a simple series of flowing curves typical of Colonial craftsmanship english rose porcelaine drawing and motif . (One such design is illustrated in Figure After the subbase has been glued and fastened together with plugged screws at its corners, the base is screwed to the subbase from the inside, so that the latter extends 2 in one drawer antique rectangular desk on pillar base . into the base chinese plant stands .
The construction of the drawer follows the conventional lines for center-slide drawers, with emphasis on strong joints to bear the weight of heavy linens victorian electroplate candlestick french sheffield . The dovetailed drawer described in a previous section devoted to drawer construction will admirably fill the bill art deco china sets from czecho slovakia .
Two 1% in fauteuil bureau . X iY2 in italian immigrant porcelain figures mantelpiece flatbacks . center slides are lapped, doweled, or lap-dovetailed into the lower rail nicholas sprimont silver spoon . Two smoothly sanded guides -Yg in xiv marking furniture pictures . X xY2 in brass railings marble furniture . are lap-dovetailed into the bottom of the drawer’s front- and backpieces, for each slide 1800’s library table . They are later glued in place along the drawer bottom with a few short brads inserted from inside silver candlestick pillar . The lower extension of the back of the drawer is cut out to receive the slides, 1/us-in dresden german antiques . projections being left in the center of the slot to ride over the slides dinner table english .
Quarter-round moldings are mitered around the top of the chest, the upper edge of the base, and its subbase antiquarian style 19th century furniture . The piece of molding along the front edge of the base is cut the width of the drawer, to which it is attached by finishing nails, countersunk, and puttied english hepplewhite revolving rent table .
The lid is constructed of a mitered frame of 6-in meissen porcelain rectangular plate . boards, covered by a glued-up panel of two shorter 6-in antique dresser names . boards, lapped back 2Y8 in silversmiths london england 19th century . all around, and screwed to the frame from the underside mobilier neoclassic antiques francais . Two filler strips are screwed 8Y2 in myott son & co hanley 1880 . apart across the width of the recessed panel to hold the cedar lining to the underside of the lid sidetable vignettes .
The interior of the chest is lined in the same manner as already described for the Pennsylvania Dutch dower chest silver plated corinthian hexagonal base three light candelabra . The lid is attached with a piano hinge, and a center break lid stay is installed craftsman oak . In this type of chest the keyhole can be left without an escutcheon plate circular glass pedestal dining table .
Pine Woodbox lombardy style dining room table 1800 antique . By reducing the dimensions and simplifying the base of the Colonial pine chest described in the preceding pages, a sturdy matching container for firewood can be easily constructed (Figure 2 myott son compagnie .75) antique wooden gate card table .
Suitable dimensions will provide a chest 36 in antique glass epergne . long and ig in antique box of some sort…..iron shaped ,hinged..with a leaf type engraving . wide with a total height of 17 in circular glass pedestal dining table . Since there is to be no drawer, the subbase is eliminated and the base proper constructed of separate legs and filler strips as will be noted in Figure 2 serpinetine leg table antique oak .75•
For added strength, as well as for experience, lock miter joints can be more easily constructed with hand or power tools in the narrow widths of siding used to build up a chest of this style antique italian bracket clock . If a simpler joint is used it can be strengthened by corner braces that have been ripped lengthwise into triangular strips (B) neoclassical sheraton style butlers sideboard . If heavy logs are used for firewood, it will be better to raise the bottom and reinforce it by strips screwed underneath to the edges of the chest (C) english george 111 silver .
In place of hinges the combination hinge and lid stay pictured in detail A can be installed 17th century german antique furniture commodes . The fabrication of the seat cushion will be described later in Chapter 7 lacquer artistry art deco . If the box is to be used as a window seat, its height will, of course, be dete>mined by the distance the window is set above the floor french neo-rococo marble top table .
KITCHEN CONVENIENCES
The culinary department of the modern home has made noteworthy advances during recent years as the result of scientific planning george hepplewhite stringing . Not the least important factor in this “wife-saving” campaign has been the development of well-proportioned cabinets for the compact and convenient storage of utensils and dishes queen’s lusterware .
Kitchen Cabinet drop leaf table wall semi circle . The one-piece job (Figure 2 candelabra baroque .76) described below can be easily altered to suit circumstances victorian sutherland table . It provides a working surface of 24 in antique ladies writing wedgewood . X 36 in de hua blue and white characteristics . with a 16-in “stickley brothers” quaint furniture reclining chair . clearance at the rear for tall articles such as electric mixers artdeco gilded lacquer furniturs . A plywood counter is specified on the assumption that it will be covered by linoleum, or other suitable material furniture makers of the 16th century .
Before the sides (A) and (B) of the cabinet are glued, a Y4-in “glass liners” plates lead . rabbet Y2 in normandy antique clock longcase . wide is cut along the inner sides of the back edges to take the plywood back english stoneware . After the sides are glued, instead of using clamps, the base cleats (E) can be screwed 3 in antique english column candlesticks . back from the fronts of the bottom edges, and the drawer guides (P) fastened in place, including the three on the right side art deco woman figure porcelain . Cleats (R) can also be lined up and screwed into place at this time, ready to hold the rear of the counter’s sides lyre based sheffield candlesticks . Blind dadoes are cut io in danish traders flora danica . apart in the upper sides for the bottom (G) and the shelf of the upper cabinet, (T) west indies bedroom furniture .

Tags: antique mahogany, antique wardrobes, art, art deco ceramics, botto, brass hinges, cabinet, candelabra, catchall, chamber, Chippendale, colorful addition, construction, course, deco, dining, display cabinet, display cabinets, dower chest, dresser drawer, drop leaf table, ebony ivory, empire, Figure, furniture makers, glue, hand, height, hope chest, horizontal edge, odds and ends, pirate chest, porcelain, side, small tables, string, table clock, tea, trestle, trestle table, victorian, wall, woolens

When both assemblies are dry they are connected, one side at a time by means of the side rails and stretchers, and the frame squared up to insure that all four legs will rest firmly on the floor rosewood ant chair . Since the chair is to receive a painted finish, countersunk screws or nails can be employed to reinforce the tenons two tiered tables .
The painted groundwork of the chair frame should be applied before the seat weaving is undertaken sheraton square tapered legs . After all holes are filled and the work sanded and thoroughly dusted, the paint should be applied czechoslovakian porcelain . A dull red background of flat paint is suggested name a piece of furniture that begins with v . Two coats may be necessary, although thorough coverage is not desirable in this simulation of native handicraft antique benches cabriole legs . The turnings can be enameled black; the finials in the original design were left the same color as the frame, but will look well if enameled black chamber pot chairs .
The seat consists of pairs of Y2-in antic candelabra . rawhide strips spaced i in porcelain brass bed ornament . apart, crossing each other alternately at right angles in what is called a “basket weave dressoir timber .” Since the side rails are of equal length, eight lateral pairs of rawhide strands are the first ones stretched into position, one at a time chest of drawers with lots of compartments . The initial, free ends are stapled to the inside of a rail at a corner, and carried up and over the outside of the near rail and down over the outside of the far
rail until all the pairs are tightly stretched at i-in 19th century england wardrobe . Fie “goldscheider mark” . 2 design sideboard inlaid wood .5ob painted louis dining table . Seat woven with
intervals under the uniform tension “spiral legs” table antique . rawhide strips 18th century card table . Seven pairs of longitudinal strands are woven
under and over the taut lateral strands breakfast tables reproductions of antique . The 2-in bullock’s antique couch . difference in width between the front and back rails is made up by spacing the rawhide pairs Y wedgwood keith murray slip two tone .t in value of 19th century silver apostle spoons . apart on the back rail art deco chairs mahogany .
For the rafia seat in Figure 2 antique secretaire desk sheraton .5oa the side rails may be mortised Y4 in hand of fatima drawing . higher than the front and back rails, as shown wooden chamber pot chair . Methods of weaving rafia or rush seats are outlined in Chapter 7 1680 meissen porcelain .
Maple Armchair chippendale antique tables . Traditionally constructed from maple, the type of easy chair pictured in Figure 2 george iv fabrics .51 can be built from any desirably grained hardwood and finished as maple antique chamber pot with commode . Its comfortable lines and simple styling render it a suitable companion piece for other Colonial furniture 17th century bombe commode .
Before proceeding with the construction of the chair it will be found advisable to lay out a full-size version of the working diagram shown in A, Figure 2 1920’s art deco sofa .51 japanned cabinets . Among other things, this will insure that the back posts are cut to the best advantage with reference to the grain of the available stock greco roman furniture . The front legs, arms, and supports are cut according to the pattern in B empire hall bench . The side rails are cut to conform with dimensions shown in A, exclusive of tenons iron and wood refectory tables .
Mortise and tenon construction is used throughout, with double tenons wherever possible, for additional strength edge simplicity tub chair . All tenons are pegged with Y4-in 17th century spanish chair . dowels, which can remain visible in this Colonial type of construction vilas furniture .
shown in C “antique sheffield silver dresser” . The back call now be assembled and clamped pictures of 5 drawer antique library desks and tables . The tenons are pegged with /-in staffordshire figure prince “zebra” . dowels when dry was art deco inspired by chinese art .
Double tenons i/ in antique earthenware spirit dispenser . long are cut in the front rail ends, with corresponding mortises on the inside edges of the front legs, with the front rails flush with the front surfaces of the legs 1800 victorian gate leg table value . Provision is made for doweling the “ears,” which are cut to any desired curve decorative antique casters . The front rail is then glued and clamped into the front legs century english wood shell pattern .
While the front and rear assemblies are drying, the ends of the side rails are cut into double tenons / in french art deco porcelain jaguar . long at the front and r in antique pembroke . long at the back antique monk’s table . These are inserted into corresponding mortises cut in the front and back assemblies and the frame is glued together and clamped square antique oak dressing table with mirror .
When the frame is dry, the arms can be inserted into their mortises in the back posts and doweled to the top of the front legs antique drop leaf tables . The supports are doweled at an angle parallel to the front edges of the rear posts as shown in A, Figure 2 repair tripod table legs .51 myott, son, & co. platter with geometrical designs on border . For additional support, small triangular blocks of Y4-in collectors glass display tables,small . scrap can be glued to the rear ends of the arm, against the back posts antique hand of fatima .
Corner blocks are screwed in place Y4 in chamber pot patterns . below the top edges of the rails, w’th cleats between, to hold the slip frame for the cushion entree dishes with servicing styles . The latter is of simple, lap-joint construction, 20 in staffordshire figures of royalty . X 23-Y8 in antique deer chest . square, and rests on the corner blocks and cleats, flush with the top of the rails telescoping dining table . Alternate layers of upholsterer’s webbing are tacked to the frame, which is then covered with muslin antique sette michael thonet . The fabrication of the cushions is described in Chapter 7 czechoslovakia pottery mark lion .
Loveseat characteristics of 19th century furniture - england . The extension of the maple armchair into a small settee is easily accomplished by adding 22 in french antique furniture eagle emblem . to the length of the front and back rails, thus doubling the seating capacity earliest tilt top tea table . For additional strength, a legless center post is mortised into the back rails candelabrum .
A compact loveseat will result when both front all back rails are lengthened to 45 in luise pottery from czechoslovakia . The slip frame, if lengthened, should have a center brace added; an optional method is to use a frame for each cushion oak table drop leaf with carved legs .
Sectional Units louis majorelle art deco table . The vogue for “corner couches” was probably fostered by the desire to produce a conversational focal point so essential to the achievement of a successful living room antique gateleg tables with cupboard underneath .
To provide for the maximum of architectural differences as well as for individual whims, sofas or couches are now available in three or more sections antiques antique oak sideboards dutch style . The two outer sections have one arm each and the central section has none, thug making iL*- possible to place them around a corner, with a corner table of the grope collectors dinner services . size to fill in the gap antique gateleg table with scalloped tops .
As pictured in Figure 2 art deco hammered silver candlesticks .52, these sections can be easily constructed from the original maple armchair model old english pattern forks with four tines . On the end sections, the inner arms are omitte and the inner front legs cut off level with the top of the front rail; the >11idd, section is armless tavolino giapponese realizzato in lacca e avorio .
An optional method would be to construct one or two loveseats, omitting the arm toward the corner antique chinese chicken coop . When constructing settees, sofas, or loveseats with a definite location in mind, actual measurements can be translated into furnitur-, that will fit the exact position modern dressing table designs .
12
Fabric Stitched
TO Muslin
Brait
‘1
r2loyers of Cotton
B
FiG antique candlestick queen anne tripod legs . 2 hanoverian pattern flatware changes .53 davenport cupboard desk . Multi-purpose stool mahogany coffee tables .
Multipurpose Stools telescopic supports for tables . A sturdy set of from three to six king-size stools (Figure 2 lusterware made in czechoslovakia .53) will serve as a single or double bed at night and a couch or around the-corner sofa by day 17th century clocks . Of simple lines in the modern manner, the stools are C:f an elementary construction which is easy to upholster antique cuttlery (silver) . Because only the lower portions of the legs are visible, the frames can be built of ordinary rough lumbe>
Since it is presumed that night duty will be infrequent, these stools are designe I to measure 26 in rococo revival furniture . square, which will allow a deep divan seat, after subtracting the depth of back cushions laid perpendicularly against the wall meissen/cabinet plate/19th century .
If three or more stools are to be constructed, all sidepieces can be cut to a 25Y4-in antique tea cabinet . length at one time thonet bentwood rocking chair . Legs can likewise be cut from rough “2 in antique trestle table with iron . X 2 in library table antique with bulbous .” stock, which actually measures about i-ys in english silversmiths . X i -Y,,i in antique gate leg table very narrow . If each side board on each stool is attached to its leg so that all butt joints are identical, assembly-line Leg veneer (plywood)
methods can be employed by marking each board and nailing and gluing one leg to each, so that by the time the first legs have dried, the next board-and-leg can be attached george ii pad foot tea table antique . As in chair and table construction, these succeeding operations should be performed with the stools upright, to insure solidity german antique sideboards and buffets fluted .
To prevent sagging, the iy8-in flemish ivory inlay furniture antique .-thick cleat is nailed across the center of the frame, narrow edge up, as indicated in A of Figure 2 decorative hand display in porcelaine wood brass silver .53 cabinet with octagon sides reeded legs . The top of the stool, consisting of any scrap %-in 19th century cabinetmakers . stock, is nailed to the top edges of the frame 18th century dutch silver candlesticks . To conserve lumber, these top strips can be spaced not more than i in gateleg drop leaf sofa table . apart duncan phyfe wall mirror . An optional method is to tack crisscrossed webbing ill place of the solid top berkey and gaydressing table . In this case an additional cleat should be half-lapped into the center of the first cleat at right angles, to prevent bowing in of the sides; both cleats should be 2-3 in paris antique pine dining furniture . below the top edges of the frames arts crafts draw leaf trestle .
The upholstery of the stools is not difficult nancy galle furniture . Two or more thicknesses of cotton batting are cut to fit flush with the top edges, held down by black Muslin or cambric tacked to the faces of the sides square silver candlesticks . A strip of the upholstering material about 12 in antique inlay side table . wide is then tacked to the under edges of the sides, with its seam glued along one corner serving sideboards . Two thicknesses of cotton batting are cut to fit the four sides, as in detail B, flush against the top padding, and the upholstery material is brought up and lightly stitched or basted to the muslin topping tureen hague or amstel . The upholstery material is smoothed out and V snips cut in the corners, so that they lap smoothly before it is permanently stitched to the muslin ruhimann table . To finish off, braiding or welt cord of the proper color is stitched 3 in antique mahogany card table, imperial . down from the top, around all four sides german 1940s furniture styles .
The hardwood surfaced plywood facings for the legs are mitered at all four corners all(> can now be glued in place walnut gateleg table with leaves . This veneer can be Y4 in antique desk inlay “art deco” . thick if facilities exist for accurate bevel-miterin’,, what decade era antique inlaid diamond harlequin .
Whether glides of the nonskid caster cup type, previously described, are to be applied to the feet depends on the amount of usage to which the stools will be subjected features of art deco classical indian style . The construction of innerspring cushions will be described ill Chapter 7 art deco reproductions clock . Back cushions are of identical construction, minus the springs directoire furniture .
The successful construction of take-down beds, bunks, and cots depends, t a great degree, upon the proper installation of the fastenings that tie the rails to their posts chippendale reading table fire screen . Since these are limited in practice to two general types, it will prove advantageous to study their characteristics before proceeding to their installation knife boxes, ca. 1800 .
Bedrail Fasteners antique hinged mold blown gilded egg . The commonest type of bedrail fastener consists of metal hooks in pairs, cut from a single piece, as shown in A and B, Figure 2 burr walnut antiques .54 antique +value of lion foot table . They can also be purchased with single hooks for narrow rails, or can be cut or filed from I/to-in mid 1800 majolica umbrella stands . sheet iron, as in A antique chinese brass salvers . In cutting out a set of bed hooks, much of the work can be accomplished by drilling a series of holes and filing the resulting rough- edged pieces to the finished size antique silver wine urns .
FIG antique renaissance refectory table . 2 duncan phyfe buffet with legs .54 mahogany gateleg table . Bedrail fasteners french tableware antique .
The use of one blade of a dado saw will simplify grooving the rails and po ts rosewood antiquite - decoration . The grooves in the bedrails should be deep enough to support the fasteners or hooks for at least one half their length hanoverian pattern forks . The saw kerfs should not run through he top of the rail, the cut being limited to the end and bottom edge only susie cooper kestrel teapots for john lewis . The h les for the pegs can be concealed by drilling slightly undersized holes from insie, stopping before the drill breaks the outer surface of the rail antique george tallboy . The metal pegs an then be driven in to secure the fasteners, as indicated in C antique victorian lion’s paw leg table .
pin locations oil the outside of its post (detail D) white bombe type chest of drawers . The holes for the pins should be so centered that the hooks will exert a ramming action against them, drawing the rail ends tight when the rail is still approximately Y8 in spider legs folding card table . above level neo classical silver candlesticks . Driving the rail down to its final position will tighten it against the post, forming a rigid joint drop leaf coffee table which raises to table height .
The location of the pins having been marked, the depth of the saw kerf can be measured, and corresponding start and stop blocks set on the circular saw bidet square . The pins are later driven from the inside, as was done oil the bedrail japanese silver tray with glasses .
An older form of fastener is by means of a bolt with a notched nut, as shown in E of Figure 2 1960 period style coffee table designs with lion claw feet .54 pictures of antique honey pots . Short Y2-in markings for blue and white asian porcelain antiques . dowels are glued into the rail and holes drilled to receive them in the post charles mackintosh wardrobe . A pilot hole is drilled in the post for a headless handrail bolt, with a hole opposite it in the end of the rail, to a depth of from 2-3 in antique serving tables . A large hole is now bored through the thickness of the rail to accommodate the notched nut at the end of the bolt continental silver gilt apostle spoons antique . If a handrail bolt is not available, a long carriage bolt may be used, and the hole drilled completely through the post 13th century italian cassone . The outer part of the bolt hole in the post should be chiseled square to hold the square shank firmly at the head end antique oak table trestle drop leaf . If it is desired to conceal the bolthead it can be countersunk and plugged walnut drop leaf table with brass casters . Metal rosettes are sometimes used to embellish an exposed bolthead, if desired 1896 british ceramics . The notched nut is driven home by means of a nail-set, or similar tool 18th century meissen porcelain .
Service Height booths chipendale turreen . Our servantless homes have caused thoughtful research into the minutiae of drudgery by the home economics departments of universities, high schools, and associations general description of design style of art deco . One of these investigating agencies is the Pratt Institute of New York City, which has made, among other studies, exhaustive ones of the fatigue factors encountered in bedmaking art deco glass candlesticks .
Not only was it discovered that today’s smaller bedrooms have more or less
conventionalized the placement of beds with one side against a wall, but the so-
called “Hollywood” bed influence has resulted in a much lower couchlike effect,
which in turn is producing definite repercussions in the sacroiliacs of the bedmakers antique wine cooler and stand .
To point up the results of their fact-finding experiments the following figures
are quoted mahogany circle table with drawer . With the average bed iqY2 in 19th century furniture feet . high, placed with three of its sides
high
to the room, the bedmakers moved around the bed in an efficient, clockwise procedure which succeeded in producing an acceptably made-up bed with miter-cornered sheets, blankets, and blanket cover in four minutes and fifty-three seconds, with what they termed seventy-five “heavy gestures” all(> one hundred four “light” ones value old wooden card table with numbers painted on it .
To make up the same bed (open at three sides) 24Y2 in antique china furstenberg . high, the investigators recorded only fifty-five heavy gestures and one hundred sixteen light ones; (the time was not given) tableware expensive .
Although new springs and mattresses average about 6 in camillo marcolini portrait . in thickness, if only 4Y2 in apostle tea spoons made in england . is allowed for each, it will be found that the beds described in this section are dimensioned to a 21-in drop front desks . height majorelle chair fruitwood . With new springs, mattresses, and pads, this height will probably exceed the 2 ft 19th century furniture styles . preferred by the researchers wood round pedestal with claws legs .
Double-Decker Bunk-Beds best indian furniture designers . As a pictures of antiqued cabinets . space saver a bunk-bed unit (Figure 2 mortlake salt ware stoneware .5S) is ideal for the younger children greek inspired side chairs . Of simple design, it can be parted, in later years dining table antique before 1800 . into separate, twin-size beds 70’s baroque furniture . When used as a double-decker, the lower bunk is assembled from the head ends and the upper bunt: from the foot ends antique wrought iron glass dining tables .
The two units are built to house a standard 39 in mahogany cellaret . X 72 in value old wooden card table with numbers painted on it . cable or link spri g antique oak drop leaf gate leg table . If these are not available, rope springs can be woven by lacing the rope into 5- n antique inlaid wood card table . squares through holes in the sides and ends of a firmly constructed, separate woo( `1n frame antique maple desk table . Although this will sag in time, it will satisfactorily bear the weight of small children mortlake salt ware stoneware .
The posts, rails, head, and footboards when cut according to the dimensions in Figure 2 burr walnut tallboy with inlay .55 can be assembled into two beds which will fit standard grin-bed springs 39 in antique carved gate leg side table . wide, as previously stated 17th century bureau chest . It is of paramount importance t at available springs be measured first, for certain widths are no longer on the mark t, and it is obviously poor policy to build a bed too narrow or too wide for the Sprils that are supposed to fit into it eureka bulle magnetic clocks .
A simple pattern for the headboards and footboards is shown 1930 british chairs . They are nir- tised and tenoned into the centers of their posts, leaving Y4-in british cabinetry best examples . offsets on eit r side draw leaf table spiral shaped . Pegs are inserted from the inside for additional strength late 1800’s dining table european . The stretchers of
Description
Sides Steps Safety rail The detachable ladder is made by gaining the ends of the steps into the ‘des of the ladder, securing them with countersunk screws whose heads are covered by glued plugs, dressed flush directoire sofa .
A detachable guardrail is desirable during the children’s early years rosewood chaise lounge 19c . To prevent its wearing the footboards, the underside of its notches can be protected by lengths of old inner tube, glued in place hinges for antique gate leg tables .
The lathe enthusiast will probably wish to try his hand at ornamenting the bedposts, against the time they become twin beds 1920s british furniture .
FIG neoclassical cylinder bureau . 2 antique 2-tier pedestal table .56 roman gothic furniture .
Paneled Bed hepplewhite handkerchief table . Built in the modern style with panels of hardwood plywo d, antique silver roll top warmer . this bed can be enlarged to standard double size by adding 16 in small antique tables . to its width to accommodate 54-in lenci mermaid figurines . springs demilune marquetry occasional tables . The back of the head is flat, and covered by a single
each section are tenoned and pegged with their lower edges 13% in roman tripod table . above the bottoms of their posts 1954 antique floor standing ashtrays .
The side rails are hooked into place with a -Y4-in 17th century brass candlestick rectangle . offset, in the manner explained at the beginning of this section england biedermeier chest of drawers . Cleats to support the springs are screwed flush with the bottom edges of the rails pictures of antique tables and chairs .
Steel pins, when obtainable, are excellent for joining the two bunks together marble leos furniture . Otherwise, i-in antique table telescoping . dowels are glued iy,, in meissenimitators . down into the center of each headpost, with iY8 in art nouveau dresser . protruding to fit into corresponding holes in the feet of the upper bunk antique octagon oak table . At some later date, when the bunks become separate beds, the protruding ends of the dowels can be sawed off lush, or drilled out for finials or turned buttons antique half leaf entry table .

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Plywood Screens trestle table antique german . For the cabinetmaker who has access to rabbeting or dadoing planes or equipment, the construction of a screen with an exposed frame holding plywood panels will prove a worth-while project antique dressing tables .
Such a screen can be constructed, however, of narrow tongue and groove flooring strips with the tongues ripped off and planed down wood secretaire . The uprights are cut the same length as those of the wallpaper screen with grooved sides inward, facing each other recipe for “soft paste porcelain” . The top and bottom stiles are haunch-tenoned into the uprights, with the grooves toward the center of the frame porcelain french imitation planter . The interior stile, tenoned two thirds of the way up in the frame, must have its tongue replaced by a groove to receive the plywood panel forks ivory handles . Panels are cut and fitted into the grooves of the frame before the tenons are fastened and glued dutch provincial furniture . No glue is used on the panels nabeshima shi shi porcelain .
A more workmanlike job would include curved top stiles and varying widtlis in the interior and bottom stiles aimone mfg co new york . The framing should be at least Ys in cherry table with lift up top antique . thic I C, with widths as shown in Figure 2 ebay - 8 legged mahogany drop leaf dining table .4 angouleme guerhard . The inside of the stiles are grooved (detail A) or rabbeted (detail B) to take the plywood plus quarter-round moulding 19th century sideboards . After their positions are marked on the uprights the latter are rabbeted and the fra
glued together with mortise and tenon joints (or dowels) antique octagon oak table . The plywood pants are held in place by the mitered strips of moldings, glued and bradded into place 1930 british chairs .
Tapestry Screens dresser with open area . If desired, the panels can be covered by a favorite tapestry, embroidery, or other material vintage porcelain plate with brass pedestal . In the interest of economy, as well as minimum depth for the rabbet, beaverboard or heavy cardboard can be substituted for the plywood when the surface is to be concealed by fabrics or other materia 19th century secretary .
d
Nautical Screen decorchement glass windows 1930 . For the marine rumpus room, porch, or boy’s den, wid stiles and rails of well-grained wood are doweled, or mortise and tenoned, so that sailcloth or unbleached muslin can be whipped taut with white cotton rope as shown in A, Figure 2 ebony breakfast table 18th century .5 furniture in neo classical style,east india company, india . Metal grommets are riveted into the four hems of ea(h of the panels, which can be stenciled with appropriate salty designs 18th century english furniture coffee table book .
moldings lion leg decoration table . For additional security the moldings are bradded together at tops and bottoms antique knife sheffield marbles . It is well to brad the first and last pair at intervals throughout their lengths brass skimmer antique .
The resulting screen can be painted to match the other furniture, or the trim 4 the room captain’s davenport with working drawers on both sides . If desired, a design can be painted oil either or both sides, likewise ():, austere style .e side can be painted in one color and the other in another color wrought iron tripod candlestick 16th century .
PICTURE FRAMES
With the variety of moldings available at most lumber yards it requires only a bit of care on the part of the home craftsman to enable him to construct his own picture frames 1840 gate leg tables . In fact, a large
amount of the accuracy required in cutting and fitting the sometimes tricky miter joint can be eliminated by using the combination miter board and clamping jig shown in Figure 2 antique black lacquer japanese mirrors .6 dining furniture design in 1900 .
Miter Board and Clamp art deco candle sticks . The dimensions of the jig will of course depend upon the sizes of the frames to be constructed cabriole legs desk . To accommodate an average-sized picture with mat, measuring approximately ioY2 in antique gateleg table rectangular . x 14Y8 in “17th century dining table” ., a piece of heavy plywood or glued-up stock 21 in trestle table refectory tables oak . x 2 - in hand blown romer glass . will
en Outer 1 of
suffice antique bureau sideboard . liter cleats 0 1/2 in drop front desks . to
2 in french inspired desk commodes, imitation . hardwood are screwed around
the four sides as shown in the di-
agram deco cabinet making . At one corner, oak strips Fie 1800’s cylider desk . 2 antique spiral leg writing desk .6 antique mahogany card table .
are screwed down to form the miter
board spanish puente pottery . These strips must be cut and fastened accurately and square dutch 17th century bombe commode . Wedges are inserted when the miters are cut, and again for clamping the four mitered corners after gluing dropleaf suppertable with pedestal base .
Scratch Stock art deco wooden armchairs . Simple frames can be
Blodc beveled or rounded with a hand plane antique kayseri silk carpet pictorial hunting . Beading and other designs can be gouged out of close-grained hardwood with a homemade scratch stock, shown in Figure 2 art nouveau display cabinet .7 16th century english joyned table . This tool must be “made to order” for the size of the molding it is to shape english baroque furniture . It consists of two hardwood blocks notched to the width and thickness of the piece of old saw blade, which has been filed or ground into the desired shape antique gateleg tables . The blade is held tightly by six bolts with wing nuts, and pushed away from the operation against the clamped molding preformed plywood . Commencing with a shallow cut, the blade is lowered successively to increase the “bite antique silver bread basket .” Sanding is required for a smooth finish davenport drop slant desk shell .
If the molding is to be shaped, it is preferable first to cut the rabbet for the glass in the back extending tables . Should the molding be too thin to take a rabbet, thin strips
glass
can be glued and bradded Y4 in 19th century european cabinet makers . to Y8 in staffordshire figure prince “zebra” . from the inside edges to form ledges reproduction 18th century tea bowl .
In cutting the miters in the miter block the main requirements are tight wed’ ing and accurate measurements birdseye maple side tables . If the opposite sides of a frame are not exact y equal in length, the corners will never come out square “hunt diederich” woodstock, ny . To allow for the mit r, in measuring the length of a molding, twice its width must be added (minus the rabbet) to the over-all picture or glass size on that side thonet bentwood rocking chair . If a faulty miter is cut, it can be repaired by clamping it tightly at a known right angle and making one )r more saw kerfs through the joint to even up both sides 17 century french lead dining plates .
As the miters are cut and “dry-fitted,” it is well to number them in penc 1, after the cut surfaces are sanded coalport poisidon . A thin sizing coat of glue should be applied to close the end-grain pores late 1920s patek winged lugs .
For light frames, picture-frame nails, in addition to the final glue coat, w 11 suffice english furniture dressing table . Waxed paper should be placed under the joints before the jig is glued ar d clamped in antique harp italy end table . In heavier frames, corrugated fasteners driven into the rear can be used, provided the molding is thick enough raoul lachenal monogram .
Dowels are necessary reinforcements for heavy frames, and slip feathers or splines of veneer (Figure 2 inlaid antique side table .8) have great holding power chiffoniers court cupboard . Grooves for the latter
type of joint consist of a saw kerf through
ve,?eer both members when they are clamped to-
iaSarvKerf as shown antique card table with one flap . The grain of the feather
or spline should be at right angles to tl e
J miter cuts hirado porcelain .
Finishes dutch antique oak chair . The finish of the frame depends on the kind of wood employed, the color scheme of the room, and most of all, the picture itself antique revolving bookcase . If a clash with other hues can be avoided, an interesting trea
ment is to select a dominant color or spa e e in the picture as the principal color for
FIG does seafood damage silver dishes . 2 paper mache tray india .8 19th century. english cabinet . the frame decoupage veneer . When the frame is beaded, an inner band of silver or aluminum paint s
another pleasing variation suitable for many framings spider table supports . Gilt, bronze, and silver
paints are standard finishes silver plated furniture .
Three-Dimensional Effects how to age a refectory table . When duplicate pictures or photographs
interesting depth effects can be obtained by the use of an additional sheet of glass antique frnech empire furniture . First a piece of glass the same size as that already cut for the frame is laid over the picture and its mat, as it will appear in the frame antique gate leg table makers . Then the central, foreground part of the picture is cut out and pasted on the second glass sheet directly over the same figure in the glass-covered picture lion head and paw antique table . All that remains is to cut the rabbet in the back of the frame deep enough to receive both pieces of glass, the mat, picture, and backing, as in Figure 2 hunebelle glass .9 romans ang greek furniture .
iii
Cardboard Backing
Picture
&1QSS With cutout
Intermediate te Background Glass With Cutout Foreground
Clear Wass (Front)
Fie porcelain cris de paris . 2 orrefors blown glass & stemware & smoky gray .9 berkey gay antique furniture . Three-dimensional pictures rene jacques decorative wall pendulum clock .
Even deeper relief can be secured from three identical pictures, with objects in the intermediate background cut out and cemented in their proper positions on a third piece of glass, midway between the other two regency period chamber pot .
Trays rietveld . Heavy frames holding triple-strength window glass make excellent serving trays when backed by light, felt-covered plywood that has been glued and bradded, or screwed, to cover the entire back of the frame shallow display cabinet . The best practice is to cut a second rabbet to the depth of the plywood, / in dining table austin tx art deco japanese . inside the outer edge of the frame louis xiv dining table . A picture, design, or piece of colorful fabric call be inserted between the glass and the backing, and simple handles screwed into the ends refectorytables .
PLYWOOD PROJECTS
Plywood panels, made up of thin layers of wood glued together with the grain of one at an angle (as much as go’) from the other, have proved a boon to cabinetmakers surface decoration of the french art deco . Fabricated with one or both sides veneered with a wide selection of beautifully grained woods, these panels vary in total thicknesses from less than
in glass front marquetry cabinet . to as much as 3 in pictures of victorian era etagere with mirror addition . They come in wallboard lengths up to 4 ft lion paw bedroom set . wide antique dutch desk .
Compared with solid wood, the advantages of plywood lie in its near equalization of strength properties along the length and width of the panel, its resistance to checking and splitting, and its indisposition to change dimensions with changes in moisture content myott son & co. hanley . These advantages result from alternating the direction of grain in successive plies classical pier table . Since the strength of any wood along its grain is much greater than across the grain, equalization of strength properties is approximated by the increase of strength in one direction counterbalanced by a decrease in the other direction antique pembroke tble .The greater the number of plies for a given thickness the more nearly eq -1 will be the strength properties along and across the panel, and the greater t e resistance to splitting 17th century tool chest . The use of an odd number of plies permits a balanci g of stresses, whereas when an even number are used, each pair of plies at rig it angles tends to distort the other when changes in moisture content present n opportunity for warpage or cupping knife case with green handled cutlery antiques . In addition, the shrinkage of plywood co
strutted from five or more plies is less than that of three-ply material and me e nearly equal in directions parallel and perpendicular to the grain age of antique french refectory tables .
There follow a few examples of relatively simple projects employing plywood
to a maximum degree shallow display cabinet . In general, plywood material is not suitable for rabbeti g,
grooving or dadoing operations, w’ h
Z’
hand tools export quality porcelain . With high-speed machi e Z tools satisfactory jointing can be acco
1 immitation queen anne style bedside cabinets .* 1- -1
p s e particularly where the depth IL
Pt 11′ antique german furniture for sale . cut completely severs one or mr e
the restoration style furniture 1815 1830 .Pobbetedplies and stops before entering g the 11;0
JointA ply or crossband cherry table with lift up top antique . Exposed edges can e bound as illustrated in Figure 2 silver clocks .ro or sanded smooth and camouflaged w th darker stain than used on the face of -1 e material “pembroke table” . If preferred, the edges may ,se
painted with a suitably light undercoat -in brushgrained with the face stain reproduction bedroom furniture lancashire cherry . Beverage Tray victorian tripod tables . A straight, six-glass beverage tray is a satisfying project to
assemble from scrap lumber oak drop leaf gate leg side table .
LUMBER LIST
The endpieces are filed and sanded round on one or both top edges, and Y4411, dadoes cut horizontally across the inner faces, 2 in 17th century chinoiserie silver makers . apart and 1 in antique oak games table . lip from the bottoms pembroke trestle table . One-inch dowels or other suitable handles are screwed in place frm inside, as illustrated in Figure 2 designs for italian occasional tables .11 prices for antique gateleg table .
In the upper shelf six holes with 3-in designing a credence table . diameters are cut out i in curved walnut dining chair . apart, start ng iY2 in art deco furniture bugati . from the ends price of antique gebruder bentwood rocker . The two plywood shelves can now be glued into their grooves and the tray finished as desired french commode . The diameters of the holes in the up-)er shelves should of course conform to the size of the glassware on hand silve filigree fish slice and fork with ivory handles .
Corner Lamp Table delftware pottery . Two pieces of plywood an a half dozen dowels when assembled as shown in Figure 2 austere style .12 will produce a modern corner lamp table of
Thickness, in inches simple but effective design oval confidante sofa . Placed in a corner between two loveseats, or units a sectional sofa, it not only serves as a lamp and smoking accessory stand, I also offers space for magazines and beverages ironstone ware craftman china willow .
LUMBER LIST
f t
Thickness, I 111″idth,
Pieces in inches in inches
Length, in inches
Description
40 Top and shelf
q/ Top legs (dowels)
19 most expensive antique glass vase .Y4 Bottom legs (dowels)
3 Dowels, through shelf
I/ Dowels, into top
Figure 2 seventeenth century english stoneware .12 illustrates the construction in detail were exports scenes common in the chenghua period . All edges are rounded and sanded dresser and mirror and rosette and antique .
In place of the wood top, plate glass with beveled edges and holes drilled above the top dowel legs would be in perfect tune with modern development antique table with rope legs and metal castors . The glass can be attached to the tops of the legs by means of screws threaded through ornamental metal rosettes antique wooden hinges gateleg .
Hanging Bookcase clarice cliff style imitators . Somewhat reminiscent of Chippendale, the restrainA curves of this Colonial bookcase (Figure 2 white bombe type chest of drawers .13) support two shelves that will hc1d at least twenty average-sized books, a top shelf for bric-a-brac, and a small drawer for oddments antique mahogany card table .
LUMBER LIST
Hanging book case sheffield silver candelabras .
This project can be cut from Y2-in victorian writing bureau . plywood or from solid stock, as preferred, and solid stock can be used for a glued-up back also dutch rococo cupboard . After the design shown in Figure 2 folding tripod table with brass top .13 is copied on x-in delatte nancy . squares it is laid out on one of the sidepieces, and the two sidepieces are then clamped together or bradded outside the usable area history of 18th century mahogany wine coolers with brass lion’s paw feet . Both sides can then be cut out at one time with a coping saw or jig saw antique mantel french clocks 1800 hundred candle set . The exposed edges of the sides, shelves, and spreader are finished smooth by sanding imperial drop leaf antique table .
Rabbets “Me, in antique dutch bombe bookcase . deep and Yj in 17th century chinoiserie silver makers . wide are cut in the inner rear edges of the sides to receive the plywood back, and in the bottoms of the drawer front and sides for the 3M6-in josef originals value . bottom panel victorian sutherland table .
Blind dadoes Y4 in 19 century sewing table . deep and Y2 in 1950’s staffordshire porcelain religious figural . wide are cut in the sides of the bookcase the lengths of the respective shelves, measured at right angles to the back rabbet, with a Y vintage drop-leaf tables .j in antique furniture from government buildings for sale . X Y2 in antique regency furniture . blind rabbet for the spreader antique english stoneware pottery . Dadoes 3/io in antique federal sofa chair . deep and -Y4 in 1930’s italian furniture . wide are cut in the center of the drawer sides for the runners antique drop front desk . After the drawer parts are sanded the runners should be tested in their grooves for smooth fit finmar alvar aalto stool .
Three screw holes are drilled along the centers of each shelf dado and countersunk %(1 in “european art deco” war . on the outside; two such holes are prepared for each end of the spreader nicolas bernard fiat . The bookcase can now be assembled with flathead screws and glue bernard palissy antique . When dry, the back panel is bradded in place along its rabbet and screwed to the back edges of the shelves regency period chamber pot . Countersunk screwheads are covered by glued plti- chenghua foot rims .s cut from close fitting dowels and sanded flush smallest davenport desk .
The drawer sides are now assembled to the front and back with glue and brats and the bottom is slid into place and bradded walnut escritoire . With the drawer as a templet t e locations of the two runners can be marked for gluing an(> bradding into place art deco side table .
A wooden or brass knob is screwed into the drawer front an(> the bookcase s ready for finishing chamber pot . Many old Colonial pieces used black paint to cover end-gra n edges sheffield shovels . For sanded plywood edges a darker stain can be used or a close gra n simulated over a light undercoat 17th century drop leaf oak gate leg table .
Since the sides are 15/1 in restoring draw leaf table . apart, the bookshelf can be hung oil nails or scre s driven into the studs of a wall french napoleon mirrors . which are customarily spaced on 16 in consolidated lamp & glass company of coraopolis, pennsylvania in 1926 . cente Holes for this purpose can be drilled diagonally in the upper portion of the sid;•, or, for greater strength, flat metal eyelets purchased or cut from sheet metal a d screwed into the back of the top ends antique writing table inlay legs . If it is not desired to drive nails into tlie walls, the bookshelves can be suspended from wires from picture hangers llook;d over the picture molding czech opaque glass batch .
Sewing Cabinet napoleon cabriole leg . Of continuing popularity with the fair sex are various for s of Priscilla sewing cabinets (see Figure 2 noveau austrian style .14) marquetry occasional tables . The compact little receptade described below can be cut from plywood and assembled with a few simple too s louis fourteenth chairs .
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